As I this year concentrated on new Portuguese discoveries at the Simplesmente… Vinho fair, there were several great producers that I didn’t manage to visit. João Tavares de Pina was one (as were Aphros, Folias de Baco, Quinta da Carolina, Dirk Niepoort, Álvaro Castro, Quinta do Mouro…)
I visited their Quinta da Boavista in 2018, so you can read here for more background. But in short, this is a producer in Penalva do Castelo, northern Dão, who makes both delicious and fresh young wines to the natural side and wines with a long life.
This wine was kindly offered by João and his wife Luisa at the first outdoor lunch at the Faculty of Architecture (University of Porto), where the tastings were held this year. It’s based on the variety rufete, well suited for the local terroir, where it produces grapes with good acidity.
Torre de Tavares Rufete 2019(João Tavares de Pina)
Dark cherry. Smells of quite mature berries (blackberry), and is balanced by a nice balsamic note (pine/resin). Medium bodied, with a smooth structure, lots of fruit and a fresh acidity.
Casa Castillo has for long been considered one of the leading producers of Jumilla wines, today with José María Vicente in charge.
The winery is located to the west of Jumilla town, on the slopes of Sierra del Molar. Here, up to 760 metres, they own a big estate with diverse plantings including pine and almond trees, while 170 hectares are covered with vines. Under José María many of the international varieties have been replaced with monastrell and other Mediterranean grapes, and also garnacha, that is thriving well here.
Much of the soils are limestone, often with sand. Most of the wines are made fermented in steel or concrete, often with some amount of whole bunches, to counterbalance the ripeness in the grapes. Ageing is in concrete, foudre or old 500 liter French oak vats.
This wine is a blend of monastrell, syrah and garnacha.
Viñedos de Altiplano 2018 (Casa Castillo)
Dark cherry. Aroma of black pepper, blackberry, herbs (thyme, anise), and a hint of chocolate. Medium body, mature fruits balanced with a nice acidity and a slight bitterness at the end. Very Mediterranean, very good.
Food: Hearty dishes, stews, most kinds of meat, Murcian paella…
These notes are from another wine talk in the Vinestor-series. (Read my first report here.) Now the time had come to La Stoppa and their Norwegian importer Vinum, represented by Runar Nikolaysen.
I suppose that for many people La Stoppa’s Ageno was the first orange wine they ever tasted. This because of its presence in several markets.
Representing the winery was Nico Sciackitano, who was born in the USA, where he among other things worked as a sommelier in San Francisco. But he wanted to follow another path. Thus he came to Italy, worked for Arianna Occhipinti in Sicily, and through her met Elena of La Stoppa. He is export representative, but he also works in the vineyard and in the cellar.
La Stoppa, the winery in Emilia-Romagna, can trace its roots back to the 19th century. The farm has now 58 hectares, of which 30 are planted with local varieties barbera, bonarda, malvasia, ortugo and trebbiano. One of the features that distinguish them from the mainstream is long skin-maceration, especially a particularity for white wines. Otherwise good raw material and little intervention are key words.
La Stoppa is found in Rivargaro, south of Piacenca. And Ageno, Giancarlo Ageno, was the founder, who bought the land that they own today. They have three little hills and three valleys around them. He planted some 40 different grape varieties, and was one of the first in the area to bottle his wines. There is a lot old red clay in the area, and rich in iron, not unlike parts of Bordeaux. This Nico tells while showing a picture of a bottle of “bordeaux” that Ageno made himself. It was in 1973 that Elena’s father Raffaele, from Piacenza, bought the farm. It was when her father died in the 90’s that Elena’s mother convinced her to come back, and together with winemaker Giulio they decided only to focus on local varieties and to express the terroir of the farm.
La Stoppa makes basically red wines. Nevertheless, the one white wine, named after the founder, is maybe the most famous one.
Nico tells that its not the climate that differes the most from the more famous neighbours (like Veneto and Piemonte), but the soils. Barbera with its acidity is the most important grape variety, as the cuisine is quite fat. Piacenza is more of a diverse farmland than many of the neighbouring wine regions. Around La Stoppa the vines are mostly on the hills, so when it’s harvest time the animals will rather eat corn and tomatoes in the valleys floors than their grapes, explains Nico.
