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Simplesmente… Vinho 2026 IV – The other Spain

More highlights from my tastings at Simplesmente Vinho.

From Castilla y León, Malaparte (Elisa de Frutos and Rubén Salamanca) presented their distinctive OX Blanc 2023. This blend is fermented with indigenous yeasts and then aged outdoors in large glass demijohns, where a layer of flor develops. Deep golden in colour, it offers aromas of dried flowers, preserved citrus and nuts. On the palate it is rich and structured, with a lightly oxidative character reminiscent of biologically aged wines, yet balanced by a core of freshness and a long, savoury finish.

The step from that wine to the next seemed short. Barco del Corneta was represented by Félix Crespo, who presented their line of fabulous, textural verdejos (and some reds). Among them was Las Envidias 2022, a wine made from palomino and aged in botas de Jerez. Pale in colour with a light yellow tint, the wine showed aromas of mature apple and citrus peel, with a subtle yeasty note from the ageing. On the palate it was dry and savoury, with good freshness and a lightly oxidative tone. The finish carried a delicate saline touch that added character and length.

J. Palacios of Corullón in Bierzo was also present. Ricardo Pérez Palacios had brought his stunning parcel wines, all the way up to the legendary La Faraona. “I wanted to make a good impression,” Ricardo smiled – which he certainly did. Here I chose Moncerbal 2023. Cherry red in colour, it opens with a perfumed nose of flowers, wild herbs and both red and darker berries. On the palate the wine shows impressive precision, with fresh fruit and a firm but finely grained tannin structure. It is surprisingly approachable already, though a hint of oak appears in the aftertaste, suggesting that the wine will continue to develop gracefully for many years.

From Arribes, El Hato y el Garabato, represented here by Liliana Fernández, showed their range. I did not taste all the wines, but Otro Cuento 2022, predominantly doña blanca fermented and aged in foudre, was fabulous. Pale in colour, the wine offers aromas of apple and citrus with a faint herbal touch. On the palate it is light and fresh, with a rounded texture, lively acidity and a subtle hint of oak that adds depth without dominating.

Alfredo Maestro is a classic presence at Simplesmente, with his vibrant natural wines from across Castilla y León. Here I chose a personal favourite, El Marciano 2023, a garnacha from Sierra de Gredos. Bright red in colour, the wine shows aromas of fresh red berries with a hint of wild herbs. On the palate it is juicy and lively, with fine tannins and refreshing acidity that give the wine both energy and drinkability.

Daniel Ramos is likewise always a delight to meet – and to taste his aged natural wines from Gredos. This time I chose a younger wine, Zerberos CariNena 2023, made from cariñena as the name suggests. The colour leans toward red with a slight orange tint and the wine is a bit turbid in the glass. Aromas move between red and darker berries with a faint volatile lift that adds complexity. On the palate it is vibrant and expressive, balancing fruit, acidity and a lightly rustic edge.

This wine marked the end of my tastings. Thank you to the organisers – the Roseira family – and see you next year.

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Simplesmente… Vinho 2026 III – From the rest of Portugal

Some highlights from the rest of Portugal.

Constantino Ramos works mainly in Minho, producing super-fresh, often saline wines, both white and red. This time I was particularly impressed by Juca 2024, where chestnut flowers are used instead of sulphur. Dark in colour with a faint bluish tone, the wine shows aromas of both red and darker berries. On the palate it is juicy and lively, with fresh acidity, a lightly saline touch and an extra layer of complexity. The finish is long and energetic.

At Materramenta – where Constantino also consults, working with Luís Vasco – the focus was on wines from three different Azores islands. I chose Materramenta D.O. Biscoitos 2024 a verdelho and arinto dos açores blend from Terceira, where the project has its headquarters. Pale straw in colour, it offers aromas of ripe apple and citrus. The palate is bright and lively, with good acidity and a clear saline note that reflects the Atlantic surroundings.

From Lisboa wine region, Quinta da Serradinha – located near Leiria in the northern part of the region, in the limestone hills of Encostas d’Aire – and António Marques da Cruz showed a range of stylish wines in different colours. Serradinha Branco 2024, made from encruzado and arinto, had 18 hours of skin contact, was fermented in barrels and aged ten months on the lees. The result is golden in colour, with aromas of yellow apple and herbs. The palate is mouthfilling and textured, combining weight with freshness. A second version with a higher proportion of arinto (around 65%) showed a little more acidity and tension.

