Clandestina travels from Catalunya to new destinations with accordingly named labels, such as Blanc Fugitiu (fugitive), Orance Censurat (censored), Ancestral Confiscat (confiscated). Read more about these here in an article from the cancelled Rawfair this March, where I met winemaker Ferrán at wine bar WineO in London.
This week’s wine, Blanc Sense Papers 2019, has made it all the way to my northern local wine shop. It originates from a more than 50 years old xarel.lo vineyard. The grapes from the three plots were harvested seperately at different times to ensure perfect ripeness, the different harvests are fermented in steel and aged in demijohns for different periods of time, and the last harvest kept in oak for 4 months, before blending it all and bottling unfined and unfiltered. -I base my wines on acidity, says Ferrán, -and I like Bourgogne Aligoté, he answers to my question what he tries to achieve. And acidity he has managed to retain. It really is acidic. I am not sure if it has the body to match, but time will show.
Blanc Sense Papers 2019(Bodegas Clandestina)
Yellow with green and grey hints, slightly turbid. Aroma of green apricot, flowers and grapefruit. Fresh and luscious, dry, good acidity, good length.
Time to celebrate. Maybe not the year that lie behind us, but rather a toast to life, art and good wine itself. There are many possibilities; champagne, crémants, cava… Cava? All right, listen.
Agustí Torello Roca (AT Roca) belongs to the family that gave us Kripta and other great great cavas and wines from Sant Sadurní d’Anoia. While Agustí Torelló Mata (ATM) has turned to organics AT Roca goes further; with a more natural approach, and has also joined the ranks of those who leave the very strange DO Cava, that in reality stands for a way of making wine rather than a sense of place.
Agustí Torello Roca and his father and aunt Agustí and Lali founded AT Roca in 2013. One of the first priorities was to join DO Classic Penedès, a subdivision under the DO Penedès formed in 2012. It started with just 10 members, and has been growing ever since. DO Classic Penedès is perhaps the first governing body that requires organic certification in order to be a member. In addition to the farming requirements, 15 months aging on the lees is the minimum (while only 9 months within DO Cava), and all wines must be made by the traditional method and vintage dated. AT Roca goes further by only using indigenous yeasts and harvesting 100% of their grapes by hand.
For their single vineyard wines, they ferment in used barrels and age the wines on the lees under natural cork instead of crown caps, both of which are rarities in the region. Sulfur is only used once to block malolactic as an effort to retain the acidity. All their wines are zero dosage. They only work with indigenous Catalan grape varieties, with a focus on macabeu.
AT Roca Reserva 2016(AT Roca)
Yellow with greenish hints. Aroma of fennel, lime, breadcrumbs. Good body and concentration, nice acidity, and a salty dry finish.
Price: Medium
Food: Good Spanish ham, light meat, salads, dried fish and tasty shellfish
César Márquez Pérez is one of the young winemakers who contributes to make Bierzo a dynamic area, and it’s easy to predict that he will become a far more well-known name than today. He is the nephew of Raúl Pérez, who has mentored many producers in their initial phase.
César started his own project in 2015, and works with a number of plots, several of them with over a hundred year old vines. He has 2 hectares in the Valtuille de Abajo, at the moment he also uses purchased grapes from 3 hectares, where he works closely with the growers. It is mostly mencía for the red wines, but also around 10% garnacha tintorera, most often grown in the same fields.
He applies a similar production method for all red wines, thus they are suitable for showing differences in vintage and vineyard conditions. The grapes are always grown organically, they are partially destalked and fermented in open old barrels. The maceration time is normally quite long, but with careful extraction. And the use of sulfur is always careful. The result is very fresh, vibrant and expressive wines.
We are in the paraje El Rapolao, located in the pedanía (neighbourhood) of Valtuille de Abajo (which in turn is located in the municipality of Villafranca del Bierzo). This is a very important site, 3.5 hectares with 20 owners, of which 10 make wine that will potentially have the name on the label. It is the coolest of the fields César has available. Ricardo Pérez Palacios also buys wine from here for his tax-free bestseller Pétalos.
