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Tag: monastrell

Articles

José Miguel Márquez, a real artisan in the big players’ land

I drive from Córdoba to Montilla listening to the second half of the European Championship football match between Spain and Italy, where Spain loses just before I reach the narrow path to the bodega. -Oh, there is a match today, asks José Miguel Márquez, as if he couldn’t care less.

After a quick look at the very simple facilities, and a glimpse of the vineyards at the very southern end of town, we soon end in the discussion about natural wines, as opposed to “so-called natural wines”.

He is the actual leader of the organization Productores de Vinos Naturales (PVN), with prominent members like Barranco Oscuro, Samuel Cano (Vinos Patio), Viña Enebro and Bodegas Cauzón among their ranks. And José Miguel takes pride in the fact that this Spanish organization does not allow addition of sulphur whatsoever, while the sister organizations in the other southern European countries do.

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He admits that there is some amount of indignation among the producers. -It’s the task of the importers and the journalists, he says, to communicate what he and his peers are convinced is the right path to follow.

-It’s very difficult to make wines without corrections, says José Miguel. But that is what we must strive to do. We investigate, we are running a great risk, but we are convinced that we have to.

For him it’s about showing the dedication, to have naturalness in your mind or not. -Some has a non-added-SO2-line in their portfolio, but they don’t show the real enthusiasm about it. You cannot be a vegetarian, except for Sundays…

Obviously Montilla is one of the big fortified wines of Spain, with huge bodegas and well-trimmed organizations, public relations departments and so on. On the question if Bodega Marenas get something out of this nearness to the big players in the area and their “industry”:

-Well, first: I do not belong to the D.O. Monilla-Moriles. Of course I am here, and I know many of the bodegueros, but there is not very much contact, really. On the other hand, noone bothers me. They do their thing, I do what I am convinced needs to be done, and I have my network, which is another. This said, Marenas is also paying its tribute to some of the old traditions of the area, such as a PX Bajo Velo, a wine aged under flor (a layer of naturally grown yeast), and Asoleo, a moscatel made from grapes dried in the sun before pressing.

The pago Cerro Encinas comprises 6 hectars of predominantly sandy and clayey soils with a high content of carbonates and limestone predominantly, but some albariza too (the same as the famous chalky soil of Sherry country). We are 350 meters above sea level, and though nearby Córdoba has Europe’s highest maximum temperatures there is a gentle breeze blowing through the vineyards, so the climate can be characterized as a blend of continental and mediterranean. The bodega opened in 1999, and as bodeguero José Miguel is first generation. The previous one I met when I entered the place, that is José Miguel’s father on a tractor. There is no “bodega” in the sense of an organization, it’s only me.

This is the “bottling line”:

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José Miguel places another bottle on the europallet. When it’s full he must take the bottles down again, I suppose, because they obviously need to have a label attached to them. And who is going to do that…

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While we talk he opens some bottles. One is a fresh 2015 from the white montepilas grape, that is a very rare variety, but older in the region than the famous pedro ximénez. Then there is a monastrell, also from the recent vintage: dark, spicy, fruity and luscious in the mouth.

Then there is a wine called Casilla las Flores 2015, from pinot noir. This one is light, like a rosé. It’s just lightly pressed, and not macerated. It’s flowery in the aroma, and the fruit is fresh and close to nature.

-I look for simplicity, says José Miguel. I ask if he sometimes changes the way he makes the wines. -Some times I change a little. It could be of obvious reasons, because of the climate, you have to respond to the vintage, f.ex. when it’s time to harvest. Looking back, I used to macerate more, I thought more on complexity. But nobody understand this anymore. Now I search for simplicity, but without losing the quality.

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Back to Córdoba. Restaurant Amaltea is a cozy restaurant near the Roman bridge, where they serve small dishes, eco-friendly and with vegetarian/vegan options, in a tapas-, sharing style if you want. I was alone, so I ordered a couple of small plates of excellent vegetables and seafood. They have two of José Miguel’s wines by the glass, and I had both:

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Montepilas 2015

Light brown-orange in colour, slightly cloudy. Good freshness in aroma, mature apple. Grapey and luscious in the mouth.

