Textura Wines is a relatively new star from the Dão region of Portugal. At the Simplesmente Vinho fair this year I tasted their whole range. Recently Marcelo Araújo visited my region in Norway, and I got a welcome update. Marcelo came to Stavanger’s Norvald wine bar together with Alexander Sandli from his importer Belmonte Beverage Group.
Marcelo Araújo, Textura
Partners in Textura are Marcelo, and his wife. It was started in 2018 on the slopes of Serra da Estrela. They work 28 ha of organic certified vineyards in Vila Nova de Tazem and Penalva do Castelo. And appropriate for a winery named Textura, in 2020 they acquired an old textile factory in São Paio, in the outskirts of the Serra da Estrela Natural Park, that is now renovated and incorporated into the winery. (Read a bit more here.)
At Norvald I tasted three wines. Pura Branco 2022 was produced from old vineyards, and the grape juice fermented in barrels and foudre without temperature control.
Light yellow with green hints. Aroma of yellow fruits, flowers and herbs. Good concentration, quite rich, still with a crisp acidity, with a long and salty aftertaste. A super wine, still in its youth.
Textura da Estrela Jaen 2020 comes from a single vineyard in Vila Nova de Tazem with 28 years old vines in granitic soils. It’s fermented with indigenous yeasts in cement vats, with 35% whole bunches. After the first winter in cement it spent 6 months in a French oak vats.
Ruby red. Aroma of red and dark fruits (cherry, blackberry), white pepper, and a hint of earth. Young tannins, fresh, nicely integrated acidity.
Pura Tinto 2020 is a single vineyard wine from a parcel at 600 meters altitude, with 55 years old vines planted in granite soils. It’s a field blend, the most important varieties being jaen, baga, alfrocheiro, tinto cão and tinta pinheira. The grapes were fermented in a used French oak vat with 40% whole bunches, only with indigenous yeasts. Then followed a post-fermentative maceration for 30 days. It aged for 16 months in a used French oak of various sizes.
Cherry red. Aromas of fresh red red and black fruits (cherry, blackcurrant), herbs and underwood. Full in the mouth, intense with fine tannins, a stimulating acidity and a pronounced mineral, earthy finish. A great wine with many years ahead.
I have participated in a tasting with some of Vinmonopolet’s suppliers, organized by the Norwegian state monopoly. The relatively new importer Swirl has a portfolio that focuses on Portugal. Øystein Solvang presented a veritable wave of individual vignerons from various corners of the country, all of whom demonstrated high quality and a large degree of sustainable production. Here I can only name a few. Among those I already have a close relationship with, and which you can read more about on the blog, were Aphros (Minho), Espera and Marinho (both Lisboa), Vitor Claro (Lisboa and Alentejo), Cebolal (Setúbal/Alentejo) and Muxagat (Douro).
Øystein Solvang, Swirl Wines
Among those who were new to me are Tabodella and Hugo Pinheiro, both from Penalva do Castelo in Dão, who represented two different approaches. Where Tabodella had a more classic cut, Pinheiro offered a distinctly fruit-driven, unfiltered style.
A strong impression was made by tasting wines from João Tavares de Pina, also from Penalva in Dão, with the following background. Tavares recently lost his house and 85% of his vineyards in the fire that has ravaged the interior of Portugal. He is a sociable and generous guy with many friends, and there is currently a large-scale campaign underway in Portugal and partly abroad for him to be able to replant the vineyards. João says that the best you and I can do to help is to buy his wines. I have myself bought a couple of cases recently.
Here I tasted a wonderfully developed wine, Terras de Tavares 2002, with a brick-red color, aromas of dried fruit, well-hung meat, prunes and a hint of smoke. This evoked memories of an evening at the home of João and his wife Luisa, with a fire on the fireplace in the cold winter, when we enjoyed delicious food prepared by João himself and also had a similar wine (Terras de Tavares 1997, read about it here).
I said hello to 2 x Ole Martin. It was the first time I had met Ole Martin Alfsen, who is known in several disciplines of gastronomy and wine. -Now it’s mostly wine, he says. He has developed his own portfolio of wine made in collaboration with producers in several countries, often abbreviated to his initials OMA. He always hits the mark with quality at reasonable prices. The wine name XinOma probably says it all; it is made by him on the grape xinomavro. Ole Martin also tells how he works in collaboration with producer Oenops. This grape often produces light coloured wines. The wine is light, but also has a nice concentration, with good primary fruit and an aroma of flowers and herbs.
Ole Martin Alfsen
We also tasted a rosé version of the same wine, a pét-nat and a blaufränkisch made in collaboration with Heinrich in Gols, Austria. Ole Martin also talked about his collaboration with Loimer in Austria, Quintas de Melgaço in Portugal, Giovanni Rosso in Italy and Au Bon Climat in the USA. Finally, we tasted a pinot noir, in which Ole Martin had collaborated with Broc Cellars in Santa Bárbara, California. It’s a fruity, mellow wine. It has a touch of oak, but Ole Martin Alfsen knows better than anyone that such wines also have a place on the table.
Ole Martin Brodvall, Vinarius
At importer Vinarius, Ole Martin Brodvall served wines from the prominent Fitapreta, where António Maçanita is the winemaker. First we tasted a phenomenal white wine from typical Alentejo and Portuguese grapes, mostly arinto. Palpite 2022 had a clean and beautiful fruit with hints of apricot and orange peel and good body, together with a significant acidity. Fitapreta Tinto 2022 was a relatively light and luscious wine with aromas of red berries with balsamic hints, from a typical Alentejo blend. Tinta Carvalha 2022 was also light in colour. Red berries, cherries and a hint of anise and other spices, good length. A good ambassador for the region..
