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Tag: Jerez

Wine of the Week

Dry PX

Ximénez-Spínola is a rare bird in the fauna jerezana, in that they are focusing on a single grape, the pedro ximénez, or simply PX.

This week’s wine is a dry take on what’s normally, in this region, elaborated as a sweet wine. It’s made from grapes that are overripe, the producer counts 21 additional days to the conventional harvest. The grapes are harvested by hand, then pressed softly,. The wine is placed with its skins in French oak barrels of between 225 and 300 liters, adding 30 liters to each barrel every day – hence the name, that means slow fermentation – so that the yeasts can finish off all the sugars daily and leave the wine completely dry. The musts are aged on lees with a gentle batonage for six months in the barrel.

Fermentación Lenta 2019 (Ximénez-Spínola)

Light golden with greenish hint, high viscosity. Aroma of dried plums, wax, hint of caramel. Full in the mouth, glyceric, with figs, ripe fruit and a sweet touch like caramel, but rounds off dry. A unique wine with lots of personality.

Price: Medium/high

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Wine of the Week

Lumière, a brilliant white

This is the second article in a series of three, about unfortified wines from the sherry district. This white table wine is just brilliant. It’s a palomino without additions, not even any influence of flor. It’s a sublime expression of grape and place.

Alejandro Muchada and his partner David Léclapart make incredible terroir-driven wines full of saline minerality, and always with a lovely texture. From three plots of a total of 3.6 hectares in Sanlúcar de Barrameda, Alejandro works according to biodynamic principles, and in the cellar he shows a hands-off philosophy..

The grapes for this wine is taken from Viña La Platera Vieja in Miraflores Baja, that is a 1.2 hectares plot. The soil is calcareous albariza, with a hard rock albariza type called “tosca cerrada”, under clayey limestone. The orientation is west and the vines are more than 60 years old.

The grapes were hand-harvested, directly pressed for 3-4 hours, spontaneously fermented and matured for 12 months on lees in used barrels. Bottled without filtering.

Lumière 2021 (Muchada-Léclapart)

Yellow colour, slightly cloudy. Aroma of yellow apples, flowers, almonds, black olives and citrus and a touch of salt. Concentrated, medium-bodied, fruity in the mouth with almonds, smooth texture, mineral. Finishes very long. It has this extra nerve that is hard to define, but makes it a great wine. As the name might imply: Brilliant.

Price: High

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Wine of the Week

Palatable Pasto

Vino de pasto is a table wine, here as opposed to a fortified sherry. The word is probably from the same root as pasture.

But first a brief history. The Pérez family have been winemakers for several generations. In 2002 Luis, a professor of oenology and former winemaker at Domecq, set up his bodega just outside Jerez, together with his children. Most significantly, his son Willy has made his name as a brilliant winemaker that takes the sherry trade in new and interesting directions.

One of their main objective is exploring the historic pagos (vineyards) of Jerez. This wine La Escribana is made of palomino fino grapes grown on Cerro de Obispo, a hill in the pago Macharnudo, on albariza (limestone) soil. This south-east facing plot, approximately 100 metres above sea level, is pruned in the local vara y pulgar pruning method (means stick and thumb, and has some similarity to Guyot). Picking is done twice; early for acidity, then later for more maturity. After a 5-6 hours asoleo (drying) and cold fermentation in steel, it undergoes 12 months of ageing on the lees with a little flor, in 80 years old sherry butts.

This review is the first of a “triangle” of unfortified wines from the sherry area.

La Escribana 2022 (Luis Pérez)

Light yellow. Notes of citrus (lemon peel), green apples, flowers, chalk, and a light yeast character. Full in the mouth, fresh, good acidity, some grapefruity bitterness and a marked saltiness.

Price: Medium

Food: We had it with bacalao, but should go to a variety of tasty fish and light meat dishes, as well as various tapas.

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Wine of the Week

Palo Cortado with personality

This wine was served in a panel tasting of dry sherries for Vinforum magazine.

Bodegas Ximénez-Spínola has since 1729 built its reputation on a single grape variety, namely pedro ximénez, that has always found itself in the shadow of palomino. The current proprietor is José Antonio Zarzana.

Their vineyards between the towns of Jerez, Sanlúcar de Barrameda and El Puerto de Santa María have chalky chalky albariza soils and are worked organically.

