Aurelio García and Micaela Rubio, both chemists and oenologists from the province of Cuenca, have expanded their winemaking efforts to include the high-altitude vineyards of the Sierra de Gredos in Ávila, particularly around the village of Navatalgordo. Here, the vineyards are situated at elevations between 1100 and 1300 meters, with granitic soils that vary in decomposition, texture, and orientation. The region’s continental mountain climate, marked by long, snowy winters and cool summers that extend into autumn, offers ideal conditions for cultivating old vines. Many of the vineyards in this area were abandoned following the Spanish Civil War and remained untouched for decades, providing Aurelio and Micaela with the opportunity to work with 80-year-old garnacha tinta vines. Their focus in Gredos is to explore the distinctive characteristics of each site, particularly how soil type and exposure influence the flavor and texture of the wines.
+Altitud is a village wine from Ávila, sourced from 40 plots located between 1100 and 1300 meters, making them some of the highest vineyards on the Iberian Peninsula. The wine is made from 98% garnacha tinta, with 2% white table grapes blended in. Each parcel is vinified separately based on soil type, and the wine is aged for 14 to 15 months in a mix of 60% concrete, 20% silica/clay, and 20% used 500-litre barrels.
+Altitud 2021 (A. García & M. Rubio)
Delicate, almost ethereal wine. Light in both colour and body. Aromas of red berries (raspberry, wild strawberry), complemented by subtle floral notes. It is aromatic, complex, and light on its feet, with a granite-derived texture and a distinctive mineral finish.
Aurelio García is one of the most attentive and thoughtful voices in modern Central Spanish wine. Together with his partner, Micaela Rubio, he works across three regions—Cuenca, Ávila, and Soria—always with a focus on old vineyards, native varieties, and minimal intervention. His wines are precise, expressive, and deeply rooted in place.
When a case from Aurelio García arrived in the post, two bottles had sadly broken in transit. Still, four remained intact—and with those, I took the opportunity to gather my wine club for a focused tasting. We added a few complementary wines for context, but the stars of the evening were clearly Aurelio’s own: La Infanta, +Altitud, Alto de la Cruz, and La Guía. Though we missed out on El Reflejo and Mikaela, the tasting offered a vivid insight into Aurelio’s style across three distinct regions.
Me and Aurelio in the La Infanta parcel, summer of ’23
La Infanta 2021 – Cuenca Cuenca here refers to the Ribera del Júcar zone, though Aurelio prefers not to label his wines under the DO, opting for greater freedom. La Infanta comes from a single parcel in Casas de Benítez and is made from 60% bobal and 40% co-planted local varieties. Delicate and complex, it showed dark berry fruit (dark cherry and plum) on the nose, along with herbal notes, a hint of tar, and a taut, mineral texture. A slightly bitter aftertaste added grip. There was a quiet power to it—restrained, yet full of energy.
+Altitud 2021 – Ávila A village wine from the granite soils of Navatalgordo in the Sierra de Gredos. Light in colour and body, almost ethereal, it offered notes of raspberry, wild strawberry, and flowers, with a fine, lacy texture. This was the most immediately charming wine of the tasting, with several tasters noting its vibrant fruit and finesse.
Alto de la Cruz 2022 – Ávila Also from Navatalgordo, but from a cooler, north-facing valley. Though paler in colour, this wine showed more structure and depth. It opened with herbal tones, redcurrant and floral aromatics, then narrowed into a vertical, mineral finish. There was more volume here, likely from clay soils, with fine-grained tannins and underlying tension.
La Guía 2021 – Soria From Matanza de Soria, a high-altitude village in the eastern part of Ribera del Duero. A blend of tinto fino (tempranillo) and albillo mayor from pre-phylloxera vines, it combined red and dark fruits with floral lift and a subtle hint of nuts. Velvety on the palate, cool and juicy at the core—it struck a fine balance between seriousness and drinkability. For me, this was the most complete wine of the night: subtle, savoury, and quietly profound. Meanwhile, +Altitud stood out for sheer charm and drinkability. While La Infanta and La Guía come in serious bottles with serious price tags, the wines from Gredos are outstanding value for money.
What We Missed
We didn’t get to taste El Reflejo or Mikaela, but here’s what they might have brought to the table:
El Reflejo is Aurelio’s village wine from Cuenca—a blend of bobal and co-planted varieties from around 25 parcels. Fruit-driven and supple, it offers dark and red berries, with freshness and an approachable style.
