This is a wine from the steep terraces of Ribeira Sacra and what is often called “heroic viticulture”, where every vine is worked by hand along the dramatic river valleys.
Behind the wine is the project Anónimas Viticultoras, founded by Cristina Yagüe Cuevas and María Falcón. This is not a traditional estate, but a collaborative project working across Galicia with growers and small parcels. They are involved throughout, from vineyard decisions to vinification.
The approach in the cellar is deliberately low-intervention: hand-harvested grapes, gentle extraction, and fermentation with native yeasts to preserve the character of the fruit and site. Ageing is typically carried out in neutral vessels — often stainless steel or used barrels — avoiding overt oak influence and allowing the purity of mencía and the granitic and slate soils to come through clearly.
Catro e Cadela Mencía 2024(Anónimas Viticultoras)
Bright, translucent ruby with violet rim. Crushed raspberries, wild strawberries and redcurrants, followed by rose petals, a hint of fresh herbs and a stony, slate-like note. On the palate, medium-bodied and finely etched, with lively acidity and silky tannins framing the red fruit. There is a subtle savoury edge beneath the fruit, leading to a clean, persistent finish with a gentle mineral lift.
More highlights from my tastings at Simplesmente Vinho.
From Castilla y León, Malaparte (Elisa de Frutos and Rubén Salamanca) presented their distinctive OX Blanc 2023. This blend is fermented with indigenous yeasts and then aged outdoors in large glass demijohns, where a layer of flor develops. Deep golden in colour, it offers aromas of dried flowers, preserved citrus and nuts. On the palate it is rich and structured, with a lightly oxidative character reminiscent of biologically aged wines, yet balanced by a core of freshness and a long, savoury finish.
The step from that wine to the next seemed short. Barco del Corneta was represented by Félix Crespo, who presented their line of fabulous, textural verdejos (and some reds). Among them was Las Envidias 2022, a wine made from palomino and aged in botas de Jerez. Pale in colour with a light yellow tint, the wine showed aromas of mature apple and citrus peel, with a subtle yeasty note from the ageing. On the palate it was dry and savoury, with good freshness and a lightly oxidative tone. The finish carried a delicate saline touch that added character and length.
J. Palacios of Corullón in Bierzo was also present. Ricardo Pérez Palacios had brought his stunning parcel wines, all the way up to the legendary La Faraona. “I wanted to make a good impression,” Ricardo smiled – which he certainly did. Here I chose Moncerbal 2023. Cherry red in colour, it opens with a perfumed nose of flowers, wild herbs and both red and darker berries. On the palate the wine shows impressive precision, with fresh fruit and a firm but finely grained tannin structure. It is surprisingly approachable already, though a hint of oak appears in the aftertaste, suggesting that the wine will continue to develop gracefully for many years.
From Arribes, El Hato y el Garabato, represented here by Liliana Fernández, showed their range. I did not taste all the wines, but Otro Cuento 2022, predominantly doña blanca fermented and aged in foudre, was fabulous. Pale in colour, the wine offers aromas of apple and citrus with a faint herbal touch. On the palate it is light and fresh, with a rounded texture, lively acidity and a subtle hint of oak that adds depth without dominating.
Alfredo Maestro is a classic presence at Simplesmente, with his vibrant natural wines from across Castilla y León. Here I chose a personal favourite, El Marciano 2023, a garnacha from Sierra de Gredos. Bright red in colour, the wine shows aromas of fresh red berries with a hint of wild herbs. On the palate it is juicy and lively, with fine tannins and refreshing acidity that give the wine both energy and drinkability.
Daniel Ramos is likewise always a delight to meet – and to taste his aged natural wines from Gredos. This time I chose a younger wine, Zerberos CariNena 2023, made from cariñena as the name suggests. The colour leans toward red with a slight orange tint and the wine is a bit turbid in the glass. Aromas move between red and darker berries with a faint volatile lift that adds complexity. On the palate it is vibrant and expressive, balancing fruit, acidity and a lightly rustic edge.
This wine marked the end of my tastings. Thank you to the organisers – the Roseira family – and see you next year.
Here are more wines from Simplesmente Vinho 2026 – this time from what might be called “the other Galicia”.
Iria Otero can be found in Ribeiro, though she also makes wine from Rías Baixas. Her wines are consistently fresh and vibrant; even the Ribeiros carry a noticeable saline touch despite coming from slightly inland vineyards. A Seara Castes Tintas 2024, a field blend, shows a bright cherry-red colour. The nose offers fresh red fruits – cherry and raspberry – with a subtle floral note. On the palate the wine is lively and precise, with firm structure, refreshing acidity and a lightly saline finish that adds tension.