Interestingly the Ageno that the founder made himself was a müller-thurgau, riesling, sylvaner, moscato and sauvignon blanc, and made without skin-contact as today. The new owners continued that tradition (but mostly with chardonnay and sauvignon), untill the 90’s, when it was changed to the wine that we know now, based on a thick-skinned malvasia. 2002 was the first vintage of today’s Ageno, born as a nod to the history of skin-macerated wines, not only in Emilia-Romagna, but in Europe as a whole. -This is the reason I am here, tells Nico. -I was tasting the wine blind. It smells sweet, then comes the dry taste and the tannic mouthfeel. And the colour, within a year it changes from yellow to amber to dark orange. Ageno kind of plays with your mind, says Nico. In recent vintages 18, 19 and 20 the weather has been different; cooler with more rain. Thus the colour is much paler than in the preceeding vintages. The maceration lasts on skins untill winter, that is 3-4 months.
They always macerate everything outside in tanks without temperature control. So it’s important that the temperature stays high, so the fermentation can continue. In 2016-17 there were sudden falls in temperatures, so they had to cover up the tanks.
You have understood that La Stoppa stands for a low-intervention winemaking, “hands-off” in the field, just spray copper and sulphur when necessary. It’s a question of paying attention, prune well, and let time work. -Guilio’s 40 years of experience lets him not needing to do anything.
A feature is also that they don’t necessarily release the vintages chronologically. 2017 was ready before 16, and they also found out that to realease the 19 alongside the 16 could be a way for people to understand and appreciate the differences.
The grape composition varies. The 2016 is made from malvasia di candia aromatica 90%, the rest is divided between ortrugo and trebbiano. Here are some more key figures, in short: Quite young vines, 20 years. No fertilizing, no weed-killers. The soil contains clay silt. The trellis system is simple guyot. 4 months maceration on skins in stainless steel and cement tanks. Spontaneous fermentation with indigenous yeasts, aged in 40 hectolitre wooden tanks. No filtration, no sulphites added.
Deep golden, amber. Concentrated aroma with both fresh (red apples), dried and pickled fruits (apricots, figs), honey, floral overtones, and some volatile acidity. Full-bodied, fruity, evident tannins, long with good acidity and also here a slight volatile character.
This is a rather unpretentious wine from the traditional blend barbera (60%) and bonarda from the lower plots. I like it a lot, and makes for excellent drinking now, with charcuterie, light meat or a variety of antipasti. Some key information: Organic farming with biodiversity. No fertilizing, weed killers or pesticides. Clay Silt. Mostly simple Guyot. Age of vines: 7, 15 and 40 years. 20 days maceration on skins in stainless steel and/or cement tanks. Spontaneous fermentation with indigenous yeasts, in stainless steel and cement tanks.
Dark ruby. Dark and red fruits (mature blackberry, freshness cherry), and a smoky tone. Medium weight with a bit firm, but agreeable tannins, adecuate acidity and a nice touch of stony bitterness.
Macchiona and Barbera are more “serious” wines. They have the potential to age for a long time (especially in cooler vintages). Ageno is a newer project, so the producer claims that one doesn’t don’t know yet its ability it has to age.
Back from the Simplesmente… Vinho 2021 I continue to enjoy Portuguese wine and its endless variations. Here is one that has been something of a house wine through the winter. As explained earlier, the fair was a bit more limited this year. One of the producers I missed was Rodrigo Filipe. I visited his farm in Alvorninha in the northern part of Lisboa wine region before the fair in 2018. The visit you can read about here.
This is both a light, fresh and yet serious red, and I don’t understand those who don’t love this.
The grapes are castelão and touriga nacional (in almost equal parts), cultivated organically, destemmed, co-fermented with native yeast with 5 days in contact with the skins. Then the wine was on lees for 10 months in steel tanks. There are no additions, not even SO2, and the wine is unfined and unfiltered.
Humus Tosco Tinto 2018(Encosta da Quinta)
Cherry red. Aromas of stony and red fruits (plum, cherry, cranberry), flowers and with a hint of spice. Fresh, juicy with a nerve and a light structure that keeps it from being merely a glou-glou. Long taste with a sublime acidity all the way.
