This summer at Porto’s Simplesmente… Vinho fair I met Miguel Morais and Filipa Silva of Quinta da Costa do Pinhão. I tasted their splendid range of wines, all from the Favaios area, by the Pinhão river, a subsidiary of the Douro.
Among them was this red, that is now available in my local shop. It comes from a scistous vineyard at 300-450 meters elevation, between 35 and 45 years old. The composition is touriga nacional 40%, touriga franca 30% and tinta roriz 30%. The grapes were foot-trodden and fermented in traditional lagares. It was aged 12 months in French barrels.
Gradual 2017(Quinta da Costa do Pinhão)
Dark cherry red. Aroma of red and dark fruits (cherry, blackberry, plum), black pepper, herbs, licorice and some animal tones. In the mouth it’s quite full, with integrated wood, good acidity, still some tannins, and with a hint of tobacco along with the fruits. A tasty Douro, still with ageing capacity.
Food: I had it with leg of lamb, but goes with a variety of tasty meat, casseroles and more
After the Simplesmente… Vinho fair I took the opportunity to get an update on the nearby Vinho Verde region. I visited five producers in a program set up by festival general João Roseira and the growers. Here is a report from the three first wineries. These are found in the subregions Sousa and Amarante, only 40 and 60 kilometers respectively, from the city of Porto.
Sem Igual (meaning something like unequalled, or unique) may be a new brand, and it was only in 2012 that João Camizão and his wife Leila Rocha made their first vintage. But João’s family has been grapegrowers in the Sousa and Amarante sub-regions of Vinho Verde since the 18th century. I visited together with an American importer. And from the fair in Porto they drove us in their car to Meinedo, in the municipality of Lousada. Meanwhile they told us the fascinating story about their international background and how they came back. João has for long long worked in telecommunications, and combined for a few years his employment in Nokia with a life as a farmer. It was only in 2016 that he decided to dedicate himself fully to wine, and the family took the chance to move to the village of his childhood.
Their office, storage cellar and guesthouse are located in Meinedo. Here in the Sousa area they have about 10 hectares of vineyards on granite soil with gravel. The vines have an age of up to 70 years, the oldest ones trained in the traditional ramadas.
They are a modern couple, with their international stories, and a busy life with three kids. But watching their vineyards and walking through their cellar it shows clearly that they also feel connected to history. Just look at all the stone and the wooden architecture in their premises, the concrete tanks and the lagares where the grapes are trodden by foot.
We tasted through their range of wines. Sem Igual makes first and foremost white wines, but also sparkling wines, rosés and light reds. Their whites are blends of the two local grapes arinto and azal. In general they are good bodied, non-carbonic, dry wines with a fresh acidity.
The Sem Igual (blue label) is made from 70% arinto and 30% azal, always with whole bunches and very soft pressing. It has virtually no contact with lees. The wine was served in five vintages between 2015 and 2019, to give an impression. All had splendid citrus fruit (lemon peel) with good body, a crisp acidity and no bubbles (sounds maybe strange, but this is opposed to a long tradition of gasification in the region), and a mineral aftertaste – in an overall elegant style. The 2019 and 2017 were for me a bit ahead of the rest, a bit more expressive and with a slight buttery feel. João says that in 2016 they cut down on SO2. This can explain that the latest wines, especially 2019 and 2017 were somewhat darker.
Next was a pair of Sem IgualRamadas2018. Dubbed Metal and Wood respectively this denotes that the latter had been in oak, the former not. The Metal came from 50 year old vines, the Wood more than 60, both trained in pergola (ramadas). 60% arinto, the rest azal, the Wood was a bit more buttery, full and with more rounded acidity.
Sem Mal may play with the expression “not bad”, I think, but also with the fact that it had not completed malolactic fermentation (“malo”) before it was bottled. Which makes it a sparkling wine. The 2019 was a fresh one, with small bubbles, citrussy acidity, yellow apples and some yeast. We also tasted the Bruto Natural, a fresh sparkler after 40 months on sediments. Among the rest of the wines we tasted the PétNat2019 was truly fascinating. A half and half touriga nacinal and baga wine, this was their first pét nat and also their first experience with red grapes. Pale salmon-pink; peach and apples; smooth and off-dry, this is easy to drink on a hot summer’s day – and a story to be continued.
Quinta da Palmirinha
Quinta da Palmirinha and Fernando Paiva I have written about several times. Here is a short report following a visit three years ago.
Palmirinha is the family farm, barely 3 hectares located in Lixa, sub-region of Amarante. Fernando has a moderate and polite appearance, but is an undisputed authority in organic and biodynamic farming. A retired history professor, he will consult younger local talent about organic farming, without any pay. As he says while we walk up and down his quite steep vineyard, “if I give away my shirt I don’t have it any more, but knowledge is a thing you can share without losing it yourself.”
His vineyard is a total of almost 3 hectares with mostly 28 year old vines. Loureiro accounts for 2 hectares, the rest azal and arinto. All this is trained in simple cordon.
On his own initiative he has experimented with the use of chestnut flowers that covers the must, so that he can avoid using SO2. Time will show if this will be a revolutionary discovery for the whole sector. Anyway, Fernando has already shared his ideas with several producers.
Outside the adega we also said hello to the chickens that are fertilizing his vineyards. The plant life he calls “spontaneous”. It is like it is, there is no need to adjust. But we see aromatic plants that attracts insects.
He was the first certified biodynamic producer in Portugal. This time he showed me his biodynamic toolcase, with preparations.
The grapes are harvested manually in the morning, gently pressed and the fermentation is spontaneous. The wine stays in stainless steel for 10 months, with batonage twice.
I have tasted his wines many times, in the winery and at fairs. In general they are citric, appley and flowery, mineral, always with a firm structure, but with an integrated acidity. The three wines I tasted this time were all from the 2021 vintage. The Loureiro had more yellow apples, and overall a lovely calmness and harmony, just like the vineyard and the man. The Azal was more to the green apple side, some anise, with a crisper acidity. The Curtimenta (orange wine) called Leviano (tank sample), had 75% loureiro, the rest azal, and 3 weeks skin-contact. The colour is yellow, and smells of clementine peel, ginger and flowers; full in the mouth with some structure. This is an absolutely outstanding trio of wines!
Quinta de Lourosa
José Maia meets me at Quinta de Lourosa, in Sousela (Sousa valley). He has a varied background, and he is still working as a tour guide. The last few years he has been engaged at the winery, to do a little bit of everything. His experience in tourism is well at hand as they have a guesthouse with restaurant and provide guided tours. Their packages include regional gastronomy, handicrafts and day trips to sites of historical and cultural heritage, such as the area’s Romanesque route.
