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A different Ribera

Magna Vides is located in La Aguilera, Ribera del Duero. Pablo Arranz and Andrea Sanz there offer a Ribera with a difference, in a region full of oaky wines with mature fruit. Their winery lies amidst organic vineyards, and brings out fresh and terroir-driven wines.

Vera Vides 2020 (Magna Vides)

Made with grapes from vines that are more than 50 years old. 75% tinta del país (tempranillo), with garnacha, bobal, monastrell and the white albillo major. Careful maceration, grapes treated separately before blending and 10 months ageing in used French barrels. Filtered gently before bottling.

Deep red. Dark fruits (morello, blackberry), red fruits (raspberry), herbs. Good volume, fine tannins, a cool acidity. Fresh and balanced.

Magna Vides 2018 (Magna Vides)

Made with tinta del país and a part of albillo mayor. Unique century-old vineyards located at three different sites in La Aguilera. The wine matures for about 14 months mainly in used barrels. It is filtered very gently.

Deep red with blue hint. Fresh aroma of dark fruits (blackberry, blackcurrant), red fruits, herbs, coffee. Good volume and concentration, firm tannins, good acidity, long aftertaste. It’s in a way powerful, but very balanced. Can age, but is surprisingly accessible.

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Articles and Wine bars and restaurants

More from Murcia

Back in Murcia for Christmas celebrations, I never miss an opportunity to visit La Gracia natural wine bar near the cathedral (and the bull ring). Sommelier Esperanza tells that they will organize a natural wine fair on the 21st of January, called #vinosinresaca (that means wine without hangover), where some 25 of the most prestigious microbodegas from all over the country will participate. I really appreciate and support the initiative, though I can’t participate this first time. You should if you are near.

This evening I chose a plain Italian focaccia to go with all three wines, that were excellent. I opened with an aperitif, the sparkler Malaherba 2019 from Finca Parera, Penedès. It’s a rich and tasty wine with lots of body based on the xarel.lo vermell (red) grape, with yellow fruits aroma with wax and iodine.

The invitation to the upcoming fair and the Duarte bobal

Next was Duarte 2022, a young bobal-tempranillo with fresh and dark berries and herbs, quite simple, but tasty. Good fruit throughout, and the tannins were quite firm and seemed young. Its maker Verónica Romero from Utiel-Requena, València is a comet in today’s natural wine sky. The wine is made with whole bunches in a variant of the carbonic maceration.

One of the more established natural wine producers in the Gredos mountains is Cható Gañán, where Kike Prados holds the reins. Navaciegos is a quite complex garnacha wine, purple coloured, aromas of red and dark fruits, also some dried herbs, and a layer of coffee. In the mouth it is full, quite dense and concentrated, with rounded tannins and good fruit. It’s made in Navahondilla, in a 0.35 hectares vineyard of 60 year old vines, at about 785 meters of altitude, with very degraded granite soil. A small part of the grapes are foottrodden and vatted with stems. The rest is destemmed. It was aged in French barrels of 500 liters at various ages.

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Wine of the Week

Brilliant bobal

This brilliant varietal bobal from Manchuela is one of the finest that exists. The producer Bodegas Ponce is described in several posts, such as this one.

The grapes for Ponce‘s Pino come from a one hectare farm with 35 years old vines, planted at an altitude of 900 metres above sea level, cultivated organically. After a careful maceration and treading of the grapes, fermentation spontaneously in oak vats. Then it spends 11 months in used French oak barrels of 600 litres.

Pino 2021 (Bodegas y Viñedos Ponce)

Dark cherry red. Cool fruits, red and dark, herbs, a mineral component. Medium-bodied with concentrated flavours,, good acidity, expressive and energetic.

Price: Medium

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Wine of the Week

Ponce by Ponce

Just back from Bobal country I look back on the best wines during the week. In Manchuela I was welcomed by Juan Antonio Ponce in Villanueva de la Jara (province of Cuenca) a real master of the art.

Bodegas Ponce makes super-elegant and drinkable wines with a very light extraction. Juan Antonio uses only big old wooden containers, whole cluster, and the presence of oak in the wines is zero. He also has a good hand with other varieties such as monastrell that he also makes in a surprisingly elegant style.