Simplesmente …Vinho is the perfect wine fair. Here you find vignerons that really care for their grapes, and cultural aspects around it are also focused. In the cosy atmosphere one can feel that we are a big family of like-minded people. But important, after meeting the same artisans year after year you can really get to know the wines and follow them through storms and sunny days.
Speaking in wine terms, 2021 was a difficult year. The former site, an old port wine lodge by the river Douro, had been sold. So the organizers had to find a new place. This turned out to be the university’s faculty of architecture (Faculdade de Arquitectura da Universidade do Porto, FAUP). In the magnificent garden the usual barrels were set up. Another notable difference, of course, was the now well-known pandemic. They had done their best to take all the precautions needed; aside of the inevitable face-masks, there were fewer producers (around 60, some forty less than in the latest years), and there were three days instead of two, to avoid too much close contact. So in spite of the difficult conditions (“a crazy project”, according to ‘big chief’ João Roseira) I think that this might have been one of the best fairs so far, and Roseira and his team can be proud of how it all was carried out.
In my reports I have earlier given myself a special theme, mainly according to the regions I have visited before or after the fair itself. This time an extensive visits program was difficult, so I chose mainly to focus on wineries that earlier had been left out because they didn’t fit into my own regional limits. In this first article I will focus on some lesser known wineries from lesser known places.
Quinta da Comenda is not exactly unknown. This producer has a long history, but has maybe found itself in the shadows of the Douro producers lately. The quinta is located in the village of S. Pedro do Sul in DOC Lafões, a granitic region between northwestern Dão and the southern tip of Vinho Verde, thus not far from Douro either. Lafões is mostly noted for white wines, and maybe not far from Verde in style. Comenda was one of the Portuguese pioneers of organic cultivation, back in the 1980’s.
A fabulous red wine, quite unusual for the area, was served at the opening dinner. This was an initiative by organizer João Roseira, but it’s made by Comenda’s Angelo Rocha. Comenda de Ansemil 2020, a blend with 6 varieties known from different parts of the country, was only made in a quantity of 100 bottles. It comes with a dark colour, an aroma of dark and red fruits with some licorice, and with a huge freshness and a vivid energy. Other than this, the tasting the day after showed several wines at a generally very high quality, from the “straight” white Comenda de Ansemil 2019, a blend of arinto, cercial (cerceal/sercial) and dona branca, to a salmon pink Rosé 2020 of the same name and vintage (but classified as Terras de Lafões, as the DOC does not allow rosés), with its raspberry tones and a more generous taste than aroma. One that I liked a lot was the white 1/3 barrel-wine Quinta da Comenda 2019. Light straw colour, quite complex nose with yellow apples, way and a touch of smoke, and with a touch of vanilla in the mouth. An inspiring acidity binds it well together, like in all the other wines.
Távora-Varosa is a small region that lies on on granite or schist between Dão and Douro. With 500 to 800 metres above sea level it has a continental climate and extreme temperatures. Last year I had the opportunity to visit the region and meet Manuel Valente in his village Aldeia de Cima, where the family has a 200 year long history of growing grapes and olives a.o. You can read more about this visit here. His project Protótipo is a highly interesting one. He had brought a few more wines this time, like a dark but fresh 7 grape red aged in very old oak for 18 months and a wonderful Protótipo Branco 2018, a waxy-textured wine with a lovely acidity, golden in colour, with white flowers and stone-fruits on the nose. But the pét nats are for me the top. The white version is perhaps the more tamed. The rosé is based on touriga nacional, tinta roriz, and a complementing field blend. Protótipo Rosé Pét Nat 2019 can be described as red-orange, turbid; fresh red fruits (raspberry, strawberry); with a slight residual sugar (2,3 grams) and an excellent acidity. It’s more to the wild side, and truly inspiring.
