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Wine of the Week

Nice Job!

At Oslo’s Territoriet wine bar they served this delicious wine. We enjoyed it outdoor in September, my brother and I. It is categorized as a rosé. That is, technically it’s a white wine, because pinot grigio sorts under that category. But many will know that the grape can have many red pigments, and with extended skin-contact the colour will appear.

Villa Job’s 6 hectares of vineyards are located on the Friuli Pozzuolo plateau, 90 meters above sea level. The soils here are complex, with sand, silt, clay, sandstone and marl. These vineyards have been in the Job family for generations.

Today Alessandro and Lavinia Job are farming biodynamically. The wine is made with native yeasts, and very little sulphites, if any. Long maceration in old barrels on skins is necessary to get what they consider to be the best expression of the grape. Here it lasted for 60 days. It’s spontaneous fermented, with natural malolactic fermentation in cement. The wine is unfiltered, and barely sulphured.

Guastafeste 2016 (Villa Job)

Salmon pink. Aroma of strawberry, raspberry and white flowers. Juicy, but also with good concentration, some very fine tannins, and a very pleasant acidity in a long finish.

Price: Medium

Food: Light meat, white and red fish, pasta, salads

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Wine of the Week

Dangerously drinkable from lower Loire

Groslot (or officially grolleau noir) is not in high esteem. But cared for like this it can give dangerously drinkable wines. This one is a real “glou-glou” and has been a house-wine in my house lately.

Domaine Les Grandes Vignes has been in the lower Loire since the 17th Century. Today they have a low-intervention philosophy, and biodynamic certification. The wine is fermented in old barrel, no sulphur added, unfined and unfiltered. It’s low in alcohol (11%), and only around 4 g/L acidity.

100% Groslot 2018 (Dom. Les Grandes Vignes)

Dark, blueish hint. Blueberry and dark cherry on the nose, some herbs and a hint of woodlands. Really delicious in the mouth; fine young tannins, and refreshing acidity, clean aftertaste where the berries dominate.

Price: Low

Food: Salads, light meat, pasta, bacalao

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Wine of the Week

Fresh, pleasant Bardolino

Here is a short post from a wonderful Italian lakeside resort. Bardolino is located on the east side of lake Garda, not far from Verona in the Veneto province. There are many nice, fresh and juicy rosés and light red wines.

These hills are where the Gorgo Wine Estate was established in 1973. It belongs to the village of Custoza, and the company also makes organic certified biancos bearing that name.

This Bardolino wine is made from corvina 55%, rondinella 25&, and the rest divided between molinara, merlot and cabernet sauvignon grapes. It’s made with controlled temperature fermentation in stainless steel, and was pumped over for up to ten days.

Gorgo Bardolino 2018

Bardolino 2018 (Gorgo)

Light ruby red. Aroma of clean red fruit; cherry, some herbs. It’s dry in the mouth, with a pleasant smooth mouth-feel, and with a slightly bitter aftertaste. Simple, harmonious, easy to drink. Just nice!

Price: Low

Food: Light meat, salads, soups, and some pasta and rice dishes

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Articles and Wine bars and restaurants

The Real Wine fair 2019 – III The events, incl. a popup from Stavanger, Norway

During the Real Wine fair some food providers were present at the Tobacco Dock to serve the tasters during their breaks. Among them were the DuckSoup wine bar of Soho,  Burro e Salvia, pasta place in Shoreditch, Flying Frenchman with their sausages and outdoor raised pork and chicken. The hotel wine bar La Cour de Rémi also came over from Calais to serve delicious flavours from Normandie.

Around town there were several “take-overs”, such as Morgan McGlone of Belles Hot Chicken in Australia cooking Nashville style at Brawn. The Bastarda company took over Leroy in Shoreditch, with wine assistance of Ben Walgate of Tillingham, East Sussex. To mention only a couple.

Claes, Magnus and Nayana of Söl, Norway

To my surprise, the trio behind Restaurant Söl of Stavanger, right in my own Norwegian backyard, were cooking at Terroirs, the most emblematic natural wine bar of all. Obviously I had to visit them and see what they were up to.

Restaurant SÖL opened in Stavanger on the southwest coast of Norway in 2018. The driving forces behind the restaurant are Nayana Engh, Claes Helbak and Magnus Haugland Paaske, all of them with experience from Norwegian and foreign restaurants.

