Tag: syrah

Nights at “The Office”

Published 24. February 2018 by Vidar Kenneth Johansen

I think it’s common not to visit sights and attractions close to your home, because you can always go – some other time. This may also be the case with bars and restaurants. Stavanger, Norway (in my own backyard, so to speak) has got its first decent wine bar, and then it should take three months before I managed to get there, and then quite by chance, while I was waiting for a party to start some other place in downtown Stavanger.

Once inside, I meet an old wine-mate Emil Heimdal behind the bar, and then I know we are talking “serious business” here. I know him from several restaurants over the years, and this is a man with passion for wine and real dedication. Emil took over the wine section of this bar, now called Vinkontoret (The Wine Office), together with Christoffer Ingebretsen. They have no purchase agreement that binds them, so they buy exactly the wines that they want and now collaborate with about 30 importers. They use the Coravin system, which allows them to serve anything by the glass. Here you can buy smaller units than a whole glass and pay less, so you can taste more wines during an evening.

Emil serves smaller units of better wines

They can literally offer hundreds of wines. They have a list that is heavy on traditional wine regions such as Burgundy, Rhône, Alsace, Mosel, Rhine, Piemonte, Tuscany and … say west-of-Vienna Austria.

But these people are just as crazy wine freaks to throw in almost anything you can think of.

As for grapes, of course they offer cabernet, merlot, syrah and such, without being “ashamed” of it at all (as if that would be something to regret). If you look carefully at the list you will see some “oddities” like a manzoni from Trentino, a kékfrankos from (why not) Austria, and you can get the “Pornfelder” if you like, Lukas Krauß’ German blend of portugieser and dornfelder. But most of all it’s a focus on the classic grapes here, even from not-so-classic countries.

There was a time when Stavanger was more in the avant-garde of the Norwegian culinary movement, when the oil industry was booming, and the most important gastronomic educational institutions were located there. Today there is no doubt that the hegemony is in Oslo, and that every initiative like this deserves a warm welcome.

Emil and Christoffer also have a small selection of handcrafted beers, like lambic and geuze. (Bear in mind that one of the country’s best beer selections is just across the same narrow street, at Cardinal bar. So this is obviously not their biggest priority.) The wine selection must be best in town. I am not sure if the wine list is the longest, but there are several hundred references, and mainly wines to drink, no show-off crazy over-priced stuff.

Here are just a few picks from my first brief visits.

Here is a riesling spätlese trocken from the Ökonomierat Rebholz of Pfalz, the Rebholz 2008. It proved to be a rich and honeyed wine with a thick texture and great acidity. To the right is a Gevrey-Chambartin, the Rossignol-Trapet Clos Prieur 1er Cru 2008 from Domaine Rossignol. It shows a clear ruby, somewhat developed colour, and smells quite aerial og cherry and plums. The tannins are still evident, and the acidity is well integrated. The actual vintages of these wines on sale are 2012 and 2013, respectively. So come here to get the wines closer to their peak.

Here is a wonderful pinot noir called Nature 2015 from Alsace producer Rieffel, now with Lucas in charge. Today the estate covers 10 hectares, all organic certified. The 30 year old vines are planted in soil of clay and alluvial sandstones. The fermentation is spontaneous and goes on for seven months in 228L barrels. It’s really fresh, juicy and quite full, with just enough structure to match a wide variety of food. After this I wanted a red with darker fruit, and I suggested syrah. On the counter was a Stellenbosch syrah, that was already opened, so I went for that one. The Liberator The Francophile 2015 (Dreyfus Ashby) was ok; a somewhat warm blackberry fruit, earthy with some spice, mouthfilling with rounded tannins.

The door is permanently closed at The Office (Kontoret). The Wine Office has opened.

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In the caves of Granada: Bodegas Cauzón

Published 25. November 2017 by Vidar Kenneth Johansen

Ramón Saavedra is waiting in the main square when I arrive in Graena, a small village east of Granada. Otherwise it might have been difficult to find his home among all the other houses that apparently look the same.

