Tag: Georgia

Simplesmente Vinho 2024 – Introduction and Georgia Day

Published 7. March 2024 by Vidar Kenneth Johansen

I am back from another rewarding visit to Simplesmente Vinho in Porto. They call themselves an off-salon, an alternative event. But the fair has long since become important in itself. And needless to say, it’s always worth a visit. Simplesmente Vinho showcases smaller family businesses, and it’s a perfect opportunity to keep up with the wine trade of the country. Music and arts is a part of it. Every year they invite artisans from one specific wine producing country. This year Georgia was honoured with a whole day with an impressive program. This was the 12th edition of the fair, now held in the historic toll building Alfândega do Porto. Nowadays this is a convention center down by the Douro river, a comfortable and spacious site perfect for the event. Thanks to primus motor João Roseira and his staff, several of whom happen to be among his own family!

The twelfth edition presented 112 vignerons from Portugal and Spain, and a further 11 from Georgia. It started one day earlier, with a special program: a conference, the film “Our Blood is Wine” by Jeremy Quinn, and a tasting of wines from the Georgian guests to the fair. Attention was also drawn to the Portuguese talha wines, today kept alive in Alentejo. Choir singing is another cultural feature that Georgia shares with Alentejo, and the Georgian ensemble Shvidkatsa appeared during the charity art auction held during that day’s official dinner.

Here are just a few of the many wonderful Georgian wines from that first night.

Zurab Topuridze of winery Iberieli was one of the speakers. At the fair he presented several elegant wines. Among them was Saperavi 2022, in a light style not so often seen. The grapes were de-stemmed, and there was a careful ten days maceration. This resulted in a ruby red, raspberry fruity, fresh and appealing wine.

Iberieli operates both in Guria region of Western Georgia, where they manage 2 hectars of young vineyards, and in Kakheti in the east, where they have 5 ha of mixed ages. The name Iberieli refers to the ancient people in Caucasus, ancestors of Georgians, who are believed to be the first winemakers.

Cousins Ilia and Archil represent the fourth generation of wine producers at Meskhishvili. In spite of this they started only in 2018 to produce wine commercially, with the construction of a small winery near Lake Lisi, in the outskirts of Tbilisi. They work vineyards with a minimum of 40 years in Kakheti, naturally with minimal intervention. The vinification process takes place in qvevri. While Ilia lives back home in Georgia, Archil didn’t have to travel far, as he now is running his own restaurant in Caldas da Rainha, on the Portuguese coast. Their Venero Rosé 2022 from saperavi was a real charmer; light ruby, with red fruits, completed with grape seed, and very fresh fruits in the mouth. Lisi Wine 2021 from the khikhvi grape was light amber in colour, rich, somewhat honeyed with apricot, careful tannins. It tended towards bitterness in the end, strengthening its gastronomic potential.

Ramaz Nikoladze is a pioneer of West-Georgian qvevri wines, and president of the Georgian slow food movement. The winery is built on the site of his great grandfather’s vineyard, in the village of Nakhshirgele, in Imereti. He manages 1.5 ha of vineyards of organically grown tsitska and tsolikouri grapes, ranging from four to 100 years old. Fermentation and aging is carried out naturally in qvevri, without skins for tsitska grapes, and with skins for tsolikouri grapes. His Tsitska 2022 was a superb light yellow coloured wine, with both flowery and mineral aromas, and with a fresh acidity to match. A bit more textured, and peach-scented, was Tsoulikouri 2022, a fabulous wine that carried with it a sense of Georgian history and tradition.

The tram in Ribeira, between the Alfândega and my hotel

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A #rawwineweek tasting at Café Josephine

Published 14. June 2023 by Vidar Kenneth Johansen

Raw Wine brings a lot of activity also outside the fair itself. The day before Raw Wine I had the pleasure to attend a tasting at Café Josephine in the Amager neighborhood of København. It was organized by importer Christopher Melin of Melin Vin, who has an impressive portfolio. Here follow just a few highlights among the many magnificent wines and makers.

