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Trepat Trip III: Modernist cooperatives in Conca de Barberà

The wine cooperatives of Conca de Barberà are among the most distinctive in Spain, not only for their role in reviving viticulture after the phylloxera crisis, but also for their unique architectural identity. Often referred to as wine cathedrals, these buildings are part of a movement that combined function, modernist design and social ambition in rural Catalonia in the early 20th century.

Credit: Cellers Domenys

During the 19th century, the so-called “Catalan Gold Rush” led to vineyards becoming almost the sole crop in Conca de Barberà. The region’s fertile soils and reliable water sources enabled it to meet the soaring demand for wine and spirits from Northern Europe and the Americas. But the prosperity was short-lived. In 1893, phylloxera struck the region, devastating the vineyards and pushing growers into crisis.

Recognising the need for collective action, the Sociedad de Trabajadores Agrícolas del Pueblo de Barberá was formed in 1894 – the first agricultural cooperative in all of Spain. This initiative laid the foundation for a cooperative tradition that would define the region. By 1902, leadership of the movement had passed to Josep M. Rendé from Espluga de Francolí, who played a crucial role in expanding cooperativism throughout La Conca.

The winery in the town of Barberà was established in 1903 and is considered the first purpose-built cooperative winery in Spain. In 1912, during the Commonwealth of Catalonia, Josep M. Rendé also initiated the construction of his hometown’s winery – a modernist building designed by Pere Domènec i Roure. It was this building that prompted the poet Àngel Guimerà to give these structures their enduring nickname: wine cathedrals.

Between 1912 and 1919, architects Pere Domènec and Cèsar Martinell, a disciple of Antoni Gaudí, designed six modernist wineries in Conca de Barberà. Martinell in particular combined traditional Catalan construction techniques, such as brick vaulting, with the functional needs of a working cellar. His designs allowed for gravity-fed vinification, optimal temperature control, and included large arched windows for ventilation. These buildings were meant not only to serve winemaking, but to uplift and dignify the rural working class at a time of great economic difficulty.

After the Spanish Civil War, the Barberà Agricultural Society merged with the Agricultural Trade Union, forming the Barberà de la Conca Agricultural Cooperative, which became one of the region’s most important winemaking institutions.

During my trip in Conca de Barberà I visited Castell D’Or (Cooperativa de L’Espluga de Francolí), Cellers Domenys (Sindicat Agricol de Rocafort de Queralt), the first one to be drawn by Cèsar Martinell in 1918, and Vinícola de Sarral – all of them among the most important cooperatives in the region. Though now operating under larger umbrella structures, each has deep roots in the cooperative history of the region. They have played a crucial role in preserving the trepat grape, traditionally used in rosé and cava blends, and are now turning their attention to making varietal red wines that reflect the character of the local terroir. Their continued investment in both tradition and modernisation shows that the cooperative spirit in Conca de Barberà is very much alive.

The modernist wineries of Conca de Barberà remain striking examples of how architectural vision and collective resilience came together in response to crisis. They are not only monuments to the past, but dynamic institutions shaping the future of Catalan wine.

Trepat 2024 (Castell D’Or) – Made in stainless steel. Light ruby in colour. Aromas of red berries and Mediterranean herbs. On the palate it is clean and fresh, with light tannins and a soft, dry finish. A very pure and accessible expression of young trepat.

Tres Naus Brut (Cellers Domenys), 2022, but labelled non-vintage – A blend of parellada, macabeu and xarel·lo, aged 18 months on the lees. Light in body with fine bubbles. Aromas of apple, citrus zest, hay and a touch of yeasty complexity. On the palate, lively acidity balances soft fruit, resulting in a bright and food-friendly sparkling wine.

Domenio Ull de Llebre 2021 (Cellers Domenys) – 100% ull de llebre from organic vineyards. Cherry red in colour. Aromas of ripe cherry, blackberry and wild herbs. On the palate, medium-bodied with a good balance of fruit and oak, and a hint of earthiness on the finish.

