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Category: Wine bars and restaurants

Wine bars and restaurants

Verona’s Osteria Nosetta

Verona is located in near vicinity of many recognized wine areas, but I can’t see that it has a lot of dynamic wine bars. One can always go to the Antica Bottega, that boasts hundreds of wines, not least for references, as they present many of the leading houses in several vintages. But I am more attracted to the smaller, distinctive bars with a clear idea, call it underground, avant-garde, rock’n’roll, jazz or whatever you like – especially when the idea is to present organic, natural, artisan wines, that the proprietors and sommeliers have a personal relation to.

Osteria Nosetta is located in the pleasant neighbourhood of Borgo Venezia, just outside Verona center. And Nosetta is the kind of place that I am talking about. The restaurant is intimate and full of atmosphere, the decor is a rustic, retro, and the music was vintage jazz on vinyl when I was there. The food is without limits; their small dishes -locally called ‘cicchetti’- are vegetarian, vegan, and you can have fish and meat too. The kitchen is based on fresh ingredients. The inspiration is from various places though, not least Asian-middle east, and there are some vegan dishes alongside more usual Italo-European stuff. The menu of the day was taped onto page 98 and 99 in an old paperback.

And the prices are undoubtedly to live with.

Andrea and Lorenzo

Lorenzo Folati has been leading the venture until now, but Andrea Venturini and a couple of friends are in a period of taking over.

They have a fine selection of wines and beers from independent artisan producers. I enjoy picking smaller ‘bites’ among those displayed at the bar, to go with a few glass of wines. Some were mint glass, a falafel, various greens, such as the delicious tomatoes, frittered squid, tomato and eggplant sandwich, zucchini with cous-cous, onions, honey and balsamico, and -why not- chocolate salami. The list goes on.

Here are a few of the wines that I enjoyed during my visits. (The order is changed according to “normal tastings logic”.)

Durello 2017 (Calesio dalle Ore) is made with the charmat-method. It’s a light coloured, apples, citrus, and bread scented, light-bodied sparkler with good acidity. Simple and good.

A postcard on the wall-board

Trachite 2016 (Alla Costiera), an unfiltered, yellow and cloudy moscato-prunella-garganega regional Veneto white with a sweet (moscato) sensation, together with flowers and citrus peel, and with a medium body, light tannin, and slightly bitter aftertaste.

Lugana 2015 (Marangona). This is a lugana from 100% turbiana grapes. It’s a fresh, simple, dry wine with light, almost blank colour, with a greenish hint. And the aroma is dominated by pears and citrus.

On the contrary, the next wine, was all but simple. Sassaia 2016 (Angiolino Maule), a varietal garganega showed light yellow, slightly turbid, and on the nose could be found mature apples, flowers, ginger and a touch of toast. Slightly yeasty, quite full and with decently acidity, all in perfect harmony. Maule is a long time favourite, and there is a report from a visit in an earlier post in this series.

Musella is one of the better producers of both standard valpolicella and amarone. Here is a white IGT from the Valpolicella area, biodynamically cultivated as always. Pinot Bianco “Fibio” 2014, from that variety, is a bit more on the wild side. Yellow with green hints, smells deliciously of flowers, yellow apples, and I would say, plays with oxidation.  Quite slender, integrated acidity, very pure, and the fruit shines on to the end.

On to a real rarity: Il Fresco Cesane 2014 (Marco Antonelli), that is from the DOC (sometimes: Cesane di) Olevano Romano, Lazio. Got it? The production area lies in the province of Roma and includes the municipality of Olevano Romano and, in part, Genazzan. The wine was nice enough; cherry red, red fruits, plums, and hints of leather on the nose; smooth, juicy, and with an adequate acidity.

Merlot “Casa e Chiesa” 2015 (Lenzini) is a biodynamic Colline Lucchesi. It’s cherry red, hints of green green pepper, a sweetish element from the oak elevation, and a light tannin on the palate and a touch of bitterness in the aftertaste. (14,5% alcohol, while most of those tasted here were around 12.)