Also from Ribeiro comes Augalevada. It was the first time I met Iago Garrido, though I had recently tasted one of his partly flor-aged wines. Here I chose Ollos de Roque 2023, also a field blend. The wine is pale and finely textured, with vibrant citrus fruit on the nose. The palate combines freshness with a surprising breadth, offering juicy fruit, good acidity and a mouthfilling texture that carries through to a long, persistent finish.
From Ribeira Sacra we find the dynamic duo behind Fedellos do Couto – Jesús and Curro. They showed a line-up of stylish and very fresh wines, among them an all-time favourite: Bastarda 2023. Very light in colour, the wine opens with delicate floral aromas and bright red berries. On the palate it is juicy and energetic, with lively acidity and a saline edge that enhances the drinkability.
Also from Ribeira Sacra, Guímaro’s Pedro Manuel Rodríguez presented his typically stylish wines, each expressing a distinct site. A Ponte 2021 showed some development and was perhaps at an ideal moment to drink. Ruby red in colour, it offered open aromas of red and dark fruits with a touch of spice. The palate was structured yet balanced, with depth and a long, composed finish.
From Valdeorras, Rafael Palacios – represented here by winemaker Pablo Blanco – poured structured, terroir-driven whites. Sorte Antiga 2023, godello from a vineyard planted in 1920, appeared light golden in the glass. The nose suggested ripe citrus and subtle herbal notes, while the palate was full and concentrated, combining richness with freshness and finishing long and precise.
This wine accompanied haggis at a recent private dinner. Maybe not as strange as it sounds, El Bierzo has its botillo, a pig intestine filled with sausages and spices, not very unlike the more famous Scottish national dish.
La Vizcaína is the project of Raúl Pérez and his nephew César Márquez.
La Poulosa is based on mencía, but it alto contains small percentages of grapes like bastardo and garnacha tintorera. They come from old vines between 60 and 80 years old that are scattered across small plots totalling 2 hectares located Valtuille de Abajo. The climate is both Atlantic and continentality, and the soils are shallow and clay-based.
The harvest is carried out manually. Fermentation takes place in large wooden barrels up to 5,000 liters. The juice of the wine macerates on its skins for 2-3 months. The wine is then aged in seven year old French oak barrels for 12 months, and bottled without being clarified or filtered.
La Poulosa 2018 (R. Pérez)
Deep ruby red. Dark fruit, earthy minerality, and subtle liquorice notes. Broad and supple on the palate, with ripe blackberries, prunes, a touch of spice, a fresh acidity, and textured tannins lending structure without harsh edges. A wine of balance and character, showing the strength of the vineyard.
In September 2024, João Tavares de Pina’s estate, Quinta da Boavista in Penalva do Castelo, Portugal, was devastated by a wildfire. The blaze reduced the family home to ashes and destroyed 85% of the vineyards.
To support João and his family during this challenging time, friends and colleagues organized several solidarity initiatives. Among them was a wine lottery, where winemakers from various countries donated special bottles to raise funds for the reconstruction of Quinta da Boavista. Additionally, a GoFundMe campaign was launched to provide further support.
At Simplesmente Vinho 2025, João presented a wine as part of his own crowdfunding project. Terras de Tavares Reserva 2004, made from touriga nacional, jaen and rufete, is a richly textured and mature wine—dark with brown hues at the edges—offering aromas of ripe and dried fruits, plums, and prunes, alongside flavors of ripe berries, spices, and dark chocolate, with silky tannins. The project itself is well worth supporting, but the wine is also truly exceptional.
To make the history short, Silvia Marrao from Madrid became interested in winemaking in Italy and fell in love with the vineyards of Bierzo after having spent some time in Rías Baixas. Her Banzao project began with the lease of a old 3 hectare vineyard in San Pedro de Olleros in 2017, located at 750 meters of elevation. We are in the in the Ancares valley, in El Bierzo. A banzao is a small, temporary dam that raises river or stream levels to channel water for irrigation. Made of wood and stone, it washes away with autumn rains, only to be rebuilt yearly -as Silvia puts it, mirroring the natural cycle, like the vine’s renewal through winter pruning.
Silvia has currently around four hectares of her own vineyards, thanks to private owners in San Pedro de Olleros who came to offer them to her. Currently is cultivated on a total of 18 plots in 8 different parajes in the Villa de San Pedro de Olleros. These have different orientation, altitude and type of soil. Being in the Ancares Leoneses Biosphere Reserve, she wants to work organic, integrating the plant into the biodiversity of the area and intervening as little as possible.