From the Douro, Grau Baumé – represented here by Hugo Mateus and based around Peso da Régua – presented Undo Alvarinto 2021, a blend of alvarinho and arinto. The wine is light and aromatic, with citrus and floral notes on the nose. On the palate it shows moderate weight, lively acidity and a clean, refreshing finish.

Tiago Sampaio, also from the Douro (and not far away, from around Alijó), poured Uivo Chronológico Ancestral 2018, a pét-nat made from pinot noir. Many people claim that pét-nat cannot age, but Tiago is keen to demonstrate the opposite. The wine is light golden in colour, with subtle brioche notes and fine, well-integrated bubbles. The palate is dry, complex and gastronomic – the kind of sparkling wine that works beautifully at the table.

Finally, from Vidigueira in Alentejo, Natus and Hamilton Reis presented Natus 2023. Vidigueira is known as a white-wine enclave in a region dominated by reds. This roupeiro-antão vaz-gouveio blend shows a light golden colour, with a deep and layered aroma profile. On the palate it is broad and complex, combining ripeness with freshness and a long, balanced finish.

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Simplesmente… Vinho 2026 II – The Other Galicia

Here are more wines from Simplesmente Vinho 2026 – this time from what might be called “the other Galicia”.

Iria Otero can be found in Ribeiro, though she also makes wine from Rías Baixas. Her wines are consistently fresh and vibrant; even the Ribeiros carry a noticeable saline touch despite coming from slightly inland vineyards. A Seara Castes Tintas 2024, a field blend, shows a bright cherry-red colour. The nose offers fresh red fruits – cherry and raspberry – with a subtle floral note. On the palate the wine is lively and precise, with firm structure, refreshing acidity and a lightly saline finish that adds tension.

Also from Ribeiro comes Augalevada. It was the first time I met Iago Garrido, though I had recently tasted one of his partly flor-aged wines. Here I chose Ollos de Roque 2023, also a field blend. The wine is pale and finely textured, with vibrant citrus fruit on the nose. The palate combines freshness with a surprising breadth, offering juicy fruit, good acidity and a mouthfilling texture that carries through to a long, persistent finish.

From Ribeira Sacra we find the dynamic duo behind Fedellos do Couto – Jesús and Curro. They showed a line-up of stylish and very fresh wines, among them an all-time favourite: Bastarda 2023. Very light in colour, the wine opens with delicate floral aromas and bright red berries. On the palate it is juicy and energetic, with lively acidity and a saline edge that enhances the drinkability.

Also from Ribeira Sacra, Guímaro’s Pedro Manuel Rodríguez presented his typically stylish wines, each expressing a distinct site. A Ponte 2021 showed some development and was perhaps at an ideal moment to drink. Ruby red in colour, it offered open aromas of red and dark fruits with a touch of spice. The palate was structured yet balanced, with depth and a long, composed finish.

From Valdeorras, Rafael Palacios – represented here by winemaker Pablo Blanco – poured structured, terroir-driven whites. Sorte Antiga 2023, godello from a vineyard planted in 1920, appeared light golden in the glass. The nose suggested ripe citrus and subtle herbal notes, while the palate was full and concentrated, combining richness with freshness and finishing long and precise.

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Simplesmente… Vinho 2026 I – Morrazo and Salnés

This year Simplesmente Vinho highlighted wines from neighbouring Galicia. One of the tastings focused on “iconic wines”, offering a glimpse of the diversity of the region. It also showed that ageing wines over many years can be complicated. Bottles evolve differently, and even well-known wines can show variation. Still, the tasting gave a vivid impression of the Galician vitality. Here are some of my favourite wines from the albariño stronghold.

Antonio Portela never ceases to impress with his wines from the Morrazo peninsular seashore. The maritime influence is unmistakable, bringing a saline freshness that runs through the range. Area Brava, named after the beach, and O Mare Namorado are both strong representatives of his work. Here I chose a wine with plenty of personality that I have not highlighted before: Solpor 2023, a rosé made from tinta femia and fermented in damajuanas. The colour is delicate onion skin or faint peach. The aroma combines strawberry and peach with hints of white orchard fruit. On the palate the wine is light but expressive, with lively acidity carrying the fruit through the finish. The texture is supple and refreshing, and the low alcohol – just 9% – gives it an effortless drinkability.

Then a strong trio from the Val do Salnés subzone of Rías Baixas.

