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A #rawwineweek tasting at Café Josephine

Raw Wine brings a lot of activity also outside the fair itself. The day before Raw Wine I had the pleasure to attend a tasting at Café Josephine in the Amager neighborhood of København. It was organized by importer Christopher Melin of Melin Vin, who has an impressive portfolio. Here follow just a few highlights among the many magnificent wines and makers.

What could be more appropriate than to start, like I did last Saturday, at the table of two Danish brothers. Poppelvej is Uffe (winemaker) and Jens Deichman who run their estate in McLaren Vale, South Australia. From organically and biodynamically tended vineyards there and in the neighbouring Adelaide Hills, they produce wines in a natural way, with little or no use of sulphur. Poppelvej is the name of the street in Denmark where the brothers grew up. SommerNat Pét Nat from mourvèdre came in two vintages; the 2022 had a light peach colour and was very fresh, berry fruity and with herbs, while the 2021, with longer time in concrete eggs resulted a bit creamier and fatter in texture. Irresistible Impulse 2022 is a sauvignon blanc fermented in barrel and aged on lees for 10 months. It’s light and turbid in appearance, with notes of apples, passionfruit and herbs, good volume, textured, with crisp acidity, and with a slight bitterness in the finish. Lastly, Lille 2022 is based on the northern Italian grape teroldego. It’s quite dark with a blueish hint, dark and wild fruits, some spice and earth, with a light sparkle.

There were three Italian producers in the “garden party” of Café Josephine organised by Melin Vin (see previous post). Ampeleia is located in the Maremma region of Toscana, specifically in the medieval town Roccatederighi. Under manager Marco Tait they converted to organic and then biodynamic. Francesco Pascucci brought to this tasting a personal trebbiano-dominated blend (with ansonica and malvasia) simply called Bianco di Ampelaia 2022. It’s a light orange wine with a nice dried fruit character that adds complexity to the fresh fruits and orange peel aromas, and with a light structure in the mouth. He also presented a delicious blend in one litre bottle aptly called Unlitro 2022, easy to drink with fresh fruits, herbs and some balsamic. Alicante Nero 2017 is a wine with personality and depth; light and fresh red fruits, but underneath a layer of herbs and earth, and with a delicate structure. Their emblematic cabernet franc wines were offered at the fair itself, if I got it right.

There were two producers from Veneto. Alex Della Vecchia is winemaker for Costadilà in prosecco-land north of Venezia, but he also has his own project called Ombretta. Simone Ambrosini’s Indomiti is found in Colli Berici, Vicenza.

Alex Della Vecchia sources grapes from the family’s vineyards in two municipalities. For his Grinton label he also uses organic grapes from friends elsewhere in Italy. Here in the current vintage Alex showed an easy-drinking, delicate pinot bianco and a more structured, reddish skin-contact pinot grigio. A wine with a tremendous personality was a cabernet franc pét nat. (I must ask Alex about the name, so stay tuned!). The colour was light red with fine bubbles, an aroma of flowers, peel and a sweetish hint, and in the mouth it was tasty, concentrated with a raisiny touch. The wine had been made from passito (dried) grape juice, Alex informs.

Simone Ambrosini tells a story about him as a young man travelling to Australia, in search for harmony and the good things in life, more or less at random. Among other things he learns to love wine. Back in Italy he embarks on studies in enology and viticulture. After working with several wineries he decided to set up his own, with “a wallet full of ambition”, as he puts it. This was as recently as 2018. Now he rents old vineyards that he has restored in Colli Berici, his homeland. These vines, now brought back to life, are the “indomiti”, the indomitable ones that gave name to his project. Mistica was a lovely garganega 9 month skin-contact wine with good structure to the primary fruit. I tasted two wines with tai rosso. The varietal Osai 2021 rosé shows delicate raspberry aromas, and in the mouth there is a cool acidity running through an otherwise round and fleshy body. Opplà 2021 is an uplifting pét nat rosé, where the tai rosso is accompanied by garganega, pinot bianco and sauvignon blanc. It’s light orange, aromas of white flowers, peach and a touch of orange peel, and in its lightness it’s full of flavours and with a refreshing integrated acidity.