We close the chapter from this gem of a wine bar with another pleasant surprise, nothing sensational, but better than most of its kind, a Moscato d’Asti 2017 from producer Emilio Vada. We are talking about a straw yellow coloured wine with the typical moscato rose aromas, clean, and pure. It’s a lightweight, but it has an inspiring acidity and it’s not sticky sweet, compared to what you often can find in this category. The alcohol here is 5%.

Arriving in Verona centre after a nocturnal walk

 

See the other posts in my Veneto series:

#1 – Maule’s Masieri

#2 – Prosecco in Verona’s Osteria la Manzorla

#3 – Gambellara: Maule and the two Davides

#4 – Zýmē’s Recioto Amandorlato

#5 – Vicenza province I: Tenuta l’Armonia

#6 – Vicenza province II: Siemàn

#7 – A Durella sparkling

#8 – Vicenza province III: Contrà Soarda

#9 – Filippo Filippi, Soave top producer

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Wine bars and restaurants and Wine of the Week

Prosecco at Verona’s Osteria la Mandorla

I am just home from Verona. I love the city for its architecture with granite buildings, its atmosphere, the river Adige that snakes through, and in my opinion it’s unfairly overshadowed by nearby Venezia.

This week’s wine could be many, because it was a rewarding week. But they will appear in future articles. This one was served at the Osteria La Mandorla, only two blocks from the city’s outdoor opera Arena. Mandorla, aka Vini Zampieri, is a small, colourful, historic bar with a good selection of organic and natural wines, a knowledgeable staff, and cool jazz and rock soundtrack. With the wines they serve tasty bites like toasted focaccia, characuterie, and their wonderful arancini (rice balls).

I had a Monte dall’Ora Valpolicella, a Mosconi Soave and a Sternau Campania falanghina, but I chose the first wine of the evening, a “sui leviti” (sur lie) Prosecco from the province of Treviso. (See also last week’s choice.)

Luca Pietropoli serves the Prosecco, the arancini in the foreground

The history of Gregoletto starts in 1600, when the family signs a contract with the Abbey of Follina for cultivation of some vineyards, still managed by them. We are in the hills between the three small towns, Conegliano, Valdobbiadene and Vittorio Veneto. The two latter have soils consisting of clay, and a cooler climate than Conegliano, especially the northern ridges. South oriented vineyards near Pieve di Soligo have a warmer climate and soils consisting of limestone and clay.

The vineyards are situated in the subzone of Premaor in the commune of Miane, between the three aforementioned towns. They also buy grapes from a handful of grape growers with whom they have had close relationship for a long time. Only grapes grown on hillsides are used for all wines. Compost is rarely used, and herbicides are never applied in any plots.

The harvest is done by hand, the grapes gently pressed in pneumatic presses, and fermented by indigenous yeast in steel tanks. It remained on the lees for another three months after which it is bottled. The refermentation of this wine takes place in the bottle (not in the conventional tank).

The wine is not disgorged, but remains for on its lees until it’s served, just like in the old days.

Prosecco Frizzante Sui Leviti (Gregoletto)

Light straw colour, somewhat cloudy, fine and persistent bubbles. Subtle nose of green apples, with some bread crumbs. Completely dry, and with a fine acidity.
Price: Low

Food: Pasta, grilled fish, risotto, charcuterie

So far in this series:
#2 – Prosecco at Verona’s Osteria la Mandorla

 

 

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Wine bars and restaurants and Wine of the Week

Orange Zamora at Angelita Madrid

I’m in the Spanish capital again, and a visit to the Angelita Madrid seems very appropriate. Having not booked a table on a weekend’s night will most often mean that the only option is a place in the bar. Which is nice. This time I was sitting next to Federico, a young Argentinian who runs the splendid Acid Café coffeeshop in the museums area (Prado).