Apparently. Because, as we shall see, when we enter the bodega area behind the house this is all but ordinary.

The municipality is called Cortes y Graena and is comprised of four villages. The word Graena is of Arabic origin, and the caves are a legacy of the Arab Andalusian period. A most special feature here are the thermal waters. In fact the name of the bodega is also inspired by the Moors; al-cauzon meaning something like the land of the sand.

Ramón Saavedra returned to his village to take over inherited land that he later planted with vines. He had then been working with Manuel Valenzuela of Barranco Oscuro, to help with pruning etc. In 1998 his first harvest was finally bottled.

The soil is sandy-clayey and calcareous with big, round stones. There is continental climate, with extreme summers with more than 25ºC difference between day and night in the maturation period.

It’s a perfect place to make organic and natural wines, but since his own wines express such a crystal clear idea, I’m maybe a bit surprised by Ramón’s pragmatic attitude about the trade in general.

-Well, for me it’s not only about health, it’s about the balance in nature. I wish that my wine should expressing the earth. But I respect everybody. However I wish that the communication is clear, what you say is what you do.

The grape variety next to the caves is garnacha. -I love the green, living colour, says Ramón

We are 1.080 meters above sea level, and some of the vineyards are at 1.200 meters.

Ecological cultivation, manual harvest, natural production. Wines without added sulfites and fermented with their own yeasts. Without additives of any kind. Its maximum annual production is 20,000 bot.

There are 7 parcels and a total of 6 hectars, all in the Graena village. Here are a lot of field blends from the old days. The cactus both delimits the vineyards and have a function in the biodiversity. Sheep compost is used as fertilizer.

-The panjil tree (also called Bohemian olive, or olive of Paradise) has a strong and inviting aroma, so the insects come here instead of attacking the vineyards, says Ramón. The Moorish people had a lot of knowledge about this.

Work has begun to make a new bodega

-In the old times people were living here. Now I also see a possibility for tourism. We wish to offer a form of rural accommodation here.

Thumbs up for a new bodega within two years!

We had the time for a tasting too. I will not bore my reader with the tank and barrel samples along the way. But here is a brief tale about the bottled wines. The white Cauzón 2015 from torrontés and some chardonnay, viognier and sauvignon blanc was dark orange, very juicy, grapey, elegant and smooth, but very sapid too. Duende 2015, a dark syrah from 1.200 meters of altitude, had violet, eucalyptus and other balsamic notes, wild berries and leather, nice fruit in the mouth, with bright acidity and pleasant tannins. The 6,5 grams of acidity comes from the high altitude.

Cauzón 2015 red from tempranillo was difficult because of the lack of rain. Therefore we don’t find the same fruitiness, says Ramón, who is quick to fetch the same wine in version 2014, just to compare. This one clearly has more fruity berry notes, spice, and it tastes younger, overall. The Ira Dei 2014, tempranillo (or tinta fina), garnacha, cabernet sauvignon and merlot, partly from ungrafted stocks, has ripe fruit, some lickorice, but also a lot of freshness. The mouthfeel is quite dry due to more maceration of the three last grapes, but the fruit is there all the time. Lastly we tasted the Pi Noir 2014, and this was a concentrated pinot, also with some volatile, but with a fruity aroma with red berries in the forefront. Cauzor 2009 showed some sign of ageing towards the rim, but was in a good shape. It has some plum confit in the aroma, but there are fresh fruits too, and is delicious now.

Ramón Saavedra, always energetic and enthusiastic, and a distinctive voice on the Spanish wine-scene

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Visiting Finca Montepedroso, Rueda

Published 20. October 2017 by Vidar Kenneth Johansen

At Finca Montepedroso we met winemaker Lauren Rosillo and Marta Martínez Bujanda (of the family that owns the winery).

