This wine became my first sparkler, as the fireworks lit the sky and the year changed beneath them.
1701 represents a conscious revival of an estate with more than 300 years of documented history in Franciacorta (hence the name). The project was initiated by siblings Federico and Silvia Stefini, whose shared commitment to wine, nature and their home territory has shaped the estate from the outset.
Their ambition was clear: to work according to organic and biodynamic principles, placing nature at the centre of every decision. Today, the family owns ten hectares of vineyards, eight planted with chardonnay and two with pinot noir. In 2016 1701 became the first biodynamically certified winery in Franciacorta, and remains the only one to this day.
For Federico and Silvia, biodynamics is not merely a farming method but a holistic philosophy of life. The aim is always to create the conditions in which the grapes can realise their full potential while expressing their origin with clarity and precision. They describe their wines as natural, made without chemical inputs, additives or synthetic treatments in either vineyard or cellar.
Grapes are hand-harvested and rigorously selected, followed by fermentation in stainless steel using indigenous yeasts. The wines are made according to the traditional method, with a minimum of 30 months ageing on the lees. Remuage is carried out by hand, disgorgement dates are clearly stated on the bottle, and there is no dosage. Annual production is approximately 40,000 bottles.
Franciacorta Brut Nature n/v(Soc. Agr. 1701)
Pale straw with a subtle golden hue; fine, persistent mousse. Aroma of lemon zest, green apple and white flowers, underpinned by crushed stone and a touch of toasted almond. Bone-dry in the mouth, tightly structured, driven by bright acidity and chalky minerality. Subtle autolytic notes add depth, leading to a long, saline and precise finish.
At the southern edge of Chianti Classico, near Castelnuovo Berardenga, lies Fèlsina, one of Toscana’s most soulful estates. Founded in 1966, it bridges the classic and the modern with an unwavering respect for tradition — organic farming, old sangiovese vines, and limestone and galestro soils.
Their Vin Santo, made from dried malvasia and trebbiano grapes, follows a time-honoured method. The grapes are hung to dry for months, then pressed and fermented slowly in small caratelli barrels sealed with wax. There, in the quiet of the attic, the wine ages for nearly eight years, developing its complex, oxidative beauty before being bottled — unfiltered and full of character.
Vin Santo 2012 (Fèlsina)
Amber-gold in the glass. The nose opens with dried apricot, roasted almond, and honeyed orange peel. The palate is silky yet vibrant, balancing sweetness with fine acidity and a lingering finish of caramelised nuts and candied fruit. A contemplative wine, best enjoyed slowly, with aged pecorino or an almond biscotto, like we did.
Since taking over Avignonesi in 2009, Virginie Saverys has transformed the estate into one of Tuscany’s leading names in organic and low-intervention viticulture. But she’s also opened the cellar doors to creativity. Sales director Alessio Guidi had long dreamt of making small batches of biodynamic wines with a juicy, free-spirited edge—and with The Juice Asylum, he’s finally been given free rein.
This wine, Il Terzo Grado 2022, is made from organically grown sangiovese (86%) and merlot (14%), sourced from vineyards in Montepulciano and Cortona at 275–375 metres elevation. Soils are a mix of clay, sand, silt and limestone. The grapes were hand-harvested, partly whole-cluster fermented with carbonic maceration, and aged in stainless steel for 6 months. Bottled unfiltered.
The Juice Asylum – Il Terzo Grado 2022(Classica)
The result is a riot of red berries, peppery spice and wild herbs, lifted by violets, liquorice root and a touch of bitterness. The texture is supple and alive, with juicy tannins and a savoury undercurrent that makes it both gluggable and thought-provoking.
Chill it slightly, serve with grilled quail, game birds or aged cheese—or just drink it with someone who’ll understand the chaos.
Here is a Tuscan red with a Mediterranean soul, a litre of pure joy.
Ampeleia, based in the coastal hills of Maremma, is the project of Francesco Pascucci, who works according to biodynamic principles with a strong focus on biodiversity and landscape. The vineyards lie between 200 and 600 metres above sea level, influenced by Mediterranean vegetation and cooling sea breezes.
The wine is based on alicante (grenache), complemented by carignan and mourvèdre. Grown organically on sandy soils, the grapes are fermented with native yeasts, given a gentle maceration, and aged for a short time in concrete – a style that emphasises freshness and drinkability.