Their main focus is fresh, local, sustainably grown vegetables combined with natural wines and drinks produced by small artisans – to be enjoyed in a relaxed atmosphere. SÖL can be said to be a part of the “new” Nordic wave, which means food inspired by traditional dishes, but with a modern twist and a wink to the world.

Claes

That night the wines were paired in collaboration with Terroirs’ master sommelier Kevin Barbry. And Kevin was the one who served me the first wine while waiting in the bar. This was Mayga Watt 2018, a pétillant gamay from Gaillac in the Sud-Ouest region of France: A pink, crisp and juicy pétillant wine, with smell of strawberry and white pepper.

The first thing that was brought to the table was sourdough bread, and delicious organic butter from Røros, a lovely small town in mid-Norway. Grilled squash, fermented tomato, milk curd and ramson capers came next, elegantly paired with Attention Chenin Méchant 2017 (Nicolas Réau). This is a wine from Anjou the Loire valley. Originally Réau planned for a pianist career. Key words here are 15 year old plants, indigenous yeasts, direct press, no fining, light filtering, low sulphur, and ageing on lees in used oak. The result is a yellow, peach and mature apple smelling wine with good volume, luscious mouthfeel and a rounded acidity.

Next was panfried cod, dulse (the sea growth from which the restaurant takes its name), spring greens and brown butter sabayon. White flowers were garnish on top of this plate. Partners in life and crime Nayana and Claes had picked them by a local lake (Stokkavatnet, for those familiar with it) the night before they set off to England. Dinavolino 2017 (Denavolo), an elegant orange multivarietal wine from Emilia-Romagna, Italy, matched the tasty yet delicate dish without problems. The wine: Light amber; peel sensations, white peach and flowers; slightly tannic, wonderfully fresh.

Nayana

Next was Jersey Royals potatoes, broad beans, sugar snaps, beef jus and lovage, with herbs from the Rogaland region, the trio’s homeplace. It was accompanied by Le Vin Est Une Fête 2018 (Elian da Ros), again from the Sud-Ouest of France. The main grape here is abouriou, typical of Marmande. The wine was cherry red, medium deep, smelled primarily of red fruits, and had very light, fine-grained tannins. The dish is complicated, with peas and other tender greens in a powerful sauce. The combination with a very lightly macerated red. It would have been interesting to see whether an orange wine, like the previous one, could have build a bridge between the strong and the tender.

Rhubarb compote (from the organic farm at Ullandhaug, Rogaland), toasted ice cream, rhubarb sorbet and crispy rhubarb. Lovely and fresh! There were two options for drinks, and I chose Éric Bordelet‘s pear cider Pays de la Loire (France). The cider was composed from many varieties of pear, grown on schist. With 12 grams residual sugar it gave a somewhat off-dry mouthfeel, a complex, cidery (what a surprise!), sweetish aroma, a touch of tannin. The marriage wasn’t made in heaven, though the bubbles helped. I was wondering what could have been done differently. I must admit I thought the wind should have been sweeter. With ice cream a PX sherry automatically comes to mind, but it would have been much too powerful here. After having returned to Norway I visited their place and had the same dish. Then Claes served it with an apple cider, this time bone dry, with a penetrating acidity and fresh bubbles. Maybe not perfect, but maybe the closest possible.

To conclude: Fønix Blue, a cheese from Stavanger Ysteri (Norway) and rye bread. With this we could chose to include La Cosa (The Thing) 2017 (Alfredo Maestro), from the Ribera del Duero area of Spain. What a wine! Dark amber, or mahogany; complex aroma with rhubarb and plum, and very sweet. I had to come back to this wine the day after, at Alfredo’s table at the fair, maybe to see if this was really true (!).

Remember this is a wine blog, not primarily about food. But once in a while it’s necessary to say a few words about wine-food combinations, and I have given some opinions here. What could be said, as a conclusion, and apart from the fact that it was a big surprise to see these people her is the following. The trio behind Söl are cooking with great passion and creativity, and from good, healthy ingredients. They are also proud to come out among their “audience” and present it, what the ingredients are and how the dishes are made. The drinks are picked carefully among the most natural and sustainable there is.

We cannot expect more than that.

