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Tag: Spain

Wine of the Week

About flowers and bees

Ribeiro is one of Galicia’s inland DO’s. Coto de Gomariz overlooks the river Avia, and counts nearly 30 hectars on schist, granite and sand. The land is mainly steep, and the yields are naturally low. Gomariz has surely come a long way since Ricardo Carreiro’s father founded the estate a few decades ago, and has been one of the leading estates in Galicias Ribeiro for several years now, one of the major awards so far is «best white wine of the year» by Spanish wine website ElMundoVino. Many good wines mainly from treixadura and sousón have emerged, terroir based wines full of expressive fruit and a great deal of minerality.

IMG_2771 Ricardo Carreiro in the Gomariz cellar

Ricardo has introduced biodynamic techniques. Recently, together with his winemaker Xosé Lois Sebio, he has also added some new wines. I think the main reasons for this were to secure some quicker income, and at the same time improving the grape material for the top wines. A basic white was released. Then there are the two varietal wines called The Flower and the Bee. There is a treixadura white, while this week’s special wine is red, and the one grape being sousón. This variety is thought by some to be an original Galician grape, but it is in fact the same grape known as sousão or vinhão over the Portuguese border.

 

2015-06-15 19.57.34 Unpretentious, lovely wine for a simple, tasty tapa

The Flower and the Bee (La Flor y la Abeja) Sousón 2013 (Coto de Gomariz)

Dark with a blue rim. Vivid aromas of blueberry and raspberry, some balsamic notes (mint), and a touch of sweet spice. In the mouth juicy, slightly carbonic, and very easy to drink. The 2013 has settled and is maybe at its peak right now.

Price: Low

Food: Salads, a variety of tapas, light meat and -why not?- bacalao

 

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Wine of the Week

Mountain wine off Granada’s tropical coast

We took a trip from Almuñécar on Granada’s tropical coast and found Bodega H. Calvente in the village of Jete just 15 minutes inland. Here Horacio Calvente and his wife Josefina makes organic red, white, rosé and sparkling wines from two main vineyards in the sheltering mountain ranges Chaparral and Almijara. They ferment them with natural yeasts, and they play with the temperatures to achieve the desired qualities. The lights and whites are simply delicious. The reds are on the oaky side, but I believe that they have the power to come around.

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When we were there on San Juan, a public holiday, they obviously had other plans. Still they kindly opened the doors for a brief visit. It’s wonderful actually that everywhere you turn there are small scale producers like these who love their land, their work and their wine. 

The wine of this week is their signature white wine. Made from 50-120 years old moscatel de Alejandría grapes in the Guindalera vineyard at 750 to more than 1000 meters in the Sierra de Chaparral.

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Calvente Guindalera (mountain wine) 2014

Light straw yellow. Expressive aromas of peach and pineapple, white flowers, some tropical fruit (chirimoya). Full on the palate, a slight hint of bitterness, and with moderate acidity, all this typical of the grape.

Price: Low/medium

Food: Fish, shellfish, chicken, fruits. The picture is taken at Almuñécar’s Los Laureles restaurant, where we had a blue cheese and cured ham salad, and it also went well with the chicken main and a strawberry, cream and peppermint dessert.

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Articles

Verdejo in the wind

I was invited to speak about the wines of Rueda in a wine club on the windy Norwegian southwestern coast. Jæren Wine Club is one of the most active and ambitious ones in the area. They have monthly tastings with invited speakers, and they also arrange an interesting annual wine and food fair. The tastings are held in an extraordinary cultural project, Hå gamle prestegård (Old Vicarage), home to events like concerts and exhibitions.

Hå gamle prestegård

Although the grape variety verdejo has existed in northern Castilla since the 11th century it rose to prominence from the 1970’s on. Today it’s almost a synonym of DO Rueda. So popular has it become that it’s maybe the white wine you are most likely to be served almost anywhere in Spain. The influx of external actors on the scene is enormous (though only a few have established their own bodega), and there are many commercial brands hiding almost identical steel tank wines these days. Still many producers fight to keep the quality up, there is interesting work being done.

Here I have picked four wines from the tasting. All these were made from organically managed vineyards and fermented with natural yeast. The first one is splendid value for money, the three others (at least in theory) contenders to the Spanish white wine throne.