Two German producers were present. It’s always a pleasure to taste the outstanding wines of Brand Bros of Bockenheim, Pfalz. These are made in full respect of the terroir, without additives, unfiltered, and always full of freshness and energy. This is the first time that I have met one of the brothers, Jonas Brand, who guided the guests through part of their portfolio.

I have had their charming Wilder Satz in many wine bars throughout Europe. The 2022 is different though, as 18 hours of skin-contact gives it more colour and structure than before. It also has good volume and appears quite grapey, and with lovely scents of citrus (clementine), flowers and some balsamic. Jonas brought two magnificent magnums, a non vintage Riesling (with that name) and Monastery 2016. The latter was light yellow in colour, with concentrated aromas of yellow fruits, some balsamic, and on the palate good acidity and wonderful balance. Add to this super pét nats, reds, among them a brilliant Cabernet Franc 2015, and you get the picture of a great producer.

Unknown to me was Glow Glow of Nahe. Pauline Baumberger runs it with her brother. Pauline showed various fresh, lovely uncomplicated whites from riesling and gelber muskateller, a relatively dark dorenfelder/regent, and more. Here we focus on the Spätburgunder 2022, that has all the young virtues of the white wines under a coloured cover. Made partly with carbonic maceration and short skin-contact it appears as a light rosé-ish wine with red fruits on the nose, and with a delicious natural acidity wrapped in a rounded body.

It seems to be no end to the list of interesting producers coming out of the ancient and historic wine country of Georgia. Andria’s Gvino I had never heard of, but now it’s not easy to forget. The winery is located in the Kakheti region, not far from the capital Tbilisi. They make their wines in the traditional and natural way, in qvevri, without additives and without filtration.

Winemaker George Wolski and his wife Tako showed me their main line and also the wines that come with the Château Khashmi label. There was a number of beautiful amber and red wines, of which I will only mention two. Their Mtsvane had lots of character. The colour was light amber, with aromas of mature citrus, orange peel and a touch of marzipan, and in the mouth it was rich and structured with a touch of raisins. George tells that the must spent five days with full skin-contact in qvevris. The Saperavi Khashmi 2020 comes from a 40 years old pre-phylloxera vineyard. Saperavi is fascinating grape that often has an impressively dark colour, but is still highly drinkable. This one is not among the darkest and has a blueish hue. I find it quite flowery with dark fruits (boysenberries), plums, some earthiness, and in the mouth it’s fresh and juicy, with some tannin, and overall it’s very appealing.

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Four Bobal Brothers

I am preparing for a trip to Spain and Bobal country. Bobal is native to Utiel-Requena (where it accounts for 80% of the red grapes) and surroundings in the comunidad of València. It is also very much at home in La Mancha, such as the Cuenca and Albacete provinces. But it can be found far beyond these boundaries. It is the third most grown red grape in Spain, having lost second place recently to garnacha.

The must is normally high in colorants and tannins and is suitable both for aging and for blending with other varieties. The wines tend to be fruity, low in alcohol content and high in acidity.

Bobal grapes affected by hail (Credit: iStock)

I ordered four wines present in my home market. I intend to visit all of the producers, so here I will only give a short presentation of each.

Aurelio García and his wife Micaela Rubio run the first project. They have both worked and consulted in various companies locally and nationally. Here they focus on their roots, their personal taste and local grape varieties and sites.

El Reflejo de Mikaela is in a way an entry-level wine. It is fermented with 30% whole bunches in stainless steel tanks, then aged in moderately porous French vessels made from clay and silica and barrels.

Casa lo Alto is a hamlet outside Venta del Moro, València, where the winery is located. Víctor Marqués is winemaker. The wine Manzán comes from three plots planted with bobal in bush-style between 1940 and 1965. The soil is calcareous clay, poor in organic matter. Use of chemical products is avoided and biodynamic preparations are used. In the winery the grapes are destemmed but not pressed. They undergo a spontaneous fermentation with native yeasts. After pressing, it is decanted into barrels with its lees for approximately 10 months.

Bruno Murciano is a trained sommelier. In 2005 he started his project to make his own wine. He bought 8 ha of old vineyards with bobal in his hometown of Caudete de las Fuentes. In 2010 the first wine was made together with friends, and most of all his brother José Luís, who brought with him experience on how to work biodynamically, among other things.