Montepedroso is a beautiful farm on a plateau overlooking the Rueda village. It was bought in 2008, and a functional winery built in the typical materials of the area opened four years later.

They manage 25 hectares of vineyards with an average of 20 years, at an altitude of 750 meters. This is a one wine farm, dedicated to one single variety, the verdejo, and only 120.000 bottles are made annually.

Here are three types of soils: alluvial soil on top of the plateau accounts for 70%, clay soil in the gorge where the oldest vineyards are planted, and a soil with a large quantity of lime and clay sediments.

We are on the central Castilian meseta, with cold and long winters, short springs with late frosts and hot and dry summers. The vines find water and nutrients deep down the subsoil, and the wide temperature gives freshness and acidity to the wine.

The fermentation starts without addition of yeasts. Lauren says that for him this is the only way. And worth mentioning here is that the typical features for the verdejo are green apple and grass, and that the tropical aromas found in many verdejos are from added yeasts, according to the winemaker. The fermentation at Montepedroso lasts typically for 19 days at 16ºC. Then the must rests over its fine lees for five months with weekly stirring. The wine is completely dry, but the lees add a sensation of sweetness. Lauren says that he aims for acidity, varietal character – and a low alcohol (here typically 12-12,5).

Marta and Lauren, with Rueda village in the background

We first tasted the most recent vintage, Finca Montepedroso 2016. This is light yellow with a greenish hint, aromatic with notes of green apple, apricot, fennel, white flowers and hay. It has both volume and structure in the mouth, and a fresh balancing acidity. In sum a personal verdejo, but in a traditional line.

We also tasted the 2010, the first vintage of the wine, to see the development. 2010 had frost during spring, and the production was low. This wine was more golden, still flowery, but with mature sensations of honey and a touch of petrol. Very fresh and appealing.

We also tasted a few wines from Martínez Bujanda‘s other projects. Their single estate in Rioja is Finca Valpiedra, 80 hectares between Fuenmayor and Cenicero at an altitude of just over 400 meters, where we find alternating Atlantic and Mediterranean influences. This is the only Rioja estate to be included in the organization Grandes Pagos de España. Both wines are predominantly tempranillo, but with presence of other Rioja varieties, such as graciano.

Cantos de Valpiedra 2013 had a cherry red colour, an aroma of dark fruits, blackberry, fennel with slight hints of vanilla. In the mouth it was quite full, and a decent level of acidity gives freshness and contributes to the balance. The Finca Valpiedra Reserva 2010 had a slightly darker, intense black cherry colour. The aroma was complex with red and dark fruits, balsamic, a touch of smoke, and some vanilla, spices and tobacco from the oak-ageing. The tannins are still there, but they are rounded off by age, it’s fresh and delicate, and with a good balance between fruit and wood.

Lauren and Marta with some of the visitors

During the travels through the many great vineyards of Spain Finca Antigua was a “love at first sight” experience, according to both Marta and Lauren. This is close to where the winemaker lives, in the Cuenca province towards the border of Toledo. We find scrubland, vineyards and forest, and it’s easy to maintain the eco-diversity. It’s a vast farm in Castilla-La Mancha with an altitude over 900 meters, one of the coldest part of the meseta, and extreme variations between day and night. They decided that varieties well-apted for this land were merlot, syrah, petit verdot and cabernet sauvignon, together with tempranillo (formerly known in Central Spain as cencibel) and other national grapes.

The wines have cool elegance and freshness, and the wines improve with age. But even with full phenolic maturity the alcohol levels rarely exceeds 14, not even in the hottest years. The Finca Antigua 2012 (a crianza of 50% tempranillo, and the rest merlot, syrah and cabernet) was a dark, cool wine, with aromas of chalky minerals, almost milky (from the malolactic, I guess), fresh berries, and in the mouth it had a creamy structure and then a wonderful acidity. The Reserva 2010 (70% merlot, complementet with cabernet and syrah) was also a dark and cool wine, with cherries and berries from the woods, balsamic (mint, eucalyptus), herbal (thyme), with a slightly tougher structure than the crianza.