Portell Glatim Negre de Trepat 2022 (Vinícola de Sarral) – Made from organic trepat and aged four months in French and American oak. Light ruby hue. The nose offers redcurrant, cranberry, pepper and dried herbs. On the palate, it’s lively and savoury, with gentle oak, smooth texture and a fresh, spicy finish.

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Trepat Trip II: Mas Foraster

Located just outside Montblanc in the heart of Conca de Barberà, Mas Foraster, also called Josep Foraster, is a family-run estate that has become one of the leading names in the revival of trepat – the region’s native red grape. Founded in 1998, the winery is now run by Ricard Sebastià Foraster, who not only oversees the estate but also serves as president of the Consejo Regulador of the DO Conca de Barberà. “Josep was both my grandfather and my uncle,” says Ricard.

Kepa and Ricard

The estate currently covers 34 hectares – 27 owned and the rest leased – and only estate-grown grapes are used. All vineyards are farmed organically, and biodynamic compost is applied. Elevations range from 280 to 550 metres around Montblanc, and up to 650 meters around Sarral and on the other side of the mountains. These high altitudes, along with calcareous and clay-rich soils, contribute to the wines’ freshness and clarity. According to Ricard, while clay brings more yield, calcareous soils provide greater concentration – but above all, it’s the cool climate that trepat needs.

Trepat, traditionally used in rosado and cava, is now taking centre stage. Mas Foraster has been a key player in this transformation, releasing their first red trepat in 2009 – the second on the market after Carles Andreu. Their red trepats are fermented spontaneously, with a 40-day maceration that continues even after fermentation ends. Sulphite levels are kept low, always under 40 mg/l, and ageing takes place exclusively in used barrels, foudres or concrete eggs.

The current range of trepat-based wines is wide and expressive:

Les Gallinetes 2024 (55% trepat, 45% garnatxa) is a light, juicy red with aroma of red berries, with fine tannins and a smooth, easy-drinking style.

Trepat 2023, made from seven old vineyards (60–96 years), grown in calcareous soils, undergoes long maceration in foudre and barrique. Ruby in colour, it shows red forest fruits and white pepper, with freshness, finesse and length.

Julieta 2023, named after Ricard’s mother and his daughter, from a single north-facing vineyard planted in 1940 at 450 metres, is aged seven months in concrete eggs. With aromas of raspberry and flowers, it has more structure and weight, firm tannins and a long, lingering finish.

Pep 2022, from 86-year-old vines at 580 metres, is made with whole clusters, foot-trodden in alabaster tanks. Light cherry red, the wine shows red fruits and herbs, with firm yet juicy structure and real depth.

Ricard

In addition to red wines, Mas Foraster also makes noteworthy whites and skin-contact styles:

Blanc Selecció 2023 is a blend of macabeu, chardonnay and garnatxa gris. The wine is fermented in concrete eggs and sees some skin contact in foudre. Pale yellow with green hints, it shows citrus, yellow apple, good volume and bright acidity.

Brisat del Coster 2023, an orange wine made from macabeu (some of which also goes into the Blanc Selecció), undergoes 25 days of skin contact in steel and concrete, with no added sulphites. Golden in hue, it offers notes of citrus peel, flowers, herbs and apricot, with light tannins and a textured, fresh palate. Ricard notes that macabeu, with its lower oxidative character than garnatxa gris, results in a lighter colour.

Kepa

The cellar is overseen by Kepa Martínez, whose mother is from the Basque Country, hence the name Kepa. Fermentations are spontaneous and temperature-controlled by natural means – “fermentation starts when the temperature rises,” says Ricard.

With a clear focus on trepat and a deep commitment to sustainable farming and precision winemaking, Mas Foraster stands as one of the most respected producers in the Conca de Barberà today – a house where tradition, innovation and identity converge.

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Trepat Trip I: Trepat takes the lead

I visited Conca de Barberà to witness how the grape trepat is being brought into the spotlight. The event was organised by the communication and public relations agency Mahala in collaboration with the local wine authorities.