L’Alegría is made with grapes from the Las Brunas vineyard located at 900 m above sea level. The vines are 85 years old, grown in clay soil. The wine is made in steel tanks.

Bodegas Mustiguillo of Utiel is one of the farms that have their own DO Vino de Pago. Owner Antonio Sarrión is also currently resigning after his period as president for the group Grandes Pago de España. The pago is El Terrerazo, a 160 ha property in Utiel. When Sarrión took over, and after having purchased nearby plots from local farmers, he planned to launch equal parts of bobal, tempranillo and cabernet sauvignon. But soon he realized the potential for the local grape, and bobal is now by far the leading grape in Mustiguillo’s reds.

Finca Terrerazo is a monovarietal bobal from wine from vineyards 800 meters above sea level, on very poor soils with limestone with a sandy-loam texture, from old vines planted between 1945 and 1970. Each plot was vinified separately. Fermentation in oak vats with native yeasts for 8-10 days, with gentle pump-overs and pigéage. Aged for 14 months in French oak. Bottled without stabilizing or filtering.

El Reflejo de Mikaela 2018 (Micaela Rubio & Aurelio García)

Dark red. Cherry/dark fruits, plums, herbs, sweet/warm sensation. Full, firm tannins, mature berries.

Manzán 2020 (Casa lo Alto)

Dark, blueish hint. Mature fruit, blueberry, cherry, herbs. Good acidity, dryness of strong earl grey tea, or maybe crushed stone.

L’Alegría 2019 (Bruno & J.L. Murciano)

Dark, quite dense. Mature black and red fruits (blackberry, cherry), eucalyptus, coffee. Good volume, abundant tannins, spice, quite big but also with some elegance. A couple of years of cellaring is recommended.

Finca Terrerazo 2019 (Bodega Mustiguillo)

Dark cherry. Dark and red fruits (blackberry, raspberry), spice, some toast. Good volume, firm tannins, good fruit and acidity, and a mineral touch. Bears 14,5° alcohol well. A couple of years further ageing recommended here too.

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A grand Alsace cru tasting

In my local wine club we had recently a tasting of nine riesling grand crus from Alsace, and one blend. The wines showed a generally very high quality. The prices are high, but considering the quality I find them competitive compared to many other areas.

None of the three so-called “conventional” wines excelled. Of these the Brand grand cru from the Turckheim cooperative was the most interesting, not least because of the price. Trimbach‘s wine from the same vineyard was way too expensive, and the Schlumberger southern Saering uninteresting. Among the natural and organic producers I found Gustave Lorenz‘ wine okay. Kreydenweiss‘ wine from the northern Wiebelsberg cru sadly had a touch of mousiness. But even so it was not difficult to tell that it is a fabulous wine.

Here are five wines that really stood out, all of them from the central area near Colmar, all of them good ambassadors for their respective crus and for the region.

Zotzenberg Riesling Grand Cru 2019 (L. & A. Rieffel)

Zotzenberg sits in a basin on the south side of the Mittelbergheim hillside which reaches 320 meters. It’s facing east and south, and has quite a lot of sunshine. It covers 36 hectares, is composed of marl and limestone. The cru was formerly known for its sylvaner, but now gewurztraminer, riesling and pinot gris all perform well here, with wines of both freshness and body.

The Rieffel property covers a total of 9.5 hectares and is currently run by Lucas Rieffel, third generation of winegrowers, who took over from his father André in 1996. They are based in Mittelbergheim, central Alsace, but have also vineyards in the north.

Tasting note: Light golden colour. Rich and open aroma of yellow apples, flowers, a peppery note. Good volume and structure, a touch menthol, long.

Brand Riesling Grand Cru 2021 (Zind Humbrecht)

Brand is located in Turckheim, where Zind Humbrecht has their headquarters. The soil is granite and the exposure is south, southeast. The altitude is up to 380 meters, and it totals 57 hectares. Both riesling (41%) and other grapes are grown here. A structured palate and a “willowy freshness” (Vins d’Alsace) resulting in a mineral sparkle and a saline sensation is typical for this cru.

The domaine was created in 1959. It’s today run by Olivier and Margaret Humbrecht. They have 42 hectares and are co-owners of six grand crus, among them 2,4 hectares in Brand. They use biodynamic methods.