What could be more appropriate than to start, like I did last Saturday, at the table of two Danish brothers. Poppelvej is Uffe (winemaker) and Jens Deichman who run their estate in McLaren Vale, South Australia. From organically and biodynamically tended vineyards there and in the neighbouring Adelaide Hills, they produce wines in a natural way, with little or no use of sulphur. Poppelvej is the name of the street in Denmark where the brothers grew up. SommerNat Pét Nat from mourvèdre came in two vintages; the 2022 had a light peach colour and was very fresh, berry fruity and with herbs, while the 2021, with longer time in concrete eggs resulted a bit creamier and fatter in texture. Irresistible Impulse 2022 is a sauvignon blanc fermented in barrel and aged on lees for 10 months. It’s light and turbid in appearance, with notes of apples, passionfruit and herbs, good volume, textured, with crisp acidity, and with a slight bitterness in the finish. Lastly, Lille 2022 is based on the northern Italian grape teroldego. It’s quite dark with a blueish hint, dark and wild fruits, some spice and earth, with a light sparkle.

There were three Italian producers in the “garden party” of Café Josephine organised by Melin Vin (see previous post). Ampeleia is located in the Maremma region of Toscana, specifically in the medieval town Roccatederighi. Under manager Marco Tait they converted to organic and then biodynamic. Francesco Pascucci brought to this tasting a personal trebbiano-dominated blend (with ansonica and malvasia) simply called Bianco di Ampelaia 2022. It’s a light orange wine with a nice dried fruit character that adds complexity to the fresh fruits and orange peel aromas, and with a light structure in the mouth. He also presented a delicious blend in one litre bottle aptly called Unlitro 2022, easy to drink with fresh fruits, herbs and some balsamic. Alicante Nero 2017 is a wine with personality and depth; light and fresh red fruits, but underneath a layer of herbs and earth, and with a delicate structure. Their emblematic cabernet franc wines were offered at the fair itself, if I got it right.

There were two producers from Veneto. Alex Della Vecchia is winemaker for Costadilà in prosecco-land north of Venezia, but he also has his own project called Ombretta. Simone Ambrosini’s Indomiti is found in Colli Berici, Vicenza.

Alex Della Vecchia sources grapes from the family’s vineyards in two municipalities. For his Grinton label he also uses organic grapes from friends elsewhere in Italy. Here in the current vintage Alex showed an easy-drinking, delicate pinot bianco and a more structured, reddish skin-contact pinot grigio. A wine with a tremendous personality was a cabernet franc pét nat. (I must ask Alex about the name, so stay tuned!). The colour was light red with fine bubbles, an aroma of flowers, peel and a sweetish hint, and in the mouth it was tasty, concentrated with a raisiny touch. The wine had been made from passito (dried) grape juice, Alex informs.

Simone Ambrosini tells a story about him as a young man travelling to Australia, in search for harmony and the good things in life, more or less at random. Among other things he learns to love wine. Back in Italy he embarks on studies in enology and viticulture. After working with several wineries he decided to set up his own, with “a wallet full of ambition”, as he puts it. This was as recently as 2018. Now he rents old vineyards that he has restored in Colli Berici, his homeland. These vines, now brought back to life, are the “indomiti”, the indomitable ones that gave name to his project. Mistica was a lovely garganega 9 month skin-contact wine with good structure to the primary fruit. I tasted two wines with tai rosso. The varietal Osai 2021 rosé shows delicate raspberry aromas, and in the mouth there is a cool acidity running through an otherwise round and fleshy body. Opplà 2021 is an uplifting pét nat rosé, where the tai rosso is accompanied by garganega, pinot bianco and sauvignon blanc. It’s light orange, aromas of white flowers, peach and a touch of orange peel, and in its lightness it’s full of flavours and with a refreshing integrated acidity.

Two German producers were present. It’s always a pleasure to taste the outstanding wines of Brand Bros of Bockenheim, Pfalz. These are made in full respect of the terroir, without additives, unfiltered, and always full of freshness and energy. This is the first time that I have met one of the brothers, Jonas Brand, who guided the guests through part of their portfolio.