I also met Henriette Batt, who has worked for importer Engelstad for many years. One of the producers she presented was Herdade do Rocim, which is known as one of the leading producers of vinho de talha, clay-aged wine, in Alentejo, Portugal. They also host a festival for clay-based wines. Fresh from Amphora 2023, which came in a 1L bottle, was a textured white. Discreet aroma, but with a mineral and spicy character, with a great and fruity middle part and a salty finish. The red in the 22 vintage has 40% moreto and has a fine touch of cherry and stone fruit, clean and lovely.
Henriette Batt, Engelstad
I was running out of time, so I indulged myself with just a few highlights from several importers. John Sonnichsen (VinJohn) served wine from his colleague Autentico. I tried MA Doña Blanca 2022 from producer Mufatto, who is Argentinian but operates in Bierzo, Spain. There doña blanca finds itself in the shadow of godello. But it stands out: Light in colour, rich with almonds, a bit of spice, good lees character, well-integrated barrel. A great wine, good for medium-term storage.
John Sonnichsen
It is always a pleasure to try wines from the Spanish producer Envínate. Ove Kvalheim at Unico had brought the white Benje 2023 from Tenerife, that is made of palomino fino and has been under a thin layer of flor, but without skin contact: Light in colour, rich, ripe citrus, nuts, fine texture. Superb. Lousas Viñas de Aldea 2022: Bright red, great berry fruit, with some pepper, a cool touch, nice concentration. I also tasted António Madeira‘s red Vinhas Velhas 2021, an elegant wine from a relatively cool vintage and two wines from Areanna Occhipinti. The normal SP68 in the 23 vintage lived up to the usual standard. Siccagno Nero d’Avola 2021 had a wonderful fruit, with flowers and discreet spice, young tannin, great acidity, juicy and concentrated at the same time and good length.
A Portuguese island white was my first wine at yesterday’s tasting at Vinmonopolet, the Norwegian state monopoly. And what a start to the day! Producer Fitapreta is based in Alentejo, but winemaker António Maçanita is very active on the islands. Here is a wine made from palomino grapes grown in Porto Santo, brought to Madeira and finished there. Made with 30% whole bunches, 40 days of maceration, 8 months in used French barrels.
As the company explains on their website: On the island of Madeira, people from Porto Santo are called profetas (prophets), as a response to villões (villains), which the people of Porto Santo call Madeirans. The last nickname comes from vila (city), which thus takes on a double connotation. The wines of Profetas e Villões therefore reflect this duality.
Listrão dos Profetas 2021(Profetas e Villões/ Fitapreta): Pale yellow color with some green. Intense nose with lemon peel, iodine and a flinty minerality. Rich and textured in the mouth, full of flavors with super acidity and a salty finish. Very persistent. This is Portuguese island white taken to a new level.
I have known António and Sara of Casa de Mouraz for many years now. Here I got the chance to re-taste two of their magnificent Dão wines. The Encruzado 2022 is one of the best examples of that variety that I know of. It’s fresh with notes of citrus, flowers and minerals, grapey in the mouth and full of flavours. Unfiltered, it comes really close to nature and the true quality of the grape. Casa de Mouraz Dão 2021 is a cherry red wine that smells like home at their estate, pine forest, red fruits and herbs. In the mouth it’s juicy with some spice.
Importer Non Dos also offered three magnificent sparklers. Two of them were from British producer Oxney, from East Sussex. Oxney 2019 is a complex wine with apples, peach, flowers, nuts and some brioche. Non vintage Oxney Rosé, with 25% seyval blanc, shows red berry fruit, apples and kind, with good concentration of flavours. They also represent Champagne house Fleury, here their Blanc de Noirs non vintage, that came with mature apples, dried fruits and biscuits, along with citrus and a stony minerality. Creamy in the mouth with good concentration.
Guro also poured many good wines that came with unbeatable prices. Various colours of Meinklang was among them. Their Rosa pouch (1,5 liters) in 2023 version was fabulous, with a clear-cut fruit of red berries and herbs, and with a distinct acidity leading to a delicately bitter finish. In spite of its everyday lightweight image it has a decent concentration.
The Wine Merchant is a subsidiary of Non Dos. Pierre here offered champagnes from Colin, that stands for an elegant, less autolysis-marked style. Their Parallèle is a long time favourite, clean, apple and citrus-driven with a layer of anise and herbs.
Liquid is the one importer that is supplying the largest number of Georgian wines to the Norwegian market, here represented by Lasha, himself Georgian. New in their portfolio is Dakishvili. Giorgi and Temuri Dakishvili, father and son, make wines from the family vineyards in Kakheti using the traditional qvevri method. They don’t hesitate to blend in international varieties with the local either. The Family Selection Cuvée 2021 is a beautiful blend of saperavi with cabernet sauvignon, an exciting very dark, sturdy wine that showcases a typical cabernet pepper quality.
Selected Wine Partners presented a bunch of wines from Koncho, also of Kakheti, Georgia. Orange 2021 from rkatsiteli and kisi was light amber in colour, with evident skin-contact on the nose, with notes of orange peel and apricot, along with a full mouth-feel and a distinct acidity.