Unlitro 2023(Ampeleia)
Pale in colour, it opens with juicy red berries, a touch of wild herbs and a gentle earthy note. Light-bodied, soft and slightly salty – a wine made for long lunches and warm evenings.
My daughter was born in 1999. Many years ago I collected a case of wines to give her at her 18th birthday. The last of these we had the opportunity to enjoy together last week.
High in the northern reaches of Lombardy, where the Alps rise toward Switzerland, lies Valtellina – a region often overlooked in favour of its more famous Nebbiolo siblings from Piemonte. But for those who take the time to explore it, Valtellina offers singular wines that speak softly but persistently. One such wine is Il Pettirosso, made by Ar.Pe.Pe., a family producer whose dedication to alpine Nebbiolo is both steadfast and poetic.
Ar.Pe.Pe. stands for Arturo Pelizzatti Perego, the man who, in 1984, reclaimed the family’s historic vineyards and gave new life to a tradition dating back to the 1860s. Today, the winery is in the hands of his children – Isabella, Emanuele, and Guido – who continue to work the steep terraces of Sassella and Grumello with a mix of devotion and defiance. In these dramatic landscapes, handwork isn’t just a choice, it’s a necessity.
Il Pettirosso is often seen as the most graceful expression in the Ar.Pe.Pe. range – low sulphite, spontaneous fermentation, a cuvée that blends fruit from both Sassella and Grumello, and aged in large old botti before further ageing in bottle. It is not the most powerful wine, nor the most structured. But what it offers is clarity, nuance, and a kind of unforced beauty that rewards patience.
Il Pettirosso 1999(Ar.Pe.Pe.)
Pale brick red with amber highlights, translucent and delicate. The nose opens with dried rose petals, truffle, orange peel and forest floor, followed by a gentle smokiness and a whisper of Alpine herbs. On the palate, the wine is featherlight yet persistent, with fine, resolved tannins and a graceful acidity that carries flavours of sour cherry, tea leaf, and balsamic nuances. The finish is long, echoing the wine’s mountain origins and meditative age. A wine not of volume, but of resonance.
This wine was presented at a bring-a-bottle tasting in my local wine club. It shows a more fresh side of the ripasso style, as opposed to the more heavy and raisiny wines often found in the category.
The Musella Estate is located close to the village of Ferrazze, east of Verona, where their vineyards are biodynamically farmed.
Their ripasso has been produced since 1995. At the winery, unpressed amarone pomace is macerated with the fresh valpolicella (the so-called ripasso method). This enhances the colour and structure of the wine. The wine undergoes 12-15 days of fermentation and maceration on the skins with periodic racking followed by malolactic fermentation. The wine is then transferred to barrels of various sizes for 12 months.
Valpolicella Ripasso 2020(Musella)
Cherry red. Some fresh fruit, such as cherry, plums and blackcurrant. Behind is a layer of cinnamon and clove, and dried fruits, and also a hint of chocolate. Medium-bodied, with fine tannins, and a refreshing acidity. Finishes quite long.
Bellies is probably Norway’s best vegan restaurant, which focuses on natural wine. In connection with their 5 year anniversary, they had invited the iconic producer Saša Radikon from Friuli, for a winemaker’s dinner.
Saša Radikon
The staff at Bellies had made impressive pairings between their “full bellies” menu and Radikon’s wines. Jakot 2018, made with 3 months skin-contact, was perfect with a sauce rich in umami, where I normally would chose a sherry, just to name one example.
Oslavje 2017 with pumpkin ravioli
It was an unbelieveable line-up of wines, that included mature wines such as Merlot 2006 and Pignolo 2011. The evening’s revelation for me was the Ribolla 3781 in the 2007 vintage. Pairing-wise it was an easy match for this wine, as it was set up with a plate of mushrooms – and could have managed much more demanding ingrediences. Anyway, it gave the wine an opportunity to shine. And it did.
Here is some background. Radikon’s 12-hectare estate is located in Oslavia in the far north-east of Friuli Venezia, literally on the border with Slovenia. Radikon has a natural approach, where everything is done without the use of artificial or chemical aids. All grapes are harvested manually and fermented in tanks of Slavonian oak. The soil is called ponka, or ponca, very rich in minerals. It has a large proportion of gray and blue marl, occasionally mixed with clay. Deposits from old rivers and seas have produced a high content of lime. Ponka produces wines with both weight and freshness.
3781 is the number of the parcel below the cellar. The wine from here is produced only in the best years. It’s a varietal ribolla gialla, made with 3 months of maceration, then 4 years in oak and 10 years in bottle. It comes in a one liter bottle.