From Nanclares y Prieto, Alberto Nanclares continues to produce super-mineral whites alongside increasingly stylish reds. Soverribas 2024, a parcel wine, is a fine example. It is pale and finely drawn, with aromas of apple and citrus. On the palate it is vibrant and precise, showing lively acidity and a distinct stony minerality that lingers on the finish. The wine feels airy and transparent, yet with enough depth to give it structure.

At Zárate, Eulogio Pomares continues his impressive work with terroir-oriented, mineral wines that emphasise vineyard character. Just before the festival I had an off bottle of Balado, which made it particularly important to see the wine in proper form. This time the 2024 vintage showed beautifully. After three months on lees without bâtonnage, the wine is light in colour yet remarkably intense. The nose is very fresh, while the palate combines concentration with energy, finishing with a clear saline edge that reflects its coastal origin.

Finally, Miguel Alfonso of Pedralonga produces wines of remarkable elegance, both white and red. I have highlighted his “normal” whites before. Marel 2023, aged for a year in amphora, shows a golden colour with a slight amber hue. Aromas of orange peel and dried citrus lead into a deep palate with gentle tannin and a broad, textured finish. Despite the amphora ageing the wine retains clarity and lift, with freshness balancing the richer tones from skin contact.

What these wines share – and what I value most in wines from this part of Galicia – is their mineral, fresh and subtly saline style. The Atlantic presence is unmistakable, giving the wines both tension and drinkability, and tying together very different interpretations of the region’s vineyards.

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An introduction to Yann Bertrand

Yann Bertrand is based in Fleurie, in the heart of Beaujolais, where he farms old gamay vines on granitic soils. The family estate is located just outside the village itself, with vineyards spread across Fleurie and a small holding in neighbouring Morgon. Vine age ranges from around 30 to well over 100 years.

Although he grew up in a winemaking family, Bertrand did not initially plan to become a vigneron. After studying commerce and spending several years working in wine bars and shops in the Alps, he returned to Beaujolais and gradually took over the family domaine, founded by his grandfather in the 1950s and developed further by his parents from the 1970s onwards.

The vineyards were converted to organic farming in the early 1990s, and Yann has since pushed the estate further towards biodynamics and low-intervention winemaking. He works exclusively with native yeasts, whole clusters and minimal or no added sulphur. The aim is not to chase power or extraction, but to express Fleurie through finesse, energy and transparency.

Credit: Les Bertrand

Today I have tasted three of his cuvees.

Phénix 2023

This cuvée comes from high-altitude, granitic parcels in Fleurie, where shallow soils and old vines naturally favour finesse and mineral tension. It’s vinified with whole clusters and gentle extraction, and aged in large, neutral oak.

Cherry red with a blue rim. Fruity and floral on the nose, with raspberry and cherry and gentle volatile acidity. Juicy on the palate, with fine tannins, good acidity and a clear mineral line. Light-bodied but precise, with a fresh, persistent finish.

Note: Yann Bertrand works consistently with very low sulphur. In this wine and Alice 6/10, I feel that he is balancing close to mousiness, but he lands on the right side, with fruit, acidity and mineral structure clearly in control.


Coup de Foudre 2023

Coup de Foudre is drawn from selected Fleurie parcels that give slightly more structure and mid-palate presence. While the approach remains low-intervention and whole-cluster based, this cuvée is shaped to show more depth and grip than Phénix.

Light cherry red. Raspberry and cherry aromas with a herbal edge. Very smooth on the palate, with good natural acidity and an understated mineral backbone. Harmonious and easy to drink, yet firmly rooted in its terroir.

Alice 6/10 2022

This is a personal cuvée, named after Bertrand’s partner Alice and referencing the six out of ten recent vintages affected by hail. It combines semi-carbonic fermentation with a proportion of direct press, followed by élevage in old barrels only, resulting in a wine of greater complexity and a touch of seriousness.

Light cherry red. Raspberry and cherry on the nose, with herbal nuances, and a slight touch of volatile. Fine tannins and good acidity frame a distinct mineral core, leading to a finish of good length. Balanced and composed, with both immediate charm and the structure to evolve further in bottle.

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Catalan orange wines

6 October is International Orange Wine Day, a celebration of a style that is both ancient and newly revived. By fermenting white grapes on their skins, winemakers create wines that blur the line between white and red: textured, often amber-hued, and full of unexpected aromas. What was once an old tradition in parts of Georgia, Friuli and beyond has become a contemporary expression of artisanal winemaking worldwide.

