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Tag: Languedoc-Roussillon

Wine of the Week

L’orangeade

Philippe Formentin had worked 10 years at Domaine Chabanon in Lagamas, near Montpellier, before he became a “flying winemaker”, consulting at vineyards around the world. Then he found a small winery in the south of France, just outside Clermont l’Hérault. Here in the foothills of the Larzac, Philippe has brought life to his dream of making his own natural artisan wine.

His wines are made from grapes grown organically and according to biodynamic principles. They grow in different plots with clay-limestone soils and various exposures.

The grapes are manually harvested in the cool, early mornings, then stored in a cool environment 24 hours to slow start fermentation. They ferment naturally, with indigenous yeast and without sulfites.

A manual vertical press is used to gently extract the juice. The wines are then aged in containers, decanted, and bottled without filtration. L’orangeade 2020 is a varietal grenache blanc.

L’orangeade 2020 (Opi d’Aquí)

Light orange. Fresh aroma with apricot, orange peel, eucalyptus, a touch of honey. Medium full, light tannin structure, good length.

Price: Medium

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Wine of the Week

Maury is more

The region of Maury is famous for its naturally sweet white of good value, and it’s here that we find Clos des Vins d’Amour. But Maury is more, and this producer shows that they can make a variety of wines, like this wonderfully fresh young red wine.

Credit: Clos des Vins d’Amour

The estate is comprised of 24 hectares lying in the shadow of the Queribus mountains, and is in the hands of the Dornier family and dates back to 1860.

The soil is mostly black slate, and grenache gris is the dominant grape variety for the sweet white wines. But being located in the Languedoc-Roussillon varieties like syrah, mourvèdre and grenache noir are obviously also seen. This particular wine is made from grenache (noir) 80% and carignan. No sulphur is added here.

Une Lubie 2018 (Clos des Vins d’Amour)

Deep red. Smells of flowers, dark and red berries (blackberry, cherry), a touch of anise. Quite light, fresh, luscious, slightly pétillant.

Price: Medium

Food: Light meat, veal, cured hams, grilled fish, salads, hard cheeses, and (probably) sushi

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Wine of the Week

Majas’ Cortado

Domaine de Majas is run by Alain and Agnes Carrère. The 30 hectare domain is located in the Roussillon by the village Caudiès de Fenouillèdes. Tom Lubbe from nearby Domaine Matassa helped to change into organic cultivation. The vineyards are at 350-400 meters’ height in slopes with good exposure and drenage. We see around 120 year old vines of carignan, grenache noir and macabeu, and younger (30-35 years) of syrah, cabernet franc, merlot, rolle and chardonnay. The climate is affected by the nearness of the Pyrenees and the Mediterranean sea.

The wines are fermented with natural yeasts in old cement tanks, some steel and a small percentage old, used wood.

Here we experience harsh winters and warm, sunny summers. The tough northwestern wind from the Pyrenees and the wet Mediterranean breeze often follow each other.

Even if the domain lies within the AOC Côtes du Roussillon they often choose to classify their wines as Vin de Pays de Côtes Catalanes, to honour what they consider te be a unique area.

The soil is mainly chalky clay and schist.

The grapes for this wine are grenache 50%, grenache gris 25%, and grenache blanc 25%. They were hand-harvested, naturally fermented in cement and aged there for 6 months.

Cortado 2017 (Dom. de Majas)

Light ruby. Aroma of white flowers, plums, peach and raspberry. In the mouth it’s intense, fruity with round tannins.

Price: Low

Food: Light meat, white fish, salads

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Wine of the Week

Jean-Philippe Padié’s white flower

Calce is a village on the edge of the Agly valley,  Roussillon. From there many gifted winemakers has made it to the headlines, from Gérard Gauby, via Olivier Pithon to Tom Lubbe, and so on…

Jean-Philippe Padié deserves a place in that gallery. He was probably the first in the village to end the family’s tradition of delivering to the cooperative and start bottling himself.

Padié studied agronomy in Montpellier. He has also had training periods at reknowned producer Mas Amiel, and also at Gauby, before he started in the family business in 2003.

The wine was made from three grapes; grenache blanc 50%, macabeo 40%, and grenache gris 10%. It was fermented spontaneously in used barrels, and bottled unfiltered.