The self-titled wine is one of the latest additions to the portfolio of the house, first made as a tribute to the first 15 years of Ponce’s project. It has in short time become something of a prestige wine, and as such maybe surprisingly only 85% bobal, while the rest is moravia agria.

The two varieties ferment separately with native yeasts in wooden vats and with a short maceration. The wine ages for 17 months in large in 600-litre French oak barrels. It’s bottled without filtering or clarifying.

Ponce 2020 (Bodegas Ponce)

Cherry red. Red and black fruits, herbs, a touch of smoke. Medium-bodied, concentrated flavours, mineral and long. Elegant.

Price: Medium/high

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Articles

Highlights from Raw Wine Copenhagen

Raw Wine is ever expanding and has finally come to Scandinavia. Last Sunday some 180 artisans from all over the world was gathered in the conference center The Plant in Amager Øst, Copenhagen. There were three seminars, of which I participated in one (about wines from Castilla y León, read a note here). In the days leading up to the festival there were also tastings and other events collected under #rawwineweek, of which I also participated in the biggest of the additional tastings (see a report from Café Josephine here).

With 180 producers it’s obvious that I couldn’t taste everything. This time I rambled around with no special plan, except I wanted to talk to some that I didn’t know before, some that I knew a little, and of course say hello to some good friends.

My readers might not know that I have a history in Peru. But I have, and my daughter is half Peruvian. Some years ago I visited the region of Ica. It was exciting to know that there is now a natural wine producer right in the desert. The people of Peru knows that it’s their country, not neighbouring Chile, that is the cradle of pisco. The old harbour of Pisco is located right there, only 75 kilometers from Ica, and both are located south of Lima.

Pepe Moquillaza is also a pisco maker and has done a great job recuperating quebranta grapes for pisco production. Now he is rescuing Peruvian clay vessels (also called piscos, or botijas) for natural wine making. In Copenhagen I tasted two of his maritime desert wines. The first one was Mimo Italia Quebranta 2020 (italia, local name for moscatel de alejandría, and quebranta in equal proportions), organically and biodynamically farmed, with two years of skin-contact, not sulphured, aged in old oak, unfined and unfiltered. It’s a light amber coloured wine with good volume, a grapey character and also good acidity. Albita de Ihuanco 2019 is a blend of albilla (local name for palomino) and italia. It combines the minerality of albilla with the flowery scent of moscatel. It’s yellow in colour, and has good volume in the mouth, with some tannin and a lot of fruit. Like the previous wine it has almost zero sugar and a moderate 12% alcohol. The length of the skin-contact is here two months.

Lanfranco Fossà was there on behalf of Davide Spillare, who lends his name to the labels. I met them both when I visited the important village of Gambellara in Veneto five years ago, and it was nice to catch up. (Here you can read about that visit, with more background.) The wines are fresh and lively, and quite light in body. As if some extra freshness is needed, the L1 Frizzante 2021 sparkler has a small percentage of durella to give an extra boost. Bianco Rugoli 2016 comes from an 85 year old vineyard with volcanic soil, with bushes trained in pergola. The nose is complex with mature apples, wax and aromatic herbs, good acidity and a salty mineral finish.

Bianka Schmitt and her VooDoo Doll

A relatively new discovery is Bianka und Daniel Schmitt of Rheinhessen. During the last couple of years I have tasted several impressive wines, from the entry-level 1 litre bottles of Frei. Körper. Kultur. and upwards. It was then lovely to be able to meet Bianka in Copenhagen. These wines are fresh, tasty and truly inspiring. Here we tasted rieslings, like the flowery, red appley, quince and honey scented Riesling M 2018 and the flor-aged Voodoo Doll 2020. There’s no evil behind the appropriate black label; it is floral on the nose, with almonds, herbs and a touch of tropical fruit. Of the reds I will mention two; first the elegant Spätburgunder 2018, with its generous raspberry, complemented with flowers, green peppers and an interesting hint of coffee. Kékfrankos is the Hungarian name for blaufränkisch, that the Schmitt family brought over from there. Now in its 2021 vintage it’s medium-bodied and in a way light, but it’s also wonderfully complex, smells of blueberry, morello, herbs and a touch of coffee, it’s luscious in the mouth with soft tannins, an agreeable acidity and a pleasant bitterness in the finish.