Joanna de Castro is winemaker on the quinta, that now covers 27 hectares. She lives in Lisboa and couldn’t be present that day. But her father was there. Rogério de Castro is a legendary figure, retired oenology professor and acknowledged for having introduced the training system that has come to be called Lys. The idea behind it is to enable a better sun exposure. Now the professor is passionately working the vineyards at Quinta de Lourosa. He has also in the latest decades renewed the 17th century chapel and the eaves on the farm. As we were walking around the estate he showed me different examples of the Lys system. It’s maybe more a concept than a technique. The idea is to distribute the plants to give ventilation. Very commonly first the plant grows to the left and to the right, then it moves upwards. With this system the plant also grows much stronger.
José tells me that the estate doesn’t produce organic wines as such. But they do care about the landscape and soil. -We use chemicals only when we have to, he says. -And the future is not to use. They are in fact planting peppermint between the rows to attract insects, only to mention one feature.
The wines were in general fresh and quite light in style. To only mention a few the (Vinhas de) Lourosa 2021, a varietal loureiro, was light with a a little gas; citric with green apples on the nose; fresh in the mouth, with lemony acidity. The Quinta de Lourosa 2021 was maybe a bit more “serious”. Made from 40-45% arinto, 30% loureiro and the rest avesso (a blend that the authorities first didn’t approve, because they said it must be sauvignon blanc) the wine showed citric with yellow apples, also fresh with a little gas, but a little more full and concentrated than the previous. Among the sparkling wines I really liked the Lourosa Bruto Branco 2018, made from loureiro and brinto with no added sugar: Pale yellow with small bubbles; fresh aroma of green and yellow apple, some yeast (after 9 months on sediments); with an appley acidity in the finish.
We also did an interesting tasting of the Quinta de Lourosa Alvarinho. The 2019 (made with 7% arinto also), made in steel and new French oak, showed light yellow in colour; an aroma of yellow apple, spice/herbs; glyceric, hints of toast, flavourful. We had this and two more vintages for dinner in the restaurant. While the 2016 was more buttery and had only a slightly oaky aftertaste, the 2014 showed a fully integrated oak without losing the fruit.
Simplesmente… Vinho is an independent wine festival held annually in Porto. It’s for artisans and family businesses, for wines that respect terroir and tradition. As the organizers say, “sincere wines with a healthy dose of madness and poetry”.
Nowadays it’s held on the first weekend of July, in the open air of the gardens of the Casa Cor de Rosa of the Faculty of Architecture of Porto (FAUP). This tenth edition featured 101 vignerons from Portugal and Spain.
This year I tasted quite randomly in no special order. I will still try to categorize them for you. It is always a pleasure to taste the wines of producers like Tiago Sampaio, Antonio Madeira, Niepoort, Quinta de Carolina and Quinta do Infantado. However, here I will highlight some of the producers that I didn’t know that well. Yes, I knew about them and I had tasted some wines, but this was the first time I tasted their whole range. Three to watch were Quinta da Pôpa, Quinta da Poeta (both Douro) and Quinta do Escudial (Dão). There were also a couple of discoveries on a trip to the Vinho Verde region. These you can read about in a forthcoming article.
Muxagat was created in 2002 by the Almeida and Lopes families, in the village Muxagata of Douro Superior. Today Muxagat has its own winery in Mêda, where most of the grapes are sourced. It’s a minimal intervention project, also without addition of yeast. Susana Lopes and her family, with the help of Ana Silva, resident winemaker, and consultant Luis Seabra, make stylish, fresh wines in a region famous for heavier stuff.
I liked the whole range, from the fresh white wines (one of them an off-dry riesling), via the elegant light extracted rosé to the various shades of red. Here come a few of the best. Tinta Barroca 2021: Young colour with violet hints; mature dark and wild fruits (cherry, blackberry), flowers; luscious with fresh acidity – a serious glou-glou wine! The Tinta Francisca 2017 had more developed colour, an earthy, mineral aroma with red berries and white pepper, and a lightly structured palate. I also liked their regular Tinto 2017, a classic and complete red. Vale Cesteiros 2018, from older vines, is dark in colour with wild fruits (blackberry) and some balsamic; potent, still elegant, and with an integrated acidity. Cisne 2015 and 2016 were made from tinto cão 90% and rabigato, aged two years in wood. They showed some evolution, with earthy and fresh red fruits, then a powerful structure and a rich mouthfeel. The 2016 was the most powerful of the two.
Miguel Morais came to what is now Quinta da Costa do Pinhão, fell in love with it and knew he had to dedicate himself to the difficult task of working that land. Miguel says that 2014 was his first serious vintage. Over the years he has learned to understand the place better, respect the land, the plants, the animals, and cut on the chemicals, he says.
Quinta da Costa do Pinhão Branco 2019 was destemmed and fermented with skins in used barrels, and can be called an orange wine. Golden colour; mature apples, yellow fruits (tomatoes) and wet stone; rounded and balanced. The red Marufo 2019, from the rare grape of that name, was light, with currant colour; ripe raspberry fruit, spice; soft on the palate, balanced, and with a beginning evolution. The red with the company name was also of a classic style. Quinta da Costa do Pinhão Peladosa 2019 is a field-blend of 30 different varieties, a hundred years old vines on 1 hectare. Whole bunch pressing was carried out in a 500 litre barrel. Dark and wild fruits (blackcurrant, blackberry), menthol; concentrated flavours and delicate tannins.
There is nothing better than a little slowness in this era, says Rodrigo Martins of Espera (meaning: wait). He continues, we should give the wines time for maturation to deliver authentic and genuine aromas. He has 5 hectares of vineyards in Alcobaça, region of Lisboa, where the simple winemaking styles of the Cistercian monks is an inspiration. The idea is to be patient, and the ambition is to offer a unique quality product, at the same time unpretentious.
I really appreciate the elegant, low-extracted Atlantic style of this producer, and all wines could be highlighted. Here follow four of them. The Bical & Arinto 2020 from a young vineyard with low yield stayed 8 weeks in oak. It shows yellow fruit; is round, tasty, and concentrated. The Curtimenta 2021 stayed 17 days on skins. Light yellow, slightly cloudy; delicate skin-character (lemon peel); grapefruit in the aftertaste. The Espera Palhete 2021, a field-blend of some 20 varieties (70% white) was really delicate and delicious: Light red; raspberries; crisp acidity and a delicate texture. Espera NatCool 2021 is made for the Niepoort-distributed series of low-extracted natural wines in one-litre bottles. It’s made solely from castelão, is light red; with lots of red fruits (raspberry), a touch of flint; delicate, uplifting acidity.