A typical dish to go with these wines is ‘cochinillo’, the suckling pig so popular and delicious in the provice capitals of Castilla y León.

Menade 2013 (Bodegas Menade)
Light yellow. Fresh, green, with a touch of citrus and nettle. Quite full on the palate, with a lightly citric taste, and good length

Price: Low

El Transístor 2012 (Telmo Rodríguez)
Telmo Rodríguez, originally from Rioja, is famous for restoring of old vineyards in partnership with vintners in many Spanish regions. The name of this wine is inspired by the a special form of biodiversity: a radio blasting in the vineyard to keep the wild boars away.

The wine has a light straw colour. Mature apple and white fruits on the nose, some citric tones. Round, tasty and concentrated, some acidity and a lightly green finish. Just lovely. Fermented in oak, cement and steel, that only adds to the complexity.
I would say near its peak, but will keep.

Price: Medium

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Barco del Corneta 2012 (Beatriz Herranz Sanz)
Today Beatriz has two projects, she’s doing verdejo in Rueda (or rather: Castilla y León, as the wine has the designation ‘vino de tierra’), and another interesting grape variety named juan garcía in Arribes. Formerly she was also working with garnacha in the Gredos area.

This verdejo has a light straw colour. Citric aroma with hints of herbs, minerals, it has a yeasty ‘sobre lías’ (on lees) character, but very, very clean. It has some more Though a bit more ‘lees’ than the previous wine it’s also very elegant, and I would say a bit tough more acidity. Fermented in barrels, but it’s by no means oaky.
Excellent drinking now, but will keep.

Price: Medium

Ossian 2012 (Ossian Vides y Vinos)

This wine is from the most southeastern corner of Rueda, and higher than the others (almost 1.000 meters as opposed to around 700). The tiny village of Nieva has only three wineries, all of them owners of old ungrafted verdejo grapes. This one has spent 9 months in new and used oak.

Pale and clear. Vanilla on the aroma, some apple, apricot, and a touch of honey. It’s full on the palate, nuances of citrus, and at this stage, quite oaky.
It clearly needs to mature, but will it ever come around? Maybe, maybe not. And though from the coolest part of Rueda, another question is if it has the acidity to accompany it along the way. One has to buy some bottles to find out.

Price: Medium

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Wine of the Week

Gold on the Costa Blanca

Interesting things are happening at the unlikely place of the Costa Blanca, the most heavy tourism and holiday home strip along the Spanish coast. From head-quarters in Bigastro, between Oriuhela and the infamous Torrevieja, Rafa Bernabé makes wines from grapes sourced from a rather big area from the coast and towards bordering Murcia.

This week’s special wine is aged in clay jars (in Spanish called tinajas) made in La Mancha. Perhaps more sensational, it is grown within the borders of La Mata national park in the municipality of Torrevieja. Bernabé is one of the many who have left their respective DO’s lately, so the wine is classified as a table wine (Vino de Mesa). The vineyards are situated near sea level, and they are organically treated. They have a high proportion of sand, so the vines are also predominantly pre-phylloxera, ungrafted. The ageing has been carried out in jars, without stirring, no SO2 has been added, the yeast are all natural, and there has been no filtration.

The wine has an orange colour one can expect from a «white» wine that has spent a prolonged time in contact with the skins (30 days maceration), but it has also a red hue. Why is this, I first asked myself, especially when the only grapes listed are the white merseguera 60% and moscatel 35%. But then, there are also 5% «others». So I asked the producer the same question. And yes, the wine also includes five red varieties that already existed within the old vineyards, and they are esclafacherre, plantamula, forcayat, valensi and parrell. (Say them one more time, as fast as you can!) Rafa says the old folks liked the colour that red varieties in small quantities gave the white wines. But he says that he also thinks the higher proportion of polyfenols adds to the ageing potential to the wine.

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Tinajas de La Mata 2013 (Bernabé Navarro)

Golden orange colour, with a light touch of red, and with «long legs». Aromas of flowers, white fruits, orange peel, and with a salty tang; some barnyard at first, but it disappears with airing. It’s quite full, with some tannin, and a mellow citric acidity. All in all a lovely, stimulating wine.

