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Tag: France

Wine of the Week

Beaujolais Nouveau rosé

Yesterday was the traditional Beaujolais Thursday. One of the most interesting wines this time was this rosé, if not for the very reason that it is just that – rosé – a style that what was recognized in 1937, but only the last few years has become popular.

The Romy family has been in wine for more than 300 years. village of Morancé, in Pierres -Dorées, southern Beaujolais. Nowadays Nicolas Romy of the family is their dynamic winemaker.

Le Mouflet 2020 (Dom. Romy)

Light salmon pink colour. Aroma of raspberries, roses and a touch of peach. Delicate, fruity, with good acidity.

Price: Low

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Wine of the Week

Kreydenweiss Crémant

Kreydenweiss is a leading light in biodynamic Alsace. They perform well in various styles, and you can find several of their wines on these pages. May I for instance bring your attention to this original orange wine. This time we shall talk about a really good economic sparkler, made with half and half of auxerrois and pinot blanc.

It was created by Marc’s son Antoine, who now runs the family estate.

2015 was a year with sparse rainfall, partly saved by some showers in August. They now another crémant, but this remains somehow an entry-level fizz with grapes supplied by their partners. The quality was good, and as opposed to the year before the grapes were completely without rot. Surprisingly, in spite of the hot summer, the wine retain very well the acidity. Because of the hot weather the grapes were low on nitrogen, that feeds the fermentation, so it took a great deal of patience before it started.

Crémant d’Alsace 2015 (Marc Kreydenweiss)

Light straw-coloured, gentle mousse. Aroma of white flowers, lime, white peach and yeasty biscuit. Fresh style, high acidity, still a bit honeyed and quite full in the mouth.

Price: Low

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Wine of the Week

Mysterious Muscadet Melon

Melon de Bourgogne can be difficult to get to grips with. Not long ago there was a Muscadet tasting in my private wine club, and after having tasted through some 15 lightly coloured white wines one of the members observed that nobody had yet said a word about citrus.

The other day my student had trouble in describing this wine. And so had I, to be honest. I often start placing the aroma along the “apple scale”. Nothing obvious here. Citrus: Nope. Herbs and spices were difficult to detect, no butter, and wood: not at all. In the mouth it was quite full, but there was no particular acidity to talk about. I was thinking, maybe is this the perfect wine, when words… don’t come easy, but what you have in the glass is just delicious and, yes just wine, and just right.

In the Muscadet de Sèvre-et-Maine appellation mother and daughter Véronique & Aurore have 75 hectares of vineyards. The Château du Coing vineyard is a south-facing one. Then, it’s a lees-aged wine typical for the area.

Château du St. Coing de Saint Fiacre l’Ancestral 2015 (Günther-Chéreau)

Straw yellow. Mature apples, some bread, white peach and maybe ginger. Full on the palate, a creamy lees character, medium length.

Price: Low-medium

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Wine of the Week

A pét-nat classic of Robinot’s

Jean-Pierre Robinot is for many one of the most classic in the pét-nat style, and his wines are for every producer, call it old or new world, or whatever, to look up to and seek inspiration from.

Robinot used to run one of the very first natural wine bars in Paris called L’Ange Vin, implying that he is from Anjou in the Loire. After deciding that he wanted to make wine himself, and searching all over for vineyards he finally ended up in Chahaignes, Coteaux du Loir, the village he was raised, just north of Saumur.

There he makes many different wines from chenin blanc and pineau d’aunis, some from own vineyards, others from bought-in grapes. Everything is without additions. He makes a number of sparkling wines from the methode ancestral, nowadays mostly called pét-nats.

Fêtembulles is made from chenin blanc, mainly from 60 year old vines in chalky clay and old marine soil. They are located within AOC Jasnières, but the authorities consider the wines to be atypical, so Jean-Pierre label his wines just Vin de France.

The yield is low (20 hl/ha.). It stayed almost a year on the lees, was degorged by hand, and only topped up with more of the same wine. Unfined, unfiltered and without any additions.

Fêtembulles L’Opéra des Vins 2018 (Jean-Pierre Robinot)

Golden, light amber, small bubbles. Mature fruits (yellow tomatoes), mature apples, breadcrumbs and flowers. Quite full mouthfeel and lightly textured, very clean, lovely acidity, mature apples, long.

Price: Medium

Food: Apéritif, fish, shellfish, salads

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Wine of the Week

Brave Grapeheart

Marc Pesnot is located in the Muscadet part of the Loire valley. I didn’t know much about him, but two wines in a private wine club tasting made me look him up. There was the Miss Terre 2018, an impressive, concentrated wine. Here I chose the lighter one, Cœur de Raisin, meaning grape-heart, that I took home and watched the development over two days.