Cerro Encinas 2015

This is the monastrell (with a new label). Dark with violet rim. The aroma shows both a controlled oxidized style (in a good manner), but immediate fruit as well, with wild berries and spices. On the palate it has just enough tannin, and it’s very much alive with just enough acidity too.

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Wine of the Week

Bernabé’s Tragolargo

Rafa Bernabé makes highly original wines in the Alicante province of Spain, and -as I have showed in earlier posts such as this one– is a Spanish authority on the use of clay vessels in winemaking.

Made from the Mediterranean grape monastrell (mourvèdre). Spontaneous fermentation.

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Tragolargo 2013 (Bernabé Navarro)

Dark, deep red. Dark fruits, blackcurrant, blackberry, garden flowers. Luscious, yeasty, fresh, nicely acid, and with a slightly “funky” natural wine aftertaste. The 14% of alcohol was barely noticed.

Price: Low

 

 

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Wine of the Week

A Yecla monastrell bargain

Here is a wine that is almost free of charge…

I visited the Candela family once in the 90s. Today it’s the fourth generation, brothers Antonio and Alfredo, that is leading the growing of the grapes and the making of the wine here. They also count on a restaurant in the building where you can sit and watch the landscape. And “here” is Yecla, a one-municipality D.O. in Murcia, between the Spanish meseta and the Costa Blanca. Bodegas Barahonda owns and controls vineyards both in the Campo Arriba, where the climate is continental, with high temperatures in summer and a freezingly cold winter, and nearer to the more temperate coast in Campo Abajo.

They make many different wines, but Yecla is mainly monastrell country, and many of the most interesting wines are made by the Mediterranean grape, the same as came to be called mourvèdre when it travelled over the French border. The Carro comes in two versions, most often it’s a blend, but this version is a 100% monastrell made from old vines (from both subregions, between 400 and 800 meters), with natural yeasts and spontaneous fermentation. Never seen a barrel in its entire life.

Carro Monastrell Viñas Viejas 2013 (Bodegas Barahonda)

Deep red with a blue hue. It’s a light wine, but with quite dark fruit, blackberry, and a touch of the typical murciano aromatic herbs (rosmary, thyme). Young, luscious taste, quite full and just enough refreshing acidity.

Price: Low

Food: Light meat, salads, murcian paella…

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Articles

Natural wine fair in Madrid

Madrid was the place to be for natural wine enthusiasts last Sunday, as the Salón de Vinos Naturales was arranged after an initiative from the Productores de Vinos Naturales. Among the exhibitors were some of their own members, like Barranco Oscuro, and Marenas, whose proprietor José Miguel Márquez is the actual leader of the organization. There were other Spanish producers too, and a few from abroad. The wines were all made by small, artesan producers, almost without exception with natural yeasts, without sulphur added, without much else added either, all in all with minimal intervention.

I tasted something like three fourths of the wines, spoke to most of the producers, and I also met some visitors whom I knew or had met before. For me this is a real fun fair, as you meet a lot of nice people, and everyone is open-minded and willing to share opinions without having to defend anything, and there are no points given. There are just so many delicious tastes, healthy products, and conversations about how all this came about.

I warmed up with some white wines at the stand of Fabio Bartolomei and his Ambiz wines. First a couple of airéns, where the 2012 strangely was lighter than the 2014. But this is the way it is, as Fabio said, these wines chose their own path. I also tasted his Doré 2014, an expressive wine from the grape of the same name, and the Sauvignon 2013, nothing like the commercial Sancerres. It’s aromatic though, with some flowers, yellow apple and a tropical hint. The Albillo 2014 is also full of character, quite rich, with some tannin, and with the balsamic note of the variety.

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Fabio Bartolomei, Vinos Ambiz (right)

Samuel Cano was there with most of his portfolio of Patio wines aged beneath the old-fashioned windmills in Mota del Cuervo (Cuenca). Between Aire en el Patio 2014 (literally Air in the Patio, the never-disappointing airén wine) and Al Sol del Patio 2013 (To the Sun of the Patio), there was a wine from syrah grapes harvested as late as end of December in 5 degrees below zero. He had brought his airén-petit verdot Rosé too, and some delicious reds. If I should pick one it could be the Kabronic this time, a 50/50 syrah/graciano, where the latter has been subject to carbonic maceration, showing very fruity, red berries, some balsamic notes, a touch of CO2, and fruit all the way.