Alentejo is not among the unknown regions. But Heredade do Cebolal is not found in the central area where the DOC is located, but on the Alentejo coast, bordering Setúbal. Therefore the wines are much fresher. I met the producer’s British importer in London at the Real Wine fair and tasted their “subterranean” wine (read more here). Since then the winemaking has been moving towards less extraction, more elegance. The family firm is now led by Luís and Isabel Mota Capitão. Santiago de Cacém 2018 Vinha da Casa Branca is a serious wine. Made from encruzado, arinto and antão vaz, with natural malolactic and low-sulphur, this was light golden wine with a typical fresh Atlantic character, and a mineral, saline finish. A bit petrol can be associated with arinto with some age. Palhete is an interesting category. It’s the Portuguese name for a mix of red and white grapes, here in the Palhete 2020 85% aragônez and the rest antão vaz. In this wine I find both red fruits (strawberry) and yellow (tomatoes, and a tropical hint where we agreed that guayaba was a good description). In the mouth it is more concentrated than the light colour would indicate, and a dry finish with a hint of bitterness. In Spain clarete is the name for this style, while in Portugal clarete signifies a lightly coloured wine made only with red grapes. Herdade do Cebolal has a wine of this sort too. Clarete 2019 from castelão on predominantly clay soils, is made with only two days of maceration. It’s a light ruby coloured wine, the aroma had a certain warmth, dominated by forest fruits.
Lisboa as a wine region (formerly Estremadura) is for many readers not unknown. But some of its nine DOC’s might be, and here come four wineries from there. Generally this region is windy, but sheltered by low mountains inland, and though the landscape is not dramatic there are endless variations.
Quinta Várzea da Pedra is found in the Óbidos denomination, more specifically in the town of Bombarral. The brothers Tomás (winemaker) and Alberto Emídio are fourth generation. These guys have something going on with their reds, but for me the whites were brilliant at this moment. The entry-level Quinta Várzea da Pedra Branco 2019 from arinto and fernão pires is a textbook wine; light straw, quite glyseric on the nose, with yellow apples and flowers, full on the palate, but with a very good acidity. It was followed by an equally good 100% arinto, and a wine made from four clones of sauvignon blanc. The day before at the opening dinner, another wine really caught my attention, a fernão pires. This one like the former is simply called Quinta Várzea da Pedra, and the vintage was 2017. It was a really fresh wine, both unctuous, creamy and with a wonderful acidity. The dominating aromas were citrus, with a hint of tropical fruits and some minerality. This wine was focused last week (read here).
Nearby in Cadaval we find Quinta do Olival da Murta. Only 15 km from the sea, by the Montejunto mountain range, Joana Vivas has 20 hectars under vine. The Serra Oca 2019 is a moscatel graúdo (the alexandria family), fermented in 1.000 liter oak vats: Golden colour; floral with a touch of honey; it has some volume, but also a distinctive acidity. An interesting one was a 3 days maceration curtimenta (orange wine) from fernão pires, arinto and moscatel, partly fermented in barrique, the rest in steel. This was golden with a hint of brown; somewhat more aromatic, citric and flowers, and again both full and a bit tannic with a cutting edge acidity. I include one of the reds, also called Serra Oca, now 2015. The grapes are touriga nacional, aragônez and castelão that spent one and a half years in French, used barrels. It’s dark cherry in colour; I noted mint (and it showed that the winery has this plant near the vineyards), together with dark fruits; quite well-structured and dry.
Alcobaça is a subdivision of Encostas d’Aire. Rodrigo Martins consults for other producers, but here he has his own project Espera. The wines show a strong Atlantic influence, and the acidity is always taking the wines to places. We started with the young Espera 2019, bical and arinto from clay and limestone soils. Arinto brings an uplifting acidity to the waxy, tasty character of the bical. The Espera Rosé was made with whole bunches of touriga nacional and fermented in barriques: Light pink; raspberry and strawberry on the nose, together with a slight toasted note; again some volume and a super acidity. I also liked the Espera Curtimenta 2020. As the name implies it’s an orange wine, with 17 days of skin-contact. But the colour was very light, so the manipulation can not have been particularly rough during that time. It has a wonderful aroma of flowers and lime peel, and in the mouth it’s full with concentrated fruit, again a lovely acidity and a saline finish. The Palhete 2020 from 15% castelão and five white varieties was an appealing wine, with its early harvest acidity, red fruit nose and all. The nose was quite discreet, but on the palate it had more concentration. A super fresh and light wine, Nat Cool 2020, is a castelão that goes into Dirk Niepoort’s nationwide series of glou-glou wines of the same name in 1 liter bottles. It’s made solely in steel, with two days of maceration. It’s light ruby; red fruits (raspberry), with a hint of smoke (from the soil), mellow and easy, but with enough acidity, a saline finish – and as cool as can be.