Montblanc, where the local Consejo Regulador has its offices

Trepat has been cultivated in Conca de Barberà for centuries. Before phylloxera it counted for one third of the planted area. Now it has long been overlooked in favour of grapes like garnatxa and tempranillo. Traditionally used in rosé and cava, it is now revealing its potential for elegant, fresh and spicy red wines. The grape thrives in calcareous and clay-rich soils, and the cool nights of the region help preserve its natural acidity.


Typically low in alcohol, trepat offers high acidity, floral and spicy notes, and an earthy undertone. Winemakers are increasingly experimenting with whole-bunch fermentation, carbonic maceration, amphora and concrete eggs to highlight the grape’s unique personality. At the same time, organic and biodynamic practices are gaining ground.

Bernat and Carles Andreu

A pioneer of the modern trepat in Conca de Barberà was Celler Carles Andreu, who made the first single-varietal red wine from the grape back in 2004. They were among the first to believe in its potential. Today led by Carles’ son Bernat, I particularly like their young unoaked trepats, that display finesse, delicate berry fruit, herbal touches and a distinctive peppery finish.

Mas Foraster has also made trepat a signature, using organic cultivation and often working with whole clusters and gentle extraction to emphasise elegance. Led by Ricard Sebastià Foraster, they make fresh trepats, with hints of raspberry, rose petals and light tannins. But with their Julieta – the name of both Ricard’s mother and daughter – they also offer a slightly more structured version of the grape.

Patrick Webb and Roger Gili, Vidbertus

Vidbertus represents a new generation of winemakers focused on organic viticulture and minimal intervention in the cellar. Their pure trepats, like Elixir, reflect the limestone soils of Conca de Barberà, showing vibrant acidity and a spicy profile.

Josep Serra and Marta Pedra

Marta Pedra of Vins de Pedra practises organic viticulture and is in the process of certification. The wines carry a unique label design, created by her godfather and changed each year. Trempat sees careful use of new French oak, resulting in a wine that’s light and fragrant with red fruits, but also with refreshing menthol and liquorice and a delicate peppery note. An outdoor lunch at the farm offered a generous taste of everything grown and crafted on site—from freshly baked bread to fragrant olive oil and vibrant vegetables.

Rendé Masdéu, which lost its historic winery in the floods of 2019, has continued its work with trepat from a new facility. They produce both rosé and red styles with a balance between tradition and modernity.

Inma Soler, Mas de La Pansa

Then there is Mas de La Pansa, a small-scale producer making limited quantities of artisanal trepat. Inma Soler focuses on organic cultivation, spontaneous fermentation, skin contact, and ageing in old oak or stainless steel. Her dessert wine Trepat Dulce was a winner at the final dinner.

We witnessed the modernist architecture of the region’s cooperatives, among the oldest in Spain, in buildings by Cèsar Martinell. But more than that: The cooperatives have also played an important role in keeping trepat alive. Castell D’Or, Cellers Domenys and Vinícola de Sarral have used the grape in their cava blends for decades. Now, they are also exploring its potential for elegant, varietal wines in both rosé and red styles.

The Monastery of Poblet


The grape’s recent evolution in Conca de Barberà suggests a promising future. It would be perfect in today’s trendy bars. I would say it so far is at best in its young and unoaked versions. With growing attention from both winemakers and enthusiasts, this once-overlooked variety may well be on the path to a full-blown renaissance—not only in Spain, but on the international stage.

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Wine Club tasting of Aurelio García’s wines

Aurelio García is one of the most attentive and thoughtful voices in modern Central Spanish wine. Together with his partner, Micaela Rubio, he works across three regions—Cuenca, Ávila, and Soria—always with a focus on old vineyards, native varieties, and minimal intervention. His wines are precise, expressive, and deeply rooted in place.