Catalonia, with its patchwork of landscapes and long history of experimentation, has embraced this revival with conviction. The region’s native grapes reveal strikingly different characters when handled as orange wines. Malvasía de Sitges, often floral and delicate, transforms into something more savoury, saline and spiced, its aromatic charm shaded by texture and grip. Macabeu, usually restrained and discreet in cava and still whites, gains depth and a surprising nutty, almost oxidative complexity. Garnatxa blanca, typically generous and rounded, might take on a more energetic profile, showcasing both a redish colour, a tannic backbone and subtle bitterness from the skins. A forth grape, xarel.lo, is not present here. That grape is worthy of a thematical evening of its own.

Tabla Rrasa Nèc-Tar 2021 (Portal del Priorat, Alfredo Arribas)
Montsant – malvasía, seven days’ skin maceration, stainless steel

Golden, amber hue and slightly turbid, with a faint natural spritz that lifts the aromas. The nose recalls ripe apple, mango and wild herbs, with a faintly spicy edge. On the palate it is bright and linear, its high acidity wrapped in a fine, lightly phenolic texture. A whisper of bitterness on the finish gives it definition and length. This is a vivid, energetic take on malvasía, where the variety’s usual floral charm gives way to something more tactile and savoury.

Brisat del Coster 2020 (Josep Foraster)
Conca de Barberà – macabeu, low yield, 21 days’ skin maceration

Deep golden in colour, with aromas of orange peel, chamomile and yellow orchard fruit. The palate is dry and quietly firm, with a gentle tannic frame and notes of citrus peel, quince and a touch of butter and almonds from the long maceration. Structured yet understated, it shows how macabeu can move from neutral backbone to expressive texture when treated as brisat – the Catalan word for orange wine.

Trementinaire 2019 (Herència Altés)
Terra Alta – garnatxa blanca, macerated during fermentation, then pressed and aged 22 months in used oak

Pale gold with amber glints. The nose opens with orange zest, dried herbs and toasted nuts. Broad and glyceric on the palate, yet balanced by a subtle salinity and a delicate bitterness that keeps it taut. Layers of hazelnut, honeycomb and iodine unfold with air, giving a sense of power and maturity. A contemplative wine.

Orange wine is, after all, about rediscovery — of grapes, of methods, of flavours once thought forgotten. In Catalonia, that rediscovery feels both rooted and new. Here’s to continued curiosity — and a happy International Orange Wine Day.

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Trepat Trip III: Modernist cooperatives in Conca de Barberà

The wine cooperatives of Conca de Barberà are among the most distinctive in Spain, not only for their role in reviving viticulture after the phylloxera crisis, but also for their unique architectural identity. Often referred to as wine cathedrals, these buildings are part of a movement that combined function, modernist design and social ambition in rural Catalonia in the early 20th century.

Credit: Cellers Domenys

During the 19th century, the so-called “Catalan Gold Rush” led to vineyards becoming almost the sole crop in Conca de Barberà. The region’s fertile soils and reliable water sources enabled it to meet the soaring demand for wine and spirits from Northern Europe and the Americas. But the prosperity was short-lived. In 1893, phylloxera struck the region, devastating the vineyards and pushing growers into crisis.

Recognising the need for collective action, the Sociedad de Trabajadores Agrícolas del Pueblo de Barberá was formed in 1894 – the first agricultural cooperative in all of Spain. This initiative laid the foundation for a cooperative tradition that would define the region. By 1902, leadership of the movement had passed to Josep M. Rendé from Espluga de Francolí, who played a crucial role in expanding cooperativism throughout La Conca.

The winery in the town of Barberà was established in 1903 and is considered the first purpose-built cooperative winery in Spain. In 1912, during the Commonwealth of Catalonia, Josep M. Rendé also initiated the construction of his hometown’s winery – a modernist building designed by Pere Domènec i Roure. It was this building that prompted the poet Àngel Guimerà to give these structures their enduring nickname: wine cathedrals.

Between 1912 and 1919, architects Pere Domènec and Cèsar Martinell, a disciple of Antoni Gaudí, designed six modernist wineries in Conca de Barberà. Martinell in particular combined traditional Catalan construction techniques, such as brick vaulting, with the functional needs of a working cellar. His designs allowed for gravity-fed vinification, optimal temperature control, and included large arched windows for ventilation. These buildings were meant not only to serve winemaking, but to uplift and dignify the rural working class at a time of great economic difficulty.