Amoreira da Torre is one of the producers that manage to make fresh, varietal-scented wines from Alentejo, otherwise known for developed, jammy aromas. I tasted a few wines some years ago, and this was a good opportunity to re-discover. 20 hectares with Portuguese varieties from the region was planted in 2001 by Paulo Sendin and converted to organic four years later. The terroir at the estate in Montemor-o-Novo (on the highway to Évora) is characterized by granitic soils, abundant groundwater and a Mediterranean climate.
The Zebro line features some delicious, fruity wines of several colours at an un-beatable price. The microclimate is good for white wines, with water in the subsoil where roots go deep. Zebro Blanc de Noirs 2020, a varietal aragonêz, is made with very light pressing (“lágrima”), then immediate separation of the must. It’s quite unctuous, or broad, with anise and bitter almond notes; full and somewhat structured on the palate. Amoreira da Torre 2021 (aragonês, trincadeira, some cabernet sauvignon, 6 months in used oak) is youthful dark; fruity, dark and red fruits (morello, plums), green pepper, herbs and eucalyptus; rounded tannins, fresh and not overdone.
Look for next article from the Simplesmente fair, when there will be an update on producers already known on the blog.
Here is the second part of the report from this year’s Vella Terra. We leave Spain, crosses over to Portugal, then from France and to the east, then to the north of Europe.
Fernando Paiva came with his grandson João Goucha, who studies enology in Vila Real. Fernando’s estate Quinta da Palmirinha is in Lixa, south in the Vinho Verde. He is a pioneer in biodynamic farming in Portugal, uses chamomile flowers to avoid the use of sulphur in his natural wines – and is well covered in this blog. (Read about a visit to the estate here.) His Azal and Loureiro varitals were typical and up to standard. Leviano was made for the first time in 2020, that I tasted in Porto last summer. It’s a loureiro, now in the 2021 vintage, made with 3 months skin-contact. This makes it an orange wine, or “curtimento” in Portugal. Golden to orange; aroma of ginger and flowers; full in the mouth with some structure, and a super, integrated acidity.
João Tavares da Pina is found in Penalva do Castelo in Dão. (Read here about a visit to his estate.) The family’s Quinta da Boavista dates back to 1650 and is found at an altitude of 550 meters on deep granite, quartz, clay and shale soils. These vineyards are ideal for grapes like touriga nacional, alfrocheiro and rufete. And not least for the variety jaén (mencía), a speciality of the quinta.
I love his series Rufia (meaning punk), young, fresh wines. Among those tasted this time, why not mention the Rosé 2020, from rufete, touriga and jaen. Salmon-coloured, with raspberry and wild berries, rounded with a very careful tannin. Very interesting was his Tretas 2020, a jaen and touriga nacional. It was macerated on the skins for 4 days and kept in inox for 6 months before bottling (unfiltered, unfined). Tretas means bullshit in local slang. The wine is serious fun: A quaffable glou-glou, but with depth; cherry red, ripe red fruits and with some structure.
I hadn’t met Rodrigo Melo before, but I understand that this is a producer to watch. Rodrigo is from Brazil, but worked for many years in natural wine distribution in London. In 2018 he started his own project and came to Portugal, where he already knew its terroirs and grapes. He bought 4 hectares of land with 30-year-old vines with organic certification in northern Lisboa, that is Quinta da Ermegeira. He also works with biodynamic techniques, and the winemaking is with very low intervention.
Rodrigo showed interesting samples under the label Selva. Noiva 2021 was a different chardonnay, with botrytis and with some residual sugar. Here we chose Cristovan 2020. It is an orange wine (in Portuguese curtimenta) made from arinto, in a cement tank of 1.700 liters. The colour is light orange after 10 days fermentation on skins, the fruit is lovely and the acidity is refreshing. Only 11% alcohol.
Domaine Balansa is a 15-hectare estate in Corbières, established in 2015. This family project has an organic approach to farming and also runs tourism activities in the most sustainable way possible. I tasted the whole portfolio, various styles from southern French grapes. This time we could maybe focus on one of the more “serious” wines, Can del Rey 2020 from Fitou. It’s made from carignan and grenache, from 100 year old vines on hillsides, made with some carbonic maceration and matured some months in oak. It’s dark in colour, with youngish blue; aroma of wild berries, some balsamic, and slight hint of toffee too; good weight, fine tannins and with a balancing acidity.
The Les Vins Pirouettes label covers seventeen independent Alsatian winegrowers committed to organic and biodynamic farming. Each viticulturist grows the grapes on his own land and makes the wine in his own cellar. It’s an initiative by Christian Binner, and the idea was to give the growers a helping hand so that they didn’t need to sell their grapes to cooperatives.
Many times I have been impressed by the energy and creativity behind the wines and the dedication behind the labels. In spite of this, it can be (for me) many new wines each time. As a general rule, we can say that they are affordable natural wines.
Among the most rewarding wines this time was Saveurs 2018 from producer Rafaël, a fruity, citrussy and juicy silvaner (this label also covers a blend). More slender, but equally energetic was David‘s Riesling Glou-Glous 2018, a fresh appley, citrussy wine. There was also a delicious orange gewürztraminer from Franck, L’Étalon 2019. After 10 days of skin-contact it was only light orange, with apples, pears and a (pleasant) vinegary bitterness towards the end.
Foradori of Trentino has been covered many times on this blog, so feel free to search for it all. (Here is a recent post.) Elisabetta Foradori. Earlier I have met her sons, but this was the first time that I have met the beautiful Elisabetta Foradori herself. At a young age she did remarkable work in cultivating organically, later implementing biodynamic methods, and caring for the native varieties of her area, especially the near-extinct teroldego.
I didn’t taste many wines this time, only some whites, like the all-time favourite Nosiola. I also got the chance to be reminded how good was the Fuoripista Pinot Grigio, now in its 2016 vintage. Grown in sandy limestone, it’s fermented 8 months on skins and further aged in Spanish tinajas (amphoras) for 5 month. It has a reddish hue, is flowery with red berries and herbs, and has a concentrated yet smooth appearance in the mouth.