When a case from Aurelio García arrived in the post, two bottles had sadly broken in transit. Still, four remained intact—and with those, I took the opportunity to gather my wine club for a focused tasting. We added a few complementary wines for context, but the stars of the evening were clearly Aurelio’s own: La Infanta, +Altitud, Alto de la Cruz, and La Guía. Though we missed out on El Reflejo and Mikaela, the tasting offered a vivid insight into Aurelio’s style across three distinct regions.

Me and Aurelio in the La Infanta parcel, summer of ’23

La Infanta 2021 – Cuenca
Cuenca here refers to the Ribera del Júcar zone, though Aurelio prefers not to label his wines under the DO, opting for greater freedom. La Infanta comes from a single parcel in Casas de Benítez and is made from 60% bobal and 40% co-planted local varieties.
Delicate and complex, it showed dark berry fruit (dark cherry and plum) on the nose, along with herbal notes, a hint of tar, and a taut, mineral texture. A slightly bitter aftertaste added grip. There was a quiet power to it—restrained, yet full of energy.

+Altitud 2021 – Ávila
A village wine from the granite soils of Navatalgordo in the Sierra de Gredos.
Light in colour and body, almost ethereal, it offered notes of raspberry, wild strawberry, and flowers, with a fine, lacy texture. This was the most immediately charming wine of the tasting, with several tasters noting its vibrant fruit and finesse.

Alto de la Cruz 2022 – Ávila
Also from Navatalgordo, but from a cooler, north-facing valley.
Though paler in colour, this wine showed more structure and depth. It opened with herbal tones, redcurrant and floral aromatics, then narrowed into a vertical, mineral finish. There was more volume here, likely from clay soils, with fine-grained tannins and underlying tension.

La Guía 2021 – Soria
From Matanza de Soria, a high-altitude village in the eastern part of Ribera del Duero.
A blend of tinto fino (tempranillo) and albillo mayor from pre-phylloxera vines, it combined red and dark fruits with floral lift and a subtle hint of nuts. Velvety on the palate, cool and juicy at the core—it struck a fine balance between seriousness and drinkability. For me, this was the most complete wine of the night: subtle, savoury, and quietly profound. Meanwhile, +Altitud stood out for sheer charm and drinkability.
While La Infanta and La Guía come in serious bottles with serious price tags, the wines from Gredos are outstanding value for money.

What We Missed

We didn’t get to taste El Reflejo or Mikaela, but here’s what they might have brought to the table:

El Reflejo is Aurelio’s village wine from Cuenca—a blend of bobal and co-planted varieties from around 25 parcels. Fruit-driven and supple, it offers dark and red berries, with freshness and an approachable style.

Mikaela, named after his wife and winemaking partner, is a paraje wine from deeper, pebble-rich soils. Made with whole clusters and aged in foudres, it shows juicy, concentrated fruit with a mineral streak—lively and taut.

Micaela, Celia and Aurelio, summer of ’23

Each wine carried the mark of its place, but all shared a sense of purity, restraint, and precision. Interestingly, my fellow tasters had no difficulty identifying which of the three regions each wine came from—even though the wines were, of course, tasted blind. That in itself is a mark of quality, and a testament to the clarity of Aurelio García’s site expression. Even in the absence of the two missing bottles, the tasting was a clear reminder that Aurelio García is crafting some of Spain’s most thoughtful and terroir-driven wines.

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Rising from the Ashes: Tavares de Pina’s fight

In September 2024, João Tavares de Pina’s estate, Quinta da Boavista in Penalva do Castelo, Portugal, was devastated by a wildfire. The blaze reduced the family home to ashes and destroyed 85% of the vineyards.

To support João and his family during this challenging time, friends and colleagues organized several solidarity initiatives. Among them was a wine lottery, where winemakers from various countries donated special bottles to raise funds for the reconstruction of Quinta da Boavista. Additionally, a GoFundMe campaign was launched to provide further support.