Philippe Lancelot is a natural wine classic within Champagne. The estate was created by his parents who both inherited some vineyards, then bought new ones together. Philippe had introduced biodynamic practise for all vineyards by 2012. He wants to express the individuality of each cru and village, almost always completely dry and in most cases without any added sulphur. He showed five magnificent wines, among them Le Fond du Bâteau 2018, from the lieu-dit (named vineyard) of the same name in the surroundings of Choully, a grand cru village in Côte des Blancs. 100% chardonnay, no dosage and zero added sulphites. Light golden, aroma of green apples, citrus, chalk and brioche, concentrated, mineral, long, pure. The oldest wine he presented was Les Bas des Saran 2014, also pure chardonnay, with no additions. This one comes from four lieux-dits in the grand cru villages, among them Cramant (his home village). It’s vinified in oak barrels and vats, and spent 5 years in the cellars before launch. It has a discreet floral nose, more expressive citrus, brioche, in the mouth it has a dry and tense attack but develops both creamy and fruity.

Château Meylet is another natural wine venture from a classic place. They are also biodynamic since 1987. David Favard runs the family estate, that due to its location in St. Emilion has a high percentage of merlot plants, but also cabernet franc, cabernet sauvignon, malbec and petit verdot. Cuvée Baiser d’Ange 2021 is an interesting orange wine from semillon, made with 15 days skin-contact in amphora. Yellow colour, rich with a sweetish sensation. Château Meylet 2019 showed that the reds have some oakiness at an early stage. Luckily there are aged wines then. The 2003, made by David’s father, has stood the test of time. Red with brick rim; red and dark fruits, some tobacco and spice; fine tannins and well-balanced, a raisiny touch also.

Mas de la Lune is located in the Agly valley, Côtes du Roussillon. In schist and granite soils grow varieties also known from the Spanish side, all of them 70-90 years old. Vanessa Courtay showed me a handful of wines in several colours. I am not sure which vintage I tasted of Le Second Souffle; I think it might be 2022, although it then would barely have the time to stay the 9 months with skin-contact that Vanessa told me it had. Anyway it had also little colour for that amount of time. It’s made of macabeu and tastes of wax, flowers and yellow apples, with a structure that more than the colour tells about the prolonged time on skins.

I will soon go on a trip to Bobal country in mid-south-east Spain. A perfect introduction was then to visit the table of Altolandon, from the Cuenca part of DO Manchuela. The property lies up to 1.100 meters, that makes a slow maturation and a fresh acidity possible. Carmen Sebastián and winemaker Rosalía Molina showed me several wines as proof of this. Milhistorias Bobal 2020 has a bright red-blueish colour; red and black fruits on the nose with flowers and herbs; it’s fresh and fruity, very much alive and with a super acidity.

When I was about to call it a day and leave I stumbled upon Nacho León of Demencia Wine. He is located in Villafranca del Bierzo, and the name points to mencía, the most important grape in the area. The wines come in an expressive style, with good fruit and firm tannins. Fuente de San Lázaro 2019 comes from 115 year old vines in a variety of soils and is made in old wood. It shows red and black fruits, herbs and am earthy touch; in the mouth it has the firm tannins, and also a lot of freshness. Villegas 2019 comes from sandy and clayey soils and is also made in old wood. Ripe red and black fruits, herbs, a toasted note; the tannins are firm and there is some coffee and a touch bitterness in the end.

A highlight was indeed the veggie pita served by Jakobsen’s Pita. Not least because I met Ismael Gozalo, that gave me a sip of his magnificent Frágil 2021, a glass-raised verdejo, just in time to enjoy it with the pita. And of course, interviewing Isabelle Légeron MW for Vinforum magazine, in a story about the Raw Fair itself. When it’s published I may port a short version of it here.

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Articles

Four Bobal Brothers

I am preparing for a trip to Spain and Bobal country. Bobal is native to Utiel-Requena (where it accounts for 80% of the red grapes) and surroundings in the comunidad of València. It is also very much at home in La Mancha, such as the Cuenca and Albacete provinces. But it can be found far beyond these boundaries. It is the third most grown red grape in Spain, having lost second place recently to garnacha.