About Carussin of Piemonte I could say the reverse (than Foradori), earlier I have only met the mother Bruna Ferro Carussin. This time I got the opportunity to greet her son Luca Carussin Garberoglio. It’s a winery that I know well from the Norwegian market, and their economic barbera Asinoi has been a house wine in my house for a long time now. Here I tasted a few wines, among them Tra L’Altro 2020, an inspiring, flowery, dry moscato/cortese. Lia Ví 2017, is a superb wine, a single parcel barbera harvested later than others. It’s made from a 35-year-old vineyard planted by Luca’s grandfather, on the sandy soil just in front of the winery. It’s a concentrated wine that shows that barbera also can do with some structure. Elegant aroma, cool fruits (cherry), herbs and flowers, and a concentrate taste with fine tannins and lovely integrated acidity. And it’s not expensive.
Over to Argentina: Stella Crinita is the natural wine project of Joana Foster and Ernesto Catena in Vista Flores de Tunuyán, Valle de Uco. The Catena family is indeed an important one in the history of Argentine wine, having been responsible for bringing the malbec variety to America, as the story goes.
All fermentations are spontaneous, no SO2 added at any stage, nothing fined nor filtered. These are some keywords. The vineyard has been biodynamic certified since 2012. The soils are sandy and clayey and located at 1,100 meters above sea level.
I tasted interesting pét nats and reds from a.o. malbec, syrah, cabernet sauvignon, and a varietal barbera. Petit verdot can be one-dimensional and dull. Their Petit Verdot 2020 was not. On the contrary this single-vineyard biodynamic wine was a linear, long and quite elegant wine from this somewhat difficult grape. Cherry red, plums and blackberries with spice (nutmeg), fine tannins, fresh fruit (cherry) and also a touch of wood and leathertones.
It was also here I had to travel to meet Martin Bech-Ravn, a Danish cider producer, home brewer and artist based in Ekeberg, a neighbourhood in Oslo, Norway. This is a wine blog visiting a wine fair. But when Bech-Ravn in Solhøi Cider talks, then the analogue to wine is striking. For example, he uses one variety of apples to give fullness, another to give acidity. He operates naturally, without additives. He makes Floating Sunshine, Flytende Solskinn2020, a dry, fresh, flowery, lightly spicy cider bottled unfiltered – in Oslo.
In the first part from this year’s Simplesmente Vinho we highlighted some producers from outside the famous regions. (Read here.) In this long overdue second part two I would like to focus on producers from well-known wine districts that I didn’t know from before or wanted to re-taste.
From Douro, where the fair is located, I tasted several, like Quinta de Zimbro and Conceito, and also Luís Seabra, who is a little in and out of the Douro valley. Add to this one of few port wines, the lovely organic ruby from organizer João Roseira and his Quinta do Infantado, and the picture is a bit more complete, at least for me – this time.
While I missed Ana Maria Hespanol this time, her partner Hugo Mateus was there. He showed an impressive line of wines.
Traditionally Ana’s father Manuel had a good grip on the heady Douro reds. I think they have lifted the quality a couple of flats, especially with the other side of the assortment, or to bring it more in line with the times is maybe more fair to say. Anyway the whites are now often very good. Their Branco 2017, from mostly viosinho, and bottled in 2020, was harvested early to retain the acidity. Lots of primary fruits, like apples and pears. In the mouth it’s quite full, rich and long. It’s part of their often innovative, or modern, Grau Baumé line.
They have a serious orange wine, Undo Curtimenta 2020, a blend of usual Douro grapes like viosinho, rabigato, and gouveia, with 31 days of skin-contact. It’s quite textured, but yet with some feeling of lightness, aromas of white flowers, herbs and peel.
Rita and Miguel, winemakers from Conceito in the Teja Valley, showed again their impressive range, with very good prices too. Their selection falls mainly into two categories, Conceito and Contraste. Conceito is meant to be the flagship range, but I must admit that I not always understand where the dividing line is, as they both contain quality wines that sit somewhere between the classic and the modern. A wine that has not been highlighted (by me) is their Contraste Rosé, now in its 2020 vintage. It’s from higher (more than 600 meters) granite soils: Very light in colour, with raspberry and whitecurrent aromas. On the palate it’s both mellow and easy, but with a nice acidity and a serious charm. Legítimo is now in its2018 vintage. This one is made with stems of touriga nacional, tinta roriz and touriga franca, with no sulphur. It’s dark cherry, dark fruits on the nose (blackberry) and also plums, with lactic notes (yoghurt?), and elegant tannins in the mouth. The Bastardo 2019 is, as always, superelegant, uplifting, truly inspiring. It comes from a 50 year old vineyard and ripes earlier than the others, end of august. It’s made with stems, and just a little SO2 before bottling. It’s “surprisingly” (well, not anymore) light, with a lot of raspberry and flowers, evident but light tannins.
Like many of the other producers here, to present a short report about Luís Seabra, doesn’t give him justice. He excels both in red and white, and both “xisto” and “granito” soils that are often presented on the labels. Everything is good to outstanding, from the entry-level white and red Xisto Ilimitado, via the monovarietals to the cru wines. All right, let me chose one of each. The red Xisto Ilimitado 2019 is made from a blend of touriga franca 30%, tinta roriz 20%, tinta amarela 20% and 10 each of rufete and tinta barroca. It’s clear red; aromas of fresh red berries, some balsamic and herbs; fruity and dry, with a light structure. Mono C 2019 is a castelão (that is in fact authorized in the Douro): Cherry red; red fruits (cherry), stone fruits (plum), with some herbs; lightly structured with fresh acidity. For me this wine is delicious, and ready to drink now (I have the previous vintage at home, maybe at its peak now). There are several wines with the same name. This one is from Vinho Verde: Granito Cru 2019 from alvarinho grapes is from near the river Minho in the Melgaço municipality. It’s light yellow; citric with elements of honey, lightly spicy and a touch of vanilla (after one year in barrel); good concentration in the mouth, dry, a stony minerality and great lenght. Wait two years, and it’s perfect! OK, an extra speciality for you my friend: Véu de Xisto 2015! Véu denotes that it has spent two years under flor in a barrel from Jura, France. It’s golden, but also lightly greenish; smells of yeasts, flowers, iodine; full in the mouth, rounded. By the way, the grapes are rabigato 70%, côdega do larinho 15% and the rest gouveio.
From nearby Amarante of Minho we have Quinta de Palmirinha. Fernando Paiva, biodynamic pioneer in the Vinho Verde region, never stop to impress, with both azal and arinto. But his loureiros are the stars. Really interesting from his current selection is the Leviano 2020, a “curtimento” (orange wine). Leviano denotes in Portuguese a person that doesn’t care about anything, says Fernando. But he cares about the most, from vineyard to table. Noteworthy is his use of chestnut flowers to avoid use of SO2. The Leviano spent two weeks on skins, that gives a golden hue, an aroma of ginger and white flowers. In the mouth it’s in a way gentle and mellow, but it has the unmistakable acidity from the loureiro grape.