Baías e Enseadas (bays and coves, in English) is found further south, in Codiceira, Sintra. This is the land of the famous Colares wine, and we are approaching the capital city. The soil is essentially clay-limestone, with a predominance of clay in their vineyard Vinha da Ribeirinha, that results in richer wines. In Vinha do Campo there is more limestone, that accounts for more elegant wines. Then it’s possible to combine the two to give more complexity. The white that they brought, Reserva Branco Fernão Pires 2016, was from a low-acidity year, according to Daniel Afonso. He didn’t manage to bring my impression down though, as the wine was very attractive. 6 months in wood, four of them with batonnage, gave a full-bodied wine, but (as indicated) without the acidity that this region can offer. His Baías e Enseadas 2016 from 60% castelão and the rest pinot noir was light ruby with some evolution in the colour; fresh Atlantic aroma, with red fruits, a lactic note (yoghurt?); an attractive acidity and a salty aftertaste. He also brought the red Baías e Enseados 2017, pinot noir 30%, tinta roriz 30, castelão 40, was a light wine with some evolution in appearance; red fruits (plum), some smoke; attractive and mellow with just enough acidity, and a saline finish.
We will soon meet to talk about wines from more well-known regions, and I promise a cultural element.
I am in Porto for the Simplesmente… Vinho fair. Right at the opening dinner there were several magnificent wines. The dinner had a theme too, variations of cabidela, a popular Portuguese dish containing rice and (most often) hen’s blood, in a program called Ordem da Cabidela.
Several memorable wines were served during that dinner. One was made by Quinta Várzea da Pedra. The brothers Tomás (winemaker) and Alberto Emídio are fourth generation.
The quinta is located in Bombarral, in the DOC Óbidos, between the Atlantic Ocean and Serra do Montejunto. This provides freshness and salty minerality to a series of exciting wines.
This wine is a varietal fernão pires. The grapes were grown in a vineyard in Sanguinhal on clay-limestone soil and harvested by hand in august. After destemming followed a soft pressing, then fermentation and 12 months on lees in steel tank.
Fernão Pires 2017(Q. Várzea da Pedra)
Light golden. Citrus (lime), yellow apples, flowers with a hint of tropical fruits. Fresh, unctuous, creamy, with a wonderful acidity and some minerality.
Food: As you have seen, we had it with a special form of cabidela, but it should go with a great variety of fish, shellfish and light meat
I am in Murcia, Spain. And suddenly the opportunity came to visit the third fair held by magazine Verema this summer. The two first ones were held in Palma de Mallorca and Madrid. There will be more tastings later in summer and autumn too. The location in Murcia was the Royal Casino, an emblematic building in the center. It was built from 1847 on, and shows traces of different styles from that period and somewhat later – now declared monument of historic-artistic interest.
I concentrated on the local wineries, that also were best represented here.
I was invited by Parajes del Valle, a winery I hoped to visit, but we didn’t manage to meet at their place this time. They are part of the bigger García Pérez group. In Jumilla they are for me one of the most interesting wineries. The first reason lies in their name, Parajes shows a sense of place. To obtain this I think that their decision to harvest early (first part of September for the monastrell grape, while most pick later that month or even October) and also the light extraction helps.
Director Gregorio Ruiz Abellán and export responsible Gemma Morcillo brought three vintages of their Parajes del Valle, an unoaked wine that is both fresh and cool, and at the same time very Mediterranean with its herbal fruitiness of the local supergrape. It starts in stainless steel, and is transfered to concrete after a while. I have highlighted both the 2018 and 19. Here is the latter, maybe most relevant. For me this has been a house wine through the winter (the article also has a link to the first one). At this moment I would say that the 20 is a bit lighter, maybe more to the fruity side, while the two others are more mineral. But they all are red fruit-driven and stand in the crossroads between the coolness and the rosemary/thyme-herbal Med-landscape.