The wine is put together from single vintage casks from 2009, ’13, ’15 and ’19, blended together in 9 new barrels, matured for a year and then bottled. Fermentation was in French oak with wild yeasts, followed by ageing in American oak with some casks developing flor, whilst some not, giving complexity from both biological and oxidative ageing. There has been no fortification. Still it carries the DO Jerez-Xérès-Sherry, thanks to the new regulations from 2022. Alcoholic fermentation brought it up to15%, then an oxidative ageing and evaporation, resulted in a final 17%.

Palo Cortado Jerez Seco Serie 2 (Ximénez-Spínola)

Beautiful amber colour. Smells of apricot, candied fruits, and lightly fried onions. It’s full and glyceric, in a way fruity, with a saline touch, grapey, long with a nutty finish, and with perfectly integrated alcohol. A complex and generous wine, with lots of personality. Truly memorable.

Price: High

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Articles

Spanish visit to Stavanger

An armada of Spanish producers visited Stavanger, Norway this last Tuesday with their importer Moestue Grape Selections. I participated at the following dinner at Matbaren Renaa.

Visiting from Spain were Telmo Rodríguez, Fernando García (Comando G) and Carlos “Curro” Bareño (Fedellos and Vinícola Mentridiana). Pedro Parra from Itata, Chile should have been there, but was left somewhere in Europe with covid.

Paired with the restaurant’s lobster, lamb and quail dishes were seven wines. The fino Caberrubia Saca VI from Luís Pérez was a welcome drink, a natural sherry from pago Balbaína outside Jerez. It’s a grapey, salty and fresh sherry with no added alcohol.

Telmo Rodríguez introduced his white Branco de Santa Cruz 2020 from Valdeorras. He tells that this is one of the places he spends most time nowadays. It’s made from that premium northern grape godello, with some treixadura, doña blanca and palomino, all found in a mixed vineyard together with red varieties, and matured in used oak vats. It’s a super elegant wine with good volume, textured, and a complex aroma of citrus, herbs, a touch of menthol and a stony minerality.

Fedellos started as Fedellos do Couto because they were based in that village. Now they have moved. They make wines from the Bibei valley. Peixe da Estrada 2019 is a village wine from Viana do Bolo outside both Valdeorras and Ribeira Sacra designated areas, a field blend of 60-80 year old vines with predominantly mencía made with whole bunches in partially used barrels, steel, concrete and/or fiberglass tanks. Long maceration time and light extractions. It’s a fresh, delicate wine with aromas of red and dark fruits along with herbs and some balsamic.

Pedro Parra couldn’t attend as he was sick with covid and stuck somewhere in Europe. But his wines made it to Norway. Pedro is a leading figure in the new terroir-focused Chilean wave, concentrating on cinsault on granite soils. He tries to make his wines in a reductive way, at present with 20 days skin-contact.

Trane was obviously (?) dedicated to John Coltrane, an innovator and creative jazz musician. It’s a single-vineyard cinsault from a plot of highly decomposed granite soils. It fermented in concrete with indigenous yeasts and some 30% full clusters and matured in big oak vats for 11 months. It’s a light wine, but also structured. The fruit is both dark and red, with hints of flowers, anise and smoke.

Fernando García represented Comando G, that has contributed to putting the Gredos mountains on the wine map. They were also on this trip promoting the book Calicata, about the wine region. The English edition was released a few months ago, and Moestue sells it on the Norwegian market. In fact I was visiting Fernando at his table when another wine was passed around. I didn’t realize this in time, but my fiancée gave me a few drops to taste. It had a strong signature of a Gredos garnacha, ruby red, ethereal, with red fruits (raspberry), flowers and smoke – in a way light, but intensely full of flavours. It turned out to be Las Iruelas 2019, a parcel wine from El Tiemblo in the Ávila province. It was earlier made by the Jiménez-Landi family winery, but is now labelled Comando G.

The last wine was a lovely rioja from the new wave, that I advocate, Telmo’s Tabuérniga 2019. It comes from a cool vineyard in the village of Labastida, planted with old tempranillo vines, some graciano, mazuelo, garnacha and garnacha blanca. The soil is shallow and calcareous. It’s a serious wine; somewhat austere and maybe a little closed, but underneath are red and wild berries waiting to burst; it’s full of fruit and the tannins are elegant. It’s a wine that invites you to meet again, so let’s remember it and follow. A wonderful evidence that a wine does not need to be oaky to be complex nor ageworthy.