Price: Medium

Food: Fish and shellfish, foie, a variety of cheeses, and – why not – paella

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Articles

Master tinajero in Albacete

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I took a day off and left Madrid for a trip through Quijote’s manchego land, passed the beautiful windmills in Mota del Cuervo. And soon I found Juan Padilla’s place. Not where the map showed me, but some people at a nearby restaurant knew the way. I had no appointment, and I was prepared only to talk to somebody in the reception, and take a walk around and take some pictures. I knew it was right when I came to this closed door.

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So I phoned the number, and who else came and let me in but the master himself. He showed me around, and explained the various stages. Very rarely I have had so few questions to ask, I must admit.

During the last few years I have been aware that containers made of clay can provide a serious alternative, as it lets the wine breathe in a way that stainless steel cannot, without affecting the taste of the wine in the same way that oak barrels do. But I am only beginning to see behind the initial fascination and to understand a little bit. I knew there were many old ones around. I also know that there is an 8.000 year old unbroken line in Georgia, and some very good producers. And the number of wines made in these vessels, big Georgian kvevri or smaller amphorae (in Roman times made for transport), seems to be increasing every day. When I attended a kvevri seminar at the RAW fair in London 2013 Emilio Foradori presented a fabulous wine, for me best-in-show (see here), and I was amazed when he told that this was the only one not made in Western Georgia, but in Castilla-La Mancha, Spain. In Spain they call them tinajas, (the big ones tinajones) or simply barros (barro meaning clay), and the makers are tinajeros.

I contacted Emilio when I planning to write this article, and he tells that for him «Padilla is the last real wine-clay artisan, the quality of his clay is outstanding and above all others I have tasted (lowest percentage of metals)». I also contacted COS, who inform that when they started to use amphoras in 2000 they had also tried jars from Tunisia as well as from their native Sicilia, but they preferred Padilla’s tinajas.

So here I am, walking around Padilla’s pottery in the outskirts of Villarobledo, Albacete. He talks about the process, and shows me his workshop, where he has started on many new tinajas.

2015-05-08 15.31.17 New tinajas

In short, the clay is grinded, then it’s mixed with water and kneaded. It’s widened, then left to rest overnight, and it’s kneaded again the day after. He forms the jars with two metal blades, before it’s scratched so as to avoid marks between the numerous overlapping rolls of clay used.

Padilla paleteando … formed by two blades

Once completed, it is dried slowly, in various periods like autumn and early spring. In May the jars get in the wood oven and once baked, they are finally ready and can be shipped, to Italian producers like Foradori and COS, or some Spanish wine producer (or gardener) will eventually come and pick them up. So you see, it’s not much rush about this.

20150508_153606 Another small building where he keeps the oven

La Mancha is the historically the big center of the jar industry in Spain. You can read about it in Cervantes novel, and nearby El Toboso, where Quijote’s virgin lived (according to himself), was one of the most important villages. In more recent times, between 1915 and 1930, Villarrobledo had 72 active producers.

2015-05-08 15.34.51 Holes for the fire

At the natural wine fair in Madrid I tasted some really delicious wines from the interior of Galicia, the red ones from mainly garnacha tintorera being raised in tinajas. Nacho González tells that his wines called La Perdida are made in clay a little more porous than the ones from Padilla, but they share some of the natural characteristics. Some clay containers are covered inside with epoxy, beeswax or other elements. «For me this is like losing some of the essence of the clay», says Nacho. «I am looking for a natural element for the wine to ferment in.»

Several winemakers, like Nacho González, refers to Rafa Bernabé for his long experience with the use of clay. He is located in the village of Bigastro on the Costa Blanca tourist and international holiday home strip. Rafa informs that all his tinajas has been new and aquired from Padilla. He has now more than 100 tinajas with a capacity between 200 and 400 liters. He works with Padilla «for many reasons», he says, «but mainly because of his artesan character, having learned the skills from his grand-father, for the rigorous selection of the clays, and for the way he dries and blends them». The way he heats it up, in his wood oven (horno de leña, in Spanish), is maybe the most important single factor, according to Rafa.  He says he likes the finish and roughness, probably the only jars of the world that do not require to be lined inside with epoxy or other materials. Still, having said this, Rafa Bernabé stresses that he is not looking for anything in particular when it comes to making wine in jars, because «after all the most important is the vineyard and the grape, that must be shown respect and given freedom. I think we should intervene as little as possible so that these wines can be the very expression of the landscape, territory, its vineyards and its people.»