Ribolla 3781 2007(Radikon)
The colour is golden with copper. Aroma of dried peach and apricot, curry and baked apple – almost like a well-matured cheese. Smooth in the mouth with high glycerin, rich, seamless, with an integrated acidity and great length. It has an autumnal air, still full of energy. This is a unique wine. It’s perfect, legendary.
I have participated in a tasting with some of Vinmonopolet’s suppliers, organized by the Norwegian state monopoly. The relatively new importer Swirl has a portfolio that focuses on Portugal. Øystein Solvang presented a veritable wave of individual vignerons from various corners of the country, all of whom demonstrated high quality and a large degree of sustainable production. Here I can only name a few. Among those I already have a close relationship with, and which you can read more about on the blog, were Aphros (Minho), Espera and Marinho (both Lisboa), Vitor Claro (Lisboa and Alentejo), Cebolal (Setúbal/Alentejo) and Muxagat (Douro).
Øystein Solvang, Swirl Wines
Among those who were new to me are Taboadella and Hugo Pinheiro, both from Penalva do Castelo in Dão, who represented two different approaches. Where Taboadella had a more classic cut, Pinheiro offered a distinctly fruit-driven, unfiltered style.
A strong impression was made by tasting wines from João Tavares de Pina, also from Penalva in Dão, with the following background. Tavares recently lost his house and 85% of his vineyards in the fire that has ravaged the interior of Portugal. He is a sociable and generous guy with many friends, and there is currently a large-scale campaign underway in Portugal and partly abroad for him to be able to replant the vineyards. João says that the best you and I can do to help is to buy his wines. I have myself bought a couple of cases recently.
Here I tasted a wonderfully developed wine, Terras de Tavares 2002, with a brick-red color, aromas of dried fruit, well-hung meat, prunes and a hint of smoke. This evoked memories of an evening at the home of João and his wife Luisa, with a fire on the fireplace in the cold winter, when we enjoyed delicious food prepared by João himself and also had a similar wine (Terras de Tavares 1997, read about it here).
I said hello to 2 x Ole Martin. It was the first time I had met Ole Martin Alfsen, who is known in several disciplines of gastronomy and wine. -Now it’s mostly wine, he says. He has developed his own portfolio of wine made in collaboration with producers in several countries, often abbreviated to his initials OMA. He always hits the mark with quality at reasonable prices. The wine name XinOma probably says it all; it is made by him on the grape xinomavro. Ole Martin also tells how he works in collaboration with producer Oenops. This grape often produces light coloured wines. The wine is light, but also has a nice concentration, with good primary fruit and an aroma of flowers and herbs.
Ole Martin Alfsen
We also tasted a rosé version of the same wine, a pét-nat and a blaufränkisch made in collaboration with Heinrich in Gols, Austria. Ole Martin also talked about his collaboration with Loimer in Austria, Quintas de Melgaço in Portugal, Giovanni Rosso in Italy and Au Bon Climat in the USA. Finally, we tasted a pinot noir, in which Ole Martin had collaborated with Broc Cellars in Santa Bárbara, California. It’s a fruity, mellow wine. It has a touch of oak, but Ole Martin Alfsen knows better than anyone that such wines also have a place on the table.
Ole Martin Brodvall, Vinarius
At importer Vinarius, Ole Martin Brodvall served wines from the prominent Fitapreta, where António Maçanita is the winemaker. First we tasted a phenomenal white wine from typical Alentejo and Portuguese grapes, mostly arinto. Palpite 2022 had a clean and beautiful fruit with hints of apricot and orange peel and good body, together with a significant acidity. Fitapreta Tinto 2022 was a relatively light and luscious wine with aromas of red berries with balsamic hints, from a typical Alentejo blend. Tinta Carvalha 2022 was also light in colour. Red berries, cherries and a hint of anise and other spices, good length. A good ambassador for the region..
I also met Henriette Batt, who has worked for importer Engelstad for many years. One of the producers she presented was Herdade do Rocim, which is known as one of the leading producers of vinho de talha, clay-aged wine, in Alentejo, Portugal. They also host a festival for clay-based wines. Fresh from Amphora 2023, which came in a 1L bottle, was a textured white. Discreet aroma, but with a mineral and spicy character, with a great and fruity middle part and a salty finish. The red in the 22 vintage has 40% moreto and has a fine touch of cherry and stone fruit, clean and lovely.