I have had their charming Wilder Satz in many wine bars throughout Europe. The 2022 is different though, as 18 hours of skin-contact gives it more colour and structure than before. It also has good volume and appears quite grapey, and with lovely scents of citrus (clementine), flowers and some balsamic. Jonas brought two magnificent magnums, a non vintage Riesling (with that name) and Monastery 2016. The latter was light yellow in colour, with concentrated aromas of yellow fruits, some balsamic, and on the palate good acidity and wonderful balance. Add to this super pét nats, reds, among them a brilliant Cabernet Franc 2015, and you get the picture of a great producer.

Unknown to me was Glow Glow of Nahe. Pauline Baumberger runs it with her brother. Pauline showed various fresh, lovely uncomplicated whites from riesling and gelber muskateller, a relatively dark dorenfelder/regent, and more. Here we focus on the Spätburgunder 2022, that has all the young virtues of the white wines under a coloured cover. Made partly with carbonic maceration and short skin-contact it appears as a light rosé-ish wine with red fruits on the nose, and with a delicious natural acidity wrapped in a rounded body.

It seems to be no end to the list of interesting producers coming out of the ancient and historic wine country of Georgia. Andria’s Gvino I had never heard of, but now it’s not easy to forget. The winery is located in the Kakheti region, not far from the capital Tbilisi. They make their wines in the traditional and natural way, in qvevri, without additives and without filtration.

Winemaker George Wolski and his wife Tako showed me their main line and also the wines that come with the Château Khashmi label. There was a number of beautiful amber and red wines, of which I will only mention two. Their Mtsvane had lots of character. The colour was light amber, with aromas of mature citrus, orange peel and a touch of marzipan, and in the mouth it was rich and structured with a touch of raisins. George tells that the must spent five days with full skin-contact in qvevris. The Saperavi Khashmi 2020 comes from a 40 years old pre-phylloxera vineyard. Saperavi is fascinating grape that often has an impressively dark colour, but is still highly drinkable. This one is not among the darkest and has a blueish hue. I find it quite flowery with dark fruits (boysenberries), plums, some earthiness, and in the mouth it’s fresh and juicy, with some tannin, and overall it’s very appealing.

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Wine of the Week

Georgian qvevri saperavi

Published 7. October 2022 by Vidar Kenneth Johansen

Saperavi is an old indigenous teinturier grape, a variety where the pulp and grape juice are colored. It’s a hardy variety, known for its ability to handle extremely cold weather, and is popular for cultivation in high altitude and inland areas such as Kakheti. But from my experience, even if the wine can be black as ink, it’s often juicy and surprisingly accessible.

The Georgian Vine and Wine Company, that also goes by the name Shilda Winery, was founded in 2014. The property covers five hectares and is owned by the Chkhartishvili family. Winemaker is Temur Kortava. Rustaveli is named after the Georgian poet Shota Rustaveli.

The wine is produced from the Saperavi grape and is fermented in large clay pots (qvevri) before 5 months of further storage in qvevri. Kakheti is the region in the far east of the country, where 70% of the vines are grown and 80% of all wine in Georgia is produced. The region has varied topography and large limestone deposits. Kakheti is the hotbed of qvevri winemaking.

Saperavi Qvevri 2020 (Rustaveli)

It has a deep, dark colour. The aroma shows hints of blueberries, wild berries, with herbs, flowers and spices. It is fruity and juicy on the palate, follows the nose with a cool herbal note, with a slight dryness.

Price: Medium

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Wine of the Week

Kisi qvevri from Kakheti

Published 10. April 2020 by Vidar Kenneth Johansen

This is an orange wine made from the kisi variety in Georgia’s eastern Kakheti region. To be more precise, Gurashvili’s vineyards are located in Tibaani, a village in the Sighnaghi district.

Kisi is believed to be a hybrid of the mtsvane and rkatsiteli grapes, both among the most common in Georgia. The picking times are normally medium, and as still white wine it has not all that character. But give it time on skins, and you will typically get pear, flowers, often a hint of tobacco, and nuts too.

The greapes were hand-harvested, aged in large clay qvevris placed underground. Once pressed the grapes go into the qvevri with stalks, seeds and skins. The fermentation continues for two weeks with bâtonnage three times daily. Unfiltered.

Kisi Qvevri 2017? (Gurashvili)

Pale amber colour. Aroma of apricot, white flowers, orange peel, a bit honeyed, and traces of walnuts. Glyseric and smooth in the mouth, yet concentrated and with some tannin.