César in the Castro Ventosa family bodega
El Rapolao 2018 is, as we have heard, a single field wine from one of the coolest corners of the Valtuille de Abajo, but not higher than 540 meters. The exposure is north-facing with a clay soil. Dark color, cherries, slightly reductive, some smoke and spices, fine-grained tannins. A very elegant wine.
El Rapolao 2018(C. Márquez)
Dark cherry colour. Intense aroma of red fruits (cherries), cloves, some spices. Fleshy, yet fine-grained tannins and good acidity. An elegant and smoky mineral wine. It’s slightly reductive at some point, thus changes in the glass.
Let us start with the conclusion this time: This monastrell is a modern, juicy, “gluggable” wine way up the natural road – but at the same time it is the Mediterranean, slightly spicy, Provencal-herbal, hearty and quite recognizeable. I love it, and wrote about the previous vintage here.
This particular wine is made by 30 year old wine maker María Jover (born in nearby Alicante) who has a modern approach. The vines are between 20 and 40 years old, organically grown, in the old system of “terraje”. This concept involves renting the vineyard to the farmers, who take care of the quality of the vines. As a bonus the landowner in this specific project 7% of the production is given back to the farmer. This is a very common practise in Jumilla for old vines.
The producer owns some 80 hectares, mostly monastrell. The grapes for this wine were de-stemmed, lightly pressed and fermented with indigenous yeasts on steel, before malo-lactic fermentation and a short ageing in cement. (Here is a bit more reading, such as a presentation of the previous vintage.)
Parajes del Valle Monastrell 2019 (Parajes del Valle)
Dark colour with a young blueish hint. Aromas of dark and red berries, like blackberry and cherry, aromatic herbs (rosemary, thyme), and a hint of lickorice. Juicy in the mouth, it has a coolness to it, like a fresh, natural acidity, but at the same time a serious southern quality hinting to coffee, or maybe tea leaves.
Price: Low
Food: Light meat dishes, bacalao, Murcian paella, pizza, hard cheeses, and almost everything from the grill
Finca Valpiedra is a single estate owned by Martínez Bujanda family. They started out in Rioja as early as 1889, and bought this place in the 1990’s. The finca is located in a bend of the Ebro river, between Fuentmayor and Cenicero. From here they launch wines in a crossroads between tradition and modernity, with some initial oakiness. Among the modern features are organic growing, estate focus, and the wines will reach the balance between oak and fruit after only a few years.
Credit: Martínez Bujanda
Tempranillo is the main grape, supported by a little cabernet sauvignon for structure and graciano for aroma. This particular wine also contains a tiny percent mazuelo (cariñena/carignan). The 2001 was a great vintage in Rioja, and the best wines, like this one, will last long.
Marta Martínez Bujanda and winemaker Lauren Rosillo (in Rueda village)
Here you can read a report from their Rueda winery, where we also tasted their riojas.
Dark red with hint of brown. Forest fruits (blackberry), plums, thyme and eucalyptus over a thin layer of roast and dried fruits. Quite big, mature fruits in the mouth, with rounded tannins. In an optimal stage of evolution, without the sweetness of oak, still some freshness, the fruit intact, the individual parts integrated but still possible to detect.
Price: Medium
Food: We had it with entrecôte, and perfect with lamb, roast, game, hard cheeses…
Sometimes when you feel a grape or a wine region has somewhat lost its direction, there are still someone that knows how to use a compass. It’s not that Rueda is completely lost, but the amount of uninspiring wines, often made with artificial yeast, together with the commercial success in the national market has made it one to “hate” for many. Good to know then, that there are people like Ismael Gozalo in the natural wine field. And among the producers working in a terroir-focused way with natural yeast there are a few. One of the leading ones, but often overlooked, is Bodegas Vidal Soblechero. They are mentioned before, and you can read about a visit here.
They are found in La Seca, located in the heart of Rueda, and the Spanish municipality with the most extensive vineyard. Claudio Vidal has tended the 42 hectares of family vineyards for several decades. Some of the plantings are more than seventy years old. With the climate, the old vines and the airing of the high plain, Rueda is a good place for organic farming.