After the Spanish Civil War, the Barberà Agricultural Society merged with the Agricultural Trade Union, forming the Barberà de la Conca Agricultural Cooperative, which became one of the region’s most important winemaking institutions.

During my trip in Conca de Barberà I visited Castell D’Or (Cooperativa de L’Espluga de Francolí), Cellers Domenys (Sindicat Agricol de Rocafort de Queralt), the first one to be drawn by Cèsar Martinell in 1918, and Vinícola de Sarral – all of them among the most important cooperatives in the region. Though now operating under larger umbrella structures, each has deep roots in the cooperative history of the region. They have played a crucial role in preserving the trepat grape, traditionally used in rosé and cava blends, and are now turning their attention to making varietal red wines that reflect the character of the local terroir. Their continued investment in both tradition and modernisation shows that the cooperative spirit in Conca de Barberà is very much alive.

The modernist wineries of Conca de Barberà remain striking examples of how architectural vision and collective resilience came together in response to crisis. They are not only monuments to the past, but dynamic institutions shaping the future of Catalan wine.

Trepat 2024 (Castell D’Or) – Made in stainless steel. Light ruby in colour. Aromas of red berries and Mediterranean herbs. On the palate it is clean and fresh, with light tannins and a soft, dry finish. A very pure and accessible expression of young trepat.

Tres Naus Brut (Cellers Domenys), 2022, but labelled non-vintage – A blend of parellada, macabeu and xarel·lo, aged 18 months on the lees. Light in body with fine bubbles. Aromas of apple, citrus zest, hay and a touch of yeasty complexity. On the palate, lively acidity balances soft fruit, resulting in a bright and food-friendly sparkling wine.

Domenio Ull de Llebre 2021 (Cellers Domenys) – 100% ull de llebre from organic vineyards. Cherry red in colour. Aromas of ripe cherry, blackberry and wild herbs. On the palate, medium-bodied with a good balance of fruit and oak, and a hint of earthiness on the finish.

Portell Glatim Negre de Trepat 2022 (Vinícola de Sarral) – Made from organic trepat and aged four months in French and American oak. Light ruby hue. The nose offers redcurrant, cranberry, pepper and dried herbs. On the palate, it’s lively and savoury, with gentle oak, smooth texture and a fresh, spicy finish.

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Trepat Trip II: Mas Foraster

Located just outside Montblanc in the heart of Conca de Barberà, Mas Foraster, also called Josep Foraster, is a family-run estate that has become one of the leading names in the revival of trepat – the region’s native red grape. Founded in 1998, the winery is now run by Ricard Sebastià Foraster, who not only oversees the estate but also serves as president of the Consejo Regulador of the DO Conca de Barberà. “Josep was both my grandfather and my uncle,” says Ricard.

Kepa and Ricard

The estate currently covers 34 hectares – 27 owned and the rest leased – and only estate-grown grapes are used. All vineyards are farmed organically, and biodynamic compost is applied. Elevations range from 280 to 550 metres around Montblanc, and up to 650 meters around Sarral and on the other side of the mountains. These high altitudes, along with calcareous and clay-rich soils, contribute to the wines’ freshness and clarity. According to Ricard, while clay brings more yield, calcareous soils provide greater concentration – but above all, it’s the cool climate that trepat needs.

Trepat, traditionally used in rosado and cava, is now taking centre stage. Mas Foraster has been a key player in this transformation, releasing their first red trepat in 2009 – the second on the market after Carles Andreu. Their red trepats are fermented spontaneously, with a 40-day maceration that continues even after fermentation ends. Sulphite levels are kept low, always under 40 mg/l, and ageing takes place exclusively in used barrels, foudres or concrete eggs.

The current range of trepat-based wines is wide and expressive:

Les Gallinetes 2024 (55% trepat, 45% garnatxa) is a light, juicy red with aroma of red berries, with fine tannins and a smooth, easy-drinking style.

Trepat 2023, made from seven old vineyards (60–96 years), grown in calcareous soils, undergoes long maceration in foudre and barrique. Ruby in colour, it shows red forest fruits and white pepper, with freshness, finesse and length.

Julieta 2023, named after Ricard’s mother and his daughter, from a single north-facing vineyard planted in 1940 at 450 metres, is aged seven months in concrete eggs. With aromas of raspberry and flowers, it has more structure and weight, firm tannins and a long, lingering finish.