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Wine of the Week

SP68 Rosso 2018

Back at Sentralen yesterday, we not only had a simple meal and two delicious wines by the glass. It’s Oslo’s annual jazz festival this week, and the festival uses the building as a “festival office” for the 4th year. There are good vibes in the whole building. So after the meal we found our way through a festival crowd and took went up to 3rd floor to enjoy another gig.

The food was pizza this time, a spicy and tasty vegan version, and a more “wine friendly” white pizza. One of the wines was Arianna Occhipinti’s red SP68.

Arianna at the Real Wine fair 2017

Occhipinti is located in the Vittoria region of Sicilia, and SP68 is the main road in the area. Arianna has now 25 hectares certified-organic vineyards, only local varieties, and practices biodynamic.

This wine is made from frappato 70%, that gives acidity and elegance, and nero d’Avola, that is there more for body and colour. It has been a favourite for many years, and it was nice to try the fresh vintage 2018.

Arianna says that the secret to make more elegant wines in the area is not irrigating, harvesting late and not using fertilizers. The freshness comes from the subsoils. Contrary to this, a wine made from young or chemically grown vines would most often take its nutrition from the topsoil and would as a result have a warm, cooked character. The SP68 wines are vinified and aged in small concrete tanks, with no oak and no punchdowns.

The two varietals are native to Sicily and are grown on red sand soils over limestone rock, with vines averaging 15 years old on four different sites. The vines are organically farmed and hand-harvested. The fruit is mainly destemmed (4% stem inclusion in the upcoming 2017 vintage) and co-fermented with native yeasts in concrete tanks and with a two-week skin maceration. The wine is aged in concrete tanks for 8 months and bottled unfiltered.

SP 68 Rosso 2018 (Arianna Occhipinti)

Dark, young red, blueish hint. Fresh, fruity, aromas of blueberry, cherry, some herbs. Juicy, luscious in the mouth, with young tannins, and a fresh acidity.

Price: Medium

Food: Pizza, pasta, light meat, vegetarian dishes

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Wine of the Week

Dancing on the tongue

This Loire pét nat was served at restaurant Söl, Stavanger, Norway. It was a starter, outside the set menu, and a fresh and inviting start of their five course meal.

British Toby Bainbridge and his wife Julie are found near Angers, in the western Loire.

In a modest winery they make three different wines. This cuvée is a pink lightly-bubbled méthode ancestrale (lightly sparkling) wine made with the local grolleau noir grape. The second fermentation is in bottle and sulphur additions are very low.

La Danseuse means “The Dancer” in French. One of his importers tells that it can also refer to “the barrel of wine that a vigneron would put aside for his mistress”. In the past, we should add.

Part of the story is that Denmark was the first export country. Toby went with a friend. Noma, one of the world’s top restaurants, was the first stop. And the wine has been found there ever since.

La Danceuse at Söl

Cuvée La Danceuse 2017 (Bainbridge)

Salmon pink. Discrete smell of raspberries and red currants. Delicate red berries in the mouth, fresh acidity and a refreshing carbonic feel, and a long and dry finish.

Price: Medium

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Wine of the Week

Momento Mori: An orange wine to die for

This is a wine that you just read about in the article from the orange wine tasting at London’s Real Wine fair.

Momento Mori means something like ‘Remember that you have to die’ in Latin. Dane Johns from New Zealand is the man behind this winery, that makes use of grape from growers in Heathscote, Victoria. He thinks that many Italian grape varieties are well adapted to this area, and the grapes for this particular wine are vermentino, fiano, moscato giallo, and malvasia – fermented separately, then blended.

We are always talking about small batches, wild yeast, no new oak, no fining, no filtration, and no additions. This one spent one and a half months on skins.

Staring At The Sun 2018 (Momento Mori)

Light yellow colour. Aromatic, smells of white flowers, citrus, spice, some ginger. Just a touch of tannin, very delicate, yet very flavourful, and a lovely acidity that makes it last. This is a proof that aromatic grapes like moscato can be really successful with extended skin-contact.