Dom. Padie Fleur de Cailloux 2016

Fleur de Cailloux 2016 (Dom. Padié)

Light yellow, slightly cloudy. Waxy, mature and floury apples, apricot, dried fruits, aromatic herbs. Medium body, integrated acidity, long and fruity finish.

Price: Medium

Food: Light meat, salads, cheeses

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Wine of the Week

Matassa’s red Coume de l’Olla 2015

We have talked about Domaine Matassa several times. Read here about one of their white wines, and here is something from another project that New Zealand born winemaker Tom Lubbe is involved in.

The white Coume de l’Olla is a lovely, citrusy skin-contact wine. Today we had the red wine with the same name at a restaurant.

It’s made from grapes biodynamically farmed in the Calce region, on the northeast side of the Pyrenees. They are grenache 70%, grenache gris 20%, and macabeo 10%. The must was spontaneously fermented and aged in cement tanks.

Coume de l’Olla 2015 (Dom. Matassa)

Light ruby. Aromatic, smells of red fruits, both sweet and sour (plum, cherry, cranberry), floral overtones and hints to truffles and mature cheeses too. Quite soft, fleshy, but just enough tannin to bind it together, a fresh, natural acidity and some spice in the finish.

Price: Medium

Food: Light meat, salads and much more. At an Italian restaurant we tried it today with four different dishes, and it performed brilliantly with vitello tonnato (veal in tuna mayonnaise) and pasta with a creamy sauce and mushrooms.

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Wine of the Week

Crossing borders

This is a Côte de Roussillon Village from a tasting of Catalan wines from both sides of the border. The tasting featured mostly wines from carignan and grenache, both of Spanish origin, but some had small amounts of other varieties. This is a blend of carignan, grenache with syrah and mourvèdre.

Domaine Gauby is located 20 km north-west of Perpignan and extends over about 85 hectares of which 45 hectares of vines up to 125 years old, the rest meadows, oak forests and scrubland. Here we find varied terroirs composed of limestones, marls and slate.

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Old carignan (credit: Dom. Gauby)

Enologist Tom Lubbe has been a very important figure for this region, and under him Gauby was leading the way in the reviving of this old viticultural region. He had crossed many borders before he came here; born in New Zealand, worked in South Africa’s Swartland, then arrived here. He has been involved in the production of both Gauby and Majas, before he now is leading the neighbouring Matassa project (and married to Gérard Gauby’s sister).

This grapes for this wine was sourced from sedimentary limestone and slate, the carignan, 125 years. The vinification was traditional, 100% de-stemming, maceration 2 to 4 weeks, and use of native yeasts. Two years in barrel, obviously used (no taste of oak worth mentioning), no fining nor filtering.

Bilderesultat for gauby vieilles vignes 2011

Gauby Vieilles Vignes Rouge 2011 (Domaine Gauby)

Dark red, some development. Aroma of cherries, thym, some earthy notes and pencil. Good fruit, soft tannins and bright acidity. Still slightly sparkling, but nothing “difficult”. Excellent timing: Drink now!

Price: Medium

Food: Light meat, game, ragus, a variety of cheeses…

 

 

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Wine bars and restaurants

A new dawn at Brawn

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Brawn, on the corner of Columbia Rd.

This was my third visit at Brawn. First time was three years ago when my wife and I had first visited the RAWfair and the nearby flower market. By that time Brawn was taking pride in serving all parts of the pig. Now it seemed that the kitchen had moved on to a more diverse fare. This was confirmed by the staff, that said it was partly to be in tune with the times and many people’s wish to go for lighter menues. While I loved the former concept, that I in fact had come back for, I also appreciate the new approach. And with an equally eclectic wine selection as before: organic wines, as naturally made as possible, but with no fundamentalism either – yes, I can say that I have the strongest faith in the project. I am a bit worried that the swine in the logo could be an endangered species though.

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This eastern oasis (near Bethnal Green) could be called a classic. The kitchen puts out wonderful dishes with the strongest confidence, the menu is written in an original language, and the wines are of the versatile type. I will not dwell too much with the food, since this is primarily a wine site. But I must mention that at my latest visit I had salted padron peppers, then a tomato salad with red onions and basil, and then a marvellous black pudding with a thin, crispy crust with maize and mushroom. And by the time I reached this dish Maceo Parker’s funky sax came very appropriately through the speakers. The dessert was dark chocolate in olive oil and sea salt.