Textura is another winery that I have known a little, but at Simplesmente Vinho I tasted the whole range. I find their portfolio sound and solid, with some stars.
Partners in Textura are Marcelo Araújo, a former hedge fund manager, and his wife, an academic professor. It was started in 2018 in Dão, on the slopes of Serra da Estrela. They work 28 ha of organic certified vineyards in Vila Nova de Tazem and Penalva do Castelo. Oenology is led by Luis Seabra. Appropriate for a winery named Textura, in 2020 they acquired a century-old textile factory in São Paio, on the banks of the Serra da Estrela Natural Park. This is now renovated, and incorporated into the winery.
D. Áurea is a tribute to Marcelo’s grandmother Áurea. It’s a 100% bastardo from the sub-region Serra da Estrela, at an altitude of 600 meters and in granite soils. It ferments in an open stainless steel tank (lagar) with 30% whole clusters and stays with the skins for 15 days after pressing. Then it ages for 1 year in old French barrels.
D. Áurea 2021(Textura Wines)
Light ruby. Delicate aromas of red fruits (raspberry, cherry), flowery with an earthy tone. Nicely textured, with fine-grained tannins, and a fresh integrated acidity. Expressive, elegant wine for immediate consumption or medium term ageing.
Here is my second article from this year’s Simplesmente fair, where I present updates from producers that I already knew well. I tasted everything they offered, but I will try to restrict myself to presenting only a few wines.
(Read the first article from this year’s fair here, about some re-discoveries of wineries I knew a little.)
Antonio Portela
Antonio Portela from the Morrazo península, Galicia, Spain was a special guest this year. Chance had it that I started my tasting experience by his barrel. The occasion is a sad one, he is not able to continue his work for economic reasons. That means, if not anything unexpected happens we will not be able to taste his wonderful, fresh, saline wines anymore. Antonio has other activities to fall back on, such as writing and teaching, so he refuses to call the situation dramatic. Okay, but to call it a pity is to put it in a very careful way. The white (Mar do) Namorado he offered in the 2020 and 2018 vintages. It is a 85% loureiro, the rest albariño, espadeiro a.o., grown in sand on the beach. The 2020 had a light colour; aroma of citrus, flowers and yellow fruits; wonderful acidity and concentration, long with a salty aftertaste. The 2018, in comparison, had a honeyed edge, but still with plenty of acidity and concentration. The red tinta femia Namorado 2019 was light with red fruits (raspberry), a touch anise, and with a saline finish. The Namorado Berobreo 2019 was in the same line, light in colour and with a super acidity. This one was made with whole bunches.
Miguel Alfonso, Pedralonga
Miguel Alfonso’s family has produced wine for generations in Val do Umia, in the Salnés part of Galicia. The current winery, Adega Pedralonga, was founded in 1997 by Miguel’s father Francisco, and biodynamic practises were implemented ten years later. Miguel says that the work is professionalized, but it follows the philosophy of the ancestors. This means they plough only when necessary, Also in the cellar they do as little as possible. Albariño is not de-stemmed, only natural yeasts are employed, malolactic fermentation is not blocked and all wines get an extended ageing on lees. The Pedralonga vineyards sit on granite soils and are influenced by an Atlantic climate, which very much shows in the wines.
Pedralonga 2021 is a classic, with its fresh aromas of citrus and flowers, wonderful texture, steely acidity, salt and a flinty mineral finish. One of the great whites of the fair. The same can be said of their Carolina 2021, made from caíño blanco, with a greenish hint, quince and herbs, unctuous with a grapefruity aftertaste. Tinto de Umia 2019 is light red with a bit of evolution, red fruits, a touch of smoke and a lovely acidity and a saline finish.
Alfredo Maestro
Alfredo Maestro operates in both his native Peñafiel (Ribera del Duero) and in Sierra de Gredos. Since 1998 he has vinifyed each plot according to its peculiarities, with native yeasts and without chemical products. The artisan practise continues in the cellar, where no machines are used. Wait a minute: Few machines are used. But I have seen on YouTube that Alfredo experiments with drones to do various work in the vineyard. A machine yes, but this is also to minimize the use of that sort.
Alfredo put his signature on the barrel, such as a drawing of the Peñafiel castle of his hometown
Rey del Glam 2021 is an elegant example of the carbonic maceration garnacha. A mix from both Ribera and Gredos, it shows fragrant red fruits with licorice; juicy in the mouth, also with some structure. Almate 2021 Is an un-oaked Ribera: Dark cherry; red and wild fruits (cherry, blackberry); full-flavoured, yet with fine tannins. The skin-contact albillo mayor Lovamor 2021 and the partly flor-aged albillo mayor Consuelo 2020 delivered as usual. So did the speciality La Cosa / The Thing 2020, a sweet moscatel de alejandría. It’s interesting that someone makes a Cigales these days. Alfredo has an interesting garnacha gris called La Badi 2021, made with three days skin-contact. Therefore it achieves a light red colour with greyish hints (“ceniza y cigarro”, ash and cigar, Alfredo calls it). It’s a juicy glou-glou, truely fascinating. I have a crush on Rosado Clásico deValladolid, now in its 2019 vintage. It’s in fact a clarete (in Spain made of red and white grapes, the same as a Portuguese palhete). It’s made with direct press, half in botas de Jerez, half in chestnut. The colour is pale red with an orange tinge, aromas of red berries (raspberry, plum), dried fruit and leather; the acidity and the alcohol (13,5) are integrated, while the tannins, fine-grained though, struggles to see if they can break out.