The must is normally high in colorants and tannins and is suitable both for aging and for blending with other varieties. The wines tend to be fruity, low in alcohol content and high in acidity.

Bobal grapes affected by hail (Credit: iStock)

I ordered four wines present in my home market. I intend to visit all of the producers, so here I will only give a short presentation of each.

Aurelio García and his wife Micaela Rubio run the first project. They have both worked and consulted in various companies locally and nationally. Here they focus on their roots, their personal taste and local grape varieties and sites.

El Reflejo de Mikaela is in a way an entry-level wine. It is fermented with 30% whole bunches in stainless steel tanks, then aged in moderately porous French vessels made from clay and silica and barrels.

Casa lo Alto is a hamlet outside Venta del Moro, València, where the winery is located. Víctor Marqués is winemaker. The wine Manzán comes from three plots planted with bobal in bush-style between 1940 and 1965. The soil is calcareous clay, poor in organic matter. Use of chemical products is avoided and biodynamic preparations are used. In the winery the grapes are destemmed but not pressed. They undergo a spontaneous fermentation with native yeasts. After pressing, it is decanted into barrels with its lees for approximately 10 months.

Bruno Murciano is a trained sommelier. In 2005 he started his project to make his own wine. He bought 8 ha of old vineyards with bobal in his hometown of Caudete de las Fuentes. In 2010 the first wine was made together with friends, and most of all his brother José Luís, who brought with him experience on how to work biodynamically, among other things.

L’Alegría is made with grapes from the Las Brunas vineyard located at 900 m above sea level. The vines are 85 years old, grown in clay soil. The wine is made in steel tanks.

Bodegas Mustiguillo of Utiel is one of the farms that have their own DO Vino de Pago. Owner Antonio Sarrión is also currently resigning after his period as president for the group Grandes Pago de España. The pago is El Terrerazo, a 160 ha property in Utiel. When Sarrión took over, and after having purchased nearby plots from local farmers, he planned to launch equal parts of bobal, tempranillo and cabernet sauvignon. But soon he realized the potential for the local grape, and bobal is now by far the leading grape in Mustiguillo’s reds.

Finca Terrerazo is a monovarietal bobal from wine from vineyards 800 meters above sea level, on very poor soils with limestone with a sandy-loam texture, from old vines planted between 1945 and 1970. Each plot was vinified separately. Fermentation in oak vats with native yeasts for 8-10 days, with gentle pump-overs and pigéage. Aged for 14 months in French oak. Bottled without stabilizing or filtering.

El Reflejo de Mikaela 2018 (Micaela Rubio & Aurelio García)

Dark red. Cherry/dark fruits, plums, herbs, sweet/warm sensation. Full, firm tannins, mature berries.

Manzán 2020 (Casa lo Alto)

Dark, blueish hint. Mature fruit, blueberry, cherry, herbs. Good acidity, dryness of strong earl grey tea, or maybe crushed stone.

L’Alegría 2019 (Bruno & J.L. Murciano)

Dark, quite dense. Mature black and red fruits (blackberry, cherry), eucalyptus, coffee. Good volume, abundant tannins, spice, quite big but also with some elegance. A couple of years of cellaring is recommended.

Finca Terrerazo 2019 (Bodega Mustiguillo)

Dark cherry. Dark and red fruits (blackberry, raspberry), spice, some toast. Good volume, firm tannins, good fruit and acidity, and a mineral touch. Bears 14,5° alcohol well. A couple of years further ageing recommended here too.

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Wine of the Week

Águila of La Aguilera

Dominio del Águila, in the village La Aguilera, was founded in 2010 by Jorge Monzón and Isabel Rodero. Here, in the Burgos part of Ribera del Duero, they cultivate 30 hectares of vineyards, all organically.

Pícaro del Águila is made with vines between 35-60 years old, on sandy-clay soil, 900 metres above sea level in a north-facing vineyard. The main variety here is tempranillo with some albillo, bobal and garnacha. These varieties are co-fermented whole bunches in concrete lagares and aged in French oak. This is a nod to the past; a wine made with a blend, with a good balance between the fruit and wood and a vibrant acidity.