I will come back to Angelita and their extensive list of artisan and natural wines by both glass and bottle. This week’s wine is an orange wine from Zamora, that I hadn’t tasted before. The winery is found in Villamor de los Escuderos, south of Zamora town, not far from Salamanca.

The wine is made from godello 50% from centenary vineyards, and albillo real from new plantings. The soils are stones and sand over clay. Height above sea level is 800-900 m.

The producer says that this is a modern variant of the ancestral “embabujado” technique, that is, wine made with all its components. The grapes were partially destemmed before fermentation that finished it in oak barrels. It has not been clarified and it has been bottled after a light filtering to remove turbid. Total So2 is less than 6 mg/l.

Berretes 2014 (Microbodega Rodríguez Morán)

Light orange. Aroma of white flowers, orange peel, a touch of honey, chalk. Lightly structured with good natural acidity.

Price: Medium

Best served at around 16ºC

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Wine bars and restaurants and Wine of the Week

A Burgenland CF at Sentralen, Oslo

This week’s wine was served at Sentralen wine bar and restaurant in Oslo’s city centre. The huge building used to be a bank, but is now containing cultural scenes and various meeting places, such as Sentralen, with its two chambers. It’s an informal place, but several well-established chefs are in the management, so the quality is high – and the prices very cempetitive too. The wine list has focus on artisan producers and organic and natural wine.

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Avocado with jalapeño mayonnaise, smoked tomato and almonds

Christian Tschida is fourth generation and cultivates 10 hectares of old vines in Burgenland, near the Neusiedler See. The vineyards have sandy gravel, schist and limestone, and the big lake is securing a moderating influence. The wines are generally in contact with oxygen for a long time, up to 5 years in old  wood. He uses a vertical basket press that he likens to an old manual screw press, with its very light pressure. The grapes are foot-trodden, and the fermentations done outside in the shade, then moved inside to age in barrels. They are never racked, and bottled by hand to leave a little redisual carbon dioxide.

While the previous vintage of red “Heaven on Earth” was made with cabernet sauvignon and zweigelt, the 2014 is a pure cabernet franc. The grapes were destemmed, and the juice fermented with indigenous yeasts, as usual. This wine spend one year in 500 to 1.500 liter barrels, and was bottled without additions of sulfur, and according to Tschida’s principles, not fined or filtered.

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Himmel auf Erden 2014 (Christian Tschida)

Cherry red colour. Pure cherry fruit, some green pepper. Luscious, juicy, slightly carbonic, and with a good, natural acidity.

Price: Medium

Food: I had it with quite difficult ingredients (smoked and spicy), as you can see above. It should also tackle a wide variety of food, from light meat and bacalao, to salads and cheeses

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Wine bars and restaurants and Wine of the Week

Orange at Egget, Stavanger

Mariano Taberner is one of the highest esteemed makers of natural wine near the Spanish eastern coast. Last time in the region I almost managed to make it up to his place, but I didn’t manage due to unpredicted circumstances.

Last Tuesday I was surprisingly able to taste two of his wines at Egget (The Egg) in Stavanger, Norway, close to where I live. This is a unique place in my part of the world, a restaurant with a focus on natural wines, and with well-prepared dishes to go with them. Here is a report from a former visit.

This time we were accompanied by sommelier Mikela Tomine, wine student in the WSET system, and Nikita, from the kitchen. I was accompanied by my daughter, and they easily juggled her vegan options.

Egget’s Mikela preparing a cheeseboard for a customer

The wine is made in the small village  La Portera in DO Utiel-Requena, Valencia. Bodegas Cueva dates back to the 18th century, and still only uses traditional methods. Here is full respect for the environment, biodiversity, and health too, claims Mariano Taberner. The main grapes for reds are the central/northern tempranillo and the more bobal, a more local grape (and the variety behind our other Cueva wine that night).