António of Casa de Mouraz presenting the Elfa and Bolinha wines
I visited Casa de Mouraz after 2017, the hot year with the devastating fires. (Read about the visit here.) They make fresh and inspiring Vinho Verde wines under António Lopes Ribeiro’s initials, alr. Here I choose a few Dão wines. Casa de Mouraz Encruzado 2020 is a perfumed varietal, with the extrovert fruit that the grape can offer, wonderfully balanced. Casa de Mouraz Palhete 2021, a field-blend of 80% red grapes, the rest whites, was light in colour, with concentrated raspberry and strawberry notes, an intense flavour and balanced acidity. Elfa 2017 made from 95 year old vines, with 30 different grape varieties co-planted. Worth mentioning is that there is no touriga nacional (not normal in Portugal, especially when there are that many varieties employed) and no oak. A red fruits- (cherry, raspberry) fruity wine with an underlying pine character; it has a fine structure and good balance. António also presented three wines without DOC, under the umbrella Planet Mouraz. The fact that they come without a DOC would most often mean that they are unfiltered. I tasted two vintages of the white Bolinha, namely 2021 and 2017. This is also a field-blend, fermented in stone lagar and stayed with skins for one week. The 2021 was clearly unfiltered; light golden, turbid; with an intense aroma of yellow fruits and herbs; grapey and full. The 2017 had a bit more colour; intense, with apricot and honey; quite big and full-flavoured, long and balanced. Bolinha is the name of the dog on the label, by the way.
Meeting up with José Perdigão
It’s always a pleasure to meet José Perdigão, architect and vinegrower of Silgueiros, Dão, and taste his wines with labels by his wife Vanessa. A long-time favourite among his wines is the Quinta do Perdigão Rosé, now in its 2021 edition. It’s a rosé with some colour (José can maybe “arrest” me, but I would say somewhat less colour than before). It’s a full-flavoured rosé with aromas of raspberry and currant, and fresh acidity. Another classic from the house is the Alfrocheiro 2013: Dark cherry red with dark fruit aromas (blackberry, blueberry), pine; structured in the mouth, elegant, and very much alive after almost ten years. One that I don’t remember to have tasted is Noël 2015 (named after his youngest son). This is another wine that has kept well: Dark cherry; ripe red fruits (cherry, prunes); smooth, full of flavours. Still potential for ageing.
Lastly a trio from the Lisboa region. André Gomes Pereira and his Quinta do Montalto are actually found in the municipality of Ourém, in the Santarém district. But the wines are launched under neighbouring Lisboa’s regional.wines, if not DOC Encostas d’Aire (Medieval de Ourém). Pioneers in Portugal, since 1997, all crops at Quinta do Montalto are organic.
His medieval wine, a red and white blend, must be mentioned. This year I was in a hurry and skipped it though. I tasted his amphora wines for the first time. The vessels are made locally. Originally the manufacturer used epoxy. André said that this is “cheating” and against tradition. He said to André, why don’t you do it yourself? Then, as a statement, André decided that he would himself coat the amphoras with resin. Ánfora de Baco 2021 white is a varietal fernão pires, made 30% with skins and 3 months ageing with skins and on lees. Golden colour; flowers, resin and yellow fruits; full on the palate, fresh and Atlantic. The red equivalent with the same name is made from equal quantities trincadeira and aragonêz. Garnet red; red fruits (cherry), stonefruit (plums); super acidity and salinity. Cluricun Skin 2021 from grape varieties siria and fernão pires, 3 months on skins, was a peculiar wine. Pale amber colour; aroma of clementine and nuts; medium-bodied, with a light tannic grip.
Pedro Marques of Vale da Capucha (Turcifal, Torres Vedras) is a top producer, right there up with the very best. I could have mentioned all his wines. I will not, but I can say that they are focused, elegant and shaped by the terroir. The vineyards are planted on kimmeridgian limestone with clay. The white Fossil 2017 sums it all up. The name tells the story of a winery only 8 kilometers from the coast, in earlier times under water. Fossil has a light golden colour; aroma of citrus, white flowers, wax, chalk; a mineral taste, quite full and with a super integrated acidity. A lovely wine at a very nice price. Vale da Capucha Arinto 2019 is for me a star among his varietal wines. It’s light yellow; concentrated aromas of citrus (lemon and peel), yellow pepper, chalk; medium full in the mouth, mineral, with a lovely integrated acidity. Vale da Capucha Palhete 2019 is a blend of the white arinto and the red castelinho, made by “inking” a white wine with the red castelinho, then co-fermented in steel before bottling. Light red; red fruits (raspberry), salt; juicy, carefully structured.
Daniel (Baías e Enseadas, left) and Pedro (Vale da Capucha)
Baías e Enseadas is located in Codiceira, Colares country, west of Lisboa capital. They have a more mature style. Daniel Afonso says, “I want to extract all I can from the skins”. The white Fernão Pires 2020 had stayed 6 months in barrel, with a lot of batonnage. -I always have acidity, says Daniel, now I want to work on the creaminess. And yes, a creamy texture together with a good acidity was achieved here. The Escolha Pessoal 2020 could be found along the same path, though a bit more concentrated and also elegant. Castelão 2020 showed mature fruits, alongside flowers and a hint licorice; juicy and quite complex, and a fruity finish.