Pícaro del Águila 2020 (Dominio del Águila)

Ruby red. Expressive aroma of dark and red berries (blackberry, cherry), autumn leaves and spices. It’s in a way powerful, but the tannins are soft and rounded,, there are ripe fruits, and a fresh lingering acidity.

Price: Medium

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Wine bars and restaurants

Argentinian wine bar in La Latina

Wine bar and restaurant Cedrón is located in the the La Latina neighborhood of Madrid, just behind the Plaza de la Cebada, with the famous market. It’s a warm and cosy locale from 1850, with wood, steel and stone. They have a wide variety of wines by the glass, some are natural wines, some just organic, and all are made by small family producers.

The owners are Argentinians, and both wine list and food menu has some influence from this. I ordered vitello tonnato, that is Italian origin, but very popular in Argentina. I completed with two more small dishes, a fresh burrata, and croquetas of cod, that turned out to be quite spicy. A complimentary starter was a humus de remolacha, accompanied by flatbread with herbs.

For the three platters I chose three wines. La Salada Disbarats 2021 is a simple but delicious white made by Toni Carbó, that has collaborated with Mas Candí in Penedès. The wine, from macabeu 80% and xarel.lo, is a light skin-contact white, slender, with aromas of citrus, flowers and a touch of orange peel, and with a saline finish.

La Traca 2020 (Risky Grapes) is a juicy, light structure bobal from València. The colour is ruby red, and the aromas are dominated by red berries like raspberry. This red wine accompanied the vitello tonnato, as always cold veal with tuna mayonnaise, a dish with some umami. Sommelier Gustavo, also Argentinian, said that he would normally have chosen a sherry for that dish. Knowing what I now know it would have been easy to agree.

I had quite a bit of luck, as the croquetas were more spicy than expected, and also the last wine was more sweetish than expected. Las Nubes 2021 is made by José Luís Mounier, whom Gustavo called the father of the grape torrontés in Argentina. Light straw coloured, and on the nose it was very perfumed with flowers and honey. This gives a sweetish sensation, not sweetness. The same continued into the taste, not unlike a dry moscatel. I had a suspicion though that this was a wine made with selected yeasts, later confirmed by the producer’s web page. Anyway, the marriage was good, and I am happy to have found a new wonderful wine bar in central Madrid.

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Articles

Ponce for Christmas

I am in Murcia for the holiday season. I have bought a wine cupboard and filled it with a collection of wines delivered from the national chain Vinissimus. This year I bought only one local wine (and it was the same as last year, see here). But from over in La Mancha, not far away in Manchuela, I have three wines from the same producer.

Juan Antonio Ponce works biodynamically in the vineyard, and in the winery he takes a natural approach, using low levels of sulfur dioxide. The bunches are chilled and fermented without de-stemming. Freshness is another priority when working with bobal, with harvests before most of the neighbours to avoid ripe or stewed sensations.

Clos Lojen is 100% bobal from vineyards on limestone-clay soil at 800 meters. It had a short maceration and aging for 3-4 months in used French oak barrels. Buena Pinta is not a bobal. Moravia agria, a native grape from Castilla-La Mancha, accounts for 90%, and the rest is garnacha. Moravia is noted for its acidity and blends well with garnacha. It’s aged for 7 months in used 600-liter French oak barrels and bottled without filtering or clarifying. Pie Franco was maybe the first wine I tried from Juan Antonio, and immediately put him on the throne as the King of Bobal. One can wonder how wines tasted before phylloxera. Without going into further discussion I can only say that there is a timeless air over this wine, fruit of old vines bobal planted in sandy soils where phylloxera did not enter. For me a doubtless classic.

Clos Lojén 2021: Cherry red. Fresh and fruit-driven aroma of cherry and blackberry, herbs and a peppery note. Juicy in the mouth with fine tannins wrapped in fruit, and with fresh acidity. Youthful and serious.

Buena Pinta 2021: Bright ruby red. Perfumed and complex aroma with cherries, plums, flowers, herbs, and balsamic hints. On the palate it is very fresh and vivid, with evident tannins, and a slightly bitter aftertaste. Fascinating, between fragility and strength.

Pie Franco 2021: This is a more powerful wine. Dark cherry red. Aromatic, with black fruits, scrubland and also balsamic notes (eucalyptus) Structured, with mature tannins and mineral notes. A timeless classic.