Pep 2022, from 86-year-old vines at 580 metres, is made with whole clusters, foot-trodden in alabaster tanks. Light cherry red, the wine shows red fruits and herbs, with firm yet juicy structure and real depth.

Ricard

In addition to red wines, Mas Foraster also makes noteworthy whites and skin-contact styles:

Blanc Selecció 2023 is a blend of macabeu, chardonnay and garnatxa gris. The wine is fermented in concrete eggs and sees some skin contact in foudre. Pale yellow with green hints, it shows citrus, yellow apple, good volume and bright acidity.

Brisat del Coster 2023, an orange wine made from macabeu (some of which also goes into the Blanc Selecció), undergoes 25 days of skin contact in steel and concrete, with no added sulphites. Golden in hue, it offers notes of citrus peel, flowers, herbs and apricot, with light tannins and a textured, fresh palate. Ricard notes that macabeu, with its lower oxidative character than garnatxa gris, results in a lighter colour.

Kepa

The cellar is overseen by Kepa Martínez, whose mother is from the Basque Country, hence the name Kepa. Fermentations are spontaneous and temperature-controlled by natural means – “fermentation starts when the temperature rises,” says Ricard.

With a clear focus on trepat and a deep commitment to sustainable farming and precision winemaking, Mas Foraster stands as one of the most respected producers in the Conca de Barberà today – a house where tradition, innovation and identity converge.

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Trepat Trip I: Trepat takes the lead

I visited Conca de Barberà to witness how the grape trepat is being brought into the spotlight. The event was organised by the communication and public relations agency Mahala in collaboration with the local wine authorities.

Montblanc, where the local Consejo Regulador has its offices

Trepat has been cultivated in Conca de Barberà for centuries. Before phylloxera it counted for one third of the planted area. Now it has long been overlooked in favour of grapes like garnatxa and tempranillo. Traditionally used in rosé and cava, it is now revealing its potential for elegant, fresh and spicy red wines. The grape thrives in calcareous and clay-rich soils, and the cool nights of the region help preserve its natural acidity.


Typically low in alcohol, trepat offers high acidity, floral and spicy notes, and an earthy undertone. Winemakers are increasingly experimenting with whole-bunch fermentation, carbonic maceration, amphora and concrete eggs to highlight the grape’s unique personality. At the same time, organic and biodynamic practices are gaining ground.

Bernat and Carles Andreu

A pioneer of the modern trepat in Conca de Barberà was Celler Carles Andreu, who made the first single-varietal red wine from the grape back in 2004. They were among the first to believe in its potential. Today led by Carles’ son Bernat, I particularly like their young unoaked trepats, that display finesse, delicate berry fruit, herbal touches and a distinctive peppery finish.

Mas Foraster has also made trepat a signature, using organic cultivation and often working with whole clusters and gentle extraction to emphasise elegance. Led by Ricard Sebastià Foraster, they make fresh trepats, with hints of raspberry, rose petals and light tannins. But with their Julieta – the name of both Ricard’s mother and daughter – they also offer a slightly more structured version of the grape.

Patrick Webb and Roger Gili, Vidbertus

Vidbertus represents a new generation of winemakers focused on organic viticulture and minimal intervention in the cellar. Their pure trepats, like Elixir, reflect the limestone soils of Conca de Barberà, showing vibrant acidity and a spicy profile.

Josep Serra and Marta Pedra

Marta Pedra of Vins de Pedra practises organic viticulture and is in the process of certification. The wines carry a unique label design, created by her godfather and changed each year. Trempat sees careful use of new French oak, resulting in a wine that’s light and fragrant with red fruits, but also with refreshing menthol and liquorice and a delicate peppery note. An outdoor lunch at the farm offered a generous taste of everything grown and crafted on site—from freshly baked bread to fragrant olive oil and vibrant vegetables.

Rendé Masdéu, which lost its historic winery in the floods of 2019, has continued its work with trepat from a new facility. They produce both rosé and red styles with a balance between tradition and modernity.

Inma Soler, Mas de La Pansa

Then there is Mas de La Pansa, a small-scale producer making limited quantities of artisanal trepat. Inma Soler focuses on organic cultivation, spontaneous fermentation, skin contact, and ageing in old oak or stainless steel. Her dessert wine Trepat Dulce was a winner at the final dinner.