The average production is only 20.000 bottles. All wines are made in the most natural way, from organically grown grapes, spontaneous fermentation, no chemicals, unfined and unfiltered – nothing added, nothing taken away. The wine in question is based on the varieties tardana and macabeo, The local tardana is so named because of the very late ripening, and still at the end of October the alcohol, or more correctly: the sugar content, is very low. Macabeo is then harvested one month ago, and the finished macabeo is slowly blended with the freshly made tardana. Fermentation for both is largely with skins. The two undergo the secondary, malo-lactic fermentation together.

Mariano Taberner (credit: B. Cueva)

Orange Tardana & Macabeo 2015 (Bodegas Cueva)

Deep orange colour, slightly cloudy. Aroma of orange peel, white flowers, and a touch of tropical fruits and white pepper. Round and luscious in the mouth, grapey, with just enough acidity to keep it together, and an agreeable orange peel-bitterness in the finish.

Price: Medium

Food: I had it with skate wing and celeriac, with slices of green apple, and an aïoli with less garlic than usual. But it should go with a variety of fish and seafood, the rice dishes of the region (paella style), vegetarian/vegan dishes, light meat, carpaccio and more

 

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Wine bars and restaurants

Nights at “The Office”

I think it’s common not to visit sights and attractions close to your home, because you can always go – some other time. This may also be the case with bars and restaurants. Stavanger, Norway (in my own backyard, so to speak) has got its first decent wine bar, and then it should take three months before I managed to get there, and then quite by chance, while I was waiting for a party to start some other place in downtown Stavanger.

Once inside, I meet an old wine-mate Emil Heimdal behind the bar, and then I know we are talking “serious business” here. I know him from several restaurants over the years, and this is a man with passion for wine and real dedication. Emil took over the wine section of this bar, now called Vinkontoret (The Wine Office), together with Christoffer Ingebretsen. They have no purchase agreement that binds them, so they buy exactly the wines that they want and now collaborate with about 30 importers. They use the Coravin system, which allows them to serve anything by the glass. Here you can buy smaller units than a whole glass and pay less, so you can taste more wines during an evening.

 

Emil serves smaller units of better wines

They can literally offer hundreds of wines. They have a list that is heavy on traditional wine regions such as Burgundy, Rhône, Alsace, Mosel, Rhine, Piemonte, Tuscany and … say west-of-Vienna Austria.

But these people are just as crazy wine freaks to throw in almost anything you can think of.

As for grapes, of course they offer cabernet, merlot, syrah and such, without being “ashamed” of it at all (as if that would be something to regret). If you look carefully at the list you will see some “oddities” like a manzoni from Trentino, a kékfrankos from (why not) Austria, and you can get the “Pornfelder” if you like, Lukas Krauß’ German blend of portugieser and dornfelder. But most of all it’s a focus on the classic grapes here, even from not-so-classic countries.

There was a time when Stavanger was more in the avant-garde of Norwegian culinary movement, when the oil industry was booming, and the most important gastronomic educational institutions were located there. Today there is no doubt that the hegemony is in Oslo, and that every initiative like this deserves a warm welcome.

Emil and Christoffer also have a small selection of handcrafted beers, like lambic and geuze. (Bear in mind that one of the country’s best beer selections is just across the same narrow street, at Cardinal bar. So this is obviously not their biggest priority.) The wine selection must be best in town. I am not sure if the wine list is the longest, but there are several hundred references, and mainly wines to drink, no show-off crazy over-priced stuff.

Here are just a few picks from my first brief visits.

  

Here is a riesling spätlese trocken from the Ökonomierat Rebholz of Pfalz, the Rebholz 2008. It proved to be a rich and honeyed wine with a thick texture and great acidity. To the right is a Gevrey-Chambartin, the Rossignol-Trapet Clos Prieur 1er Cru 2008 from Domaine Rossignol. It shows a clear ruby, somewhat developed colour, and smells quite aerial og cherry and plums. The tannins are still evident, and the acidity is well integrated. The actual vintages of these wines on sale are 2012 and 2013, respectively. So come here to get the wines closer to their peak.