Mikaela, named after his wife and winemaking partner, is a paraje wine from deeper, pebble-rich soils. Made with whole clusters and aged in foudres, it shows juicy, concentrated fruit with a mineral streak—lively and taut.
Micaela, Celia and Aurelio, summer of ’23
Each wine carried the mark of its place, but all shared a sense of purity, restraint, and precision. Interestingly, my fellow tasters had no difficulty identifying which of the three regions each wine came from—even though the wines were, of course, tasted blind. That in itself is a mark of quality, and a testament to the clarity of Aurelio García’s site expression. Even in the absence of the two missing bottles, the tasting was a clear reminder that Aurelio García is crafting some of Spain’s most thoughtful and terroir-driven wines.
It’s always a pleasure to come back to La Gracia natural wine bar in the centre of Murcia. They have a small but carefully crafted selection of wines. And I know I can trust sommelier Esperanza Pérez and let her just chose something.
This Christmas and New Year I visited twice. Though the temperature was quite low we chose to sit outside, so the descriptions might suffer a bit. I had two wines that I have described before. You can read about the local Negrete 2021 (Negre- T Blue) here and Navaciegos (Cható Gañán), Gredos here. Sorry, I didn’t get the vintage of the latter, but it was probably 2019.
Here follow two wines that both were perfect for a cold winter’s afternoon, with 15 and 14,5% alcohol respectively.
Ninja de las Uvas 2022 is made by Julia Casado, or La del Terreno, as she calls her project. It’s located in the Sierra de Lavia regional park in Murcia, and the wine comes under the designation DO Bullas. We are in monastrell country, but this wine is in fact made of garnacha tinta. It’s made with grapes from 20 year old vines planted in clay and calcareous gravel soil at 750 metres above sea level and tended organically. The grapes are 90% destemmed and macerated for 15 days, with malolactic fermentation in used barrels. Bottled without being filtered, clarified or adding sulphur. It’s a unique wine with some warmth, but with a lovely fruit quality (morello, plums), complemented by aromatic herbs and coffee. It fills the mouth with its roundness and is perfect in the cold Murcian winter.
Ars Nova 2016 is from Navarra, made by Bodega Tandem, that is José Maria Fraile and Alicia Eyaralar. They are committed to little intervention. The grapes are cultivated in the Yerri valley, in western Navarra, that is, as sommelier Esperanza points out, close to Rioja Alavesa.
It’s made of Navarra’s trilogy of grapes, cabernet sauvignon, merlot and tempranillo. Fermentation took place at controlled temperatures of 28°C, with a careful extraction. Pumps were not used, instead, the wine was racked by gravity into concrete vats. The wine was not cold stabilised or fined. It spent 24 months in concrete vats, followed by nine months in French oak. Super black fruit, with olive and spice. It’s full in the mouth, with nice concentration. Perfect for this kind of setting.
Bernabeleva is located in San Martín de Valdeiglesias, in the community of Madrid. They work with a respect for balance with nature, though they don’t aim for certifications. Their wines express the characteristics of the vineyards and their surroundings.
This wine is made from 75 year old garnacha vines in a gently sloping south facing plot. This site has granitic soil, shallow at the top and deep at the lower part. The parcel covers 2.5 hectares.
Maceration lasts over 40 days, during which the wine is pigeaged in the oak tank. Malolactic fermentation takes place in French oak barriques, where the wine remains as long as necessary. It is neither stabilized nor filtrated.
The wine was selected for a private dinner and showed some maturity, but still has much life ahead. Maybe it’s at its peak now.
Carril del Rey 2016(Bernabeleva)
Very light red. Delicate and complex nose, with red fruits and aniseed. Some warmth, fine tannins, good acidity, good concentration and length. Superelegant wine, it’s individualistic yet a good representative for its origin.
Pablo and Andrea of Magna Vides offer an alternative to the many oaky and heavy reds of Ribera del Duero. At their estate in La Aguilera (Burgos) they work eco-friendly in every possible way. This wine is made from garnacha grapes from 90 year old vines on sandy loam soils. They are fermented with stems and with local yeasts. It’s aged 12 months in used French barrels.