Marc Pesnot says that at first he was not particularly fond of the wines of the region, but realized it didn’t have so much to do with the grape variety as the methods, the industrialized way they were normally treated. The main objective of this wine is to use the melon de bourgogne grapes, bottle it early to produce a light, low alcohol wine, a so-called “primeur wine”. But ok, this is maybe true compared his other wines, but it has plenty of character still.

Pesnot now has 22 hectares of fifty year-old melon de bourgogne grapes in schistous soil. This gives a perfume and minerality very rare for Muscadet. He doesn’t recognize it as a particularly fruity grape, but seeks for a can be very complex treated the right way. To achieve this he starts with old grapes, treats them in a natural, artisan way, uses light pressing. He allows malo-lactic fermentation in all his wines.

Cœur de Raisin 2019 (Marc Pesnot)

Golden colour. Mature apples, flowers, clementine and apricot on the nose. Textured, balances between lightness and a glylceric fatness, with good acidity and a lovely mineral touch.

Price: Medium

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The Rawfair that never happened

There were several wine fairs that were postponed due to the uncertainties around the coronavirus outbreak. But as far as I know this was the first major fair, and the only one so far that I planned to attend.

Luckily there were many danger-seeking people like me, who decided to go anyway. One of them was Carles Mora Ferrer of Penedès, one of the heroes in this story.

Me and Carles at Elliott’s

As readers of this blog may know, Raw is a fair for natural, artisan producers and seeks to highlight the “poetry” in the wine. And it has become something of a worldwide community, as the fair has expanded to places like Berlin, New York and Toronto.

Sager & Wilde, Ries & Shine, Antidote and Dandy were among the restaurants that were registered in the #rawwineweek program. And Lady of the Grapes was hosting an event on Women’s Day 8th March. I used the opportunity to visit Elliott’s, as you will soon hear more about, but also favourites like Flor, the Spanish tapas place Brindisa, and the Portuguese Bar Douro (read a post from my visit here). I attended two tastings held by several importers. And the first thing I did was making an appointment with a rising star of British wine, the Tillingham winery. (There will be more about this in the next post from the “fair”.)

Elliott’s Café

At Elliott’s Café, Borough Market I had four wines this time, the two from Clot de les Soleres offered in the by the glass-selection. Allow me first a few words on the winery. In Piera, close to Sant Sadurní (the Cava capital) lie Carles Mora’s family vineyards, abandoned since the 1960’s. Many years later Carles planted some cabernet sauvignon there, and the intention was clearly to make natural wine aged in amphora. Today he and his partner Montse hav 5-6 hectares of not only cabernet, but also chardonnay, and the local varieties macabeo and xarel.lo, that they tend organically, and there are zero additivies in the vineyard or cellar, except for a little copper/sulphur in the vineyard when absolutely necessary. The vineyard lies around 300 meters above sea level, on calcareaous soil, with small stone and pebbels. There is a Mediterranean climate with a lot of sun, but also a breeze from the sea that regulates the temperature so the grapes will not be “baked”. They want to express the terroir, but also the grape variety. So for that reason, only varietal wines are made.

Clot de les Soleres Macabeu 2018 was a pale, slightly pétillant wine, pears and flowers scented, with lovely lemony acidity. The red Clot de les Soleres Cabernet Amphora 2018 was deep dark, dominated by black fruits like blackcurrant, but also with a mineral touch, and well-structured and very vibrant in the mouth.

Cabernet Amphora

Aside from this I had the V&S Bacchus 2018, from 2naturkinder of Franken, Germany. This was golden in colour, with orange peel and flowers as dominant aromatics, and full and “orangey” in the mouth. Last this afternoon was Rivera del Notro 2018 (Roberto Henríquez), from Bio Bio of Chile, made from the país variety. The wine was light cherry red, with raspberry and some ethereal note. Quite firm in the mouth, and moderate acidity.

Elliott’s has delicious small dishes to go with the wines too. After recommendations from the sommeliers I chose stratiacella (an eggsoup with cheese and nutmeg) culatella (a cured ham from Parma) and hake ragu with the four mentioned wines.

Outside Weino BIB (Fernando 2nd from right)

Tasting at Weino BIB

Fernando Berry from Elliott’s is involved in the import company Otros Vinos. Together with a couple of other importers they invited some of the visiting producers to the small wine bar Wineo BIB near Dalston Junction.