Price: Medium

Food: Roasted meat, light meat, fried fish (both red and white), try with various Asian…

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The Real Wine fair 2019 – II The seminars and Simon’s orange wines

Published 29. July 2019 by Vidar Kenneth Johansen

At the Real Wine fair there were several seminars and guided tastings given by both winemakers and writers. Among the scheduled speakers were Heidi Nam Knudsen and Jon Passmore, who practise an alternative wine education focusing on vineyard practices and winemaking techniques. The topic at the fair was “Retasting Wine: How we can become more informed drinkers.”

Alex Thorp conducted a “German Growers’ Masterclass”. Derek Morrison and Mike Hopkins of the Bring Your Own podcast interviewed a bunch of growers, among them Portuguese artisan Pedro Marques. Speaking of Portugal, Jamie Goode did just that together with Ines Salpico in the program “An Exploration of Portugal’s Wine Revolution.”

While I talked to some of these people on their way in and out of the seminar room, the only seminar I had booked beforehand was Simon J. Woolf’s presentation of his book Amber Revolution through a tasting of five wines from the so-called New World.

His seminar was informative, and there was a two-way communication. Simon answered questions from the audience with great virtuosity, and his short comments about each wine demonstrated how well-chosen the wines were.

Simon’s definition of an orange wine is a wine made with skin-contact that exceeds the “normal” 3-4 hours. In other words, it’s about the technique, more than the colour itself. He compares it to a white wine: -What colour is a white wine? White – as this paper?

Light examples from the tasting were Staring at the Sun 2018 (Momento Mori) and Elementis 2018 (Intellego). The first one, a citrussy, lightly spicy wine from Victoria, Australia, was quite light yellow, though it had been 6 weeks on skins. This because winemaker Dane Johns holds back on extraction. Elementis from Swartland, South Africa I know from several vintages; always fresh, appealing, this time very lemony, with green apple. Jurgen Gouws shares his colleague’s philosophy of minimal extraction.

Other than this there was the Pinot Gris 2016 (A & D. Beckham), a pink, red-tinged wine from the grape that we know is not white at all. It’s also known from Radikon, one of the natural and orange wine pioneers. This Oregon pinot gris was fresh, but warmer notes appeared after a while, and it was surprisingly smooth, the colour taken into account (also not usual for the variety). Vinu Jancu 2017 (La Garagista), an amber, beeswax, onion and plum smelling wine from the unlikely state of Vermont and the rare grape called la crescent and Chilion 2016 (Ruth Lewandowski), a lighter cortese with grapes from Santa Barbara, California, but made in Utah, finished the US American trio. It should be said that it’s Evan Lewandowski that is behind this project, but he named the winery after the Book of Ruth.

Regarding a question about what wines work with extended skin-contact, he points out that thick-skinned varieties go well. Aromatic varieties too, can perfom very well, such as moscato and gewürztraminer.

Simon J. Woolf has every reason to be happy with the book release

Amber Revolution

I have written a more extensive review of Simon’s book in the Norwegian language for the Vinforum magazine. You can read it on my magazine page. Here is a summary:

Simon J. Woolf has written what is referred to as the world’s first book on orange wine. Woolf started his writing career in 2011 with the blog The Morning Claret for which he is still editor. He is also a regular contributor to journals such as Decanter. He is no well-known author though, and this is his first book. So there were no publishers who wanted to go for the project. That’s why he started a crowdfunding through his website, and nearly 400 people contributed to the “Kickstarter” campaign.

Woolf currently lives in Amsterdam. And it can almost seem ironic that it took someone in close contact with the Netherlands, with the historical “Oranje” dynasty, to get the idea to write about orange wines.

The book is partly an introduction to the orange wine world, partly a cultural and history lesson. Woolf writes well and demonstrates early on that he is both the passion and the insight needed. It is fascinating to take part in this journey, from his first, emotional contact with the drink in Sandi Skerks cellar in Friuli. But then he takes us further back in time and goes chronologically from the ancient Georgia, that we know as the orange wine’s cradle, via pioneers in today’s Friuli and Slovenia (with Joško Gravner as the main character) and beyond.