Sidestepping: Please read here about Lauren’s solo project in Málaga, where I met him for the first time.

Coming back: These days when we speak a lot about the changes of Rioja (Norwegian readers can read a couple of articles on these pages), it’s no doubt that the Martínez Bujanda family is in the vanguard. And it’s no better place to experience this than the tasting table where are sitting right now, with a view of the picturesque village of Rueda.

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The Real Wine fair III: Some stars, and some comets on the rise

Published 16. September 2017 by Vidar Kenneth Johansen

Here is my last report from this year’s edition of the Real Wine Fair. You may also read the first two articles that cover the sparkling wines and some Spanish producers. I will just give you some of the many highlights.

Jo Landron was there with some of his magnificent Muscadet whites, biodynamic since 2008, with their citric edge and steely minerality. Le Clos la Carizière 2015, a light and fruity wine from a rented single vineyard, partly on gneiss soil, that gives a flinty hint, and the Amphibolite 2015, taut and mineral, from amphibolite metamorphic rock, that gives a slightly more smoky character. The Melonix 2015 is his most natural wine, with no additions and only 10 mg sulphur. It stayed 3-4 months on the lees; citrus, peel, it’s round and delicious, but the acidity carries it over.

Jo Landron

In the corner was the lovely Marie Lapierre, whom I have never met before. The family is almost legendary, leading the way in the beginnings of the modern natural wine movement. Their vineyards cover 13 hectares in the Ville-Morgon area of Beaujolais. They used compost and ploughing to preserve the natural yeast of the grapes. The wines are unfiltered, and only given a small amount of sulphur before bottling. The Vin de France Raisins Gaulois 2016 was the only wine she had brought from the Domaine Lapierre this time, a light and delicious, raspberry/strawberry-scented wine from young vines. From their Château Cambon between Morgon and Brouilly on clay-granite and calcareous soils, she had brought three wines. The Château Cambon 2016 was more aromatic, both light and concentrated at the same time, smooth, long and so very elegant. The Cuvée du Chat 2016 was just as elegant and with a raspberry lusciousness. Brouilly 2016 was made for the first time this year. It showed a somewhat darker side, a little broader, more earthy wine, and with more structure.

Marie Lapierre

Right beside her was Jean-Claude Lapalu, of Brouilly, Beaujolais. I have tasted some of his wines over the past few years, and I find them a bit more on the wild side. He favours some more extraction, and the wines stay at least 6 months on the lees. Among his selection the Brouilly “Croix des Rameaux” 2014, from 80 year old vines and aged in 3-5 year old barrels, is a pure wine with lovely raspberry fruit, but with an underlying earthiness, some leather and tar behind there too. The Vin de France “Eau Forte” 2013 is a bit more developed, but by no means fading. It shows some etheric, almost pinot’esque character, with some raisins, and a touch of figs, drying towards the end. The Brouilly “Alma Mater” Amphora 2012 was also interesting. It was not surprisingly vinified in amphoras, the grapes destemmed: Developed red, aromas of red fruits, cherries, and a bit raisiny too, concentrated and serious.

Jean-Claude Lapalu

From Sicilia came Arianna Occhipinti, who has taken the wine world with storm with her stylish, fresh wines, such as the SP68 2016 Rosso and Bianco, named after the main road in her part of Vittoria. She seems to have a magic touch with the frappato grape, but the nero d’avola and the white albanello and muscato also perform well. Low yields and natural farming are two key-factors. The white SP68 is as simple as it’s good, with its flowery aroma with hints of peel and nuts, and is just on the way to become an orange wine, even it the light colour suggests something else. Its red counterpart (frappato and nero d’avola) has a somewhat lighter body than the previous vintage, quite dark in colour, but with a very supple and fresh fruit, with elements of blueberry and herbs. Il Frappato 2015 was extraordinary, of course, with its pure, elegant dark cherry fruit with apricot and some spicy notes. I also liked Il Siccagno Nero d’Avola 2014, light in colour for a nero d’avola, but delicious, pure, red fruits, blueberry and flowers aroma.