And here we are back where we started, the most important is the potential of the grape, and the land where it’s grown. And it’s here that clay offers an interesting alternative to both steel and wood.

 

 

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Articles

Natural wine fair in Madrid

Madrid was the place to be for natural wine enthusiasts last Sunday, as the Salón de Vinos Naturales was arranged after an initiative from the Productores de Vinos Naturales. Among the exhibitors were some of their own members, like Barranco Oscuro, and Marenas, whose proprietor José Miguel Márquez is the actual leader of the organization. There were other Spanish producers too, and a few from abroad. The wines were all made by small, artesan producers, almost without exception with natural yeasts, without sulphur added, without much else added either, all in all with minimal intervention.

I tasted something like three fourths of the wines, spoke to most of the producers, and I also met some visitors whom I knew or had met before. For me this is a real fun fair, as you meet a lot of nice people, and everyone is open-minded and willing to share opinions without having to defend anything, and there are no points given. There are just so many delicious tastes, healthy products, and conversations about how all this came about.

I warmed up with some white wines at the stand of Fabio Bartolomei and his Ambiz wines. First a couple of airéns, where the 2012 strangely was lighter than the 2014. But this is the way it is, as Fabio said, these wines chose their own path. I also tasted his Doré 2014, an expressive wine from the grape of the same name, and the Sauvignon 2013, nothing like the commercial Sancerres. It’s aromatic though, with some flowers, yellow apple and a tropical hint. The Albillo 2014 is also full of character, quite rich, with some tannin, and with the balsamic note of the variety.

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Fabio Bartolomei, Vinos Ambiz (right)

Samuel Cano was there with most of his portfolio of Patio wines aged beneath the old-fashioned windmills in Mota del Cuervo (Cuenca). Between Aire en el Patio 2014 (literally Air in the Patio, the never-disappointing airén wine) and Al Sol del Patio 2013 (To the Sun of the Patio), there was a wine from syrah grapes harvested as late as end of December in 5 degrees below zero. He had brought his airén-petit verdot Rosé too, and some delicious reds. If I should pick one it could be the Kabronic this time, a 50/50 syrah/graciano, where the latter has been subject to carbonic maceration, showing very fruity, red berries, some balsamic notes, a touch of CO2, and fruit all the way.

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Samuel Cano

From the area not far from Madrid came also Julián Ruíz Villanueva of Escencia Rural. I know he has several good things, in different styles. This time I only tasted the red De Sol a Sol, a dark wine from the variety velasco, quite special, rich, with notes of coffee, aromatic herbs, and a touch of raisins and plums.

Lorenzo Valenzuela served many of his Barranco Oscuro wines, from the highest vineyards in Europe, more specifically Cádiar in las Alpujarras (Granada). I visited some 3-4 years ago, and I have tasted these wines several times since, but I never miss an opportunity. Among all the excellent wines I will this time mention the ultra-fresh and typical Sauvignon (a completely different interpretation than Fabio’s), and the wonderful Garnata, a very fruity, herb-scented and personal garnacha. Fellow Andalusians, Cauzón and Marenas had several interesting wines, like Mazuelo 2014 from the former, and Vides Bravas 2006 from the latter. Being located in Montilla, Marenas has also wines aged under flor, like the one with the descriptive name Bajo Velo PX (that I didn’t taste here).

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Lorenzo Valenzuela, Barranco Oscuro

Viña Enebro of Bullas had a varied table. A white wine from black grapes, adecuately named Uva Negra Vino Blanco, a fresh, floral, clean wine, the Rosado de Aguja from monastrell, a fruity wine, a little bubbly of course, but quite structured too. Then there were also the Viña Enebro, the one with the pink label, a 100% monastrell, quite light for the variety, some plums and red berries, a lousicious character, but with a nice tannic grip as well. The Quercus came in both 2010 and ’11. See the post about wine bar Solo de Uva for more.

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Juan Pascual López, Viña Enebro

A nice surprise came from Galicia. La Perdida of Larouco in the Valdeorras area served a doña blanca and a godello, but the reds based on garnacha tintorera, one with mencía, were among the highlights for me. Maybe most interesting of all from this producer, also with the name La Perdida 2014, a garnacha tintorera (70%) and sumoll (30%) aged in tinaja (amphora), on granite soil, with splendid clean fruit and a solid tannic grip.