The terraje system is described in the blogpost about the vintage 2019. In short it consists of renting the vineyard to the farmers, who take care of the quality of the vines, and then some wine is given back to the farmer. Terraje is also the name of their most “ambitious” wine (I feel the scraping of the sword when writing this, because the Parajes is in its way also a very ambitious one). Organic and dry-farmed, just like the other, this one is from older, ungrafted (“pie franco”) monastrell from defined places (parajes) called La Fuente de las Perdices and La Cañada de Albatana to the north of Jumilla town. This wine is made in a similar way, but aged in wooden “foudres”. Even this wine has low extraction with a cherry red colour. It’s fuller and more complex, but follows the same line in acidity and minerality.
Viña Elena I have known for a long time, and also visited Elena Pacheco once. This time it was her sister María together with José Marín who presented the wines.
Located in Estrecho de Marín, a valley surrounded by low mountains south of Jumilla, they offer a varied range, from a light salmon-coloured rosé through monastrell-variations with cabernet and syrah, even the dark, spicy paprika-flavoured cabernet sauvignon varietal Cuco. Very interesting is their Bruma del Estrecho de Marín, a series of single vineyard wines, almost all from monastrell, some from the vineyards owned by two brothers over in the Albacete province of Castilla-La Mancha. The Parcela Particiones 2020 is a clarete from sandy soils. In Spain clarete means a blend of red and white grapes (whereas in Portugal this is called palhete, and clarete is a light wine from red grapes). It’s an elegant monastrell and airén blend without malolactic fermentation; smells of cherry and other stone-fruits and has quite a bit of tannins. Paraje Marín 2019 from stony soils was fabulous and fresh, with typical Mediterranean herbs and somewhat warm fruit. Paraje Las Chozas 2018 was a bit darker and with young tannins, but still fresh and cool, iodine and salty. Parcela Navajuelos 2018 from sandy soils was light in colour, fresh, fruity and cool with some spice. While Parcela Vereda 2018 was darker, with forest fruits (like blackberry) and some warmth from the clay soils, while the chalky part gives also this wine some saltiness. These fabulous wines and the parcel/paraje concept contribute to make Jumilla a wine region to watch in the years to come.
Bodegas Carchelo I knew well in the times of founder Agapito Rico, one of the great personalities in Jumilla from the early 1980’s. At that time he was quite a revolutionary with his fresh, concentrated, yet good value wines. It was nice to be able to catch up and meet David Ferraje from the team of new owners that took over a little more than ten years ago.
They are located to the east of Jumilla, at the foot of the mountains Sierra del Carche, hence the name. And most of the vineyards are quite near, north-northeast of the town. Today they are 100% organic. I have enjoyed several of their wines, from the young and fresh rosé via the simple and fun Eya Tinto 2020 and the dark fruit-driven Carchelo Roble 2019 (monastrell with cabernet and tempranillo) – to the more ambitious part of their range. Here you find f.ex Canalizo 2014, a monastrell-syrah-tempranillo aged 20 months in barrel. This one had aged beautifully; mature morellos, tea, dried fruits and a nice bitter tone. Muri Veteres 2016, a pie franco monastrell with dark fruits and balsamic notes, was elegant and attractive.
It’s maybe a bit strange to say that one of the surprises was Juan Gil. But the Gil Family Estates has turned into a conglomerate of bodegas across the country. I don’t know the quality of all of them, but the original (bodega founded by Juan Gil Giménez in 1916) was quite good. They are in transition to organic cultivation, with the majority of vineyards northeast towards Yecla.
In short, the young white and rosé were good, but not with much personality. The new project over in Almansa, named Bodegas Atalaya, has potential, but at this point too much oak for me. Here I chose as a representative Juan Gil‘s own Honoro Vera2020, a varietal monastrell, organically farmed, unoaked and vegan certified. This was a quite fresh dry-farmed wine from calcareous and rocky soils, with the usual red and dark berries and balsamic notes.