Arianna Occhipinti

Cantina Filippi owns the highest vineyards in Soave, up to 400 meters. Most of the vineyards were planted in the 1950’s, and the 16 hectares are divided into three “crus”, Castelcerino (the highest one), Monteseroni and Vigne della Brà. The Vigne della Brà 2014, from clay soil, was light and very delicate. I also liked the Montesoroni 2014, from limestone. It’s more open, with white flowers and herbs. In a way it feels mellow and smooth, but with a very “Italian” grapefruity, slightly bitter aftertaste.

Filippo Filippi (left), and Emma Bentley (right) from Cant. Filippi

Nicolas of the Winemakers Club representing Meinklang

Meinklang is a big estate, some 1.800 hectares, 70 of them vineyards. They are Demeter-certified biodynamic. They started over the border in Somlo, Hungary. This is a plateau formed by a volcano. Angela and Werner Michlits of Meinklang were represented by their importer The Winemakers Club, that showed a great variety of wines, such as the J 2013, (the J standing for the juhfark grape) from the aforementioned Somlo of Hungary, a cider, and many lovely wines from various Austrian grape varieties. If I then should give myself the task of mentioning only three wines among those that I never had tasted before, I would this time stick to the whites: The J was an exciting wine one and a half days skin-contact and that stayed for 12 months in big Hungarian barrels. It was quite light, fruity with some peel and some tropical notes, with a good acidity and a slightly bitter aftertaste. The Graupert Weiss 2015 from an unpruned grauburgunder (pinot gris) with ten days skin-maceration, and Konkret Weiss 2014 of red traminer, yellow traminer and geewürztraminer, of 28 days skin-contact in concrete eggs especially designed for Meinklang. After pressing it went back to the egg for a 9 months ageing. No sulphur at any stage. A dark wine that plays with oxidation, quite structured.

were both darker wines with more skin-contact, both flowery with aromas of peel, smooth textured lovely wines..
Konkret Weiss 2014.

Pedro Marques

Pedro Marques at Vale da Capucha, Torres Vedras, is among the young squad that is currently revitalizing the vast Lisboa region. I have knowed the man and his work for some years, and I love his full, expressive whites and some of his fresh reds too. In the monarchy of Arinto it’s he who is king, and occasionally his alvarinho and gouveio deliver on the same level. He looks for maturity and a rich texture, and he uses only a minimum of sulphur. All wines could be mentioned, here I will limit myself to the two entry-level wines he shows in the picture, called Fossil, that denote that the farm is located only 8 km from the sea, and in the ancient times under water.

Fossil Branco 2015 was full and glyceric, but energetic and complex, salty, with citric notes, pineapple, and some smokiness, and good acidity from the arinto (fernão pires and gouveio also in the blend, all three in equal parts). The 2014 was also brought to the table. Clearly in the same family, but not as bright. Fossil Tinto 2015 (touriga nacional 60%, tinta roriz and some syrah) was dark, smoky with flowers and green herbs, fresh, and with a nice tannic grip.

Craig Hawkins

Craig Hawkins is a leading figure in South Africa’s dynamic Swartland region. I have tasted his range several times and cannot recommend it enough. The wines tend to be very natural and with little extraction. I really like the entry-level wines called Baby Bandito. His Testalonga El Bandito “Cortez” from 35 year old chenin blanc vines on granite is always brilliant, now 2015. Lively, iodine, mineral and with that steely edge from the grape. “Mangaliza” 2015, from the Hungarian grape of that name, was a new find. “Monkey gone to Heaven” (on bicycle, according to the label), now 2016, is as always concentrated. But there is a lot more to it, a floral and grapey mourvèdre with red fruits and fresh aromatic herbs.