Tasting note: Light yellow. Intense aroma of flowers, citrus, aromatic herbs. Great concentration and minerality, steely acidity, dry, long. This wine is young at the moment and has a long life ahead. (Read about another vintage of the same wine here.)

Eichberg Riesling Grand Cru 2017 (P.-H. Ginglinger)

Bordering the edges of the municipality of Eguisheim, the locality of Eichberg Grand Cru faces the south-east at an altitude between 220 and 340m. Here is a particularly dry and warm microclimate, as the amount of rain registered is currently the lowest in the Colmar area. The terroir of this locality is essentially composed of limestone conglomerate and marl, with clayey, stone-rich soil. The 57.62 hectares grow various varieties, noted for opulence, fruitiness, but also finesse.

The head office of the Ginglinger family is in Eguisheim, in a house dating from 1684. Pierre-Henri who lends name to the company, took over in 1976. Today it’s run by his son Mathieu, 12th generation, who manages 15 hectares his wife Stéphanie. -You grow good grapes by respecting the earth, he says. Thus, organic farming has been practised for a very long time.

Tasting note: Light golden. Aroma of mature citrus, pear, flowers. Generous and fruity, with good acidity, elegant.

Schlossberg Riesling Grand Cru 2017 (Dom. Bott-Geyl)

Schlossberg is a 80 hectare cru on sandy granite with south exposure in Kientzheim. The altitude is all the way from 230 to 400 metres. Riesling is the indisputable master here with 71% and the best wines by far. With a long growing season, this terroir has ideal ripening conditions for the grape. The wines are often light and floral, and with freshness from the granite.

Jean-Christophe Bott has been responsible for Domaine Bott-Geyl since 1993 and converted to biodynamics in 2002. In the vineyards he believes in low yields and in the cellars he employs natural and minimalist methods. The domaine owns vineyards in 6 grands crus.

Tasting note: Light golden. Intense aroma of mature apple and flowers, with a touch of smoke. Concentrated, lovely structured, fresh, with a stony minerality, long. Great richness and delicacy at the same time.

Kaefferkopf Grand Cru 2015 (Christian Binner)

Kaefferkopf is the latest addition to the grand crus, from 2007. It is located in Ammerscwihr, just outside Colmar to the northwest. It’s a granite-limestone vineyard with east exposure that is distinguished for various grape varieties. This wine is based on 40% gewürztraminer, the rest riesling and pinot gris. Therefore I placed it outside all flights at the end of the tasting.

Christian Binner comes from a family of vintners that has been producing wine in Ammerschwihr since 1770. He is also noted for helping small farmers in the area with facilities and bottling their wine using his Les Vins Pirouettes label.

Tasting note: Light amber, slightly turbid. Aroma of yellow tomatoes, orange peel, dried fruits and some spice. Great structure and complexity, long.

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German Pinots: Time is the best filter

Last Monday our local wine club tasted German pinot noirs. The tasting was hosted by Erlend Egeberg Aasland, a musician who tours quite a lot in Germany. For the tasting Erlend had selected personal favourites and other interesting wines.

Pinot noir has a long history in Germany under the name Spätburgunder. Today it is widely planted across the country in reaction to the effects of climate change. The tasting showed a generally high level. And for those seeking an alternative to Burgundy, the wines surely offered something, although they are not necessarily much cheaper. The aged wines were maturing well. I found no bad wines among the 12. It is just a question of style; for instance I found a few wines wines too heavily oaked or extracted. Here are four of the best:

Ahrweiler Forstberg 2018 (Bertram-Baltes)

For me this was the big revelation of the tasting, and I must taste the other wines on the market. Julia Bertram is a huge fan of the spätburgunder grape and practises organic farming, spontaneous fermentation, minimal sulphur additions and no filtering. Together with her husband Benedikt Baltes she now owns 7 hectares in Dernau, Ahr. The Forstberg is a south/southwest-oriented vineyard on soils of greywacke and sandstone. The grapes were partly destemmed and fermented in large used oak.

This wine was amazingly expressive; garnet colour, a bit reductive at first, then giving way to raspberries, cranberries, herbs/cloves and a hint of smoke. In the mouth it’s highly energetic, with a delicate juiciness, integrated acidity and some structure. Long and fruity finish. Seductive and elegant.