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Samuel Cano

From the area not far from Madrid came also Julián Ruíz Villanueva of Escencia Rural. I know he has several good things, in different styles. This time I only tasted the red De Sol a Sol, a dark wine from the variety velasco, quite special, rich, with notes of coffee, aromatic herbs, and a touch of raisins and plums.

Lorenzo Valenzuela served many of his Barranco Oscuro wines, from the highest vineyards in Europe, more specifically Cádiar in las Alpujarras (Granada). I visited some 3-4 years ago, and I have tasted these wines several times since, but I never miss an opportunity. Among all the excellent wines I will this time mention the ultra-fresh and typical Sauvignon (a completely different interpretation than Fabio’s), and the wonderful Garnata, a very fruity, herb-scented and personal garnacha. Fellow Andalusians, Cauzón and Marenas had several interesting wines, like Mazuelo 2014 from the former, and Vides Bravas 2006 from the latter. Being located in Montilla, Marenas has also wines aged under flor, like the one with the descriptive name Bajo Velo PX (that I didn’t taste here).

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Lorenzo Valenzuela, Barranco Oscuro

Viña Enebro of Bullas had a varied table. A white wine from black grapes, adecuately named Uva Negra Vino Blanco, a fresh, floral, clean wine, the Rosado de Aguja from monastrell, a fruity wine, a little bubbly of course, but quite structured too. Then there were also the Viña Enebro, the one with the pink label, a 100% monastrell, quite light for the variety, some plums and red berries, a lousicious character, but with a nice tannic grip as well. The Quercus came in both 2010 and ’11. See the post about wine bar Solo de Uva for more.

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Juan Pascual López, Viña Enebro

A nice surprise came from Galicia. La Perdida of Larouco in the Valdeorras area served a doña blanca and a godello, but the reds based on garnacha tintorera, one with mencía, were among the highlights for me. Maybe most interesting of all from this producer, also with the name La Perdida 2014, a garnacha tintorera (70%) and sumoll (30%) aged in tinaja (amphora), on granite soil, with splendid clean fruit and a solid tannic grip.

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Nacho González, La Perdida (right)

From Catalunya I tasted some nice wines from Can Torres, Empordà, a vinous garnacha blanca from sandy soil over granite ground, and among the reds the interesting Idó 2013, a garnacha from quite old vines on alternating slate and granite, aged in used barrels, a relatively light-coloured wine with aromas of red berries, plums, a rich wine with an appealing texture. The Ambre was one of the specialities of the day, from garnachas gris and tinta, aged in some kind of solera system. The colour was the same as its name suggests, aromas of figs, nuts, a slight touch of raisin, and the alcohol level was very nicely balanced.

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Bárbara Magugliani, Can Torres (left)

Among the «foreigners» I didn’t taste the wines of Frank Cornelissen this time, as I know them quite well, and the Spanish were my main focus this time. But I visited the table of Château Lamery of the village St. Pierre d’Auirillac, by the Garonne river. Here Jacques Broustet makes wines that are clearly at home in this locale, but distinctly different from what we think of as Bordeaux. His only red wine Autrement 2011 was luscious and juicy, with a slight tannin, and a lovely fruit all the way.

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Jacques Broustet, Ch. Lamery

Domaine Thuronis near Carcassonne in Languedoc had some interesting stuff too. The Esprit Vendangeur 2013 is a sauvignon blanc made naturally, and came with super fruit, yellow apple, melon and some peach, and a trace of CO2 (and the 2012 was in the same line, but a little more developed). There was also a sauvignon made in steel and also a time on the lees of chardonnay in barrel. This was a bit darker, yellow with a brownish tinge, some CO2 again, a creamy texture and a very nice acidity.

There was more than this, and the aforementioned wine bar Solo de Uva was serving home-made bread, tasty tapas, and proprietor Carlos Campillo was filling the room with good vibes. He also hosted a dinner in his restaurant that same evening. I was not there, but it couldn’t be bad.

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