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Articles and Wine of the Week

Sherry monument: A historic PX from Valdespino

Miguel Valdespino gave me this wine. He became the last Valdespino in the centuries-old company. His two children did not want a career in wine, so he chose -quite surprisingly for me and to many others who followed sherry closely at the time- to sell to José Estévez.

Surprisingly, because Estévez had been more known as a business man than a sherry ‘aficionado’, and furthermore he was involved in the infamous RUMASA fraud.

Valdespino is for me the ultimate sherry producer from the old times. They had unbelievable stocks of treasures in their cellars. And a moscatel from three casks was released a few years ago to a 100 points ovation from American media. But Valdespino was also forward-thinking, and the first producer to mention the vineyard and the ‘pago’ (denotes a larger area) on a label, the fino Inocente from the vineyard of the same name in pago Macharnudo Alto.

 

Some fifteen years after the first removal of the cork the bottle looked like this

I know this is personal, but never mind: I had visited Miguel Valdespino several times as a journalist and lover of great sherry, and he gave me this bottle some 20-25 years ago. I don’t know all the details. But he told that it had participated in the Paris 1889 world exhibition (the one that celebrated 100 years since the revolution), “then as an old wine”, to quote the master. At the time I got it the wine was bottled from a big barrel, a ‘tonel’ with the letters ‘NO’, denoting that it must not be touched. It was clearly not meant for sale, and Miguel put on a provisional label with the company name, and with a name Pedro Ximénez Tonel written by a typewriter of that time. At that particular time I was visiting with my now former wife. When we parted around 15 years ago we talked about sharing this wine, so I pulled the cork. Suddenly I (as I would say) came to my senses thinking ‘this is wrong’. So I pushed the cork back into the bottle. And I admit that until today I have been unsure what happened to the wine when it was exposed to air some 15 years ago.

What do we know for sure about the wine then? It’s made from the pedro ximénez grape variety. It participated at in Paris 1889. Before that it might have been born in a solera, but I’m not completely sure. Valdespino was a leading company at that time too, so it’s very unlikely that the wine was less than 30 years old, I would say probably a lot more. I think it must have been born some time between 1820 and 1850.

All right, this wine does not exist commercially, and it probably never did. But I call it:

Pedro Ximénez Tonel (A.R. Valdespino)

Unctous, thickly flowing wine, motor oil consistency, with dense curtains (‘cortinas’ in Spanish), dark raisiny brown/mahogany with evident green notes (like all very old px sherries).

Aroma of toasted hazelnuts, nutmeg, prunes, figs, coffee and dark chocolate, but also flowers and more delicate fruits (in direction of yellow tomatoes, plums, mango).

Very sweet and concentrated, but somehow also fresh with an rich resonance and great length.

In my opinion it’s unfair and devaluating to a wine like this to reduce it to points and punctuations, figures and numbers. A Portuguese writer once likened a wine to a cathedral. In the same tradition we could say that this wine evokes images from the ancient times and the soldier that the pedro ximénez grape took its name from. And it’s easy to imagine the ‘alcázares’ and the basílica churches of Jerez de la Frontera, and the sun rising over the ancient Valdespino bodega in that narrow street of the old gypsy quarter of Santiago, right in the heart of town.

Price: Priceless

Food: A variety of desserts, such as cakes and cookies, puddings, nuts, cheeses, and even a small sip is something of a meal in itself

 

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Articles

Stavanger fair I: Spanish sparklers, white wines and more

Stavanger Vinforum was established in 1995 to contribute to more interest in and better understanding of wine in the southwestern region of Norway. Their most important activity is the annual fair, and this was the 23rd in a row. Each year has a specific theme, usually one or more countries. This year Spain and Portugal was in focus. 17 importers presented a total of around 250 wines, and there are always seminars: This time one mainly about Rueda by Igniacio Pariente of Bodegas Pariente (formerly II Victorias), one by Óscar Alegre (of Telmo Rodríguez’ company) about the northwestern corner.

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Nils Nærland, member of the board and responsible for the program

I have written more about the fair itself for other publications. Here I will just present some of the highlights, from my own perspective and according to my own preferences.