Here is the second part of the report from this year’s Vella Terra. We leave Spain, crosses over to Portugal, then from France and to the east, then to the north of Europe.
João Goucha and Fernando Paiva, Quinta da Palmirinha
Fernando Paiva came with his grandson João Goucha, who studies enology in Vila Real. Fernando’s estate Quinta da Palmirinha is in Lixa, south in the Vinho Verde. He is a pioneer in biodynamic farming in Portugal, uses chamomile flowers to avoid the use of sulphur in his natural wines – and is well covered in this blog. (Read about a visit to the estate here.) His Azal and Loureiro varitals were typical and up to standard. Leviano was made for the first time in 2020, that I tasted in Porto last summer. It’s a loureiro, now in the 2021 vintage, made with 3 months skin-contact. This makes it an orange wine, or “curtimento” in Portugal. Golden to orange; aroma of ginger and flowers; full in the mouth with some structure, and a super, integrated acidity.
João Tavares da Pina
João Tavares da Pina is found in Penalva do Castelo in Dão. (Read here about a visit to his estate.) The family’s Quinta da Boavista dates back to 1650 and is found at an altitude of 550 meters on deep granite, quartz, clay and shale soils. These vineyards are ideal for grapes like touriga nacional, alfrocheiro and rufete. And not least for the variety jaén (mencía), a speciality of the quinta.
I love his series Rufia (meaning punk), young, fresh wines. Among those tasted this time, why not mention the Rosé 2020, from rufete, touriga and jaen. Salmon-coloured, with raspberry and wild berries, rounded with a very careful tannin. Very interesting was his Tretas 2020, a jaen and touriga nacional. It was macerated on the skins for 4 days and kept in inox for 6 months before bottling (unfiltered, unfined). Tretas means bullshit in local slang. The wine is serious fun: A quaffable glou-glou, but with depth; cherry red, ripe red fruits and with some structure.
Rodrigo Melo, Quinta da Ermegeira
Rodrigo Melo interviewed
I hadn’t met Rodrigo Melo before, but I understand that this is a producer to watch. Rodrigo is from Brazil, but worked for many years in natural wine distribution in London. In 2018 he started his own project and came to Portugal, where he already knew its terroirs and grapes. He bought 4 hectares of land with 30-year-old vines with organic certification in northern Lisboa, that is Quinta da Ermegeira. He also works with biodynamic techniques, and the winemaking is with very low intervention.
Rodrigo showed interesting samples under the label Selva. Noiva 2021 was a different chardonnay, with botrytis and with some residual sugar. Here we chose Cristovan 2020. It is an orange wine (in Portuguese curtimenta) made from arinto, in a cement tank of 1.700 liters. The colour is light orange after 10 days fermentation on skins, the fruit is lovely and the acidity is refreshing. Only 11% alcohol.
Celine Peyre and Alexandre Gressent of Domain Balansa, Corbières
Domaine Balansa is a 15-hectare estate in Corbières, established in 2015. This family project has an organic approach to farming and also runs tourism activities in the most sustainable way possible. I tasted the whole portfolio, various styles from southern French grapes. This time we could maybe focus on one of the more “serious” wines, Can del Rey 2020 from Fitou. It’s made from carignan and grenache, from 100 year old vines on hillsides, made with some carbonic maceration and matured some months in oak. It’s dark in colour, with youngish blue; aroma of wild berries, some balsamic, and slight hint of toffee too; good weight, fine tannins and with a balancing acidity.
Rémi Ségura and Alicia Mérimé of Les Vins Pirouettes, Alsace
The Les Vins Pirouettes label covers seventeen independent Alsatian winegrowers committed to organic and biodynamic farming. Each viticulturist grows the grapes on his own land and makes the wine in his own cellar. It’s an initiative by Christian Binner, and the idea was to give the growers a helping hand so that they didn’t need to sell their grapes to cooperatives.
Many times I have been impressed by the energy and creativity behind the wines and the dedication behind the labels. In spite of this, it can be (for me) many new wines each time. As a general rule, we can say that they are affordable natural wines.
Among the most rewarding wines this time was Saveurs 2018 from producer Rafaël, a fruity, citrussy and juicy silvaner (this label also covers a blend). More slender, but equally energetic was David‘s Riesling Glou-Glous 2018, a fresh appley, citrussy wine. There was also a delicious orange gewürztraminer from Franck, L’Étalon 2019. After 10 days of skin-contact it was only light orange, with apples, pears and a (pleasant) vinegary bitterness towards the end.
Elisabetta Foradori
Foradori of Trentino has been covered many times on this blog, so feel free to search for it all. (Here is a recent post.) Elisabetta Foradori. Earlier I have met her sons, but this was the first time that I have met the beautiful Elisabetta Foradori herself. At a young age she did remarkable work in cultivating organically, later implementing biodynamic methods, and caring for the native varieties of her area, especially the near-extinct teroldego.
I didn’t taste many wines this time, only some whites, like the all-time favourite Nosiola. I also got the chance to be reminded how good was the Fuoripista Pinot Grigio, now in its 2016 vintage. Grown in sandy limestone, it’s fermented 8 months on skins and further aged in Spanish tinajas (amphoras) for 5 month. It has a reddish hue, is flowery with red berries and herbs, and has a concentrated yet smooth appearance in the mouth.