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Nacho González, La Perdida (right)

From Catalunya I tasted some nice wines from Can Torres, Empordà, a vinous garnacha blanca from sandy soil over granite ground, and among the reds the interesting Idó 2013, a garnacha from quite old vines on alternating slate and granite, aged in used barrels, a relatively light-coloured wine with aromas of red berries, plums, a rich wine with an appealing texture. The Ambre was one of the specialities of the day, from garnachas gris and tinta, aged in some kind of solera system. The colour was the same as its name suggests, aromas of figs, nuts, a slight touch of raisin, and the alcohol level was very nicely balanced.

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Bárbara Magugliani, Can Torres (left)

Among the «foreigners» I didn’t taste the wines of Frank Cornelissen this time, as I know them quite well, and the Spanish were my main focus this time. But I visited the table of Château Lamery of the village St. Pierre d’Auirillac, by the Garonne river. Here Jacques Broustet makes wines that are clearly at home in this locale, but distinctly different from what we think of as Bordeaux. His only red wine Autrement 2011 was luscious and juicy, with a slight tannin, and a lovely fruit all the way.

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Jacques Broustet, Ch. Lamery

Domaine Thuronis near Carcassonne in Languedoc had some interesting stuff too. The Esprit Vendangeur 2013 is a sauvignon blanc made naturally, and came with super fruit, yellow apple, melon and some peach, and a trace of CO2 (and the 2012 was in the same line, but a little more developed). There was also a sauvignon made in steel and also a time on the lees of chardonnay in barrel. This was a bit darker, yellow with a brownish tinge, some CO2 again, a creamy texture and a very nice acidity.

There was more than this, and the aforementioned wine bar Solo de Uva was serving home-made bread, tasty tapas, and proprietor Carlos Campillo was filling the room with good vibes. He also hosted a dinner in his restaurant that same evening. I was not there, but it couldn’t be bad.

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Wine bars and restaurants

Only from grapes, Madrid

Some may remember Le Petit Bistrot on one of Madrid’s central plazas. Well, they moved northwards near the Berlin park, one block from Santiago Bernabéu. Now they are changing the name too. Still you will see the old one in the window on Príncipe de Vergara, but during this year they will change everything to Solo de Uva.

This brings it more in line with what the restaurant, or rather: wine bar, is about. This is the temple for natural wines in Madrid, focusing on wines that are made from grapes, and nothing but the grapes, «solo de uva», nothing added, nothing taken away (as the adage of the natural wine movement goes). The wines will come along with simple, but savoury, local produce.

This was my third visit this year. I came in last Saturday afternoon (before Real Madrid vs. Valencia). The kitchen had closed, but owner Carlos Campillo put together a delicious selection of cold tapas, including a tomato creation, a paté and some unpasteurized cheeses (still French, I guess this will also change in a not too distant future).

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Propietor Carlos Campillo and Fabián Herrera

The wine list will obviously change quite often, as all producers are small, and the wines are not made in big quantities. Many of the producers are regulars though, from the Madrid and Gredos area they include Alfredo Maestro and Vinos Ambiz, from nearby La Mancha we find Samuel Cano and Julián Ruíz Villanueva, and among the southerners are Juan Pascual Céspedes (Murcia), Bodegas Marenas (Córdoba), Cauzón and Barranco Oscuro (both Granada). There are also some northern producers, believe it or not from Asturias, and some foreigners too.

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This time I had four wines by the glass, mostly chosen by Carlos: Aire de Patio 2012 (Samuel Cano, aka Vinos Patio), a rich orange wine from the airén grape, Blancas Nobles 2012 (Barranco Oscuro), a charming and expressive, powerful yet elegant wine from the highest vineyards in Europe, made from grape varieties vijiriega, along with sauvignon blanc, chardonnay and riesling, that most would claim to be more noble varieties. Straw yellow, and definitely lighter than the previous wine. Then came Patio Selección 2013, a wine that was used with a selection of cheeses at a winemakers dinner a few weeks ago, at the same place. Indeed I think that these red natural wines could be worth exploring with soft cheeses where ordinary reds normally would lose. I would believe that it has most to do with the special texture caused by the CO2 that may be left in some of these wines maybe. Anyway along with the slightly carbonic mouthfeel this wine has also very nice aromas of dark fruits, sweet morelloes, and a balsamic note. Based largely on petit verdot (85%), but with several other grapes such as syrah as well. Last came Viña Enebro Quercus Red from Bullas, Murcia. I couldn’t see any vintage on the label, but I talked to producer Juan Pascual López Céspedes the day after, who showed me there was a code on the back label. I tasted both the 2010 and ’11, and concluded that the vintage at the restaurant ought to be 2011. It’s 100% monastrell, dark in colour, with aromas of dark fruits, some plums, herbs and coffee. Less ripe/warm feeling than the former wine.