At Simplesmente Vinho 2025, João presented a wine as part of his own crowdfunding project. Terras de Tavares Reserva 2004, made from touriga nacional, jaen and rufete, is a richly textured and mature wine—dark with brown hues at the edges—offering aromas of ripe and dried fruits, plums, and prunes, alongside flavors of ripe berries, spices, and dark chocolate, with silky tannins. The project itself is well worth supporting, but the wine is also truly exceptional.

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Articles and Wine of the Week

Infantado’s celebration release

Simplesmente Vinho offered this year for the first time three special tastings. One of them was dedicated to Quinta do Infantado and the release of a limited edition 50 year old tawny. The festival’s own João Roseira and his son Álvaro, now responsible winemaker, guided us through around ten wines and samples, before they presented the new tawny.

João Roseira presenting the rare tawny

The release marks 50 years since the Portuguese Revolution, which ended the dictatorship and ushered in democracy. This special edition not only commemorates that historic moment but also pays tribute to João’s father, Luís Roseira, who was instrumental in Quinta do Infantado’s pioneering shift to estate-bottling.

The Roseira family has owned and managed Quinta do Infantado for over a century. In 1979, Luís Roseira, born on February 23, 1924, together with his brother António, led the estate’s groundbreaking decision to bottle its own wines—breaking with the tradition of selling bulk Port to the large houses in Vila Nova de Gaia. This made Quinta do Infantado the first independent producer to bottle its own Ports in the Douro region.

50 Year Old Tawny Luís Roseira (Quinta do Infantado)

Deep mahogany with greenish hue towards the rim.
Intense and complex bouquet with layers of dried fruits (figs, dates, and raisins), with caramelized nuts, toffee and nutmeg, along with hints of orange peel and coffee. Concentrated on the palate, with a rich texture balanced by vibrant acidity, with flavours that mirror the aromas, alongside a subtle minerality. The finish is extremely long, with a dry, nutty aftertaste and delicate bitter notes like dark chocolate and espresso.
This 50-year-old Tawny Port from Quinta do Infantado is a masterpiece. It reminds me of an exceptional old PX sherry, but it’s less sweet. It has multiple possibilities for pairing with food. But it is also a wine for meditation.

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The vineyards of Pico

I am concluding a three-day visit to the breathtaking island of Pico, where vines grow between black volcanic rock walls, protected from the fierce Atlantic winds. This UNESCO-listed landscape tells a story of resilience, tradition, and wines with striking minerality and a taste of the sea.

Every stone wall, every vine, and every bottle speaks of centuries of adaptation and determination. Pico’s wines are not just a product of nature but of human perseverance.

I can explain the technical terms like currais and cañadas—and I will, later. But when it comes to the impression these vineyards leave on me, words fall short. The scarce soil they have was transported from neighboring islands some 500 years ago.

A heartfelt thank you to the producers who welcomed me, sharing their wines, stories, and challenges. A special thanks to João Roseira of Simplesmente Vinho for sending me on this journey, and to Fortunato García from Czar for organising an unforgettable visit. I’ll be back.

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Simplesmente… Vinho Jerez edition

I’m back in Porto, for this year’s edition of Simplesmente… Vinho. Starting officially tomorrow, but we are now gathered in Niepoort’s lodge. Leader of one of the classic port producers, Dirk Niepoort, was among those who spearheaded today’s boom in 2008 with his collaboration with Equipo Navazos and the wine Navazos Niepoort. The wine was made from grapes grown in an albariza vineyard in Jerez and fermented without fortification, undergoing a period under flor, thus combining freshness, depth, and a subtle saline character. It quickly became a cult wine.

Tonight, Dirk poured both the 2014 and 2016 vintages of that wine, alongside some backlog vintages of his reds and a stunning white port from 1895. Ricardo Freitas from Barbeito added to the lineup with an exceptional 50 year old Madeira..

Ricardo Freitas presenting his contribution.
Dirk Niepoort next to him.

The Jerez boom is about a return to the vineyard, organic farming, and singular wines. It is this movement that Simplesmente seeks to highlight by presenting 14 producers from the sherry region this year—both raw and refined. That same energy—of pushing boundaries while respecting history—is what Simplesmente Vinho is all about.