South to Dão I had the opportunity to try the wines of Casa de Darei, that I hadn’t tasted since the opening of their “lodging” facilities (that I also used), some 20 years ago. Then José Ruivo was “chief”. Now it’s his son Carlos who is in charge. Their reds are lovely, not least the entry level Lagar de Darei 2015 from the “usual suspects” touriga nacional, tinta roriz, jaen and alfrocheiro, with its red fruit and balsamic pinewood nuances, and its luscious mouthfeel. All reds came in the 2015 vintage. New launches that “old” is quite unusual these days. I also like their rosé 2020, easy-to-drink, with its lovely raspberry character and low alcohol.
I also tried a couple of the fantastic and diverse wines of João Tavares da Pina, kindly offered by him and his wife Luisa at a lunch. Read more about one of these wines here.
Quinta do Olival da Murta is located in the Cadaval area of the Lisboa region, near the mountain range Serra de Montejunto. It’s here that Joana Vivas, who is in charge of the family business, got the inspiration for the label Serra Oca. It’s only 15 kilometers to the Atlantic ocean, which is noted in the wines, that are always made in a simple way. They have an interesting moscatel graúdo called simply Serra Oca 2019, fermented in 1000 liters oak vats, with all the lovely moscatel virtues: Golden, floral, honeyed, and with a very good acidity. More ususal local grapes, like arinto, fernão pires, were used together with the moscatel in another Serra Oca 2019 wine. This one had three days of skin-contact, partly fermented in barriques and inox. This had an interesting mix of developed and fresh aromas and taste, as if it played with oxidation; golden/brownish colour, aromatic, citric and flowery, in the mouth full with lovely acidity. If my memory doesn’t fail me it was one months before its bottling. I have not forgot their reds, that they began with in 2013 (three years before the whites), but let’s save them for a later occasion.
From down in Alentejo I found Argilla, and tasted the wines while the local student choir was singing a wide selection of songs, many of them medieaval. The winery is located at the foot of the Montargil mountains in Alto Alentejo (northwest of Évora and Estremoz). They put a lot of effort in talha wines, made in the Alentejo style of clay vessel, and also smaller amphorae. But first: I really liked their Rosa d’Argilla 2019, some kind of a clarete, made from alicante bouschet with only 20% skin-contact. It’s clear ruby; aroma of red fruits (raspberry); only slightly structured, juicy and delicious. From the Talha Argilla range I tasted 2019 white (appley, with some earthiness from the clay), and the red 2018 (red fruits and licorice, with tannins from petite verdot), both from a selection of grapes. Then came a varietal, Alfrocheiro em Talha de Argilla 2017. This was a relatively young wine, dark with a blueish hint. The flavours were very balanced; red fruits, flowers, some earthiness, – and rounded in the mouth. Rita offered more wines, that I tasted, and they were all interesting. Sorry, but this was at the very end, and I had to concentrate on the music for a while. This time it was Transmontuna, a student choir from Vila Real.
Thanks to João Roseira and the other organizers who managed to set up a magnificent fair in “times of trouble”. And the band played on…!
Back from the Simplesmente… Vinho 2021 I continue to enjoy Portuguese wine and its endless variations. Here is one that has been something of a house wine through the winter. As explained earlier, the fair was a bit more limited this year. One of the producers I missed was Rodrigo Filipe. I visited his farm in Alvorninha in the northern part of Lisboa wine region before the fair in 2018. The visit you can read about here.
This is both a light, fresh and yet serious red, and I don’t understand those who don’t love this.
The grapes are castelão and touriga nacional (in almost equal parts), cultivated organically, destemmed, co-fermented with native yeast with 5 days in contact with the skins. Then the wine was on lees for 10 months in steel tanks. There are no additions, not even SO2, and the wine is unfined and unfiltered.
Humus Tosco Tinto 2018(Encosta da Quinta)
Cherry red. Aromas of stony and red fruits (plum, cherry, cranberry), flowers and with a hint of spice. Fresh, juicy with a nerve and a light structure that keeps it from being merely a glou-glou. Long taste with a sublime acidity all the way.
Simplesmente …Vinho is the perfect wine fair. Here you find vignerons that really care for their grapes, and cultural aspects around it are also focused. In the cosy atmosphere one can feel that we are a big family of like-minded people. But important, after meeting the same artisans year after year you can really get to know the wines and follow them through storms and sunny days.
Speaking in wine terms, 2021 was a difficult year. The former site, an old port wine lodge by the river Douro, had been sold. So the organizers had to find a new place. This turned out to be the university’s faculty of architecture (Faculdade de Arquitectura da Universidade do Porto, FAUP). In the magnificent garden the usual barrels were set up. Another notable difference, of course, was the now well-known pandemic. They had done their best to take all the precautions needed; aside of the inevitable face-masks, there were fewer producers (around 60, some forty less than in the latest years), and there were three days instead of two, to avoid too much close contact. So in spite of the difficult conditions (“a crazy project”, according to ‘big chief’ João Roseira) I think that this might have been one of the best fairs so far, and Roseira and his team can be proud of how it all was carried out.
In my reports I have earlier given myself a special theme, mainly according to the regions I have visited before or after the fair itself. This time an extensive visits program was difficult, so I chose mainly to focus on wineries that earlier had been left out because they didn’t fit into my own regional limits. In this first article I will focus on some lesser known wineries from lesser known places.
Quinta da Comenda is not exactly unknown. This producer has a long history, but has maybe found itself in the shadows of the Douro producers lately. The quinta is located in the village of S. Pedro do Sul in DOC Lafões, a granitic region between northwestern Dão and the southern tip of Vinho Verde, thus not far from Douro either. Lafões is mostly noted for white wines, and maybe not far from Verde in style. Comenda was one of the Portuguese pioneers of organic cultivation, back in the 1980’s.
A fabulous red wine, quite unusual for the area, was served at the opening dinner. This was an initiative by organizer João Roseira, but it’s made by Comenda’s Angelo Rocha. Comenda de Ansemil 2020, a blend with 6 varieties known from different parts of the country, was only made in a quantity of 100 bottles. It comes with a dark colour, an aroma of dark and red fruits with some licorice, and with a huge freshness and a vivid energy. Other than this, the tasting the day after showed several wines at a generally very high quality, from the “straight” white Comenda de Ansemil 2019, a blend of arinto, cercial (cerceal/sercial) and dona branca, to a salmon pink Rosé 2020 of the same name and vintage (but classified as Terras de Lafões, as the DOC does not allow rosés), with its raspberry tones and a more generous taste than aroma. One that I liked a lot was the white 1/3 barrel-wine Quinta da Comenda 2019. Light straw colour, quite complex nose with yellow apples, way and a touch of smoke, and with a touch of vanilla in the mouth. An inspiring acidity binds it well together, like in all the other wines.