Köningsbecher 2010 (Weingut Heitlinger)

Heitlinger is one of our host’s personal favourite producers. They cultivate their vineyards organically with biodynamic practises. I have enjoyed their delicious economic pinot at several occasions. This one is a more serious grosses gewächs from the south face of the Kraichgau hills, on limestone-rich sedimentary soils.  

Light red with shades of brown. Mature red berries, autumn leaves and some dried fruits. Full-bodied with good structure and concentration, some bitterness in the finish. It’s lovely at the moment, maybe at its peak. I would not cellar it. 

Wallufer Walkenberg Spätburgunder Spätlese Trocken 2013 (J.B. Becker)

Rheingau is a riesling bastion with a long tradition for long and winding wine names. Mineral fertilizers and herbicides are never used at J.B. Becker, and the company has carried organic certification since 2008. Hans-Josef Becker, who is currently in charge, believes in long maturations and says, ‘time is the best filter’.

Clear red with a somewhat developed rim. Mature red fruits (cherry), mushroom, a bit earthy. Full-bodied, structured with good acidity and concentrated fruit.

Weiler Spätburgunder 2019 (Weing. Claus Schneider)

This wine originates from southfaced limestone vineyards in Weil, Baden. The grapes were handpicked and spontaneously fermented, and the wine aged for 18 months in big oak barrels.

Ruby red. Red fruits (raspberry, cherry), some smoke and earth. Full-bodied, fresh and juicy in the mouth, tasty, with some carbonics and a touch wood (pun intended). Due to the oak and the concentration of flavours this is for me a wine for medium term ageing.

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Visit to Descendientes de J. Palacios

First day in beautiful El Bierzo, now winterly cold. Descendientes de J. Palacios are kings of the hill of Corullón. We visited the steep Las Lamas vineyard, watched Moncerbal from a distance – and saw the differences in soil displayed in the magnificent cellar, made by the famous Rafael Moneo. Here I also include a video where you can watch Corullón village, then over to the El Ferro hill, where you can also spot the mythical La Faraona vineyard. Eventually we tasted the 2022 vintage. Thank you, Ricardo and Iris!

(This post will be updated with a lot more information later.)

Ricardo Pérez Palacios in front of Las Lamas (?)
A display of the soils of the Moncerbal and Las Lamas vineyards
Iris Fernández in the Las Lamas vineyard
La Faraona vineyard in the paraje El Ferro
Geographical details on the back labels
Rafael Moneo is the architect behind the stylish and practical bodega
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Three trebbianos

We tasted 15 varietal trebbianos in our local wine club yesterday. Trebbiano is a name for several grapes, more or less in family with each other. Many wines had apple or pear and citrus aromas, accompanied by a certain herbal character. The tasting also showed that low yields are necessary. The wines from Abruzzo and Umbria were generally quite concentrated with high levels of acidity, while those from Lugana were mellow and easy drinking.

Here are three of the best.

Bianco Regio 2019 (Cant. Margò)

Carlo Tabarrini farms biodynamically his vineyards in Sant’Enea, province of Perugia, Umbria. He works without any additions, like his parents and grandparents did. The soils are sand and limestone, and the age of the vines are close to 40 years. 8 days skin-contact, matured in steel and a small percentage barrique.

Straw coloured, slightly cloudy. Aroma of pears and oranges with some herbs. (Reductive at first, opens in the glass.) Slightly carbonic, tasty and quite concentrated, fresh acidity, and a slightly bitter and long finish.

Trebbiano Spoletino Vigna Vecchia 2020 (Collecapretta)

This wine originates from Spoleto, in southern Umbria. The Mattioli family has cultivated these slopes since the 10th century, and they have made wine in the last three generations. The soil is clay with mixed content of iron and limestone, and fertilizing is compost from their own animals. Harvesting was done by hand. All wines are spontaneously fermented in cement without temperature control or additions of sulphur. This wine had two days of skin-maceration, and aged in steel. Unfined and unfiltered. Biodynamic.

Light golden colour. Aroma of yellow apples, table grapes, a touch of tropical fruits (apricot) and some herbs. Quite full in the mouth, luscious, a slight tannin, quite long with herbs in the finish.