Today it’s Claudio´s son Vidal and daughter Alicia who hold the reins, and founded in the 1990’s a small bodega built for their purpose.
Vidal and horse
The property is based on the verdejo grape, but they also own some viura (macabeo) and tinta fina (tempranillo). I appreciate their focus on small quantities of single plot wines, and tasting through their lines Pagos de Villavendimia (single plots) and Viña Clavidor (mostly estate blends) is a rewarding exercise. You have by now understood that you should consider this producer when searching for the authentic Rueda.
This week’s wine: The vineyards lie to the north of the municipality. In most of the plots they use the traditional bush vine system. All grapes are hand-picked, fermented in steel, only with indegenous yeast. Grapes from bush vines are harvested earlier, and for this wine some trellis style grapes are picked later. After alcoholic fermentation the final blend is left to age some months on the lees. In fact the wine is bottled every month, so the impact of the lees is stronger every time, as they are never removed. While the first bottlings are always fruitdriven, both complexity and ageing ability are increasing at the next bottlings. Only slightly fined and filtered.
Clavidor Verdejo 2018(Bod. Vidal Soblechero)
Straw-coloured. Aroma of yellow apples and citrus (lemon), slightly yeasty, and a touch of apricot. Quite full and fleshy on the palate, with excellent but integrated acidity, and more to the mineral than the fruity side.
Oníric and Entre Vinyes marks a new organic project from Maria and Fernando Barrena, also partners at Azul y Garanza, with headquarters in Navarra.
The Catalan word oníric means a dreamer and denotes the dream that the couple had, to take over and rescue old parcels and vines that had belonged to their family.
The grapes for this wine come primarily from an old vineyard in the the Baix Penedés with poor soils and naturally low yields. The grapes were pressed before a fermentation in steel tanks. After a 20 days fermentation the wine rests on lees for 6 months. It also undergoes a partial malolactic fermentation. Then it’s bottled with a small addition of sulphites. Unfined, unfiltered.
Yellow with greyish green. Floral aromas with yellow apple and apricot, a touch of almond. Good volume in the mouth, good acidity and a slightly bitter finish.
Price: Low
Food: White fish and white meat, shellfish, hard and mild cheeses, salads
Here is another wonderful saline red wine from what many regard a white wine area in Rías Baixas. The winemaker is Eulogio Pomares, who has his own series of wines also, much acclaimed. (See for example here.)
Caiño tinto is a native variety of the Salnés Valley, a late-ripening variety that can give fruity wines with high acidity. The grapes for this particular wine come from a vineyard over 60 years old with granitic soil. The grapes are trodden without destemming, with daily ‘pigeage’ for four weeks in an open vat, where also fermentation takes place. It is aged for 8 months in three year old oak, where also malolactic fermentation took place. Bottled without filtering or clarification.
2017 had a hot spring with good flowering, but the rest of the year proved more or less unstable with quick changes. In September though, the temperatures were very mild, and the result was a healthy fruit.
Zárate Caíño Tinto 2017(Eulogio Pomares/ Zárate)
Cherry colour. Fresh aroma of red berries (plums, raspberry), some pepper. Juicy, luscious in the mouth, but with a “serious” tannic edge, some spice, and a fresh, long acidity.
Price: Medium
Food: White fish, white meat, tapas, mild and hard cheeses
Here is the last account in this round from A Emoción dos Viños, 10th edition. There were a number from outside of Galicia, from Portugal, even from France – and Titerok-Akaet from even further away, Lanzarote (in the same country though). Here are some great wines from very reliable producers.
Ismael Gozalo is nothing less than a legend within the natural wine world, and famous far outside the borders of Spain. From Nieva (Segovia), Castilla y León, he disposes of centenary pie franco verdejo vines that has been used for the wines of Viñedos de Nieva, and later Ossian. Now he is “travelling alone”, with two lines, one called MicroBio, and the other bears his own name. Well, centenary is here an understatement: Some vines are no less than 280 years old. I have written about his wines many times, so you can search through this pages, and you will find a lot more information. I didn’t taste all the wines either, because I have done so several times. A short post about one of his lovely Nieva York pét nats was published in late May this year (read here).