Eras la Ermita is one of Silvia’s 5 paraje wines. It’s from a vineyard of mainly mencía planted in the 1940s and 50s and been in recovery since 2017. The soil is slate with clay and quartzite. The wine was fermented with native yeasts in barrels and stainless steel tanks, 50% with stems and the rest gently destemmed without crushing. It was aged for 9 months in 500 and 225 liter barrels.
It is a fairly large field at the northern edge of San Pedro, gently sloping toward the city. Over time, the wind has eroded its loose soil, leaving a thin topsoil. Quarry stone and weathered slate define both the terrain and the character of the wine.
Eras la Ermita 2021(Bodegas Banzao)
Deep clear red. Aromas of dark forest berries and raspberries, aromatic herbs, with an earthy note. The palate follows up with dark and red fruits, together with a stony minerality, and it has a good concentration and a lovely integrated acidity. It’s in a way delicate and juicy, but it also has a firm tannins that will help it through a few more years. It’s a wine with real nerve and energy.
Raw Wine is ever expanding and has finally come to Scandinavia. Last Sunday some 180 artisans from all over the world was gathered in the conference center The Plant in Amager Øst, Copenhagen. There were three seminars, of which I participated in one (about wines from Castilla y León, read a note here). In the days leading up to the festival there were also tastings and other events collected under #rawwineweek, of which I also participated in the biggest of the additional tastings (see a report from Café Josephine here).
With 180 producers it’s obvious that I couldn’t taste everything. This time I rambled around with no special plan, except I wanted to talk to some that I didn’t know before, some that I knew a little, and of course say hello to some good friends.
My readers might not know that I have a history in Peru. But I have, and my daughter is half Peruvian. Some years ago I visited the region of Ica. It was exciting to know that there is now a natural wine producer right in the desert. The people of Peru knows that it’s their country, not neighbouring Chile, that is the cradle of pisco. The old harbour of Pisco is located right there, only 75 kilometers from Ica, and both are located south of Lima.
Pepe Moquillaza is also a pisco maker and has done a great job recuperating quebranta grapes for pisco production. Now he is rescuing Peruvian clay vessels (also called piscos, or botijas) for natural wine making. In Copenhagen I tasted two of his maritime desert wines. The first one was Mimo Italia Quebranta 2020 (italia, local name for moscatel de alejandría, and quebranta in equal proportions), organically and biodynamically farmed, with two years of skin-contact, not sulphured, aged in old oak, unfined and unfiltered. It’s a light amber coloured wine with good volume, a grapey character and also good acidity. Albita de Ihuanco 2019 is a blend of albilla (local name for palomino) and italia. It combines the minerality of albilla with the flowery scent of moscatel. It’s yellow in colour, and has good volume in the mouth, with some tannin and a lot of fruit. Like the previous wine it has almost zero sugar and a moderate 12% alcohol. The length of the skin-contact is here two months.
Lanfranco Fossà was there on behalf of Davide Spillare, who lends his name to the labels. I met them both when I visited the important village of Gambellara in Veneto five years ago, and it was nice to catch up. (Here you can read about that visit, with more background.) The wines are fresh and lively, and quite light in body. As if some extra freshness is needed, the L1 Frizzante 2021 sparkler has a small percentage of durella to give an extra boost. Bianco Rugoli 2016 comes from an 85 year old vineyard with volcanic soil, with bushes trained in pergola. The nose is complex with mature apples, wax and aromatic herbs, good acidity and a salty mineral finish.
Bianka Schmitt and her VooDoo Doll
A relatively new discovery is Bianka und Daniel Schmitt of Rheinhessen. During the last couple of years I have tasted several impressive wines, from the entry-level 1 litre bottles of Frei. Körper. Kultur. and upwards. It was then lovely to be able to meet Bianka in Copenhagen. These wines are fresh, tasty and truly inspiring. Here we tasted rieslings, like the flowery, red appley, quince and honey scented Riesling M 2018 and the flor-aged Voodoo Doll 2020. There’s no evil behind the appropriate black label; it is floral on the nose, with almonds, herbs and a touch of tropical fruit. Of the reds I will mention two; first the elegant Spätburgunder2018, with its generous raspberry, complemented with flowers, green peppers and an interesting hint of coffee. Kékfrankos is the Hungarian name for blaufränkisch, that the Schmitt family brought over from there. Now in its 2021 vintage it’s medium-bodied and in a way light, but it’s also wonderfully complex, smells of blueberry, morello, herbs and a touch of coffee, it’s luscious in the mouth with soft tannins, an agreeable acidity and a pleasant bitterness in the finish.