Tïn 2018 (Montesecondo)

This wine is from a vineyard in San Casciano in Val di Pesa, Chianti Classico, and classified as IGT. The Messana family farms biodynamically, and the soil is chalky clay. The grapes were harvested by hand, spontaneously fermented with up to 4 weeks skin-maceration, and the wine aged in qvevri.

Light orange or amber colour. Opulent and grapey style, with a rich aroma of apricot, orange peel and smoke. Good body with just enough acidity, quite concentrated and long.

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Pan y Carne at Puerta del Viento

Extinto is a wine from the variety ‘pan y carne’, very rare and too special to forget.

I met Jorge Vega of Puerta del Viento in his home and bodega in the small settlement of Arborbuena outside Cacabelos in Bierzo. Here he has a small bodega that covers more or less everything in a single room. Well, I said Bierzo. Jorge is a maker of natural wines and doesn’t put much effort in thinking about the other producers or the regulations of the wine authorities. Rather he has his network of fellow artisans and his true customers. And he is an acknowledged expert, and many producers turn to him when in doubt.

Jorge is from Cacabelos, one of the main towns of Bierzo, where the consejo regulador is located. It was his mother-in-law who came from Arborbuena, and the reason that the winery is located exactly here. Jorge disposes of an estate of 15 hectares in the settlements of Canedo and Pieros, not far from the winery, and there is a total of 3,5 hectares of vineyards. Jorge never clarifies nor filters, and never adds sulphites. The fermentations are done in big old chestnut barrels, and his tinajas are from Juan Padilla in Villarrobledo (Castilla-La Mancha).

Outside the temperature was below zero, and the bodega was not much better. Still we tasted around ten samples of wines, all from the 2022 harvest. Among the wines that stood out was an appley and cidery godello with doña blanca, also with a hint of honey. In the mouth it showed high glycerine and also high acidity, thus showing a perfect balance. This wine comes under the name Bajo Velo, that means “under ‘flor'”. To name it doña blanca is however unjust to Jorge. He calls the variety valenciana, as this is the name the locals use. JaJa is a valenciana with 30 days of skin-contact. It’s has some orange peel character, complemented by flowers and a strong mineral component, and with some tannin in the mouth. YeYa is a clarete made from 7 varieties, including pan y carne. It was wonderfully fresh, with red berries (raspberry, strawberry) with flowers, fizzy on the tongue with a light structure and an “electric” acidity. It had a bit residual sugar, that contributes well to the balance. Puerta del Viento is a red mencía, with good colour, somewhat blueish, blackberry and violets perfume, a light structure and fresh acidity. And Puerta del Viento Viñas VIejas is an old vines version of the same, with darker fruit (blackcurrant), ink, with young tannins, but still very luscious and drinkable.

Then came the wine in the introduction. Extinto. The wordplay is perfect to denote this tinto, from a nearly extinct variety.

Pan y carne, or estaladiña, is one of the new varieties recognized by the DO Bierzo in their new regulations. The consejo regulador tells that it is less than 2 ha. in total of the grape. This includes the 600 plants that Jorge grafted in Canedo vineyard some years ago. Prior to this he had done a great job to verifiy genetically that it actually was the variety in question, described by the acknowledged agromomist Nicolás García de los Salmones more than a hundred years ago. (A note on the side: I have in fact tasted an estaladiña before. But as Jorge points out, it is very likely to be another grape, a synonyme of merenzao, and not pan y carne.)


In my room at the parador of Villafranca I had Jorge Vega’s wine, with artisan bread and piquillo peppers made by his neighbour. My sample bottle was without label.

Extinto 2021 (Puerta del Viento)

Dark, blackish with violet hints. Concentrated aroma, young, blackcurrant, violets, ink. In the mouth it is vivid, has some structure (tannins and acidity), though nothing aggressive, hint of coffee-sweets, and a long and fruity finish.

Credit: Puerta del Viento
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Dinner with Daniel Ramos

Daniel Ramos shares the bodega with Fabio Bartolomei in El Tiemblo, Ávila province. After the lunch that I told about in another post Daniel and I decided to meet, since my hotel was in San Martín de Valdeiglesias, where he lives.

Daniel puts a lot of effort into making wines that reflect the personality of the soils, varieties and terroirs in the Cebreros region. Garnacha and albillo real are the most important grape varieties. The wines are all made in a natural way, with a low sulfur content and without clarification or filtering.