Ismael met up with Iría Otero (more from a visit to her place in Ribeiro here)
Ismael is a very hardworking, dedicated bloke. But he also like to play with the rock’n’roll myth. Correcaminos is a lovely unpretentious wine, light, unfiltered, open, “mature grapefruity” and thirstquenching. And naturally enough, because of the name (“roadrunner”), it gave name to his “coronavirus tour”. I guess because of the virus there has not been too much touring, but it’s a cool nod to the rock merchandise business anyway. La Resistencia 2019 (an amphora wine from two different parcels and 4 months on the lees) is also slightly turbid, vibrant, with a lovely acidity. MicroBio 2019 (whole clusters, aged in old barrels): Very light in colour; aroma of green apples, flowers; full, rich, juicy, and tasty with a slight touch of sweetness. Sin Nombre is a favourite, and a house wine by me (when available). The 2017 vintage had some colour, golden with green; aroma of stone-fruit, yellow apples, a touch of cinnamon; it’s creamy, a bit buttery, cidery, juicy, and just lovely. I also tasted a Rufete (don’t remember if it was the Rufian or a sample), delicious anyway, a light red wine, packed with red fruits, before I moved on.
Ismael with his Coronavirus TourT-shirt
Marc Isart was there, both on behalf of himself and Bernabeleva, where he is co-founder and winemaker. I have followed Bernabeleva for some years. They are located in San Martín de Valdeiglesias in the Madrid part of the Gredos mountains. They work the land according to biodynamic principles, and in the cellar they use whole bunch fermentation and ageing in neutral wood. They generally use low extraction, and I would say their wines are among the most elegant in the area. For the records: They also make white wines, mostly from albillo. Highly recommended. But because I know them well, I chose to concentrate on Marc’s own range this time.
His own project is further east in the DO. Vinos de Madrid, in the subzone Arganda del Rey. Here he grows both tinto fino, or tempranillo, and the white malvar between 700-800 meters of altitude, on calcareous soil that contains gypsum and clay.
In the La Maldición line we tasted the Cinco Legua Malvar 2019 from calcareous soil, with 40-50 days skin-contact, made in neutral barriques. Malvar is related to airén, but is more aromatic and has more acidity. This wine is technically an orange wine, but is light golden in colour, has a flowery nose (roses), also nuts, lightly textured and full in the mouth. I also liked the clarete of the same name and vintage, made with 15% tempranillo. The majority of the rest is divided between malvar, airén and various other white varieties. The wine is light red;, with aromas of raspberry. In the mouth it is lightly textured, with fruit to the end. The red version, again with the same name and vintage, has 85% tempranillo and 15% malvar, and was blended in the cellar. Cherry red; dark fruits (blackberry), some spice; very clean fruit, and good structure. Gleba de Arcilla 2018 is a wine only from this local form of tempranillo, with one year in used oak. It’s dark red; again with blackberry, some spice and coffee; round in the mouth, with a touch of wood, that will easily be integrated.
Marc Isart, representing himself and Bernabeleva
Germán Blanco makes wine in Rioja and Ribera del Duero. You can read more about this here, in a report from the Simplesmente Vinho fair in February. Albares de la Ribera, just outside the boundaries of the DO Bierzo to the east. Casa Aurora is a tribute to his great-grandmother who handed down the first vineyard. Albares is in a transition zone between the valley and the Bierzo Alto at 850-900 meters of altitude.
Germán grows three hectares of own vineyards. He also buys grapes from two local farmers. These go into the Clos Pepín, a straightforward red fruits-fruity wine that is pure joy, also in the 2018 version that he presented here. Most wines contain many grape varities, including white ones, and I don’t list all of them here. Poula 2018 is a village wine, a mencía blend from various plots. I found it quite fine and elegant, juicy in the mouth with fine-grained tannins. La Galapana is the vineyard handed down from his great-grandmother, almost 1.000 meters altitude. In the 2018 vintage this was darker, with more menthol, but also red fruits, and in the mouth more structure than the previous wines, with an amount of tannins, though very fine-grained. More structured is also Valle del Río 2018, a 60-65% garnacha tintorera: Deep red, blue tinge; red fruits and forest fruits (blackberry), solid tannins and with a vivacious acidity. The most obvious wine of guard among these.