Beyond the wines, the evening took on an artistic dimension as well, with guests contributing their own creative expressions—spontaneous, vibrant, and very much in the spirit of the gathering.

Ramiro Ibáñez and Willy Pérez, two of the leading lights in today’s boom

From tomorrow, the focus shifts to Alfândega do Porto, where the festival truly comes alive. The grand riverside space will host winemakers, drinkers, and thinkers from across Iberia, with a special spotlight on the producers from Marco de Jerez. They’ve come to challenge perceptions, to pour wines that blur the lines between past and future, between oxidative depth and raw immediacy.

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A classic entry-level Rioja

This wine I brought to a dinner to go with a terrine of grouse, a task that it fulfilled with excellence. Its creator Sandra Bravo is a favourite on this blog, and I wanted to take the opportunity now that this wine celebrates its 10 years anniversary. In fact the same wine has been featured before. Here is a link to the former blogpost.

The cultivation is organic, the must was fermented with natural yeasts in steel, clay and cement, and it spent some 6 months in used French oak barrels. In fact it was probably the first wine in Rioja to be elevated in amphora.

When I last reviewed it in 2017 the wine was at the height of its fruitiness, with a lot of cool, fresh red fruits, and also with a slightly roasted tone. Obviously, now all of that was gone giving way to the usual time markers. Drinking the wine was like a pleasant reunion with an old friend. I have another bottle that I will not save much longer though.

Sierra de Toloño 2014 (Sierra de Toloño)

Deep granate with brick rim. Blackberry, with figs and prunes, leather and hint of underwood. Mature fruit in the mouth, medium weight, with mature tannins, integrated acidity. It’s a bit drying and past its prime, but nevertheless truly pleasant.

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Some reds at La Gracia, Murcia

It’s always a pleasure to come back to La Gracia natural wine bar in the centre of Murcia. They have a small but carefully crafted selection of wines. And I know I can trust sommelier Esperanza Pérez and let her just chose something.

This Christmas and New Year I visited twice. Though the temperature was quite low we chose to sit outside, so the descriptions might suffer a bit. I had two wines that I have described before. You can read about the local Negrete 2021 (Negre- T Blue) here and Navaciegos (Cható Gañán), Gredos here. Sorry, I didn’t get the vintage of the latter, but it was probably 2019.

Here follow two wines that both were perfect for a cold winter’s afternoon, with 15 and 14,5% alcohol respectively.

Ninja de las Uvas 2022 is made by Julia Casado, or La del Terreno, as she calls her project. It’s located in the Sierra de Lavia regional park in Murcia, and the wine comes under the designation DO Bullas. We are in monastrell country, but this wine is in fact made of garnacha tinta. It’s made with grapes from 20 year old vines planted in clay and calcareous gravel soil at 750 metres above sea level and tended organically. The grapes are 90% destemmed and macerated for 15 days, with malolactic fermentation in used barrels. Bottled without being filtered, clarified or adding sulphur. It’s a unique wine with some warmth, but with a lovely fruit quality (morello, plums), complemented by aromatic herbs and coffee. It fills the mouth with its roundness and is perfect in the cold Murcian winter.

Ars Nova 2016 is from Navarra, made by Bodega Tandem, that is José Maria Fraile and Alicia Eyaralar. They are committed to little intervention. The grapes are cultivated in the Yerri valley, in western Navarra, that is, as sommelier Esperanza points out, close to Rioja Alavesa.

It’s made of Navarra’s trilogy of grapes, cabernet sauvignon, merlot and tempranillo. Fermentation took place at controlled temperatures of 28°C, with a careful extraction. Pumps were not used, instead, the wine was racked by gravity into concrete vats. The wine was not cold stabilised or fined. It spent 24 months in concrete vats, followed by nine months in French oak. Super black fruit, with olive and spice. It’s full in the mouth, with nice concentration. Perfect for this kind of setting.

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