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Articles

Real Wine Fair II: Spanish impressions

The Real Wine fair is of course an opportunity to see what’s going on in the wine category that I love the most, exactly the kind of wine that’s highlighted here. And it’s a welcome chance to say hello to some old friends, and meet new people, all of them with interesting projects. Spain is (together with the other country on the peninsula) the country where I travel the most, and here are some highlights. Because I taste these wines once in a while I didn’t visit all the tables, which I regret, but you know, too little time…

IMG_4172 Pedro Olivares

Pedro Olivares

I had not really started when I spotted Pedro Olivares, and at the same time Alfredo Maestro tappet me on the shoulder. Pedro’s wines I just tasted very superficially, as I had recently visited him in Murcia. (Read about my visit here.) I took the opportunity to re-taste the Bobastrell 2015. We can call it a “terroir wine”, but from two terroirs: This is a wine with primarily monastrell (from Bullas, Murcia) in the aroma, and bobal (from Utiel-Requena, València) in the mouth. The enTreDicho 2016, jaén negro version, is a clay aged wine from that maybe unlikely place of Jaén, Andalucía. Pure fruit, flowers, juicy and lovely with some structure. I also took the chance to re-taste the Alto Viognier 2016, a 2 month skin-contact wine with grapes from 1.600 meters above sea level, and the SaSa 2016 from 10 meters, a moscatel and malvasía with the moscatel shining well through.

IMG_4186 Alfredo Maestro

Alfredo Maestro

Alfredo Maestro Tejero is operating both in his native Peñafiel, in Sierra de Gredos and in other parts of Castilla too. I know him as a man full of tireless energy, and very un-selfish. I wrote him before a trip to Gredos a couple of years ago, and as leader of the Garnachas de Gredos group (now also comprising albillos), he suggested that he organized the whole trip for me. And in the end we drove around together visiting ten producers, including his own vineyard in the coldest part, Navarredondilla (Ávila province). He recuperates old vineyards, manages them organically (with some biodynamic techniques) with little or no additives.

Peñafiel is in the heart of Ribera del Duero, but Alfredo choses to stay outside the DO, to be able to use grapes from neighbouring areas such as Valtiendas to the south the Duratón river. So most of his wines are now under the label Vino de la Tierra Castilla y León. Here are some very brief comments.

The white Lovamor 2016 is a high altitude albillo real (770-1.000m) from more 100-120 year old vines in Olmos de Peñafiel with one week skin-contact, and due to the cold Castilian winter it didn’t undergo malolactic fermentation. The result is an orange-light brownish colour, flowery with orange peel aromas, full and fresh on the palate, slightly pétillant too. From the same place comes Amanda Rosado Lágrima 2016, a light red rosé from the garnacha tintorera grape with pure raspberry fruit, just delicious drinking. As the term “lágrima” suggests the pressing was very light.

Almate 2016 is a tempranillo (here called tinto fino) of various ages, some bush vines (‘en vaso’), some of the younger trained in ‘espaldera’, some found in Peñafiel, and some in Valtiendas, just outside the Ribera del Duero border. Here are lots of vines grown on river stones and clay-calcareous soils. The must was fermented in steel, 80% whole bunches with wild yeasts, then kept in neutral French oak for 2-4 months. This is one of my favourite wines from the region, with its fresh top-fruit of cherries and violets, and a wild, rougher layer underneath, together with a really refreshing acidity. Over the border to the Burgos province, in clay-calcareous soils at 960 meters, Castrillo de Duero is one of the few wines with some oak ageing worth mentioning. Having said that, it’s not more than 12 months in rather neutral French oak, and it bears it without trouble. The 2015 vintage is dark, it has a lovely fruit, it’s a bit balsamic, but not at all oaky.