Távora-Varosa is a small region that lies on on granite or schist between Dão and Douro. With 500 to 800 metres above sea level it has a continental climate and extreme temperatures. Last year I had the opportunity to visit the region and meet Manuel Valente in his village Aldeia de Cima, where the family has a 200 year long history of growing grapes and olives a.o. You can read more about this visit here. His project Protótipo is a highly interesting one. He had brought a few more wines this time, like a dark but fresh 7 grape red aged in very old oak for 18 months and a wonderful Protótipo Branco 2018, a waxy-textured wine with a lovely acidity, golden in colour, with white flowers and stone-fruits on the nose. But the pét nats are for me the top. The white version is perhaps the more tamed. The rosé is based on touriga nacional, tinta roriz, and a complementing field blend. Protótipo Rosé Pét Nat 2019 can be described as red-orange, turbid; fresh red fruits (raspberry, strawberry); with a slight residual sugar (2,3 grams) and an excellent acidity. It’s more to the wild side, and truly inspiring.
Alentejo is not among the unknown regions. But Heredade do Cebolal is not found in the central area where the DOC is located, but on the Alentejo coast, bordering Setúbal. Therefore the wines are much fresher. I met the producer’s British importer in London at the Real Wine fair and tasted their “subterranean” wine (read more here). Since then the winemaking has been moving towards less extraction, more elegance. The family firm is now led by Luís and Isabel Mota Capitão. Santiago de Cacém 2018 Vinha da Casa Branca is a serious wine. Made from encruzado, arinto and antão vaz, with natural malolactic and low-sulphur, this was light golden wine with a typical fresh Atlantic character, and a mineral, saline finish. A bit petrol can be associated with arinto with some age. Palhete is an interesting category. It’s the Portuguese name for a mix of red and white grapes, here in the Palhete 2020 85% aragônez and the rest antão vaz. In this wine I find both red fruits (strawberry) and yellow (tomatoes, and a tropical hint where we agreed that guayaba was a good description). In the mouth it is more concentrated than the light colour would indicate, and a dry finish with a hint of bitterness. In Spain clarete is the name for this style, while in Portugal clarete signifies a lightly coloured wine made only with red grapes. Herdade do Cebolal has a wine of this sort too. Clarete 2019 from castelão on predominantly clay soils, is made with only two days of maceration. It’s a light ruby coloured wine, the aroma had a certain warmth, dominated by forest fruits.
Lisboa as a wine region (formerly Estremadura) is for many readers not unknown. But some of its nine DOC’s might be, and here come four wineries from there. Generally this region is windy, but sheltered by low mountains inland, and though the landscape is not dramatic there are endless variations.
Quinta Várzea da Pedra is found in the Óbidos denomination, more specifically in the town of Bombarral. The brothers Tomás (winemaker) and Alberto Emídio are fourth generation. These guys have something going on with their reds, but for me the whites were brilliant at this moment. The entry-level Quinta Várzea da Pedra Branco 2019 from arinto and fernão pires is a textbook wine; light straw, quite glyseric on the nose, with yellow apples and flowers, full on the palate, but with a very good acidity. It was followed by an equally good 100% arinto, and a wine made from four clones of sauvignon blanc. The day before at the opening dinner, another wine really caught my attention, a fernão pires. This one like the former is simply called Quinta Várzea da Pedra, and the vintage was 2017. It was a really fresh wine, both unctuous, creamy and with a wonderful acidity. The dominating aromas were citrus, with a hint of tropical fruits and some minerality. This wine was focused last week (read here).
Nearby in Cadaval we find Quinta do Olival da Murta. Only 15 km from the sea, by the Montejunto mountain range, Joana Vivas has 20 hectars under vine. The Serra Oca 2019 is a moscatel graúdo (the alexandria family), fermented in 1.000 liter oak vats: Golden colour; floral with a touch of honey; it has some volume, but also a distinctive acidity. An interesting one was a 3 days maceration curtimenta (orange wine) from fernão pires, arinto and moscatel, partly fermented in barrique, the rest in steel. This was golden with a hint of brown; somewhat more aromatic, citric and flowers, and again both full and a bit tannic with a cutting edge acidity. I include one of the reds, also called Serra Oca, now 2015. The grapes are touriga nacional, aragônez and castelão that spent one and a half years in French, used barrels. It’s dark cherry in colour; I noted mint (and it showed that the winery has this plant near the vineyards), together with dark fruits; quite well-structured and dry.
Alcobaça is a subdivision of Encostas d’Aire. Rodrigo Martins consults for other producers, but here he has his own project Espera. The wines show a strong Atlantic influence, and the acidity is always taking the wines to places. We started with the young Espera 2019, bical and arinto from clay and limestone soils. Arinto brings an uplifting acidity to the waxy, tasty character of the bical. The Espera Rosé was made with whole bunches of touriga nacional and fermented in barriques: Light pink; raspberry and strawberry on the nose, together with a slight toasted note; again some volume and a super acidity. I also liked the Espera Curtimenta 2020. As the name implies it’s an orange wine, with 17 days of skin-contact. But the colour was very light, so the manipulation can not have been particularly rough during that time. It has a wonderful aroma of flowers and lime peel, and in the mouth it’s full with concentrated fruit, again a lovely acidity and a saline finish. The Palhete 2020 from 15% castelão and five white varieties was an appealing wine, with its early harvest acidity, red fruit nose and all. The nose was quite discreet, but on the palate it had more concentration. A super fresh and light wine, Nat Cool 2020, is a castelão that goes into Dirk Niepoort’s nationwide series of glou-glou wines of the same name in 1 liter bottles. It’s made solely in steel, with two days of maceration. It’s light ruby; red fruits (raspberry), with a hint of smoke (from the soil), mellow and easy, but with enough acidity, a saline finish – and as cool as can be.