We witnessed the modernist architecture of the region’s cooperatives, among the oldest in Spain, in buildings by Cèsar Martinell. But more than that: The cooperatives have also played an important role in keeping trepat alive. Castell D’Or, Cellers Domenys and Vinícola de Sarral have used the grape in their cava blends for decades. Now, they are also exploring its potential for elegant, varietal wines in both rosé and red styles.

The Monastery of Poblet


The grape’s recent evolution in Conca de Barberà suggests a promising future. It would be perfect in today’s trendy bars. I would say it so far is at best in its young and unoaked versions. With growing attention from both winemakers and enthusiasts, this once-overlooked variety may well be on the path to a full-blown renaissance—not only in Spain, but on the international stage.

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Wine Club tasting of Aurelio García’s wines

Aurelio García is one of the most attentive and thoughtful voices in modern Central Spanish wine. Together with his partner, Micaela Rubio, he works across three regions—Cuenca, Ávila, and Soria—always with a focus on old vineyards, native varieties, and minimal intervention. His wines are precise, expressive, and deeply rooted in place.

When a case from Aurelio García arrived in the post, two bottles had sadly broken in transit. Still, four remained intact—and with those, I took the opportunity to gather my wine club for a focused tasting. We added a few complementary wines for context, but the stars of the evening were clearly Aurelio’s own: La Infanta, +Altitud, Alto de la Cruz, and La Guía. Though we missed out on El Reflejo and Mikaela, the tasting offered a vivid insight into Aurelio’s style across three distinct regions.

Me and Aurelio in the La Infanta parcel, summer of ’23

La Infanta 2021 – Cuenca
Cuenca here refers to the Ribera del Júcar zone, though Aurelio prefers not to label his wines under the DO, opting for greater freedom. La Infanta comes from a single parcel in Casas de Benítez and is made from 60% bobal and 40% co-planted local varieties.
Delicate and complex, it showed dark berry fruit (dark cherry and plum) on the nose, along with herbal notes, a hint of tar, and a taut, mineral texture. A slightly bitter aftertaste added grip. There was a quiet power to it—restrained, yet full of energy.

+Altitud 2021 – Ávila
A village wine from the granite soils of Navatalgordo in the Sierra de Gredos.
Light in colour and body, almost ethereal, it offered notes of raspberry, wild strawberry, and flowers, with a fine, lacy texture. This was the most immediately charming wine of the tasting, with several tasters noting its vibrant fruit and finesse.

Alto de la Cruz 2022 – Ávila
Also from Navatalgordo, but from a cooler, north-facing valley.
Though paler in colour, this wine showed more structure and depth. It opened with herbal tones, redcurrant and floral aromatics, then narrowed into a vertical, mineral finish. There was more volume here, likely from clay soils, with fine-grained tannins and underlying tension.

La Guía 2021 – Soria
From Matanza de Soria, a high-altitude village in the eastern part of Ribera del Duero.
A blend of tinto fino (tempranillo) and albillo mayor from pre-phylloxera vines, it combined red and dark fruits with floral lift and a subtle hint of nuts. Velvety on the palate, cool and juicy at the core—it struck a fine balance between seriousness and drinkability. For me, this was the most complete wine of the night: subtle, savoury, and quietly profound. Meanwhile, +Altitud stood out for sheer charm and drinkability.
While La Infanta and La Guía come in serious bottles with serious price tags, the wines from Gredos are outstanding value for money.

What We Missed

We didn’t get to taste El Reflejo or Mikaela, but here’s what they might have brought to the table:

El Reflejo is Aurelio’s village wine from Cuenca—a blend of bobal and co-planted varieties from around 25 parcels. Fruit-driven and supple, it offers dark and red berries, with freshness and an approachable style.

Mikaela, named after his wife and winemaking partner, is a paraje wine from deeper, pebble-rich soils. Made with whole clusters and aged in foudres, it shows juicy, concentrated fruit with a mineral streak—lively and taut.

Micaela, Celia and Aurelio, summer of ’23

Each wine carried the mark of its place, but all shared a sense of purity, restraint, and precision. Interestingly, my fellow tasters had no difficulty identifying which of the three regions each wine came from—even though the wines were, of course, tasted blind. That in itself is a mark of quality, and a testament to the clarity of Aurelio García’s site expression. Even in the absence of the two missing bottles, the tasting was a clear reminder that Aurelio García is crafting some of Spain’s most thoughtful and terroir-driven wines.

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