So let’s go back to Clot de les Soleres. At Weino BIB Carles served both white, rosé and red wines, still and sparkling. Some were samples, as far as I remember. I hope I have got the names and vintages right. All the whites have been pressed before they ferment in steel, spent the winter in tank and bottled in spring. After the same Macabeu as at Elliott’s the other afternoon there was the Chardonnay 2017, a light, clean and citric wine, mellow in the mouth and with a year more it has achieved a good balance between alcohol and acidity.

The Xarel.lo pét nats (Ancestral I think the name is), vintage 2015 and 2017, were fascinating. With 30 grams in the 2015 when it was bottled (less in the finished wine because it continues to ferment) golden yellow in colour, with an aroma of mature apples and lots of bread from the autolysis; rich and mouthfilling, with a sweet touch, but nice acidity to match. The 2017 was made in the same way, but behaved differently. There were muh less bubbles, more green apple character, citrus and pineapple, some ginger and herbs too, and also some toast, and an excellent acidity. The Chardonnay 2018 pét nat came from two tanks. It showd ligh yellow, more fruity and citric; still with an unfulfilled potential, but with time this will also get a good balance between sugar and alcohol.

Carles of Clot de les Soleres

I tasted the Rosé Cabernet Sauvignon 2017, a very pale, peach-coloured wine (pressed less than one hour), flowers and strawberry-scented, quite soft but with good acidity, before turning to the reds. The Cabernet Saugivnon 2014 (from 22 year old vines) had only been in tank. It was dark after six years, with typical cabernet aromas such as blackcurrant and a vegetal component; slender in the mouth with a nice structure. Cabernet Sauvignon 2016 had stayed 13 months, then bottled. Also dark, and very fruity, with blackcurrant, green pepper, sour cherries, and an inspiring acidity. It comes with 14% alcohol, but it’s well integrated. The Cabernet Sauvignon 2017 were made in the same way, except for a period in three amphoras of 700L (from Extremadura, because of the quality and type of clay): This one was a little more on the “wild” side; more sour cherries, also with more red berries; quite big in the mouth (13% alc.).

Near Clot de les Soleres, in the tasting room but also the Catalan bodega itself, is Ferrán Lacruz. He runs the Bodega Clandestina in the village of Sant Martí Sarroca, not far from Vilafranca del Penedès. The farm has 8 hectares, of which 3 is planted with vines. The bodega name has inspired the titles of the wines too, Blanc Sence Papers, Fugitiu, Censurat and Confiscat. I think there is no need to translate, please tell me if the contrary is true. The first vintage was 2018. It’s an organic and natural project, no additives, not even SO2, and he works outside any appellation.

Ferrán Lacruz of Bodegas Clandestina

All the wines are samples from the 2019 vintage, so I will just go briefly through them. Blanc Sense Papers 2019 comes from a more than 50 years old xarel.lo vineyard. The grapes from the three plots were harvested seperately at different times to ensure perfect ripeness, the different harvests are fermented in steel and aged in demijohns for different periods of time, and the last harvest kept in oak for 4 months, before blending it all and bottling unfined and unfiltered. -I base my wines on acidity, says Ferrán, -and I like Bourgogne Aligoté, he answers to my question what he tries to achieve. And acidity he has managed to retain. It really is acidic. I am not sure if it has the body to match, but time will show. The Blanc Fugitiu is another varietal xarel.lo with three weeks maceration. The skins are always inside the wine, as it is held down with an inox net. It finishes in 500L barrels and amphoras from the French side of Catalunya. This one is much more textured than the former, in the sense of tannins. It’s a bit more funky too, but has nice flowers and citrus peel aromas. Orance Censurat is a carinyena blanc with 4 weeks skin-contact, then aged in amphoras for 5 months. Also a bit on the funky side, but very nice citric notes and quite floral too. The Ancestral Confiscat is a xarel.lo sparkling wines with one year and three months ageing in bottle. The colour is yellow, and there is an abundancy of bubbles; very fruity, appley character with evident autolysis. A promising sparkler.

Le Quais á Raisins is a producer from Aubais in the Languedoc, started in 2015. They are Imogen and Robin, from England and Alsace respectively, who met there while studying. They have also worked abroad, being inspired by and have worked with the Swartland Independent Producers of South Africa, to name just one of the places they have experienced. Imogen was represented here. They only own 1.5 hectares, but use grapes from friends in Languedoc, Roussillon and Rhône. Everything is organic, and some places biodynamic practises are also employed.