Germán Blanco, Castilla and Rioja
Alfredo Maestro and his wines I have known for some years now. Originally from Peñafiel in the heart of Ribera del Duero, where he has his bodega, but disposes of magnificent vineyards in both Segovia and Madrid provinces. This time I took the opportunity for an update of some of his wines. There is a lot about him on this blog, but I recommend this article as an introduction. El Marciano is a high altitude (1.150 meters) wine garnacha and albillo land, where Alfredo is doing a great job on behalf of the Gredos community. It’s a fresh red-fruity wine, a bit earthy with some texture, generous in the mouth and lovely, lively acidity, and the 2019 is no exception. El Rey del Glam, now in 2019 vintage also, is his take on carbonic maceration. The grapes come partly from the high Gredos vineyards, partly from Peñafiel. There is no pressing, nor destemming. Carbonic maceration is carried out in steel tanks, then malolactic in the same tanks. This wine is also very fresh, with cool, red fruits, and a touch of carbonics in the mouth. It has just a bit of structure, and can be served slightly chilled.
A Dos Tiempos 2019 is from Navalcarnero, a high altitude village in the province of Madrid and the name refers to the fact that the grapes are harvested twice. Alfredo explains that the idea is that the first harvest gives a lot of acidity and low alcohol, while the harvest one month later gives less acidity and a richer alcohol. Then the two are blended and one gets a fresh wine with balanced, ripe fruit and tannins and just enough structure. It was aged six months in used barrels. Here the garnacha is complemented by tempranillo. By the time I got to his table it had been a long day of tasting and accumulated tannins, so Alfredo recommended a taste of his Brut Rosé to rinse the mouth. A delicious strawberry and red fruit-driven sparkler, by the way. Then I tried his classic ribera del duero Valdecastrillo 2018, from various plots between 750-1.000 meters of altitude. This wine had been ageing in half French oak, half chestnut for one year. A super, classic, yet individual ribera; cherry red, potent aroma of berries with a touch of dried fruit (figs), and a long, fruity finish. After this I had decided to leave, but I couldn’t resist tasting a long-time favourite, the lovely fruity, non-oaked Viña Almate. A really interesting one is the white Consuelo 2018, a full-bodied, citric albillo mayor from more than 100 year old vines in Valladolid and Burgos, with 7 days of skin-maceration and fermentation in French oak.
Alfredo Maestro, Castilla y León
After all these Castilians something from Catalunya: Can Ràfols dels Caus I visited in the Garraf zone of Penedès many years ago, when Carlos Esteva was turning his family estate into one of the most dynamic properties of the region. But they have somehow been neglected by me for many years now, for no particular reason. It’s not that I haven’t tasted any wines, but it was nice to get the chance to meet present manager Rosa Aguado for a real update here. The estate comprises 90 hectares of vines, and other crops in addition. The oldest vineyard is one with xarel.lo from 1948. It was in 2008 that they went organic, and at present biodynamic practises are introduced too.
Here is a brief account of some of the wines: Gran Caus 2018, xarel.lo 50%, chenin blanc 30, chardonnay 20:The colour was light golden, citric on the nose, with yellow apples, and quite fat in the mouth. Xarel.lo Brisat 2019: Brisat is a Catalan name for orange wine, and as the name implies this is deeper gold; it has an aroma of flowers, lemon, wax and honey; full on the palate. El Rocallis 2016, from manzoni bianco: Light golden, greenish; aroma of mature apples, aromatic herbs, lime, mothballs; lightly textured, good acidity, long aftertaste with some nuts. Rosa had brought two vintages of their merlot rosé. Gran Caus Rosat 2019 was very light cherry red; raspberry, some vegetal hints in the aroma; very juicy, with a fresh acidity. The 2018 was more towards peach colour; more forest fruits on the nose; and it showed some evulotuion, some “positive oxidation” we could say. Sumoll 2017: “Fine like pinot, rustic like nebbiolo”, I think this was how Rosa described the sumoll variety. The wine showed cherry red colours; red fruits (raspberry, cherry) on the nose, a little spice too; and surprisingly structured in the mouth. Finally Caus Lubis 2004, 100% merlot, one parcel, oriented towards the mountain: Good colour, a bit brick; good evolution, plums, dried apricot, some cinnamon and tobacco; round, complete, still some fruit and acidity. In good shape. “Pomerol del Mediterráneo”, she called it. Not bad.