Luca Carussin Garberoglio
About Carussin of Piemonte I could say the reverse (than Foradori), earlier I have only met the mother Bruna Ferro Carussin. This time I got the opportunity to greet her son Luca Carussin Garberoglio. It’s a winery that I know well from the Norwegian market, and their economic barbera Asinoi has been a house wine in my house for a long time now. Here I tasted a few wines, among them Tra L’Altro 2020, an inspiring, flowery, dry moscato/cortese. Lia Ví 2017, is a superb wine, a single parcel barbera harvested later than others. It’s made from a 35-year-old vineyard planted by Luca’s grandfather, on the sandy soil just in front of the winery. It’s a concentrated wine that shows that barbera also can do with some structure. Elegant aroma, cool fruits (cherry), herbs and flowers, and a concentrate taste with fine tannins and lovely integrated acidity. And it’s not expensive.
Joana Foster, Stella Crinita
Over to Argentina: Stella Crinita is the natural wine project of Joana Foster and Ernesto Catena in Vista Flores de Tunuyán, Valle de Uco. The Catena family is indeed an important one in the history of Argentine wine, having been responsible for bringing the malbec variety to America, as the story goes.
All fermentations are spontaneous, no SO2 added at any stage, nothing fined nor filtered. These are some keywords. The vineyard has been biodynamic certified since 2012. The soils are sandy and clayey and located at 1,100 meters above sea level.
I tasted interesting pét nats and reds from a.o. malbec, syrah, cabernet sauvignon, and a varietal barbera. Petit verdot can be one-dimensional and dull. Their Petit Verdot 2020 was not. On the contrary this single-vineyard biodynamic wine was a linear, long and quite elegant wine from this somewhat difficult grape. Cherry red, plums and blackberries with spice (nutmeg), fine tannins, fresh fruit (cherry) and also a touch of wood and leathertones.
Martin Bech-Ravn of Solhøi, Norway
It was also here I had to travel to meet Martin Bech-Ravn, a Danish cider producer, home brewer and artist based in Ekeberg, a neighbourhood in Oslo, Norway. This is a wine blog visiting a wine fair. But when Bech-Ravn in Solhøi Cider talks, then the analogue to wine is striking. For example, he uses one variety of apples to give fullness, another to give acidity. He operates naturally, without additives. He makes Floating Sunshine, Flytende Solskinn2020, a dry, fresh, flowery, lightly spicy cider bottled unfiltered – in Oslo.
As I this year concentrated on new Portuguese discoveries at the Simplesmente… Vinho fair, there were several great producers that I didn’t manage to visit. João Tavares de Pina was one (as were Aphros, Folias de Baco, Quinta da Carolina, Dirk Niepoort, Álvaro Castro, Quinta do Mouro…)
I visited their Quinta da Boavista in 2018, so you can read here for more background. But in short, this is a producer in Penalva do Castelo, northern Dão, who makes both delicious and fresh young wines to the natural side and wines with a long life.
João uses chamomile a.o. as protectors of the vines
This wine was kindly offered by João and his wife Luisa at the first outdoor lunch at the Faculty of Architecture (University of Porto), where the tastings were held this year. It’s based on the variety rufete, well suited for the local terroir, where it produces grapes with good acidity.
Torre de Tavares Rufete 2019(João Tavares de Pina)
Dark cherry. Smells of quite mature berries (blackberry), and is balanced by a nice balsamic note (pine/resin). Medium bodied, with a smooth structure, lots of fruit and a fresh acidity.
I must admit that Quinta dos Roques and Quinta das Maias of Dão have been neglected during the latest years, from my side. They haven’t been in the news for a while, but now it seems that something is happening again. They are both property of Luis Lourenço and his family, and he is also winemaker.
Maias is noted for the grape variety of jaen, because it’s higher and cooler than Roques, and more easily gives the grape the acidity and focus that it needs. The soil here is granite and sand, and the estate is now certified organic.
The name is derived from flor de maio, mayflower.
It’s only 40% of jaen in this wine, and in good Dão tradition it’s accompanied by touriga nacional (30%), alfrocheiro preto (20%) and tinta roriz (10%). It’s made in steel, with spontaneous fermentation.
Maias Tinto 2017(Quinta das Maias)
Cherry red. Mature berries, plums, some herbs, a bit anis. Fruity, juicy in the mouth, some tannins.
Price: Low
Food: Bacalhau, chicken salad, everything on the grill, its freshness also invites to be served chilled on a summer day
The 7th edition of the Simplesmente… Vinho fair is over. This is an arrangement in Porto for individual, artisanal wine producers with a focus on natural and sustainable farming. The venue is Cais Novo, a renovated 18th-century palace only a few meters from the Douro river. This time 101 producers participated, mostly Portuguese, a few visitors from Spain, and some that had travelled longer, in fact all the way from Brazil. There was food, there was music, and among the specially invited were Os Goliardos (Silvia and Nadir), who are very active on the country’s wine scene, especially in Lisboa. The fair is organized by João Roseira, himself an important producer in the Douro region.
There were many producers that I knew from before, but also some revelations. I will be back with more. For a start, here are just a few of the many Portuguese highlights of the fair. I will try to limit myself to one wine per producer (although you will see that this is a difficult task).