Baías e Enseadas (bays and coves, in English) is found further south, in Codiceira, Sintra. This is the land of the famous Colares wine, and we are approaching the capital city. The soil is essentially clay-limestone, with a predominance of clay in their vineyard Vinha da Ribeirinha, that results in richer wines. In Vinha do Campo there is more limestone, that accounts for more elegant wines. Then it’s possible to combine the two to give more complexity. The white that they brought, Reserva Branco Fernão Pires 2016, was from a low-acidity year, according to Daniel Afonso. He didn’t manage to bring my impression down though, as the wine was very attractive. 6 months in wood, four of them with batonnage, gave a full-bodied wine, but (as indicated) without the acidity that this region can offer. His Baías e Enseadas 2016 from 60% castelão and the rest pinot noir was light ruby with some evolution in the colour; fresh Atlantic aroma, with red fruits, a lactic note (yoghurt?); an attractive acidity and a salty aftertaste. He also brought the red Baías e Enseados 2017, pinot noir 30%, tinta roriz 30, castelão 40, was a light wine with some evolution in appearance; red fruits (plum), some smoke; attractive and mellow with just enough acidity, and a saline finish.
We will soon meet to talk about wines from more well-known regions, and I promise a cultural element.
Conceito has been a long time favourite. And if you search these pages you will find a lot, such as this take about a white wine, and this report, that tells a bit about their range.
It is Rita Marques who is the driving force behind this -in my opinion- leading eastern Douro estate.
This wine is new in the portfolio, a fresh, dark red from touriga franca 40%, and touriga nacional and tinta roriz, each 30%. Harvested by hand, destemmed, spontaneously fermented and matured in steel.
Dark blueish red. Aroma of red and dark berries, lickorice and pepper. Fresh and charming, quite easy, but serious enough with some dryness from the skins, and just enough acidity.
Here is the last account in this round from A Emoción dos Viños, 10th edition. There were a number from outside of Galicia, from Portugal, even from France – and Titerok-Akaet from even further away, Lanzarote (in the same country though). Here are some great wines from very reliable producers.
Ismael Gozalo is nothing less than a legend within the natural wine world, and famous far outside the borders of Spain. From Nieva (Segovia), Castilla y León, he disposes of centenary pie franco verdejo vines that has been used for the wines of Viñedos de Nieva, and later Ossian. Now he is “travelling alone”, with two lines, one called MicroBio, and the other bears his own name. Well, centenary is here an understatement: Some vines are no less than 280 years old. I have written about his wines many times, so you can search through this pages, and you will find a lot more information. I didn’t taste all the wines either, because I have done so several times. A short post about one of his lovely Nieva York pét nats was published in late May this year (read here).
Ismael is a very hardworking, dedicated bloke. But he also like to play with the rock’n’roll myth. Correcaminos is a lovely unpretentious wine, light, unfiltered, open, “mature grapefruity” and thirstquenching. And naturally enough, because of the name (“roadrunner”), it gave name to his “coronavirus tour”. I guess because of the virus there has not been too much touring, but it’s a cool nod to the rock merchandise business anyway. La Resistencia 2019 (an amphora wine from two different parcels and 4 months on the lees) is also slightly turbid, vibrant, with a lovely acidity. MicroBio 2019 (whole clusters, aged in old barrels): Very light in colour; aroma of green apples, flowers; full, rich, juicy, and tasty with a slight touch of sweetness. Sin Nombre is a favourite, and a house wine by me (when available). The 2017 vintage had some colour, golden with green; aroma of stone-fruit, yellow apples, a touch of cinnamon; it’s creamy, a bit buttery, cidery, juicy, and just lovely. I also tasted a Rufete (don’t remember if it was the Rufian or a sample), delicious anyway, a light red wine, packed with red fruits, before I moved on.
Marc Isart was there, both on behalf of himself and Bernabeleva, where he is co-founder and winemaker. I have followed Bernabeleva for some years. They are located in San Martín de Valdeiglesias in the Madrid part of the Gredos mountains. They work the land according to biodynamic principles, and in the cellar they use whole bunch fermentation and ageing in neutral wood. They generally use low extraction, and I would say their wines are among the most elegant in the area. For the records: They also make white wines, mostly from albillo. Highly recommended. But because I know them well, I chose to concentrate on Marc’s own range this time.
His own project is further east in the DO. Vinos de Madrid, in the subzone Arganda del Rey. Here he grows both tinto fino, or tempranillo, and the white malvar between 700-800 meters of altitude, on calcareous soil that contains gypsum and clay.
In the La Maldición line we tasted the Cinco Legua Malvar 2019 from calcareous soil, with 40-50 days skin-contact, made in neutral barriques. Malvar is related to airén, but is more aromatic and has more acidity. This wine is technically an orange wine, but is light golden in colour, has a flowery nose (roses), also nuts, lightly textured and full in the mouth. I also liked the clarete of the same name and vintage, made with 15% tempranillo. The majority of the rest is divided between malvar, airén and various other white varieties. The wine is light red;, with aromas of raspberry. In the mouth it is lightly textured, with fruit to the end. The red version, again with the same name and vintage, has 85% tempranillo and 15% malvar, and was blended in the cellar. Cherry red; dark fruits (blackberry), some spice; very clean fruit, and good structure. Gleba de Arcilla 2018 is a wine only from this local form of tempranillo, with one year in used oak. It’s dark red; again with blackberry, some spice and coffee; round in the mough, with a touch of wood, that will easily be integrated.
Germán Blanco makes wine in Rioja and Ribera del Duero. You can read more about this here, in a report from the Simplesmente Vinho fair in February. Albares de la Ribera, just outside the boundaries of the DO Bierzo to the east. Casa Aurora is a tribute to his great-grandmother who handed down the first vineyard. Albares is in a transition zone between the valley and the Bierzo Alto at 850-900 meters of altitude.
Germán grows three hectares of own vineyards. He also buys grapes from two local farmers. These go into the Clos Pepín, a straightforward red fruits-fruity wine that is pure joy, also in the 2018 version that he presented here. Most wines contain many grape varities, including white ones, and I don’t list all of them here. Poula 2018 is a village wine, a mencía blend from various plots. I found it quite fine and elegant, juicy in the mouth with fine-grained tannins. La Galapana is the vineyard handed down from his great-grandmother, almost 1.000 meters altitude. In the 2018 vintage this was darker, with more menthol, but also red fruits, and in the mouth more structure than the previous wines, with an amount of tannins, though very fine-grained. More structured is also Valle del Río 2018, a 60-65% garnacha tintorera: Deep red, blue tinge; red fruits and forest fruits (blackberry), solid tannins and with a vivacious acidity. The most obvious wine of guard among these.