Amongst all the amusing labels I chose this one:

Alfredo Maestro_El Rey del Glam 2

El Rey del Glam 2016 is sourced from grapes both in Peñafiel (sandy, clay-calcareous soil) and Navarredondilla (granite). It’s a garnacha, obviously high-altitude, and the vines varies between 30 and 100 years old. This is maybe Afredo’s most quaffable wine; beware, it’s so luscouis, delicious that it doesn’t take long before you are sliding over the floor like the glamour king on the label. It’s made from uncrushed bunches that undergo carbonic maceration, fermented with wild yeasts and with no SO2 added. It’s light in colour, with plenty of lovely raspberry fruit, with a dry finish. This takes us over into the Gredos mountain range. El Marciano 2016 is raised, not on Mars, but 1.150 meters above sea level, where the climate is extreme continental. The vines are 70 years old, and the soil is granitic. The late-ripening garnacha is not harvested untill mid-October. This vintage is particularly appealing, with a clear-cut fruit, and a wonderful acidity that’s not easy to obtain with garnacha. Alfredo also brought a few wines outside the program just to show there are interesting projects around the corner. Among these were Rosado Clásico de Valladolid 2015, a rosé from Cigales, the once prominent rosé area just outside Valladolid city. It’s a single vineyard, predominantly tempranillo, raised partly in chestnut. It was peach-coloured with pure raspberry and citric fruit, and a nice concentration.

IMG_4190 Dani and Fernando

Dani Landi and Fernando García

Daniel Landi-Jiménez and Fernando García were there, representing both the Comando G project (Madrid province), but Daniel had also brought wines from his own bodega in Méntrida, Toledo. I have commented on these wines several times before (like here in Bilbao, and here at another fair), so I will present them only briefly. These are very fine wines with a refreshing acidity, an almost ethereal elegance, not much macerated and the aromas often show flowery notes. Two old favourites are La Bruja de Rozas 2015 and Las Rozas 1er Cru, now in the 2015 vintage too. The Bruja comes from several plots in and around Las Rozas de Puerto Real, and has a lively fruit, and an acidity that forms a fine structure together with a touch of tannin. The 1er Cru har only a slighly firmer tannin, a touch of smokiness and more concentration. Mataborricos Tinto 2014 was new to me, naturally made in four amphoras, but in the same line as the others. Las Umbrías 2014, a single vineyard wine from granite soils: A tight grip on this one (young tannins), raspberry and cherry fruit and some chalky minerality.

Over in the Toledo province Dani had equally light-coloured, high-expressive wines. He tells that he is always looking for vineyards that is high in the landscape, north-northeast facing, as he wants maximum freshness. Las Uvas de la Ira 2015 and Cantos del Diablo 2014, both from San Vicente, showed this. Las Iruelas 2014 too, from 1.000m elevation in El Tiemblo. El Reventón 2014 from Cebreros (that probably will be the name of the new DO) was the most reductive wine, but with air it reveals lavender and thyme aromas.

Note: I was really sad to hear the other day, that the Gredos area had been affected by severe hailstorms (7th July), and that some of the vineyards you have read about here were among the most severely hit. I really do hope that they will recover the best way possible.

IMG_4187 Rafa Bernabé father and son

Rafa Bernabé, sr. & jr. of Bernabé Navarro

Rafa Bernabé (father) is long considered the Spanish expert on clay vessels for wine storage (in Spanish called ‘tinajas’), and I have reported on his wines several times, such as the Tinajas de la Mata, from the national park in Torrevieja. The wine, with 2014 on show here, will go out of production, he tells.

Most wines are made “O meters above sea level”, as Rafa sr. puts it. All wines are made with natural yeasts, none are clarified nor filtered, and all have less than 15 grams sulphur. They presented other wines aged in clay such as the Benimaquía Tinajas 2015, from moscatel and merseguera; light orange colour, aromatic with flowery compounds, it had more skin-contact than the “Tinajas” mentioned above, but still lighter in colour (as the other one has a small amount of black grapes). Musikanto 2015 is a direct-press wine (no skin-contact) garnacha from a higher altitude at 700 meters; light red, and very luscious in the mouth.

They had also a pét nat called Acequión 2015, a “sea moscatel”; deep yellow, with aromas of orange peel and yellow apples, slightly bubbly, and a “mountain monastrell 85% and garnacha”, Tipzzy 2015; light red, easy-to-drink. A dessert wine rounded it off, the Parque Natural 2013, that showed mature apples and dried fruit, some raisins, but it was not overtly sweet either.