Most of the range, Testalonga Bandito and Baby Bandito

Sebastiano de Martino

De Martino has been around since the founder came over from Italy to Maipo in the 1930’s. Today they are among the leading organic producers in several regions. Some of their most interesting wines are results of dry farming in the southern Itata region. The Muscat and the Cinsault aged in clay are the two that come to my mind. Here they came in various versions; a muscat/corinto was interesting. So were some of the cheaper ones such as fruity, wonderfully balanced cabernet sauvignon under the Legado label (2016).

Wine bar Ducksoup of Soho had a stand with marvellous small dishes

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A new chapter at Ainé

Published 18. August 2017 by Vidar Kenneth Johansen

It was some thirty years ago that I wandered through the legendary Chapelle vineyard in Hermitage. Little did I think at the time about the level of organic practice. Since then I have tasted an occasional wine, and to my taste many have been good, especially during the latest years.

And it was around ten years ago that the Frey family purchased the property, and Caroline Frey took over as the new oenologist. They started converting the estate vineyards to biodynamic principles.

This Côte du Rhône has its background from 40 years old vines of grenache 55%, syrah 35 and mourvèdre 10. The yields were low and it was finally raised in steel tanks.

Biographie 2015 (P. Jaboulet Aîné)

Dark purple red. Fruits from garden and woods (raspberry, black cherries, blackberry), and an amount of typical spices. Quite fresh with decent acidity.

Price: Low

Food: A variety of produce, from meats to tasty salads, hard cheeses…

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Crossing borders

Published 9. June 2017 by Vidar Kenneth Johansen

This is a Côte de Roussillon Village from a tasting of Catalan wines from both sides of the border. The tasting featured mostly wines from carignan and grenache, both of Spanish origin, but some had small amounts of other varieties. This is a blend of carignan, grenache with syrah and mourvèdre.

Domaine Gauby is located 20 km north-west of Perpignan and extends over about 85 hectares of which 45 hectares of vines up to 125 years old, the rest meadows, oak forests and scrubland. Here we find varied terroirs composed of limestones, marls and slate.

OLYMPUS DIGITAL CAMERA — *Old carignan (credit: Dom. Gauby)*

Enologist Tom Lubbe has been a very important figure for this region, and under him Gauby was leading the way in the reviving of this old viticultural region. He had crossed many borders before he came here; born in New Zealand, worked in South Africa’s Swartland, then arrived here. He has been involved in the production of both Gauby and Majas, before he now is leading the neighbouring Matassa project (and married to Gérard Gauby’s sister).

This grapes for this wine was sourced from sedimentary limestone and slate, the carignan, 125 years. The vinification was traditional, 100% de-stemming, maceration 2 to 4 weeks, and use of native yeasts. Two years in barrel, obviously used (no taste of oak worth mentioning), no fining nor filtering.

Bilderesultat for gauby vieilles vignes 2011

Gauby Vieilles Vignes Rouge 2011 (Domaine Gauby)

Dark red, some development. Aroma of cherries, thym, some earthy notes and pencil. Good fruit, soft tannins and bright acidity. Still slightly sparkling, but nothing “difficult”. Excellent timing: Drink now!

Price: Medium

Food: Light meat, game, ragus, a variety of cheeses…

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Another Catalandscape

Published 9. December 2016 by Vidar Kenneth Johansen

This wine was marked with my name in the wine cabinet, when we arrived an Airbnb flat in Barcelona, generously given by the host.

Here is a reserva made near Dalí’s Cadaqués and Figueres, in La Selva de Mar (meaning ‘the sea jungle’) in the high Empordà. It has nothing to do with the dramatic valleys of Priorat, nor the wide plains of Costers del Segre.