  

Here is a wonderful pinot noir called Nature 2015 from Alsace producer Rieffel, now with Lucas and André in charge. Today the estate covers 10 hectares, all organic certified. The 30 year old vines are planted in soil of clay and alluvial sandstones. The fermentation is spontaneous and goes on for seven months in 228L barrels. It’s really fresh, juicy and quite full, with just enough structure to match a wide variety of food. After this I wanted a red with darker fruit, and I suggested syrah. On the counter was a Stellenbosch syrah, that was already opened, so I went for that one. The Liberator The Francophile 2015 (Dreyfus Ashby) was ok; a somewhat warm blackberry fruit, earthy with some spice, mouthfilling with rounded tannins.

 

The door is permanently closed at The Office (Kontoret). The Wine Office has opened.

 

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Wine bars and restaurants and Wine of the Week

Mengoba at Gastroteca de Santiago

This marked the conclusion of a wine trip. Our theme was three wine regions in old Castilla. But we also had some occasional wines from other areas.

The Gastroteca is a wine bar, or restaurant, in a small chain of restaurants and a shop. It’s run by a handful of sommeliers. Tabernero and Matritum are other Madrid wine bars in the chain, and the one with special responsabililty for this place is Juan Carlos Ramos. The restaurant is located on the Plazuela de Santiago, close to the royal palace, and not far from the central tourist spot Puerta del Sol.

The Gastroteca de Santiago is a small restaurant, or wine bar, with only 16 chairs. It has a creative menu that could be described as contemporary Spanish, and the dishes are delivered cleverly and at very reasonable prices. The wine list is quite extensive with a focus on what’s happening in Spain at the moment, and with a nod to classic European regions as well, most of all Burgundy, Rhône and Champagne.

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We had a wonderful unfiltered fino Arroyuelo from producer Primitivo Collantes, a verdejo from Rueda (Tinita 2014 from Soto y Manrique), 25% of it with fermentation and 4 months lees-ageing in oak. Then we chose the unique Monastel from Rioja’s Juan Carlos Sancha (which we will presented in a later post).

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Enjoying a good red at the Gastroteca

We closed our session with a wonderful wine from Gregory Pérez of Bierzo, the Castilian region to the north-west bordering Galicia. Gregory, originally from Bordeaux, fell in love with Bierzo, and at a time he worked with Mariano García (of Vega Sicilia fame) at Luna Beberide, another Bierzo winery. He works very traditionally, with natural methods, including native yeasts, very low sulphur – and with a horse. Mengoba is a series of wines, the name made up of the first letters of the local varieties mencía, godello and valenciana with a “b”).

This Mengoba is made from mencía 80%, and the rest garnacha tintorera, also known as the Portuguese alicante bouschet. The mencía is sourced partly from a clone that Gregory revived in Espanillo, at 700-850 meters with mixed soils (80 year old vines) and the rest from 550 meters at Valtuille (30 year old). It stayed 6 months on lees in big foudres, partly with whole clusters. Then in 5.000 liters in the foudres for almost 10 months.

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Mengoba 2015 (Gregory Pérez)

Dark red. Aromas of dark fruit, ink, and plums, a little chocolate. Full on the palate, young tannins and good acidity. With a couple of years more it will probably have reached its full potential, with everything integrated and still packed with lively fruit.

Price: Medium

 

 

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Wine bars and restaurants

A new dawn at Brawn

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Brawn, on the corner of Columbia Rd.

This was my third visit at Brawn. First time was three years ago when my wife and I had first visited the RAWfair and the nearby flower market. By that time Brawn was taking pride in serving all parts of the pig. Now it seemed that the kitchen had moved on to a more diverse fare. This was confirmed by the staff, that said it was partly to be in tune with the times and many people’s wish to go for lighter menues. While I loved the former concept, that I in fact had come back for, I also appreciate the new approach. And with an equally eclectic wine selection as before: organic wines, as naturally made as possible, but with no fundamentalism either – yes, I can say that I have the strongest faith in the project. I am a bit worried that the swine in the logo could be an endangered species though.