Rosa,Aguado, Can Ràfols dels Caus
João Roseira of Quinta do Infantado I met for the first time in the late 1980’s, after he had become the first one to break the monopoly of the Porto/Gaia shippers and exported directly from his estate in the Douro. I started this series with Antonio Portela, organizer of this fair. And I round it all off with João, who runs what we can call a “sister” event in Porto, the Simplesmente VInho, where Antonio also participates. (Look around these pages for many accounts, you can maybe start here with a report from this year’s fair.) João admits that it’s difficult to sell port wine these days. But while you are thinking that port is out of fashion, I assure you: Quinta do Infantado is different. The Roseiras, João and now his nephew Álvaro, who has taken over as chief winemaker, want a dryer style. They ferment longer than usual, so there is less residual sugar and more alcohol. Therefore less addition of alcohol is needed, and it is also added gradually. This makes them more dry, and the alcohol is balanced with the fruit.
I visited his farm in February, so I just tasted a few wines this time. I simply had to re-taste their fabulous organic Ruby Reserva, that you can read about here. Then I sipped to some of the standard reds and ports (among them the organic tawny) while chatting with João about the times, especially with reference to the coronavirus and the destiny of port in general. Other than that I tasted the wines João had brought from 2010, the year. Quinta do Infantado Colheita 2010, the first ever vintage dated organic port, did not disappoint: Red fruits, figs, dried fruit, a vibrant acidity, balanced alcohol.
João Roseira, Porto and Douro
This was a much too short report over three articles from this initiative in the wonderful Atlantic environment. Watch out for small reports, wines of the week and other stuff. See you again!
I have met Iria a few times at fairs like Simplesmente of Porto (read a little more here). This summer we agreed on a visit on my way to Vigo and the nearby A Emoción fair. She makes wine in both Ríax Baixas and now also Ribeira Sacra, and they are excellent. But she is literally at home in Leiro, to where she moved with the family a few years ago, after having lived in Vigo and been commercial director of Dominio do Bibei.
When the time was right to make those important changes in life, she started with the Sacabeira label from the Salnés area of Rías Baixas. These are very stylish wines, both white and red. Here in Ribeiro Iria and her partner Miguel grow varieties like sousón, mencía, caíño tinto, treixadura and loureiro. They have one hectare on their own, and dispose of two more. Now Miguel is responsible for the work in the field. They are very clear that the vineyard they want is an organic one with little intervention, but with manual work when there is any, and chemicals are a non-existent issue. If the grapes are tasty in the vineyard, the chances for a good, balanced wine is there.
The project name “wines with memory” implies that she wants to show how they were made in the past, and also that the wines reflect the place they come from. She simply uses the time needed, and the respect that every variety requires.
Tasting and lunch in the kitchen
Here is a lot of granite soil, with some slate and clay. They wines have a maritime character, even though we are not as close to the sea as her vineyards in Rías Baixas. This can maybe be because of the varieties, especially caíño can have a saline touch, and Iria thinks it’s maybe more pronounced in granite soil.
Castes Brancas is, as the name suggests, made from white varieties, treixadura, godello, loureiro and torrontés. It was raised in concrete, where it stayed for 6 months.
A Seara Castes Brancas 2019 (Iria Otero)
Light golden; citric aroma, flowers, green apples and tasteful yellow plums, a bit herbal too; juicy and creamy in the mouth, vivid and energetic with a delisciuos natural acidity.
Price: Medium
Food: We had it with a wide selection of dishes, some of them typical tapas, containing both vegetables, fish and sausages. But it goes well to a great variety of light meat, fish, shellfish…