Alfredo Maestro and his wines I have known for some years now. Originally from Peñafiel in the heart of Ribera del Duero, where he has his bodega, but disposes of magnificent vineyards in both Segovia and Madrid provinces. This time I took the opportunity for an update of some of his wines. There is a lot about him on this blog, but I recommend this article as an introduction. El Marciano is a high altitude (1.150 meters) wine garnacha and albillo land, where Alfredo is doing a great job on behalf of the Gredos community. It’s a fresh red-fruity wine, a bit earthy with some texture, generous in the mouth and lovely, lively acidity, and the 2019 is no exception. El Rey del Glam, now in 2019 vintage also, is his take on carbonic maceration. The grapes come partly from the high Gredos vineyards, partly from Peñafiel. There is no pressing, nor destemming. Carbonic maceration is carried out in steel tanks, then malolactic in the same tanks. This wine is also very fresh, with cool, red fruits, and a touch of carbonics in the mouth. It has just a bit of structure, and can be served slightly chilled.
A Dos Tiempos 2019 is from Navalcarnero, a high altitude village in the province of Madrid and the name refers to the fact that the grapes are harvested twice. Alfredo explains that the idea is that the first harvest gives a lot of acidity and low alcohol, while the harvest one month later gives less acidity and a richer alcohol. Then the two are blended and one gets a fresh wine with balanced, ripe fruit and tannins and just enough structure. It was aged six months in used barrels. Here the garnacha is complemented by tempranillo. By the time I got to his table it had been a long day of tasting and accumulated tannins, so Alfredo recommended a taste of his Brut Rosé to rinse the mouth. A delicious strawberry and red fruit-driven sparkler, by the way. Then I tried his classic ribera del duero Valdecastrillo 2018, from various plots between 750-1.000 meters of altitude. This wine had been ageing in half French oak, half chestnut for one year. A super, classic, yet individual ribera; cherry red, potent aroma of berries with a touch of dried fruit (figs), and a long, fruity finish. After this I had decided to leave, but I couldn’t resist tasting a long-time favourite, the lovely fruity, non-oaked Viña Almate. A really interesting one is the white Consuelo 2018, a full-bodied, citric albillo mayor from more than 100 year old vines in Valladolid and Burgos, with 7 days of skin-maceration and fermentation in French oak.
After all these Castilians something from Catalunya: Can Ràfols dels Caus I visited in the Garraf zone of Penedès many years ago, when Carlos Esteva was turning his family estate into one of the most dynamic properties of the region. But they have somehow been neglected by me for many years now, for no particular reason. It’s not that I haven’t tasted any wines, but it was nice to get the chance to meet present manager Rosa Aguado for a real update here. The estate comprises 90 hectares of vines, and other crops in addition. The oldest vineyard is one with xarel.lo from 1948. It was in 2008 that they went organic, and at present biodynamic practises are introduced too.
Here is a brief account of some of the wines: Gran Caus 2018, xarel.lo 50%, chenin blanc 30, chardonnay 20:The colour was light golden, citric on the nose, with yellow apples, and quite fat in the mouth. Xarel.lo Brisat 2019: Brisat is a Catalan name for orange wine, and as the name implies this is deeper gold; it has an aroma of flowers, lemon, wax and honey; full on the palate. El Rocallis 2016, from manzoni bianco: Light golden, greenish; aroma of mature apples, aromatic herbs, lime, mothballs; lightly textured, good acidity, long aftertaste with some nuts. Rosa had brought two vintages of their merlot rosé. Gran Caus Rosat 2019 was very light cherry red; raspberry, some vegetal hints in the aroma; very juicy, with a fresh acidity. The 2018 was more towards peach colour; more forest fruits on the nose; and it showed some evulotuion, some “positive oxidation” we could say. Sumoll 2017: “Fine like pinot, rustic like nebbiolo”, I think this was how Rosa described the sumoll variety. The wine showed cherry red colours; red fruits (raspberry, cherry) on the nose, a little spice too; and surprisingly structured in the mouth. Finally Caus Lubis 2004, 100% merlot, one parcel, oriented towards the mountain: Good colour, a bit brick; good evolution, plums, dried apricot, some cinnamon and tobacco; round, complete, still some fruit and acidity. In good shape. “Pomerol del Mediterráneo”, she called it. Not bad.
João Roseira of Quinta do Infantado I met for the first time in the late 1980’s, after he had become the first one to break the monopoly of the Porto/Gaia shippers and exported directly from his estate in the Douro. I started this series with Antonio Portela, organizer of this fair. And I round it all off with João, who runs what we can call a “sister” event in Porto, the Simplesmente VInho, where Antonio also participates. (Look around these pages for many accounts, you can maybe start here with a report from this year’s fair.) João admits that it’s difficult to sell port wine these days. But while you are thinking that port is out of fashion, I assure you: Quinta do Infantado is different. The Roseiras, João and now his nephew Álvaro, who has taken over as chief winemaker, want a dryer style. They ferment longer than usual, so there is less residual sugar and more alcohol. Therefore less addition of alcohol is needed, and it is also added gradually. This makes them more dry, and the alcohol is balanced with the fruit.
I visited his farm in February, so I just tasted a few wines this time. I simply had to re-taste their fabulous organic Ruby Reserva, that you can read about here. Then I sipped to some of the standard reds and ports (among them the organic tawny) while chatting with João about the times, especially with reference to the coronavirus and the destiny of port in general. Other than that I tasted the wines João had brought from 2010, the year. Quinta do Infantado Colheita 2010, the first ever vintage dated organic port, did not disappoint: Red fruits, figs, dried fruit, a vibrant acidity, balanced alcohol.
This was a much too short report over three articles from this initiative in the wonderful Atlantic environment. Watch out for small reports, wines of the week and other stuff. See you again!
I must admit that Quinta dos Roques and Quinta das Maias of Dão have been neglected during the latest years, from my side. They haven’t been in the news for a while, but now it seems that something is happening again. They are both property of Luis Lourenço and his family, and he is also winemaker.
Maias is noted for the grape variety of jaen, because it’s higher and cooler than Roques, and more easily gives the grape the acidity and focus that it needs. The soil here is granite and sand, and the estate is now certified organic.
The name is derived from flor de maio, mayflower.
It’s only 40% of jaen in this wine, and in good Dão tradition it’s accompanied by touriga nacional (30%), alfrocheiro preto (20%) and tinta roriz (10%). It’s made in steel, with spontaneous fermentation.
Maias Tinto 2017(Quinta das Maias)
Cherry red. Mature berries, plums, some herbs, a bit anis. Fruity, juicy in the mouth, some tannins.
Food: Bacalhau, chicken salad, everything on the grill, its freshness also invites to be served chilled on a summer day