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This eastern oasis (near Bethnal Green) could be called a classic. The kitchen puts out wonderful dishes with the strongest confidence, the menu is written in an original language, and the wines are of the versatile type. I will not dwell too much with the food, since this is primarily a wine site. But I must mention that at my latest visit I had salted padron peppers, then a tomato salad with red onions and basil, and then a marvellous black pudding with a thin, crispy crust with maize and mushroom. And by the time I reached this dish Maceo Parker’s funky sax came very appropriately through the speakers. The dessert was dark chocolate in olive oil and sea salt.

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Peppers with Pink Bulles sparkling and black pudding with a Puglia primitivo

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The wine list contains some 500 wines, all suiteable for drinking now or in the near future. No show-offs. There is a selection of around 20 wines (and some beers and ciders) by the glass, but when I look at my notes after each visit I see that some of the wines suggested by the staff has come from the main list, which is another “plus”.

With the padron peppers I had an unfiltered gamay pét nat from Auvergne (in Upper Loire, west from Beaujolais), the Pink Bulles 2015 (Jean Maupertuis), that was lightly blushing pink with an orange hint, had a delicate aroma of yellow apple, peach, and was light and fresh in the mouth. With the tomatoes came the Super Nova 2015 (Danjou-Banessy) a Mediterranean muscat from Roussillon. This had some traces of extended skin-contact, with a yellow-orange colour and some notes of peel in the aroma. Quite round and soft with moderate acidity, but the dry texture from the skin-contact adds to the balance. Third wine: Lamie delle Vigne 2014 (Cristiano Guttarolo), a Puglia primitivo, that came with the black pudding. Very dark, young colour, aroma of berries from the wood, some blueberry, and in the mouth it was round and tasty. It can also be noted that it has some volatile acidity, which I think is ok in small quantities, and in a southern, warm wine like this it actually adds to the freshness.

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Pierre-Yves and Wesley at Brawn

I was also given a taste of their Guigne et Guins 2014, a wild cherry liqeur from the Laurent Cazottes destillery (with whom they collaborate, if I remember right), quite light at 18% of alcohol, fruity and not too sweet.

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With this dessert I chose a Maury, the Fagayra Rouge 2012 (Les Terres de Fagayra), a grenache-based dessert wine with hints of sweet black cherries.

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To sum up, this is that kind of place where I like to go myself, a cosy, not too formal place with focus on wine, but with a really good kitchen to match it. In a place like this I could have said that I am just a little-medium-very hungry, and let the staff bring me wines and food of their own choice. Go there you too!

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Wine bars and restaurants and Wine of the Week

Authentic Sauvignon at Brutus

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The Brutus Bar is located just beside the police headquarters in the Tøyen-Grønland district in Oslo, so it’s no use trying to make big trouble. Anyway, there are only nice, well-behaved people here even if the area historically has been high-immigrant, low-income with more than its fair share of problems. To be fair, right now this is a promising neighbourhood in many respects.

Brutus offers natural wine and a variety of bites to accompany them. From my experience, in a bar with such a careful selection of wines and the expertise to present them the food is often delicious too. Which proved to be true – again. Brutus are fabled for their vegetable based kitchen, and lately the traditional Nordic kitchen, rustic, with fermented vegetables as one of the main ideas, is focused. However, in our set 4 course menu the third one was lamb, and with lovely scents from the aromatic herbs.

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We had the sauvignon with “Carrot and Haddock”

John Sonnichsen and Jens Føien lead import company VinJohn, one of the main players behind the bar. Together they have experience from such places as The Fat Duck, Maaemo and Noma. VinJohn is obviously one of the suppliers, but by no means not the only one.