Saó del Coster is a new find. I had heard about the winery from Gratallops, Priorat, and was lucky to be able to be pick up their basic “S” (2014) in my local shop, a wine with all the charms of a young, fruity red priorat. They want to keep the alcohol up at 15, to emphasize the local style, full and warm. Here the vintage has changed to 2015, and it’s still a lovely, pure garnacha-dominated wine (carinyena 35%), some spices and minerals, and with a good acidity for freshness.

They work biodynamically with indigenious varieties, with a low-intervention philosophy. A 100% garnatxa (as it’s spelled in Catalan) is Pim Pam Poom 2016. This has been made with 50% whole clusters, with the aim of bringing out minimum colour, maximum flowery, fresh fruit. Pure delight! They also brought two wines from old carinyena. The Planassos 2014 was good, warm and potent, but also with a velvety layer. For me La Pujada 2014 from 90 year old plants was a winner, very elegant with relatively lighter colour, fresh fruits, juicy in the mouth, and a subtle, almost cool fruit all the way.

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Xavier Barrachina and Michelle Negrón of Saó del Coster

Rioja was represented by three producers from the right bank of Ebro; Honorio Rubio (Cordovín, once famous for claretes), Hacienda Grimón (further east, in the Jubera valley, Rioja Baja) and Viña Ilusión (Herce, near Arnedo in the Rioja Baja).

Honorio Rubio is noted for their whites, and it was especially interesting to taste the Edición Limitada-range with three very different wines. The skin-contact Viura Macerado 2014 was orange in colour, aromas of apricot and lemon, and some more herbal notes, quite light in the mouth, and with a refreshing acidity from the high altitude viura grapes. The Viura Sobre Lías Crianza 2014, aged 6 months in oak and concrete, it’s both traditional lemon and vanilla, and comes with a modern fruitiness too. Añadas is a solera wine made up from ten vintages, thus mixing the sherry and barrel-aged rioja traditions. It’s light golden, with lemon, pear and some buttery notes, both concentrated and fresh. Before I moved on I also tasted two more whites in a hurry, and the Alonso & Pedrajo, Suañe 2014, a raspberry scented red with some sweet notes.

The Oliván Family at Hacienda Grimón uses no chemical fertilisers, but sheep manure like in the old days. No herbicides are used, and the oak is all of second and third year. A couple of favourites were Finca la Oración 2015, a fruity, un-oaked wine full of blackberry aromas and freshness, and Desvelo Garnacha 2015, with second fermentation in oak (7 months); very flowery, red berries, and good weight in the mouth.

Martín Alonso of Viña Ilusión I have met several times, so I tasted his main wine very quickly. His Tinto 2015 is really nice and clean, fruity and elegant, with cherry and blackberry fruit, and good acidity.

Beginning to count down for lunch I did a brief tasting of a winery that I have known for some time. Who said they couldn’t make wine in Asturias? Nicolás Marcos can, and he does so in Cangas, that emerges as the area to consider in the region. At this occation I only tasted four wines. Pesico Blanco 2014 from the albarín variety, not destemmed, aged in chestnut vats of 2.000 liters, bottled without SO2 was glyceric, smooth but still with a young fruit. La Fanfarría Tinto 2015, 50% each of mencía and red albarín, was quite dark with red fruits, herbs and young tannin. Retortoiro Tinto 2014 showed some evolution in the colour, with aromas of cherries, and a structure for further ageing. Cadario 2012 had still more evolved colour, but the evolution has been nice, the tannins are still evident, and the primary fruits are still holding first place. I believe these wines can easily keep for ten years.

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Then running for lunch, I passed Adega Guímaro‘s table. Guímaro can be found in the cool Amandi sub-region of Ribeira Sacra, Galicia interior. I know Pedro Rodríguez and his wines well after a visit and several tastings. So here I almost only passed by the table, where his collegue Raúl Suárez was present. I did a quick tasting of the Guímaro 2016 white from 70% godello, a light, flowery, citric wine, the Finca Capeliños 2015 (50% whole cluster, long maturation in foudres) with its dark mencía fruit, mineral and with young tannins, the Finca Pambeiras 2015 (75 year old vines, 100% whole cluster), a very floral, red fruit dominated, very pure wine, before I brought his wonderful young mencía with its vibrant cherry fruit, the Tinto Jóven 2016, out into the lunch area.

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