We tasted five wines in different styles, all of which performed well. El Berrakin can be considered an introduction to the Gredos area, a bright and luscious garnacha (7% cariñena) with red fruits, herbs, pepper nose. Perhaps dangerously drinkable at 14,5 alcohol. Κπ Amphorae is very different. It’s fermented and matured with skins for 11 months in clay tinajas, resulting in a complex, layered and chewy wine with ripe red fruit, herbs and a flowery component. Clos Pepi was a quite warm red from a vineyard that his wife Pepi contributed to acquire. And yes, I loved the white Κπ Real, rich and powerful, but also fresh, and with a tropical component. Κπ is by the way pronounced ‘Ka Pi’. I have read somewhere that it is short for Capitán and a nickname for Daniel himself. I have to ask him about this.

The dinner and tasting was held in my hotel Hacienda la Coracera, which was excellent and inexpensive, and hereby recommended.

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Lunch in El Tiemblo

On thursday I was invited to lunch by my friend, natural wine maker Fabio Bartolomei, in his bodega. He is now making wines in the old cooperative of the town El Tiemblo, a building he shares with collegue Daniel Ramos

Fabio to the right, with Sinta Moreso and Daniel Ramos

Daniel was there. So was natural wine maker Sinta Moreso from Tarragona. So was a group of young aspiring chefs from here and from San Sebastian, whom Fabio has been mentoring in their hobby winemaking projects. One of them, Fernando, will from next week join the crew of star restaurant Maaemo of Oslo, by the way. The lunch went on without a strict program, people came and left. But the lunch was eventually served, and it was delicious. There was some wine tasting, of Fabio’s wines -mostly originating from El Tiemblo (Sierra de Gredos), various projects of the participants, and someone even brought a magnum of Granada producer Barranco Oscuro’s wine called 1368 in the 2003 vintage. This was another proof that natural wines can age. 

Before I left Fabio and I tasted a few more wines from his cellar. Fabio’s starting point is healthy grapes, free of chemicals. Experience and experimentation tells him how to proceed in making balanced wines that are true to their terroir and that suit Fabio’s taste.

A twenty years old natural wine from Barranco Oscuro
of Granada
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Ponce for Christmas

I am in Murcia for the holiday season. I have bought a wine cupboard and filled it with a collection of wines delivered from the national chain Vinissimus. This year I bought only one local wine (and it was the same as last year, see here). But from over in La Mancha, not far away in Manchuela, I have three wines from the same producer.

Juan Antonio Ponce works biodynamically in the vineyard, and in the winery he takes a natural approach, using low levels of sulfur dioxide. The bunches are chilled and fermented without de-stemming. Freshness is another priority when working with bobal, with harvests before most of the neighbours to avoid ripe or stewed sensations.

Clos Lojen is 100% bobal from vineyards on limestone-clay soil at 800 meters. It had a short maceration and aging for 3-4 months in used French oak barrels. Buena Pinta is not a bobal. Moravia agria, a native grape from Castilla-La Mancha, accounts for 90%, and the rest is garnacha. Moravia is noted for its acidity and blends well with garnacha. It’s aged for 7 months in used 600-liter French oak barrels and bottled without filtering or clarifying. Pie Franco was maybe the first wine I tried from Juan Antonio, and immediately put him on the throne as the King of Bobal. One can wonder how wines tasted before phylloxera. Without going into further discussion I can only say that there is a timeless air over this wine, fruit of old vines bobal planted in sandy soils where phylloxera did not enter. For me a doubtless classic.

Clos Lojén 2021: Cherry red. Fresh and fruit-driven aroma of cherry and blackberry, herbs and a peppery note. Juicy in the mouth with fine tannins wrapped in fruit, and with fresh acidity. Youthful and serious.

Buena Pinta 2021: Bright ruby red. Perfumed and complex aroma with cherries, plums, flowers, herbs, and balsamic hints. On the palate it is very fresh and vivid, with evident tannins, and a slightly bitter aftertaste. Fascinating, between fragility and strength.

Pie Franco 2021: This is a more powerful wine. Dark cherry red. Aromatic, with black fruits, scrubland and also balsamic notes (eucalyptus) Structured, with mature tannins and mineral notes. A timeless classic.

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