Imogen Berry of Le Quais á Raisins

Among the wines were Umami 2019, a pét nat with 9 months on the lees from muscat and grenache with no sugar, and no SO2 added. A very nice wine with aroma, a bit peachy, some brioche; it was mouthfilling, with nice acidity, and a saltiness at the end. Méridional 2018 from rolle, grenache and muscat, was floral, but also mineral, and very fresh, – fermented in tank, and some 15% in neutral wood. Embruns 2018, made from macabeu in alluvial soil, was light, pear-like in aroma, there was a little more oak-influence there, and some smokiness. A really interesting one was Syrault 2018 (from syrah and cinsault) from calcareous loess: Cherry red; aroma of blueberry, flowers, mint, pepper; a little sweet sensation in the mouth, but after all an easy-drinking wine. Then a delicate, yet fleshy amphora-aged cinsault called Lopin 2018. Before we rounded off with the Garmatcha 2018 (a grenache, or garnacha grown on limestone and gneiss): Darker colour (because of small yield, more extraction, more punch-down), 18 months in 400L oak (some young, some neutral): It had a intriguing smell of chalkiness, red fruits and herbs, a fruity and well-structured, concentrated taste with some coffee/lickorice towards the end.

Matthias Hager

Matthias Hager is located in the northern part of the Kamptal, and is known as one of the most creative producers in the area. He produces terroir-driven wines from his 14 hectares of vineyards, from Mollands, his hometown. He has had a biodynamic certification since 2005. He works with different soil types, like loess and clay. He uses different product lines, literally speaking: A label with a blue line represents a fresh and young wine, while a brown line denotes more earthy, flavorful characteristics. Red line stands for no sulphites.

Here are the wines he brought, in brief: Grüner Veltliner Mollands 2018: Light colour; fruity, with pepper and other herbs; smooth, quite concentrated, dry and salty. Grüner Veltliner Urgestein 2018, from schist soil, 10% skin-fermented, made in old oak and steel: This one is more yellow, more mineral, also with peppery tones; good weight in the mouth, and evident acidity. Completely natural. Riesling Alte Reben 2016, 10% skin-fermented for 6 weeks: It’s light yellow; flowery, fruity (but also some mineral); in the mouth it’s textured, rich. A nice take on a riesling.

Red line denoting no additions

Riesling PUR 2015 is a wine with 100% skin-contact for 3 weeks: Golden colour; a bit waxy, appley, with ginger and some honey; full in the mouth, textured and with a good acidity. Lastly the Zweigelt Blauburger 2018, an “Austrian merlot”, as Matthias called this second variety (a cross between blauer portugieser and blaufränkisch, noted for colour, not tannin or acidity). The grapes were grown on clay (the zweigelt), loess and schist soil. The wine is blueish; smells of red berries, some green components (pepper), herbs; it’s clean, soft, luscious and also crispy.

Stay on this channel for more from the first restaurant.

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Wine of the Week

Maury is more

The region of Maury is famous for its naturally sweet white of good value, and it’s here that we find Clos des Vins d’Amour. But Maury is more, and this producer shows that they can make a variety of wines, like this wonderfully fresh young red wine.

Credit: Clos des Vins d’Amour

The estate is comprised of 24 hectares lying in the shadow of the Queribus mountains, and is in the hands of the Dornier family and dates back to 1860.

The soil is mostly black slate, and grenache gris is the dominant grape variety for the sweet white wines. But being located in the Languedoc-Roussillon varieties like syrah, mourvèdre and grenache noir are obviously also seen. This particular wine is made from grenache (noir) 80% and carignan. No sulphur is added here.

Une Lubie 2018 (Clos des Vins d’Amour)

Deep red. Smells of flowers, dark and red berries (blackberry, cherry), a touch of anise. Quite light, fresh, luscious, slightly pétillant.

Price: Medium

Food: Light meat, veal, cured hams, grilled fish, salads, hard cheeses, and (probably) sushi

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Wine of the Week

Orange called Or Ange

Marc Kreydenweiss is a favourite in Alsace, and highlighted a couple of years ago (see here). The winery is based in Andlau, central-north of the Alsace vineyard. However, in 1999 the family purchased an estate in Manduel, in the Rhône Valley, west of Châteauneuf and southwest of Nîmes.

This one was one of seven wines from a private party (hosted by me). The name means golden angel, but as an orange it’s clearly a wordplay. It’s made from five varieties; the aromatic Alsacian grapes muscat and gewürztraminer, and also riesling, as well as the more pigmented grape pinot gris. The Rhône tradition is here represented by grenache blanc (in some vintages also viognier, and also vermentino). It saw10 days of skin-maceration.

Or Ange 2017 (M. Kreydenweiss)

Light orange-amber colour. Floral, with apricot, citrus (mandarin), cinnamon, and a slight hint of raisins. Full on the palate, a touch of tannins, integrated acidity, long with fruit all the way.