António Marques da Cruz
António Marques da Cruz, is 5th generation farmer at Quinta da Serradinha in Leiria, in the DOC Encostas de Aire. The quinta encompasses 6 hectares of vineyard on clay-limestone in an Atlantic climate. António has a good hand on both sparkling, white, rosé and red wines, and he can make wines that last. His 1999 baga is a wine that really stands out. I started the fair with visiting his table (or: barrels, that is what they use here), and what could be better than to start this tour with his Serradinha Castelão 2017. Quite dark, young colour; very fruity with cherry, plums; mellow in the mouth, luscious and fabulous drinking, with a fresh, natural acidity.
João M. Barbosa
João M. Barbosa was formerly with the big Dom Teodosio company. Now he carries on his family’s long tradition. He is located near Rio Maior in Tejo, but he has also vineyards in Portalegre, Alentejo, around 6 hectares in total. He brought a nice sparkling and a red Escolha, and I also fell for the Ninfa Colheita Branco 2016, a barrel-fermented white from sauvignon blanc and fernão pires. But as my one wine here I chose Ninfa Vinhas Velhas 2016, a no-oak, “no-nothing”, natural wine, a field blend dominated by castelão (accompanied by trincadeira, camarate, alicante bouschet and others). The grapes are grown in calcareous clay soils, in a Mediterranean climate with Atlantic influence. The south-facing exposure enjoys a good sun exposure. The yields are low, that result in concentrated grapes and ageworthy wines. The wine shows a good cherry colour; an earthy nose with blackberry, cherry and some balsamic notes too; tasty, with ripe tannins, and a luscious freshness.
Pedro Marques (left), journalist Jamie Goode taking notes (at the opening dinner)
It’s always a pleasure to taste Pedro’s wines. He’s always down to earth, absolutely honest about his wines, and explains in detail the challenges of each wine. The farm is located in Turcifal, in the Torres Vedras municipality of the Lisboa region. It’s only 8 km from the sea, has a clay-limestone soil, Atlantic climate and a couple of his wines are aptly called Fossil.
Among the whites there was a fabulous version of the Fossil 2017 (both rich and tasty, and also lots of acidity), the unctuous arintos – and the Branco Especial, an interesting solera wine (a blend of 4 vintages, now aged in botti, big barrels from Barolo), with its amber colour, yellow fruit, flowers and apricot, and a structured palate. I really liked the Vale da Capucha Palhete 2017 from castelão, a light red wine; yeasty, flowery, with red berries, raspberry, a light CO2 pressure, and fruit all the way. I have written about the reds several times. They are of course good, and a wine like the red Fossil didn’t disappoint in the 2016 vintage either. But the Vale da Capucha Vinha Teimosa 2014 you haven’t read about here. It’s made from touriga nacional and tinta roriz. 2014 was a very cold vintage, with a lot of rain. The wine is dark, with blackcurrant, green pepper, beetroot, and some earthy notes, and a type of balsamic note that Pedro thinks can be caused by a fungus that in a way “belongs to the vintage”.
José Perdigão (right)
José Perdigão of the quinta that bears his name has a rosé that I have enjoyed for many years now. This time he brought a very nice strawberry/peach-coloured pét nat, that I can’t remember to have tasted. But almost as emblematic as his rosé is the white Encruzado, now in its 2017 edition: Light golden; pear and white peach aroma with citrus and elderberry; fresh, vibrant and quite structured in the mouth.
Cabeças do Reguengo was a discovery for me last year, with their lovely orange wine Luminoso (this time in the 2018 vintage), the no SO2 red Felisbela (also 2018), the structured rosé and the “normal” Alentejo blend Courelas da Torre, both in plain and reserva versions – all from the northern, cool end of the region. Let’s just have a look at the basic blend Courelas da Torre 2017 this time, from aragonêz, trincadeira and alicante bouschet: Dark cherry colour; mature berries, a touch of lickorice; full in the mouth, with tobacco, some spice. Very nice, and should be popular among all kinds of audiences. I didn’t taste their Cabeças range this time. (But you can read this piece from last year’s fair.)
Miguel Louro
Also in Alentejo Quinta do Mouro of Estremoz is a more established producers, one of the very best and respected of all. Delicious were the concentrated yet smooth, old barrel-fermented white Zagalos 2016 (from alvarinho 50%, arinto 30%, gouveio and verdelho), the light, somewhat fragile red Zaga Luz 2017 (a typical blend) and all the stylish reds that we have loved since many years. But let’s have a look at something called Erro, from “error”. In this unusual series there are three reds, called 1, 2 and 3, and this white Erro B 2015. It started out the usual way, but here the press broke, and the must was left with the skins. There is always some early picked arinto blended in, thus it’s marked by a tough acidity. The colour is yellow; the nose shows yellow fruits, peel; it’s complex and structured, with a superb acidity in the lingering farewell.
Vitor Claro
Vitor Claro is a former chef who started winemaking after a trip to Portalegre, Alentejo where he fell in love some vineyards, more than 80 years old. These are located at 650 meters of altitude and facing north.
The wines were indeed inspiring, such as the Destino 2018, a good acidity moscatel, and Claro 2018, a light malvasia. I ought to mention the Foxtrot Dominó 2017, made from the white moscato grapes that were not used for the white wine, and alicante bouschet, a “very” red grape (including coloured stems). The result is light red, quite mellow and with fine-grained tannins.