There is also a section on recommended producers from many different countries. Finally, the financial contributors are listed. Among them there are some wineries, although I find no reason to assume that it has affected the journalistic selection. The fact columns contain information about food for orange wine, grapes that respond well to the technique, misconceptions about orange wine, how qvevri are made, etc. Taking these columns out the main story also helps to make the text flow better .

Ryan Opaz, who lives in Porto, is one of the founders of the Catavino site, where Woolf also contributes. Opaz has provided images that depict both landscapes and people in an exemplary manner. The book itself is also made of paper with a certain texture, which responds to the wines the book is about.

Woolf says he could use different names for the same phenomenon, such as skin-macerated wines and amber wines. After a discussion with himself, he has ended up calling it orange wines. His definition is based on the technique, not the colour. An orange wine does not therefore need to be orange, but it has had extended skin contact. It can be yellow, dark mahogany, or even reddish or pink in cases where the grape has a lot of pigment, such as pinot grigio.

Here we have arrived at a point that I assume he has thought about himself, the title of the book. After choosing orange wine as the preferred term, he ends up using amber in the title. The Portuguese carnation revolution emerges in my consciousness when reading the title, and compared with this the term “orange wine” could perhaps have added another dimension. And even though the events of the 1990s and up to the present seem like a revolution, in the long term it will probably be more correct to call what we now experience a “revival,” or maybe a revitalization of a tradition. But none of this “troubles” me; Amber Revolution is a saleable title. And the subtitle, “how the world learned to love orange wines”, puts it all in place.

I will not reveal too much of the content. But I think the sections about Friuli and Slovenia, the multicultural and multilingual area at the intersection of East, West and South – and the political backdrop that is hoisted – is a particularly good section of the book. Here the story of the world wars becomes a necessary part. The families of the leading producers were finding themselves on a veritable battlefield with changing actors, not least Italy, Austria-Hungary and Yugoslavia.

There are many who will enjoy this book. It is a niche book, but it at the same time exceeds the niche, and I would think that the vast majority of people interested in wine will find it fascinating, entertaining and enriching.

Amber Revolution – how the world learned to love orange wine

By Simon J. Woolf, foreword by Doug Wregg (director of import company Les Caves de Pyrène,), photo: Ryan Opaz

MCP Morning Claret Production, Amsterdam / Interlink Books, Northampton, Massachusetts

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The Real Wine fair 2019 – I. A few favourites

Published 19. July 2019 by Vidar Kenneth Johansen

The Real Wine fair brings together small independent vine growers from all over, to celebrate their talent, and to illustrate the diversity in the world of artisan winemaking. This year the number of participants was around 160. The fair is organised by British importer and distributor Les Caves de Pyrène, with help from many good friends.

In addition there are guest speakers for the seminars, and it’s possible to buy delicious food from the many food stalls set up for the occation. The city is bustling with activity in the days leading up to and during the fair, with many of the producers participating. And there are pop-ups, take-overs or what you like to call it when a restaurant has guest cooks from other restaurants.

“So much wine, so little time…”, a favourite quote about the fair

I will try to cover some of this in three chapters. Here are some of my most interesting findings from the fair itself. In the next article I will talk about Simon J. Woolf’s seminar and his book. Last article will be from wine bar Terroirs, who received visitors from Norway.

Here are just a few of the many good wines I tasted. To prevent the Nile from crossing its banks, the rules of the game are: Pick 5 countries, 3 producers from each, then one special wine. Please search elsewhere on this blog, and you will find that most producers are already mentioned here.

UK

We start at home in the UK. Not far away in East Sussex and Kent we find British organic wine pioneer Will Davenport. From his Davenport Vineyards he offers well-made whites and sparklings. A new producer for me was Ancre Hill Estates, over in Wales, that showed sound winemaking and exciting results. Really expressive, and completely natural, were the wines of Tillingham, near Rye in East Sussex (not far from Hastings). The driving force is Ben Walgate, who also acts as cellar master and winemaker. All his ferments are wild, and he works with steel, oak and clay. He has some really interesting work with Georgian qvevri going on. But now…

PN Rosé 2018 (Tillingham Wines): A pét nat of mainly ortega variety (68%), the rest müller thurgau, dornfelder, rondo and pinot noir. The grapes are sourced from a number of growers, so there is also a mixture of soils and elevations. It was fermented in ambient temperatures. No filtration, fining or sulphur additions. The colour is salmon pink, has some natural sediment; a fruity aroma including gooseberry, rhubarb, some yeasty notes; refreshing acidity, easy drinking.