Alma de Cántaro Garnacha Tinta 2020(Magna Vides)
Dark cherry red. Fresh aroma of raspberry, wild strawberries, plums and herbs. Clear and focused garnacha fruit on the palate, it’s juicy with timid tannins, and a fresh and lively fruit. It’s carefully extracted and with no disturbing wood influence.
Magna Vides is located in La Aguilera, Ribera del Duero. Pablo Arranz and Andrea Sanz there offer a Ribera with a difference, in a region full of oaky wines with mature fruit. Their winery lies amidst organic vineyards, and brings out fresh and terroir-driven wines.
Vera Vides 2020(Magna Vides)
Made with grapes from vines that are more than 50 years old. 75% tinta del país (tempranillo), with garnacha, bobal, monastrell and the white albillo major. Careful maceration, grapes treated separately before blending and 10 months ageing in used French barrels. Filtered gently before bottling.
Deep red. Dark fruits (morello, blackberry), red fruits (raspberry), herbs. Good volume, fine tannins, a cool acidity. Fresh and balanced.
Magna Vides 2018(Magna Vides)
Made with tinta del país and a part of albillo mayor. Unique century-old vineyards located at three different sites in La Aguilera. The wine matures for about 14 months mainly in used barrels. It is filtered very gently.
Deep red with blue hint. Fresh aroma of dark fruits (blackberry, blackcurrant), red fruits, herbs, coffee. Good volume and concentration, firm tannins, good acidity, long aftertaste. It’s in a way powerful, but very balanced. Can age, but is surprisingly accessible.
Back in Murcia for Christmas celebrations, I never miss an opportunity to visit La Gracia natural wine bar near the cathedral (and the bull ring). Sommelier Esperanza tells that they will organize a natural wine fair on the 21st of January, called #vinosinresaca (that means wine without hangover), where some 25 of the most prestigious microbodegas from all over the country will participate. I really appreciate and support the initiative, though I can’t participate this first time. You should if you are near.
This evening I chose a plain Italian focaccia to go with all three wines, that were excellent. I opened with an aperitif, the sparkler Malaherba 2019 from Finca Parera, Penedès. It’s a rich and tasty wine with lots of body based on the xarel.lo vermell (red) grape, with yellow fruits aroma with wax and iodine.
The invitation to the upcoming fair and the Duarte bobal
Next was Duarte2022, a young bobal-tempranillo with fresh and dark berries and herbs, quite simple, but tasty. Good fruit throughout, and the tannins were quite firm and seemed young. Its maker Verónica Romero from Utiel-Requena, València is a comet in today’s natural wine sky. The wine is made with whole bunches in a variant of the carbonic maceration.
One of the more established natural wine producers in the Gredos mountains is Cható Gañán, where Kike Prados holds the reins. Navaciegos is a quite complex garnacha wine, purple coloured, aromas of red and dark fruits, also some dried herbs, and a layer of coffee. In the mouth it is full, quite dense and concentrated, with rounded tannins and good fruit. It’s made in Navahondilla, in a 0.35 hectares vineyard of 60 year old vines, at about 785 meters of altitude, with very degraded granite soil. A small part of the grapes are foottrodden and vatted with stems. The rest is destemmed. It was aged in French barrels of 500 liters at various ages.
An armada of Spanish producers visited Stavanger, Norway this last Tuesday with their importer Moestue Grape Selections. I participated at the following dinner at Matbaren Renaa.
Visiting from Spain were Telmo Rodríguez, Fernando García (Comando G) and Carlos “Curro” Bareño (Fedellos and Vinícola Mentridiana). Pedro Parra from Itata, Chile should have been there, but was left somewhere in Europe with covid.
Paired with the restaurant’s lobster, lamb and quail dishes were seven wines. The fino Caberrubia Saca VI from Luís Pérez was a welcome drink, a natural sherry from pago Balbaína outside Jerez. It’s a grapey, salty and fresh sherry with no added alcohol.
Telmo Rodríguez introduced his white Branco de Santa Cruz 2020 from Valdeorras. He tells that this is one of the places he spends most time nowadays. It’s made from that premium northern grape godello, with some treixadura, doña blanca and palomino, all found in a mixed vineyard together with red varieties, and matured in used oak vats. It’s a super elegant wine with good volume, textured, and a complex aroma of citrus, herbs, a touch of menthol and a stony minerality.