Spanish sparkling wines: We are talking mainly about cava here. A head above the rest on the fair is Gramona, this time represented by their superb xarel.lo-based III Lustros Gran Reserva, now in the 2007 vintage. This wine shows the greatness of the xarel.lo grape, not very aromatic from the start, but after some years it starts to shine, and in Xavier Gramona’s opinion the best grape for cavas meant for ageing. This one spent 7 years on lees, has great depth and concentration, aromas of toast with a smoky note, and still with an incredible “presence” after all these years. Reserva Millesime Brut Nature 2011 (Castelo de Pedregosa), mainly from pinot noir, was kept for 3 years on the lees. It’s quite concentrated too, with the characteristic “bakery” aromas. Clos Lentiscus, DO Penedès (not Cava) was new to me. Their Blanc de Noirs Brut Nature 2010 was a different take. The “noir” variety of the title is sumoll, that not many years ago was a nearly extinct grape, but is now on the rise. The colour is almost orange, or maybe pink-ish, from a somewhat extended skin-contact. It’s more robust and tannic than the fair’s other sparklers.

To the white wines: Rueda is a region that is gaining still more ground in the conscousness of the people, but at the same time it’s facing problems with high production and many wines that are maybe correct, but with lack of personality and inspiration. I chose Basa 2015 (T. Rodríguez). It’s based on verdejo, but includes 10% of viura, and is sourced from various plots around the area. It’s a fresh, fruity wine for everyday drinking, and maybe a typical restaurant house wine. A very good one. Equally good and consistent is Gaba do Xil 2015, a Valdeorras wine from the same producer. Not so straightforwardly generous, but with more layers, and with those typical hints of straw and herbs from the godello grape.

IMG_3976 Óscar Alegre at importer Moestue Grape Selections’ table

A single white wine represented the Canary Islands, Trenzado 2014 (Suertes del Marqués), a complex and rich skin-contact white that shows what can be done on Tenerife. This has been highlighted here.

From the Gredos area (province of Madrid) it was a nice to taste the Navaherreros Blanco from producer Bernabeleva again, now in the 2015 vintage. This is a predominantly albillo real with some macabeo, with hints of white flowers, peaches, yellow apples and slightly buttery too (from fermentation in big vats and ageing on the lees), with good body and a smooth texture.

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Aina Mee Myhre of Heyday Wines presented a well-chosen range of wines

From Catalunya I first tasted Espelt Quinze Roures 2015 from Empordà near the French border. This is a barrel and lees-aged wine from the grapes with the Catalan names lledoner roig (grey garnacha) and lledoner blanc (white garnacha), grown in slate and sandy soils with understated aromas, quite complex (dried fruits, anise), good body and concentration, a touch of skin-contact, and just enough acidity to match. From Torroja, Priorat, producer Terroir al Límit was represented by 8 wines, 3 of them white. I especially liked the Terroir Històric 2015 (garnacha blanca 75%, macabeu 25%) aged in concrete eggs for 6 months, golden in colour with aromas of yellow apples, hints of honey, medium-bodied, and with a salty mineral aftertaste. The Terra da Cuques 2014 (pedro ximérez 80%, moscatel 20%) had more skin-contact feel, but was also fresher, with floral and citrusy notes, some herbs too. Quite rounded texture, expressive and with a touch of acidity. Dare I say elegant: For a Priorat very much so!

Fortified wines and dessert wines were not among my priorities this time. But some good wines for later in the meal were chosen. Among these the Molino Real, now in its 2010 incarnation. Telmo Rodríguez makes this wine in cooperation with Bodegas Almijara of Cómpeta, Málaga province. It’s always good, some vintages more lemony than others. I have a suspicion that it’s lighter than before, but it’s a really nice moscatel, an old-fashioned “mountain wine” introduced at a time when wines from the pedro ximénez grape was reigning supreme in the area. Lastly, I know very well the sherries offered, so I didn’t taste them this time. But I never miss a chance to taste the wines selected (not produced) by Equipo Navazos. They chose single “botas” (barrels) of wines that they find exceptional. The one presented here was 57 – La Bota de Florpower MMXII (in other words: a sherry vintage 2012), a light, grapey fino with some citrus notes, and yes! with a lot of “flor” character (the layer of yeast that covers the lightest wines in the bodega). Simply delicious!

On my way out I couldn’t miss a completely natural cider from the northern region Asturias, the Valdedios Natural (Manuel Bustos Amandi), with aromas of citrus, green apple, herbs, and with a slightly bitter aftertaste.

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