Henriette Batt, Engelstad
I was running out of time, so I indulged myself with just a few highlights from several importers. John Sonnichsen (VinJohn) served wine from his colleague Autentico. I tried MA Doña Blanca 2022 from producer Mufatto, who is Argentinian but operates in Bierzo, Spain. There doña blanca finds itself in the shadow of godello. But it stands out: Light in colour, rich with almonds, a bit of spice, good lees character, well-integrated barrel. A great wine, good for medium-term storage.
John Sonnichsen
It is always a pleasure to try wines from the Spanish producer Envínate. Ove Kvalheim at Unico had brought the white Benje 2023 from Tenerife, that is made of palomino fino and has been under a thin layer of flor, but without skin contact: Light in colour, rich, ripe citrus, nuts, fine texture. Superb. Lousas Viñas de Aldea 2022: Bright red, great berry fruit, with some pepper, a cool touch, nice concentration. I also tasted António Madeira‘s red Vinhas Velhas 2021, an elegant wine from a relatively cool vintage and two wines from Areanna Occhipinti. The normal SP68 in the 23 vintage lived up to the usual standard. Siccagno Nero d’Avola 2021 had a wonderful fruit, with flowers and discreet spice, young tannin, great acidity, juicy and concentrated at the same time and good length.
Pergola is an Italian-inspired wine bar near the center of Bergen, established in 2010 by Bjørn Johnsson. They boast a selection of almost 500 different wines to choose from. You can enjoy a glass with a pizza, with your desired topping, or a plate of antipasti. Among the wines, there is a selection of wines that they import themselves.
I was there with some other musicians after playing at one of the city’s jazz clubs. We had two of their own wines, from Toscana and Piemonte respectively, along with a white prosciutto pizza and charcuterie.
Vallone di Cecione is a small family run organic farm outside Panzano in Chianti. They are proud to offer the canaiolo as a varietal wine. The canaiolo grape is otherwise known for giving a mellow, soft character to a blend, such as the classic Chianti wines. Vallone di Cecione let it ferment in cement to keep the primary fruit characteristics intact.
Canaiolo 2017(Vallone di Cecione)
Light cherry red. Elegant aroma showing some evolution, with a touch of dried fruits, but also with cherry and herbs. Soft and round, medium acidity, but also some freshness, thanks to a slight touch of CO2. Decent length.
Cascina Ballarin is located in La Morra in the Barolo area. It was run by brothers Giorgio and Giovanni Viberti until 2022, and is now actually called Alberto Ballarin, after Giorgio’s son. They are practicing biodynamics and make the usual selection of wines from the region. This is their varietal dolcetto, based on 15-25 year old vines with an eastern orientation at 230 meters height. The wine is raised in stainless steel. No oak.
Dolcetto d`Alba 2021(Cascina Ballarin/ Alberto Ballarin)
Ruby red. On the fruity side, with a ripe scent of raspberry, a touch of blackberry and white pepper. Soft and juicy with elegant tannins and a nice acidity.
Radikon is a classic in the natural wine world. I took this bottle from my own cellar last week for a dinner with wine.
The winery is located in Oslavia in the Italian province of Gorizia, on the Slovenian border. The company owns 18 hectares of vineyards on steep slopes. Stanislao (Stanko) Radikon took over in 1980 and now runs the winery with his wife Suzana and their son Saša. They don’t use chemical additives at all and reduce treatments to a minimum, both in the vineyards and in the cellar.
The yields are unbelievably low, something like 4 or 5 bunches per vine. The background information that I have for this wine says 60% chardonnay and 40% sauvignon. I would have guessed some pinot grigio, as I am quite sure there is some red in there. Let’s investigate a bit on that. After de-stemming the grapes was put in oak vats, where maceration went with 3 or 4 daily stirrings. At the end of the alcoholic fermentation the vats were filled and the wine stayed in contact with the skins until December. After racking the wine rested in casks (25 to 35 hl), for about 36 months. Bottling was made without any filtration or clarification, in one liter and half liter bottles, with no added SO2.
Oslavje 2012(Radikon)
Copper coloured, slightly cloudy. Perfumed aroma with orange peel, mango and a touch volatile acidity at first (giving way to something honeyed). Full-bodied with a dry mouthfeel, good concentration and a high acidity, lots of fruit, and a long aftertaste. It’s a wine with a lot of nerve and tension, and an underlying cool sweetness, though technically dry.