Fedellos started as Fedellos do Couto because they were based in that village. Now they have moved. They make wines from the Bibei valley. Peixeda Estrada2019 is a village wine from Viana do Bolo outside both Valdeorras and Ribeira Sacra designated areas, a field blend of 60-80 year old vines with predominantly mencía made with whole bunches in partially used barrels, steel, concrete and/or fiberglass tanks. Long maceration time and light extractions. It’s a fresh, delicate wine with aromas of red and dark fruits along with herbs and some balsamic.
Pedro Parra couldn’t attend as he was sick with covid and stuck somewhere in Europe. But his wines made it to Norway. Pedro is a leading figure in the new terroir-focused Chilean wave, concentrating on cinsault on granite soils. He tries to make his wines in a reductive way, at present with 20 days skin-contact.
Trane was obviously (?) dedicated to John Coltrane, an innovator and creative jazz musician. It’s a single-vineyard cinsault from a plot of highly decomposed granite soils. It fermented in concrete with indigenous yeasts and some 30% full clusters and matured in big oak vats for 11 months. It’s a light wine, but also structured. The fruit is both dark and red, with hints of flowers, anise and smoke.
Fernando García represented Comando G, that has contributed to putting the Gredos mountains on the wine map. They were also on this trip promoting the book Calicata, about the wine region. The English edition was released a few months ago, and Moestue sells it on the Norwegian market. In fact I was visiting Fernando at his table when another wine was passed around. I didn’t realize this in time, but my fiancée gave me a few drops to taste. It had a strong signature of a Gredos garnacha, ruby red, ethereal, with red fruits (raspberry), flowers and smoke – in a way light, but intensely full of flavours. It turned out to be Las Iruelas 2019, a parcel wine from El Tiemblo in the Ávila province. It was earlier made by the Jiménez-Landi family winery, but is now labelled Comando G.
The last wine was a lovely rioja from the new wave, that I advocate, Telmo’s Tabuérniga 2019. It comes from a cool vineyard in the village of Labastida, planted with old tempranillo vines, some graciano, mazuelo, garnacha and garnacha blanca. The soil is shallow and calcareous. It’s a serious wine; somewhat austere and maybe a little closed, but underneath are red and wild berries waiting to burst; it’s full of fruit and the tannins are elegant. It’s a wine that invites you to meet again, so let’s remember it and follow. A wonderful evidence that a wine does not need to be oaky to be complex nor ageworthy.
Garnacha was once the main variety in the historic vineyards of the lower Rioja. This wine is a nod to this tradition. We are in the northern slopes of the Sierra de Yerga. Javier Arizcuren here works with some of the few old vineyards, in the Gobelet conduction system.
The wine seeks to be an expression of the both the variety and of the place where it grows, therefore no foreign products are used in the process (except a small amount of sulfur). The wood is used exclusively for thewine stabilization process, without being excessively marked.
The grapes were manually harvested, with grape selection in the field. De-stemming. Alcoholic fermentation with wild yeasts at around 25ºC. Daily stirring and pumping over, then only stirring. Malolactic fermentation in steel. 8 months in 225-litre American oak barrels (6th year) and an additional 2 months in new French oak barrels.Total SO2 is 50 mg/litre.
Solo Garnacha 2016(Javier Arizcuren)
Dark cherry red. Youthful aroma of blackberry and cherry, a touch of coffee and sweet spice. Full in the mouth, rich with good weight and concentration, fine tannins, balanced acidity. Still young, and will improve.
Carlos Sánchez has a background from Sierra de Gredos (4 Monos). But he had early on fallen in love with the Sonsierra area of Rioja. And here he is. Since 2019 he has used the facilities of the former cooperative in Labastida.
This is a wine from a single plot (0,3 ha.) in San Vicente de la Sonsierra, on 100% garnacha. It’s spontaneously fermented with a high percentage of whole bunches, and kept in large oak barrels. Not clarified nor filtered. A modest production of 1.700 bottles.
Buradón Las Plegarias 2020(Carlos Sánchez)
Cherry red. Good ripe fruit, red plums, cherry, some strawberry, and a layer of dried herbs and lavender. Good volume, soft and fleshy, fine tannins, integrated acidity. It’s rooted in its landscape, yet has a noble air to it. Really good.