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Peppers with Pink Bulles sparkling and black pudding with a Puglia primitivo

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The wine list contains some 500 wines, all suiteable for drinking now or in the near future. No show-offs. There is a selection of around 20 wines (and some beers and ciders) by the glass, but when I look at my notes after each visit I see that some of the wines suggested by the staff has come from the main list, which is another “plus”.

With the padron peppers I had an unfiltered gamay pét nat from Auvergne (in Upper Loire, west from Beaujolais), the Pink Bulles 2015 (Jean Maupertuis), that was lightly blushing pink with an orange hint, had a delicate aroma of yellow apple, peach, and was light and fresh in the mouth. With the tomatoes came the Supernova 2015 (Danjou-Banessy) a Mediterranean muscat from Roussillon. This had some traces of extended skin-contact, with a yellow-orange colour and some notes of peel in the aroma. Quite round and soft with moderate acidity, but the dry texture from the skin-contact adds to the balance. Third wine: Lamie delle Vigne 2014 (Cristiano Guttarolo), a Puglia primitivo, that came with the black pudding. Very dark, young colour, aroma of berries from the wood, some blueberry, and in the mouth it was round and tasty. It can also be noted that it has some volatile acidity, which I think is ok in small quantities, and in a southern, warm wine like this it actually adds to the freshness.

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Pierre-Yves and Wesley at Brawn

I was also given a taste of their Guigne et Guins 2014, a wild cherry liqeur from the Laurent Cazottes destillery (with whom they collaborate, if I remember right), quite light at 18% of alcohol, fruity and not too sweet.

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With this dessert I chose a Maury, the Fagayra Rouge 2012 (Les Terres de Fagayra), a grenache-based dessert wine with hints of sweet black cherries.

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To sum up, this is that kind of place where I like to go myself, a cosy, not too formal place with focus on wine, but with a really good kitchen to match it. In a place like this I could have said that I am just a little-medium-very hungry, and let the staff bring me wines and food of their own choice. Go there you too!

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Wine of the Week

Matassa’s Cuvée Alexandria

There are some posts from Southern Spain these days, and the bulk is yet to come. So a French wine is this week’s pick.

Tom Lubbe, originally from New Zealand, makes wine in the French part of Catalonia, in the hills of the Coteaux du Fenouillèdes, to be precise. The altitude is 450 meters, quite high for this region, and the soils are granitic. Biodynamics are practised, and the winemaking is as natural as possible.

Nowadays his grapes are picked early, and musts from aromatic grapes like muscat are often given a long contact with skins and stems – here 30 days.

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Matassa Cuvée Alexandria 2015 (Dom. Matassa)

Orange-brown, slightly cloudy. Smells of orange peel, apricot and aromatic white flowers. Medium full and concentrated, yet light (in the meaning uplifting), light tannins, quite refreshing, and with a salty, mineral aftertaste. Delicious.

Price: medium

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Articles and Wine bars and restaurants

More surprises at Egget, Stavanger

Egget (The Egg) didn’t come first, only around a year ago. But it managed to bring new concepts to the already varied gastronomic scene in Stavanger, a Norwegian town with more than its fair share of cafés and restaurants. This is mainly because the country’s most important culinary educational institutions have been located here. Add to this the nearness to the oil industry and university students from across the country, and I think you are beginning to get the big picture.

What is special then? The obvious features are the facts that the responsibles at Egget don’t have written menus, nor wine lists – and they don’t take bookings. Other than this they seem to have a rather holistic approach, and I doubt they have fixed prices for every dish or every wine.

But maybe the most important: I can’t think of any other restaurant in the area with extremely high ambitions in wine and food, without being formal and pricy. One of Egget’s nearest neighbours just up the street, the first one outside Oslo to receive a Michelin star, can exemplify this. (No offence, that one is excellent too, but more “formal-normal”.)