From neighbouring Yecla, a one-municipality-denomination, I tasted the wines of its leading winery. Bodegas Castaño had good offerings from the unoaked white and rosé to the dense and rich Casa Cisca, and neither have I forgotten that they have one of the best sweet monastrell wines (not brought to this tasting). Among the most interesting wines is an old favourite, now called Hécula Organic in the 2019 vintage. It shows ripe red berries (morello), aromatic herbs and a hint of coffee. Full and quite fresh in the mouth with mature tannins. I will come back to this one in a while.
Frenchman Olivier Rivière has formerly worked with well-known Telmo Rodríguez. He came in 2004 to help converting the vineyards into biodynamic agriculture. But he liked Rioja so much that he decided to stay, and has since long bought grapes and made wines for himself. At the moment he makes wines from Rioja, Arlanza and Navarra. It is at the facilities of Bodegas Lacus in Aldeanueva de Ebro (Rioja Baja), where he is consulting, that he makes his wines.
He uses fermentation tanks of cement and oak (from 2,000 to 5,000 litres). The reds are often fermented with stems. In Rioja he sources his grapes from several areas. This wine Ganko, a blend of garnacha and mazuelo, comes from Cárdenas in Najerilla valley, on the right bank of the Ebro river. The vines are high altitude, old vines on sandy soils.
Ganko 2016(Olivier Rivière)
Dark cherry red. Fresh and intense aroma of dark berries (blackberry), plums, and a balsamic touch. Concentrated, a lot of tannins, but rounded off, a sense of coolness in the fruit, long.
Bingen is maybe most mostly associated with Hildegard, the great composer, mystic, abbess that founded a monastery there nearly a thousand years ago. This improvised title bears more associations to the old jazz masters. But anyway: It is here, on the Nahe estuary in Rheinhessen, that Carolin and Erik Riffel have their home. Since I got to know them I have admired their wines. The organic Riesling Trocken is as stylish as it gets, the silvaners well-made, the pét nats (such as the scheurebe) truly inspiring. With this wine they go one step further, with a more un-tamed, naked orange wine.
But it’s only natural. As long as I have known them they have talked about their passion for the nature of wine, for their place and for the vintage in the glass. They intervene as little as possible, giving the wines the time they need. Today they have 16 hectares on quartzite soils, farmed biodynamically.
The orange wine is made from equal parts sylvaner and gewürztraminer. They are handpicked, and destemmed, fermented on skins for two weeks. Parts of the wine are matured in barriques, the rest in steel and with six months on fine lees.
Orange-Naked Trocken 2019(Weing. Riffel)
Golden colour, slighly turbid. Aroma of mature apples, pear, flowers, and a nutty hint. Smooth tannins in the mouth, good acidity, and though full flavours and a good lenght it is also a pure fun wine.
You are advised to turn the bottle upside down before opening, to get the full intensity from the yeasts too.
Food. Asian dishes, light meat, tasty fish, many kinds of salads…
Loxarel I have met at a couple of artisan fairs, in Barcelona, and as far as I remember, in London too. Masia Can Mayol, the official name, is Josep Mitjans, fifth generation. When he got in charge of the family firm at a young age he changed the philosophy of this old winery. He started bottling wines, converting to organic, then implementing biodynamic techniques. (Here is another good sparkler from the house.)
The winery is located in Villobí, on a plain not far from Vilafranca del Penedès, but they have also plots in El Pla de Manlleu, higher in altitude and a bit further west.
This winery is among the many that are now abandoning the DO Cava. Among the reasons for this can be a challenging reputation that the appellation has gained over the years, and the fact that it is not dedicated to one specific geographical area. More about this in a future article.
This particular sparkler is made up from xarel.lo 55% (now widely recognized as the best of the “usual suspects” for ageing, then macabeo 30%, parellada 5%, and the rest chardonnay, a grape that I have nothing against, even not here, even not native. I interpret the name a pèl +18 as the time spent on lees (and not skins).
A Pèl +18 Brut Nature 2016(Loxarel/ Masia Can Mayol)
Light straw, greenish tones, creamy mousse. Mild Mediterranean smell of aromatic herbs, yeast, mature lemons and yellow apples. Creamy, tasty, rounded but dry.
Food: Apéritif, Iberian cured ham, light fish and shellfish…