Philippe Lancelot is a natural wine classic within Champagne. The estate was created by his parents who both inherited some vineyards, then bought new ones together. Philippe had introduced biodynamic practise for all vineyards by 2012. He wants to express the individuality of each cru and village, almost always completely dry and in most cases without any added sulphur. He showed five magnificent wines, among them Le Fond du Bâteau 2018, from the lieu-dit (named vineyard) of the same name in the surroundings of Choully, a grand cru village in Côte des Blancs. 100% chardonnay, no dosageand zero added sulphites. Light golden, aroma of green apples, citrus, chalk and brioche, concentrated, mineral, long, pure. The oldest wine he presented was Les Bas des Saran 2014, also pure chardonnay, with no additions. This one comes from four lieux-dits in the grand cru villages, among them Cramant (his home village). It’s vinified in oak barrels and vats, and spent 5 years in the cellars before launch. It has a discreet floral nose, more expressive citrus, brioche, in the mouth it has a dry and tense attack but develops both creamy and fruity.
Château Meylet is another natural wine venture from a classic place. They are also biodynamic since 1987. David Favard runs the family estate, that due to its location in St. Emilion has a high percentage of merlot plants, but also cabernet franc, cabernet sauvignon, malbec and petit verdot. Cuvée Baiser d’Ange 2021 is an interesting orange wine from semillon, made with 15 days skin-contact in amphora. Yellow colour, rich with a sweetish sensation. Château Meylet 2019 showed that the reds have some oakiness at an early stage. Luckily there are aged wines then. The 2003, made by David’s father, has stood the test of time. Red with brick rim; red and dark fruits, some tobacco and spice; fine tannins and well-balanced, a raisiny touch also.
Mas de la Lune is located in the Agly valley, Côtes du Roussillon. In schist and granite soils grow varieties also known from the Spanish side, all of them 70-90 years old. Vanessa Courtay showed me a handful of wines in several colours. I am not sure which vintage I tasted of Le Second Souffle; I think it might be 2022, although it then would barely have the time to stay the 9 months with skin-contact that Vanessa told me it had. Anyway it had also little colour for that amount of time. It’s made of macabeu and tastes of wax, flowers and yellow apples, with a structure that more than the colour tells about the prolonged time on skins.
I will soon go on a trip to Bobal country in mid-south-east Spain. A perfect introduction was then to visit the table of Altolandon, from the Cuenca part of DO Manchuela. The property lies up to 1.100 meters, that makes a slow maturation and a fresh acidity possible. Carmen Sebastián and winemaker Rosalía Molina showed me several wines as proof of this. Milhistorias Bobal 2020 has a bright red-blueish colour; red and black fruits on the nose with flowers and herbs; it’s fresh and fruity, very much alive and with a super acidity.
When I was about to call it a day and leave I stumbled upon Nacho León of Demencia Wine. He is located in Villafranca del Bierzo, and the name points to mencía, the most important grape in the area. The wines come in an expressive style, with good fruit and firm tannins. Fuente de San Lázaro 2019 comes from 115 year old vines in a variety of soils and is made in old wood. It shows red and black fruits, herbs and am earthy touch; in the mouth it has the firm tannins, and also a lot of freshness. Villegas 2019 comes from sandy and clayey soils and is also made in old wood. Ripe red and black fruits, herbs, a toasted note; the tannins are firm and there is some coffee and a touch bitterness in the end.
A highlight was indeed the veggie pita served by Jakobsen’s Pita. Not least because I met Ismael Gozalo, that gave me a sip of his magnificent Frágil 2021, a glass-raised verdejo, just in time to enjoy it with the pita. And of course, interviewing Isabelle Légeron MW for Vinforum magazine, in a story about the Raw Fair itself. When it’s published I may port a short version of it here.
Extinto is a wine from the variety ‘pan y carne’, very rare and too special to forget.
I met Jorge Vega of Puerta del Viento in his home and bodega in the small settlement of Arborbuena outside Cacabelos in Bierzo. Here he has a small bodega that covers more or less everything in a single room. Well, I said Bierzo. Jorge is a maker of natural wines and doesn’t put much effort in thinking about the other producers or the regulations of the wine authorities. Rather he has his network of fellow artisans and his true customers. And he is an acknowledged expert, and many producers turn to him when in doubt.
Jorge is from Cacabelos, one of the main towns of Bierzo, where the consejo regulador is located. It was his mother-in-law who came from Arborbuena, and the reason that the winery is located exactly here. Jorge disposes of an estate of 15 hectares in the settlements of Canedo and Pieros, not far from the winery, and there is a total of 3,5 hectares of vineyards. Jorge never clarifies nor filters, and never adds sulphites. The fermentations are done in big old chestnut barrels, and his tinajas are from Juan Padilla in Villarrobledo (Castilla-La Mancha).