Price: Medium

Food: Light meat, grilled fish, dried fruits, smoked cheese, paté

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Articles

The Real Wine fair 2019 – II The seminars and Simon’s orange wines

At the Real Wine fair there were several seminars and guided tastings given by both winemakers and writers. Among the scheduled speakers were Heidi Nam Knudsen and Jon Passmore, who practise an alternative wine education focusing on vineyard practices and winemaking techniques. The topic at the fair was “Retasting Wine: How we can become more informed drinkers.”

Alex Thorp conducted a “German Growers’ Masterclass”. Derek Morrison and Mike Hopkins of the Bring Your Own podcast interviewed a bunch of growers, among them Portuguese artisan Pedro Marques. Speaking of Portugal, Jamie Goode did just that together with Ines Salpico in the program “An Exploration of Portugal’s Wine Revolution.”

While I talked to some of these people on their way in and out of the seminar room, the only seminar I had booked beforehand was Simon J. Woolf’s presentation of his book Amber Revolution through a tasting of five wines from the so-called New World.

His seminar was informative, and there was a two-way communication. Simon answered questions from the audience with great virtuosity, and his short comments about each wine demonstrated how well-chosen the wines were.

Simon’s definition of an orange wine is a wine made with skin-contact that exceeds the “normal” 3-4 hours. In other words, it’s about the technique, more than the colour itself. He compares it to a white wine: -What colour is a white wine? White – as this paper?

Light examples from the tasting were Staring at the Sun 2018 (Momento Mori) and Elementis 2018 (Intellego). The first one, a citrussy, lightly spicy wine from Victoria, Australia, was quite light yellow, though it had been 6 weeks on skins. This because winemaker Dane Johns holds back on extraction. Elementis from Swartland, South Africa I know from several vintages; always fresh, appealing, this time very lemony, with green apple. Jurgen Gouws shares his colleague’s philosophy of minimal extraction.

Other than this there was the Pinot Gris 2016 (A & D. Beckham), a pink, red-tinged wine from the grape that we know is not white at all. It’s also known from Radikon, one of the natural and orange wine pioneers. This Oregon pinot gris was fresh, but warmer notes appeared after a while, and it was surprisingly smooth, the colour taken into account (also not usual for the variety). Vinu Jancu 2017 (La Garagista), an amber, beeswax, onion and plum smelling wine from the unlikely state of Vermont and the rare grape called la crescent and Chilion 2016 (Ruth Lewandowski), a lighter cortese with grapes from Santa Barbara, California, but made in Utah, finished the US American trio. It should be said that it’s Evan Lewandowski that is behind this project, but he named the winery after the Book of Ruth.

Regarding a question about what wines work with extended skin-contact, he points out that thick-skinned varieties go well. Aromatic varieties too, can perfom very well, such as moscato and gewürztraminer.

Simon J. Woolf has every reason to be happy with the book release

Amber Revolution

I have written a more extensive review of Simon’s book in the Norwegian language for the Vinforum magazine. You can read it on my magazine page.  Here is a summary:

Simon J. Woolf has written what is referred to as the world’s first book on orange wine. Woolf started his writing career in 2011 with the blog The Morning Claret for which he is still editor. He is also a regular contributor to journals such as Decanter. He is no well-known author though, and this is his first book. So there were no publishers who wanted to go for the project. That’s why he started a crowdfunding through his website, and nearly 400 people contributed to the “Kickstarter” campaign.

Woolf currently lives in Amsterdam. And it can almost seem ironic that it took someone in close contact with the Netherlands, with the historical “Oranje” dynasty, to get the idea to write about orange wines.

The book is partly an introduction to the orange wine world, partly a cultural and history lesson. Woolf writes well and demonstrates early on that he is both the passion and the insight needed. It is fascinating to take part in this journey, from his first, emotional contact with the drink in Sandi Skerks cellar in Friuli. But then he takes us further back in time and goes chronologically from the ancient Georgia, that we know as the orange wine’s cradle, via pioneers in today’s Friuli and Slovenia (with Joško Gravner as the main character) and beyond.

There is also a section on recommended producers from many different countries. Finally, the financial contributors are listed. Among them there are some wineries, although I find no reason to assume that it has affected the journalistic selection. The fact columns contain information about food for orange wine, grapes that respond well to the technique, misconceptions about orange wine, how qvevri are made, etc. Taking these columns out the main story also helps to make the text flow better .