Price: Medium

Food: Fried fish, smoked meat, lightly spiced food, and a varied cheese plate

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Wine of the Week

White Saumur at Vinkontoret, Stavanger

I went with some musical friends to Vinkontoret, Stavanger. (See also my previous post about the bar.) This is a tradition we have established to shorten the waiting before attending a premiere party for a show (at another place, with a much poorer wine selection).

During the hour or so between the show and the party we had three glasses of wine this time. Vinkontoret (the Wine Office) is a real cathedral of wine, with hundreds of bottles to chose from, and Christoffer Ingebretsen knows more or less what we are after. So we let him chose something, and tasted them blind. The other wines were Heimbourg 2016, a pinot noir from Zind-Humbrecht, Alsace and the Mas la Plana 2015, a cabernet sauvignon from Torres, Penedès. Before this we had this Saumur chenin blanc.

Brendan Stater-West is a young American from Oregon. To make the story short, he was an English teacher in Paris, but had a passion for wine, got married to a French girl, and moved to Saumur in the Loire valley. There he asked the celebrated Romain Guiberteau, whose wines he admired, for a job. Brendan currently leases a one hectare vineyard from Romain, next to his famous Clos du Guichaux in Bizay. It is this vineyard, classified as a lieu-dit, that is Les Chapaudaises. The vineyard’s soil is tuffeau limestone with calcium-rich clay and sand, with many seashell fossils. He has recently met a family who owns an old cellar in Chacé in Saumur. He has begun to renovate this old and magnificent cellar.

This is Brendan’s first vintage, and as such it is very promising. It’s made from indigenous yeast, gently racked from ageing on the lees, and aged for 18 months in old barrel.

A white Saumur at Vinkontoret

Saumur Blanc Les Chapeaudaises 2015 (B. Stater-West)

Light yellow. Vibrant citrus-fruit (mandarin peel), yellow fruits, some white pepper, and also a touch of sweetness on the nose. Slender on the palate, with good acidity and a salty minerality.

Price: Medium

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Beaujolais Thursday

Every year 3rd Thursday of November sees the launch of the new Beaujolais vintage. This is nothing less than a 65 year old tradition in the wine home region. This year I haven’t participated in any comprehensive tasting, so I went to my local store and grabbed four wines. Luckily the store has a knowledgeable staff, and I could pick from some of the producers that I value the most.

Three of them comes from what have been called the “gang of four” of Beaujolais, producers who followed Jules Chauvet’s teachings and decided to avoid artificial fertilizers in the vineyard and sulphur in the wine, so as to better reflect the terroir of Beaujolais. 

Here you can read about, and see a picture of Marie Lapierre and Jean-Claude Lapalu. Lapierre’s Cambon Nouveau was featured a few years ago too. See here. The regular Cambon was also featured here this summer. The two other wines I bought were from Jean Foillard and Guy Breton.

A gang of four, an appropriate term for Beaujolais

To sum up, the two lightest wines were from Lapierre and Breton (number 3 and 1 from left, respectively) with the former as the most energetic of the two. Foillard and Lapalu (4 and 2 from left) were more “natural”, with the latter as the most “wild” and with a good deal of sediments.

Beaujolais Nouveau Cambon 2019 (Ch. Cambon – M. Lapierre)

Ruby red. Flowery with raspberries and cherries. Soft on the palate with just the right touch of acidity. Lovely, elegant.

Cuvée Fanchon Beaujolais-Villages Nouveau 2019 (Guy Breton)

The village here is Villié-Morgon (where Foillard is located). Light ruby. Rhubarb, raspberry. In the mouth it’s fresh, the body is very light but still with a touch of tannin, dry finish.

Beaujolais Nouveau 2019 (J. Foillard)

Cherry red. Red berries and something chemical at first – red and black berries after some time in the glass, also a lactic tone. Meaty, juicy, but also some tannin, a touch of bitterness, dry. It’s on the wild side; I don’t say it’s mousy, but it has something funky that’s not easy to detect on the nose.

Beaujolais-Villages Nouveau 2019 (J.-C. Lapalu)

Lapalu’s village is Saint-Etienne-la-Varenne in Brouilly, a southern location that partly explains the relative power of his wines.

Smells of dark fruits, a touch of raspberry with some lickorice and earthiness. Fresh in the mouth, lightly structured and ends dry. Some carbonic at first, but it disappears with time in the glass. Just like the former wine: On the wild, or natural side (a bit funky retronasal aroma).

Lapalu’s nouveau, clearly unfiltered
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