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Left to right: Diego Gimeno, Roy Klausen, Benoît Berthail (not present that day: head-chef  Anthony Orjollet, creator of most of the dishes)

This time I visited at late lunch-time with a friend. And when we sat down at a table of our choice the relaxing reggae music was turned down to a perfect level. We shared tapa-sized dishes throughout the meal. Our waiter, Ben, made it clear that it was squid day, as the food is always based on today’s catch, and the squid was especially good that day. So along came squid in its own ink, in a salad – and a dish that looked like a chocolate cake, but it was in fact a risotto that included squid with ink as well. There was a ceviche of cod, and a hot dish made with skate (you know that fish that looks like a kite in the water), fermented carrots, grilled milk-marinated lamb… The ingredients and techniques are taken from anywhere in the world, but quality and creativity are common denominators.

The wines are what I like to call natural wines; you know, artisan, low-intervention, organic wines, even without added sulphur, and they are without exception served by the glass. For me Egget is a place I go to get surprised. Sometimes I want to discuss a few options with the waiter, but most often he will suggest a wine, and I will say “ok”. And what to serve with the wines? Well, the kitchen is absolutely free to chose. The food is always superb, often with a creative twist, and with the wines they serve here it has never struck me that the food and the wine didn’t match.

Egget_fasade

When you enter the place, you notice oak barrels from Rioja producer Muga in their yard. But you better look upon them as tables, as the wines served are neither oaky nor old-fashioned (and with all respect, Muga is not in the avant-garde of Spanish wine any more, if they ever were).

The first wine this time was the white Amphibolite Nature 2015 from producer Joseph Landron in Loire’s Muscadet de Sèvre-et-Maine. Landron disposes of 45 hectars with varying soil. Amphibolite is the name of the stones that can be found in this particular vineyard, containing magnesium and iron silicate. When the mélon de Bourgogne vines are rooted deep in this soil it can transmit very mineral character to the wine. The wine was slender, citrusy, mineral and structured.

Next was a light red grenache-based wine, Cuvée Romanissa 2014 from Domaine Matassa, on the French side of Catalunya. The grapes are grown in schistous soils rich in iron, and it’s very luscious and fresh, with aromas of red berries and herbs.

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We were also offered the Flotsam & Jetsam Cinsault 2015, from Hemelrand (Alheit Vineyards) in South Africa’s Darling region. Also light coloured, this one had more roundness, and a sensation of sweetness from the cinsault grapes. Strawberry is maybe the dominant aroma, but it showed some spiciness too.

Éric Texier’s Chat Fou (Crazy Cat) is a long time favourite, now in the 2014 vintage. This time we ended with this lovely unfiltered Côtes du Rhône, with its blend of 50% grenache, the rest a mix of four other Rhône grapes, including the white marsanne and rousanne. It was the darkest wine of the lunch, but still deliciouis, luscious summer drinking – yet concentrated and with a hint of spices. Éric isn’t one who uses many tricks to make his wines darker, fatter, more tannic… On the contrary his minimal intervention philosophy seems to maintain a perfect balance in his wines.

Egget_logoYou never know what is coming out…

This was a few days ago, when everyone was preparing for Norway’s national day. I bet many people were crowding up on that day too. Lucky the ones who managed to get one of the 5 or 6 tables. New surprises. Hooray!

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Wine of the Week

VDN for Christmas cookies and more

Based in the village of Rivesaltes just north of Perpignan, Domaine Cazes makes a variety of wines from around 200 hectares of vines in the amphitheatre of the Roussillon area. For several years now, with Emmanuel Cazes as winemaker, they have had a biodynamic approach.

The Ambré is a naturally sweet wine (VDN) from grenache blanc that is not made every year. The grapes were grown on calcareous clay and big stones, and the wine has spent 15 years in old oak casks for a slight, controlled oxydation. It clocks in at 16% alcohol, and the residual sugar is 120 g/L, so it’s not overtly sweet.

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Rivesaltes Ambré 1997 (Domaine Cazes)

Deep amber in colour. Aromas of nuts, dried fruit, lemon peel, with some caramel. On the palate it’s voluminous with a nutty flavour, some caramel, and just enough acidity to keep it from cloying.

Price: Medium

Food: Roasted almonds, nut-based cookies and desserts, try to some soft cheeses

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