Serena and Ben of Tillingham

Austria

From Austria there were many splendid wines to chose from, and I could have written a long piece of praise only about the three chosen ones. Sepp of Weingut Maria & Sepp Muster were there with delicate orange wines and much more. Claus Preisinger has become a favourite with his stylish grüners, other whites, and his ground-breaking blaufränkisch reds. The “prize” goes to Christian Tschida this time, for his many superb offerings from the hot Neusiedlersee area.

Laissez-Faire 2015 (C. Tschida): This is a blend of pinot blanc and riesling (though I think it used to be a varietal riesling). Made in big barrels, no racking, no no…Christian is hinting to the laissez-faire philosophy, isn’t he? The wine is yellow with orange hints, slightly pétillant; very fruity, appley with hints of anise and fennel; super acidity reach the tongue, it’s rich, plays with oxidation. Very interesting, and very enjoyable drinking.

Christian Tschida (right) with Jimmy “just a friend”

Spain

Spain is one of my preferred countries, and very well represented on this blog. It was nice to see Pedro Olivares again, and taste his diverse portfolio of wines from sea level to 1700 meters in Murcia, Jaén and València. It’s always a pleasure to taste the cool wines of Pedro Rodríguez of Adegas Guimaro in Ribeira Sacra. Daniel Jiménez-Landi of Comando G has worked hard for the Gredos (or: Cebreros) region, since he crossed over from the family farm in Toledo. For many years now he brought to the limelight some of the most elegant, mineral and simply inspiring wines that the country has to present. I use this opportunity to express my deepest compassion for all that is lost in the recent terrible fires (vineyards, trees and land).

El Tamboril 2016 (Comando G): This wine outside the program is sourced from a 0.2 hectares vineyard of garnacha blanca and garnacha gris on sandy quartz and granite at 1.230 metres. It’s a result of the latest harvest. Whole bunches are pressed into concrete eggs, before 10 months in old French oak. The wine is light yellow; aroma of wild flowers and herbs, mature apples, some ginger; full, concentrated and long, with super acidity. A great modern Spanish white.

Dani (left) with his friend and fellow Gredos vintner Alfredo

Portugal

Portugal has a similar position for me, and I taste some of the wines quite often. Pedro Marques’ expressive, natural Vale da Capucha wines from the north of the Lisboa region are always worth a re-taste. The same can be said about Vasco Croft’s Aphros range from the country’s northernmost region Minho. Herdade do Cebolal on the Alentejo coast, in the southern part of Setúbal, was new to me. Luis had brought several interesting wines from small plots with a variety of soils.

Imerso 2015 (sea version) (Herdade do Cebolal): The main focus of interest this time was a wine that had been aged 10-18 metres under water, in collaboration with a professional diver that knows the coast intimately. We also tasted it alongside an “on land-version”. And it must be said that the underwater wine was softer, more elegant. Maybe the maturation is faster. The colour was cherry red; aroma of plums, with a vegetal component; round in the mouth, quite polished.

The underwater version of Imerso alongside its “on-land” counterpart

Georgia

We now move out of “the old world” and into an even older wine world. Well probably. Anyway, Georgia has long traditions, and a long unbroken tradition of wines made in qvevri, big clay pots. When we also take into account the country’s orange wines it’s no wonder that Georgia has become such a wine pilgrimage destination lately. Iago Bitarishvili from the Kartli region offered some demanding wines. Some were aromatic, some with an intriguing mix of waxy texture and bitter taste. These wines I want to re-taste. Iberieli is a family producer (named Topuridze) located in Guria to the west and Kakheti to the east. Like the two other producers presented here they use the most familiar Georgian grapes like mtsvane, rkatsiteli and saperavi. They have also taken up the tradition of qvevri making. On to something more familiar: I have tasted Pheasant’s Tears’ wines at several occasions. But this was the first time I had met John Wurdeman, the man behind the label.