Outside the temperature was below zero, and the bodega was not much better. Still we tasted around ten samples of wines, all from the 2022 harvest. Among the wines that stood out was an appley and cidery godello with doña blanca, also with a hint of honey. In the mouth it showed high glycerine and also high acidity, thus showing a perfect balance. This wine comes under the name Bajo Velo, that means “under ‘flor'”. To name it doña blanca is however unjust to Jorge. He calls the variety valenciana, as this is the name the locals use. JaJa is a valenciana with 30 days of skin-contact. It’s has some orange peel character, complemented by flowers and a strong mineral component, and with some tannin in the mouth. YeYa is a clarete made from 7 varieties, including pan y carne. It was wonderfully fresh, with red berries (raspberry, strawberry) with flowers, fizzy on the tongue with a light structure and an “electric” acidity. It had a bit residual sugar, that contributes well to the balance. Puerta del Viento is a red mencía, with good colour, somewhat blueish, blackberry and violets perfume, a light structure and fresh acidity. And Puerta del Viento Viñas VIejas is an old vines version of the same, with darker fruit (blackcurrant), ink, with young tannins, but still very luscious and drinkable.
Then came the wine in the introduction. Extinto. The wordplay is perfect to denote this tinto, from a nearly extinct variety.
Pan y carne, or estaladiña, is one of the new varieties recognized by the DO Bierzo in their new regulations. The consejo regulador tells that it is less than 2 ha. in total of the grape. This includes the 600 plants that Jorge grafted in Canedo vineyard some years ago. Prior to this he had done a great job to verifiy genetically that it actually was the variety in question, described by the acknowledged agromomist Nicolás García de los Salmones more than a hundred years ago. (A note on the side: I have in fact tasted an estaladiña before. But as Jorge points out, it is very likely to be another grape, a synonyme of merenzao, and not pan y carne.)
In my room at the parador of Villafranca I had Jorge Vega’s wine, with artisan bread and piquillo peppers made by his neighbour. My sample bottle was without label.
Extinto 2021 (Puerta del Viento)
Dark, blackish with violet hints. Concentrated aroma, young, blackcurrant, violets, ink. In the mouth it is vivid, has some structure (tannins and acidity), though nothing aggressive, hint of coffee-sweets, and a long and fruity finish.
We continue to explore the parajes of Bierzo, a denomination that sets the standard in Spanish wine.
La Cova de la Raposa was the first plot developed by pioneer Raúl Pérez. It is a southfacing 0,2 hectare paraje with 6 owners, located in the outskirts of Valtuille. The soil is sandy and somewhat clayey with steep slopes. Some of the vines are over 100 years old. This paraje is known for making mineral wines.
The producer here is Castro Ventosa, which is Raúl Pérez’ family bodega, and where his nephew César Márquez is also involved in the winemaking.
Mencía is here complemented by 10% garnacha tintorera and 5% others. The harvest was manual. It is often the first plot to be harvested in Bierzo. Whole grapes were deposited in open 500-litre barrels. Fermentation was carried out naturally without adding yeast and without temperature control. The wine macerated inside the barrels for 60 days, soaking the hat once a day by gravity, without the intervention of pumps. Then it was taken out, pressed, and the wine was resting for a couple of months. It was aged 12 months in used 500 liter barrels (as opposed to 225 liters in the past).
La Cova de Raposa 2019(Castro Ventosa)
Dark cherry. Open, aromatic and concentrated, with red and dark fruits (cherry, raspberry, blackberry), mineral notes. Medium-bodied, with fine tannins, earthy hints and a marked acidity.
Bierzo is classified according to the so-called Burgundy model, as a pyramid. The highest level is parajes, that means specific sites, like a vineyard. Verónica Ortega’s wine Kinki is made from the paraje called La Llamilla in Cobrana (commune of Congosto). The vineyard has an altitude of 750 meters, and a soil composition of blue slate combined with some clay. The vines are 90-100 years old. Like most bierzo wines the main grape is mencía, here assisted by small percentages of palomino and godello, both white grapes.
The grapes were destemmed and poured into stainless steel tanks for spontaneous fermentation with native yeasts and a short maceration of about 10 days. The wine was then aged in a combination of French oak barrels and an 800 liter clay amphora.
Kinki 2020(V. Ortega)
Light red. Intense aroma, complex with red fruits (wild strawberry, raspberry), currants and menthol. Fresh in the mouth, with a light texture. Electric, uplifting, elegant and saline.