The one wine selection this time would be the Dominó Silvo Frio 2016, made from a field blend of classical Alentejo grapes: grand noir, trincadeira, tinta roriz, castelão, and also a white, arinto. The vineyards is mainly granite with some quartz. Fermentation is 50% whole bunches, and for the rest, whole grapes are macerated in inox for 60 days. The grapes are then pressed, and after fermentation the wines is aged in old Burgundian barrels and lightly filtered before bottling. The wine shows a clear red colour; fresh red fruits, some herbs and spice; good structure, and a fine acidity, but there are also nice fruit behind.
Tiago Sampaio
I tasted through the whole range from Folias de Baco, and Tiago Sampaio presented one wine more creative than the other. Among the best were the Uivo 2018 from alvarinho, with almost no colour at all, but lots of flavours dominated by pears, the Uivo Xpto Branco 2008-2018, a light orang, lemon peel scented, concentrated wine with 10 months of skin-contact and aged under flor – and a 100% botrytis, 5,5% alcohol, amber, honeyed, sweet wine called Uivo LH+. But our selected wine this time is Uivo Renegado 2018. This is a field blend from a centennial vineyard with around 40 different varieties. They were fermented together, mainly in cement. The wine is pinkish in colour; aromas of strawberries, seaweed maybe; smooth and luscious in the mouth, with a long, natural acidity. It’s easy-to-drink kind of wine, but the age of the plants secures a concentration back there too. The best of two worlds.
Vasco Croft of Aphros Wines brought most of his wines. I visited him after the fair (a report to come), so here I will stick to my original intention and talk about only one wine. (Read also about his Palhete in a post from last autumn.) But now: Phaunus Loureiro 2017 was fermented in talhas (clay pots) and aged for 7 months on lees. It’s light, slightly turbid; aromas of green-yellow apple, yeast, minerals; quite full, sappy, and with a good acidity from the variety.
We end our journey on Madeira, but not in the more normal way. Super producer of long-living madeiras Barbeito has made their first white table wine, called Verdelho 2017, with the designation DOP Madeirense. Winemaker Nuno Duarte explains that while verdelho is typically grown on the north side of the island, sercial (who makes up 4% of this wine) is cultivated in the south. The verdelho grapes were foot-trodden in lagares, and 30% aged in new French oak, the rest in steel.
The wine has a golden colour; aroma of apricot and pear, a bit waxy, but also with a nice citrus (lemon) zest; though it’s in a way mellow it’s very fresh with a good acidity too, and a saline finish. You can feel the tension of the Atlantic in this wine.
In the days leading up to the Simplesmente Vinho fair we drove around in the Dão region, and it was no doubt that the fires of 2017 had left its mark on the region. And not only among those directly hit.
Here is an article from our Dão visits, recently published in Norway’s Vinforum magazine. It’s in the Norwegian language, but here I chose one wine from each featured producer, and supply a few pictures from the article.
Casa de Mouraz (Mouraz outside Tondela): Well-made wines, clean and direct, fruity and balanced. Wine from all categories, also Vinho Verde. 25 ha. own vineyards, more clay than usual in Dão, but some granite too. Sara and António were probably the most severely hit by the fires, and guests of honour at the fair.
Here I chose their Elfa 2014, from 80% baga and around 30 other varieties, that went into the fermentation tanks with whole bunches. It’s a great wine, fresh and quite direct, with red berries, green pepper, medium structure and a balanced natural acidity.
Quinta do Perdigão, Silgueiros: 7 ha., granitic, mostly quartz. Biodynamic prictise. The fires stopped right outside the quinta gate, and José and Vanessa went through some terrifying hours that night. The late-released rosé is an all time favourite, and aside from that one the white and the youngest reds are the best wines for me. Good varietals from jaen, and the one I chose here:
Alfrocheiro 2011 has kept the dark colour well, and shows aromas of blackcurrant, pepper and some balsamic, and with good support from tannins and acidity.
João Tavares da Pina (Quinta da Boavista), Penalva do Castelo: Cooler, higher (around 500 meters), clay and schist (from maritime sediments), 13 ha. planted (50 in total). João has a passion for the jaen grape, well-suited here, with its long cycle. His entry-level wines Rufía! are direct, fruity, acidic, turbid and easy to put in the “natural wine bag”. But the reds also demonstrate their ability to age. João searches for both freshness, but also the decadent mushroom and underwood aromas. The jaen grape and high fermentation temperatures (up to 32°C) are tools to achieve this. João is also a passionate horse-breeder, a creative chef, and maker of Serra da Estrela cheese until recently.
While waiting for the lamb chutlets to be finished we tasted some 20 wines that João had placed on the stove. A white Rufia! 2016 was opened 13 days earlier, had one week skin-contact in a small steel lagar. Light orange and turbid, flowery aromas, citrus peel, and a wonderful, stimulating acidity. He plays with oxidation, but balances masterfully.
António Madeira, making wine from 6 ha. spread over 6 villages, most near -or in- the Estrela: He is French, from Portuguese descendant. His project is to identify and categorize the great vineyards of Dão. He started to make wine in 2011 from a 50 year old vineyard, while still living in Paris. His wines all have freshness and energy. To say that they are promising is an understatement.
2017 will be remembered by the fires, but the vintage itself is promising, dry (not surprisingly) and very early harvests. Liberdade Branco 2017, his first almost-no-sulphites wine: Complex, still a bit reductive, but fine spicy notes, pear and citrus. Good acidity, with a salty minerality (oysters, according to himself) in the finish. Wait until this really opens!