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During my two visits in February I tasted among others the following four white wines: Lovamor, a rich and delicious, a bit balsamic albillo that I had together with its creator Alfredo Maestro, the Malvar (Vinos Ambiz), a wine aged in tinajas (Spanish amphorae) and with an orange, almost brown colour, and Bajo Velo Seco (Bodegas Marenas), made from the variety pedro ximénez and aged under flor, as is usual in Montilla, Córdoba and nearby Jerez de la Frontera. The bodega makes it in two versions, one semi-dry, but this was the dry one, and it is surely marked by the flor character. I found it right to round off with a French wine, and the choice fell upon Nature (Domaine Julien Meyer), a very nice Alsace wine from sylvaner and pinot blanc, made by Patrick Meyer, whom I had met in London a year before, at the RAW fair. Interestingly his cellar grows flor too, as he mostly will not top up the barrels. Then there were also some reds, some of them I have already mentioned, or will mention in a new post, where this restaurant also plays a role.

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Wine of the Week

Meaty mencía

Raúl Pérez is one of the dynamic, driving winemakers in the Spanish wine landscape. But here he is at home at Bodegas Castro Ventosa in El Bierzo, towards the boarder of Galicia where the mencía grape reigns. I could name numerous ambitious wines from famous bodegas in celebrated regions beginning with R that never “came around”. Here the fruit-oak balance works fine already, and it will continue to evolve.

It’s made in the village of Valtuille de Abajo, as the name implies, from a hundred year old vines. The mencía grape is native to this part of the country. While it may have a more slender character and more acidity over in bordering regions as Ribeira Sacra, here in El Bierzo the wines are often rounder, more ripe and with a bit more power. The content of slate and granite in the area helps to give some minerality, much in demand nowadays.

The grapes are harvested manually. It’s given a very gentle pressing, and after fermentation in stainless steel it has spent some months in French oak. It’s not filtered, nor cold-stabilized.

Cepas Centenarias Valtuille Bierzo 2009

Valtuille Cepas Centenarias 2011 (Castro Ventosa)

Deep purple, not showing much age. At first closed, compact and concentrated, with plums, dark berries, some balsamic notes – and a slight touch of vanilla. In the mouth it has a silky texture, and some acidity. Will evolve positively during the next 4-5 years, and will keep for many more.

Price: High

Food: Would pair well with heady dishes, such as the stews from the Spanish inland, and with tasty meat-dishes of many sorts. Game too.

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Wine bars and restaurants

Bar in music break

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We went to Dublin’s fair city, music place. At lunch time we took a break from the whistles, accordeons and fiddles, and found ourselves at a table just off St. Stephen’s Green. And that is also the colour of Ely Winebar. They serve delicious food from their own organic family farm, and the wine list counts some 500 wines, many of them organic and biodynamic, and an impressive 100 wines by the glass. Among the wines we tried were Innocent Bystander 2012 Chardonnay, a fairly full wine with citrus and melon tones with a slight touch of vanilla from Yarra, Australia, Louro de Bolo 2012 (R. Palacios), a godello-based, citrus and herb-scented wine from Valdeorras, Spain, Domaine Chaume-Arnaud Vinsobres 2011, full with hints of red fruits and plums from a typical Southern Rhône blend, PF (Ponce), an old vine pie franco bobal, full of herbs, dark fruits and flowers from Manchuela, Spain, and Paço dos Cunhas de Santar 2010 (Casa de Santar), which we could call a natural wine from Dão, Portugal, earthy and full-bodied, quite polished, with a touch of oak. The ones we tasted were all interesting, some really good, and all this from Ely’s by-the-glass selection.

Keep the beat! And don’t miss this bar!

3_ely_winebar_entrance_22_Ely_Place_Dublin_2 Ely Winebar, Dublin

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