We are above the Saint Romà valley, where Diego Soto and Núria Dalmau bought this property in 1989. They restored a farm-house in the middle of the vineyards, and recovered the rest of the estate. 17 hectares of land are now planted with garnatxa, carinyena, syrah, monastrell and moscatel (the alexandria version). They were thinking organically from the start, and biodynamically since 1999.

The property is located within the Cap Creus nature park, bordering the Mediterranean Sea. It’s a steep farm with some terraces, and a soil rich in slate.

This wine is made from garnatxa 50%, syrah 30%, and the rest carinyena. In short, the altitude is 120-380 meters, the grapes were hand-picked, underwent a spontaneous fermentation and maceration in stainless steel at 22˚C, and the finished wine was aged 15 months in French oak casks.

Vinya Selva de Mar 2007 (Mas Estela)

Quite dark with brownish rim. Aroma of mature berries, cherries, plums, spices (cinnamon and pepper), some dried fruit and a slight touch of raisins. Full on the palate, adequate acidity, a nice wine at its height right now when the oak is well integrated.

Price: Medium

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Summer is rosé, and rosé is Provence

Published 22. July 2016 by Vidar Kenneth Johansen

And the first 100% organic village for agriculture is Correns, in the inland from the Azur coast between Nice and Marseille.

Much has been said about this property and its affinity to artists throughout the years. Briefly: In 1970 jazz pianist Jacques Loussier used it as a recording studio. (Parts of Pink Floyd’s The Wall are recorded here.) Today it’s owned by actors Jolie & Pitt, and the wine is made by Perrin, the family behind many outstanding wines like Beaucastel.

Covering 500 hectares of land in the Côte de Provence, the wine château is only a small part of this, together with olive groves, woods and wildlife. The vineyards are located around 350 meters above sea level, partly terraced, on clay and limestone soils. The temperature varies a great deal between day and night, given a nice freshness to most of the wines.

This rosé is made mainly from the cinsault grape, with some grenache, syrah and rolle. Rolle? Well, this is quite complicated: Rolle is a synonym for a local grape named rollo. It’s also a synonym for the better known Italian vermentino. It can even be that the two are related…

Most of the grapes are lightly pressed directly. But some of the syrah are made according to the “saignée” method, which means that part of the juice is removed from the must to concentrate phenolics and other components. (Needless to say, it’s not an ideal practice with “naturalists”.) The fermentation was mostly in stainless steel, with a small part (around 5%) in oak, with some batonnage.

Miraval Rosé 2015 (Ch. Miraval)

Pale pink. Delicate aromas of citrus, raspberries and white flowers, and a touch of pepper. Quite fresh on the palate, some volume too and a nice concentration that makes it persistent, with a dryness and a touch of a salty minerality in the finish. I find that many of the rosés in the area have too much alcohol for the body and concentration. This one not.

Price: Low

Food: Salads, fowl, fish and seafood

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Clos Espinous of Corbières

Published 11. March 2016 by Vidar Kenneth Johansen

Rémi Jaillet, from a family of wine growers in Loire, is now one of the rising stars in Languedoc-Roussillon. The largest wine area here (almost half of the AOC production) is Corbières in the Aude département. Corbières is a varied area in terms of soil and climate, but it’s predominantly red wine land, and carignan is the most common grape variety.

Here Rémi has 7 hectars of vineyards that he tends organically. The Clos Espinous comes mostly from more than 80 year old carignan vines. This makes up for around 60% of the cuvée, while granache and syrah stand for the rest. The must underwent spontaneous fermentation, and the wine was matured for 9 months in used oak before release.

Clos Espinous 2014 (Rémi Jaillet)

Dark red with blueish hue. Quite concentrated, slightly earthy aroma with hints of mature dark berries (morellos, blackberry), and some spiciness. In the mouth it’s full, but refreshing too. Maybe a bit on the rustic side, and reductive at opening, so airing is recommended.

Price: Low

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