This week’s wine though, is brought to the country by the people behind the bar. It’s not widely available, another reason to come here.

Alexandre Bain is a small vigneron from Tracy-sur-Loire, in the Poully-Fumé. He started his own project in 2007 and employs biodynamic techniques.

There are two types of limestone in the vineyards, vines from the so-called Portlandian (as opposed to the older Kimmeridgian), with sand and clay, are used for this wine, as he thinks this soil is more suitable for wines meant to be drunk young. These vines were planted in 1977.

No additives are used, except for sometimes a tiny amount of SO2 before bottling (10 mg in this particular wine), and only native yeasts. The harvest is late because Bain believes that sauvignon blanc is at its most expressive with complete ripeness. When picked too early, there will never be enough aromatic character, he believes, and many producers must then compensate by using commercial yeast. These are thoughts that he shares with his friend Sébastien Riffault in neighbouring Sancerre.

The grapes were pressed in whole clusters, and the must raised in big old vats.

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Pierre Précieuse 2015 (Alexandre Bain)

Dark yellow, somewhat cloudy. Fruity style, aromas of lemon, elderberry and a touch of acacia honey. Quite full, a mid-palate dominated by grapefruit, and a lingering finish with a touch of bitterness.

Price: Medium

Food: Salads, goat cheese, light meat, grilled fish, and try with sushi and sashimi

 

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Articles and Wine bars and restaurants

Antidote of London

You might think that Antidote could have something to do with the Remedy restaurant, about which I wrote a few months ago, at least their names could suggest so. But no. They have a few things in common though, they both offer a cure against depressive tendencies, and they offer well-prepared bites, and a lot of good, healthy wines – all worked organically, many biodynamically in the vineyard.

They rely on market catch, and the menu changes often. The food is quite simple, but well made, and often with both a modern touch and inspired by several corners of the world. The wine list is quite extensive, and there is a good selection of wines by the glass. They say that the wines come largely from France. That’s true, but I have spotted wines from other European countries like Italy, Spain and Slovenia, an occational one from Greece, and outside Europe too, such as Australia.

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I visited this cosy Soho locale twice in August, the first time with my daughter who is vegan, and they were very helpful, and gladly made some creative twists. Second time was the day after, when I had some more wines and a couple more bites.

Along with their “Heritage Tomato” dish (with lemon, lovage parsley and goat’s curd) I had Ch. la Coste “Pentes Douces 2014 (Ch. la Coste), a provencal blend of vermentino and sauvignon blanc: light in colour, a rich aroma with hints of herbs, and a slightly warm touch in the aftertaste. With next bite, Spring Onions with egg yolk, comté cheese and buckwheat, I tried Clef de Sol 2014 (La Grange Tiphaine) from Montlois sur Loire, a light, fruity, mineral chenin blanc, with a lot of acidity wrapped in super fruit. Following this with the same dish I tried what turned out to be one of the stars of the evening, Maupiti 2014 (Clos de l’Elu), a light red wine from Anjou, also in the Loire. This one is made from gamay and cabernet franc. It shows lots of red berries, it’s fresh and fruity, mellow in the mouth and just delicious drinking.

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La Poudre d’Escampette 2014 (from winery Le Casot des Mailloles) is a dry red wine from Banyuls, quite unusual for the area’s image as a dessert wine region. It’s made from 120 year old grenache and 80 year old carignan vines. An unpasturized camembert from Normandie was perfectly matched with the (to a certain extent volatile) acidity of the high-hill wine. A good match was also the ossau-iraty, a sheep’s milk cheese from French Basque Country.

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An unusual wine to round off maybe, but excellent there and then, was I Clivi RBL 2014, a biodynamically farmed, native yeast spumante brut nature from the grape known as ribolla gialla in Friuli, Italy, close to the Slovenian border. It was dry, but rounded off, fruity, a little carbonic-mineral, and nice for washing away what might remain of the fat from the cheeses.

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