Ryan Opaz, who lives in Porto, is one of the founders of the Catavino site, where Woolf also contributes. Opaz has provided images that depict both landscapes and people in an exemplary manner. The book itself is also made of paper with a certain texture, which responds to the wines the book is about.

Woolf says he could use different names for the same phenomenon, such as skin-macerated wines and amber wines. After a discussion with himself, he has ended up calling it orange wines. His definition is based on the technique, not the colour. An orange wine does not therefore need to be orange, but it has had extended skin contact. It can be yellow, dark mahogany, or even reddish or pink in cases where the grape has a lot of pigment, such as pinot grigio.

Here we have arrived at a point that I assume he has thought about himself, the title of the book. After choosing orange wine as the preferred term, he ends up using amber in the title. The Portuguese carnation revolution emerges in my consciousness when reading the title, and compared with this the term “orange wine” could perhaps have added another dimension. And even though the events of the 1990s and up to the present seem like a revolution, in the long term it will probably be more correct to call what we now experience a “revival,” or maybe a revitalization of a tradition. But none of this “troubles” me; Amber Revolution is a saleable title. And the subtitle, “how the world learned to love orange wines”, puts it all in place.

I will not reveal too much of the content. But I think the sections about Friuli and Slovenia, the multicultural and multilingual area at the intersection of East, West and South – and the political backdrop that is hoisted – is a particularly good section of the book. Here the story of the world wars becomes a necessary part. The families of the leading producers were finding themselves on a veritable battlefield with changing actors, not least Italy, Austria-Hungary and Yugoslavia.

There are many who will enjoy this book. It is a niche book, but it at the same time exceeds the niche, and I would think that the vast majority of people interested in wine will find it fascinating, entertaining and enriching.

Amber Revolution – how the world learned to love orange wine

By Simon J. Woolf, foreword by Doug Wregg (director of import company Les Caves de Pyrène,), photo: Ryan Opaz

MCP Morning Claret Production, Amsterdam / Interlink Books, Northampton, Massachusetts

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Wine of the Week

Quinta da Palmirinha and chestnut flowers

Fernando Paiva has been one of the pioneers of biodynamic farming in Portugal, with his stylish and inviting Vinho Verde wines. I have written about them several times, like here. Following this year’s Simplesmente… Vinho fair I got the chance to meet him at his Quinta da Palmirinha in Lixa, near Amarante, where he lives.

Fernando Paiva tidying up a little as he passes

From the 2017 vintage he uses the unlikely element of chestnut flowers. They grow just outside the door, and he adds them to the press, and they act as an anti-oxydant, so there is no use of added sulphites. 

Lixa is in the sub-region of Sousa, where there is less rainfall than further out to the coast, but also moderate compared to the continental inland. So we could say it’s a zone in between. This place is excellent for a grape like azal, that is difficult to ripen, and that makes up half of this wine, together with arinto.  

The chestnut grows just outside the winery door

Quinta da Palmirinha Branco 2017

Light straw coloured, tiny bubbles. Floral and fruity, with some citric notes. In the mouth it’s in a way mellow, but with a fine citric touch, dry, with a lovely minerality.

Price: Low

Food: Fish, shellfish, vegetables

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Wine of the Week

Malhada, a great value vinho

I have known André Pereira for many years, but for some reason his wines have never featured as a “wine of the week”. His wines are all well-made and of splendid value, and you can read about some of them in this post.

André Pereira

The farm Quinta do Montalto has belonged to his family for 5 generations. It comprises 50 hectares of vines, olives and other crops. It’s found in the municipality of Ourém, that is actually belonging to Leiria, but most of the wines are still classified as regional Lisboa.

Even if the 17 is already in the market I chose the 2015 vintage here, because this is the one I enjoyed last. And it’s not always necessary to drink the last edition. One is not better that the other; they are different. This one has lost its young blueberry character, but it’s nevertheless a superb, fruity wine that will last still a couple of years. The 2015 vintage of this wine was made from aragonêz and castelão in equal parts. The fermentation was natural, and it was made in steel. It’s certified organic and vegan.

Vinha da Malhada 2015 (Quinta do Montalto)

Red cherry colour with some sign of evolution. Smells of red and dark berries, lightly spicy and some dried fruits start to show. Still fresh and luscious in the mouth, with an integrated acidity.

Price: Low

Food: Light meat, bacalhau, vegetables

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