Tsolikauri-Vani 2018 (Pheasant’s Tears): This time I tasted just a few wines. A really interesting wine was the Tsolikauri-Vani. Tsolikauri is a widespread variety in the west. It has a light skin, and John tells it gives fine acidity, good for semi-dry and semi-sweet wines. Vani is a place, and if my memory doesn’t fail me it’s here that the wine comes from. The winery is in Kakheti though. The wine is light in colour, with just a hint of orange; aroma of white flowers, apples, tea, some citrus; it’s quite waxy in the mouth, well-balanced and, needless to say, with a good acidity.

John Wurdeman, with Gela Patalishvili

In next chapter from the Real Wine fair we will follow the orange wine track and also move over to other continents.

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Simplesmente… Vinho 2019: Spanish delights and more

Published 22. May 2019 by Vidar Kenneth Johansen

This is the second report from this year’s Simplesmente… Vinho, of Porto. The first one was about the Portuguese participants, and you can read it here. This one deals mainly with Spanish wine, with one exception.

As soon as I entered the Cais Novo I ran into Alejandro of Bodegas Forlong. There is a lot happening in the sherry region right now, and I visited him when I was doing reasearch for a magazine article about table wines from the Jerez area. A shorter version of the article can be read here, and a wine of the week post here. In Porto Alejandro was together with his life companion Rocío.

Alejandro Narváez and Rocío Áspera

So why not start with a tasting of wine from sherry grapes and albariza soil? The wines I knew from before delivered, such as the Forlong Blanco 2018 (palomino 90%, the rest PX, grown in albariza soil), with its roundness and at the same time enough acidity, almonds and a saline minerality. Much of the same applies to the Rosado 2018, a 100% cabernet sauvignon, with its colour of onion skin, its creamy character and also a light tannin. We could go on through the Petit Forlong 2017 (syrah, merlot), the Assemblage 2016 (merlot, tintilla de rota, syrah), and the Tintilla 2016, with its dark smell of ink, blackcurrant, and that in a way also plays with oxidation.

A wine I can’t remember having tasted before were 80/20, a non SO2, unfiltered wine, made of must from palomino fermented on skins of PX: Light pineapple colour; some tropical hint in the aroma, peel; round and smooth, yet fresh, well a little mousy, but with a nice mineral salinity. Equally interesting was Mon Amour 2017, palomino from the hardest type of albariza, called “tosca cerrada”. I have to reconsider if I like the touch of vanilla from the fermentation in French barrels, but it surely has some interesting yellow fruits, and a vibrant touch too.

According to my ‘one wine only’-game I chose this one: Amigo Imaginario 2017, from old vine palomino, fermented with skins, and aged in an oloroso cask for 10 months. The colour is yellow; smells of orange peel, herbs, plums, and a touch of marzipan; in the mouth it’s full, with a great concentration, and you by now you would have guessed that it’s somewhat sweet – but it’s not. Great personality, alternative, truly interesting!

Always a pleasure meeting up with Sandra Bravo and tasting her wines

I appreciate that Sandra Bravo of Sierra de Toloño keep coming back to these events. She is one of the younger, independent voices in a Rioja still struggling to come out of its classification system based on wood ageing. From vineyards below the Sierra Cantabria mountains, both on the Riojan and Basque side of the border, she takes good decisions on the way from grape to bottle.

The reds showed as good as ever, from the plain Sierra de Toloño, now 2017, with its fresh cherry fruit, and inspiring acidity, but also in this vintage quite evident tannins, the Camino de Santa Cruz 2016 (formerly Rivas de Tereso), a single vinyard wine with extra minerality; darker and wilder fruits, with some subtle underlying oak and also lovely acidity and the super delicious La Dula 2016, a garnacha made in amphora, really floral, red-fruity and expressive. The Nahi Tempranillo is a dark, rich, spicy wine that will improve with age – and lastly Raposo 2016 from Villabuena, the Basque part: a little graciano thrown in among the tempranillo; dark, blackberry, forest fruits, good acidity – classic in the good sense of the word.

In recent years she has presented wonderful white wines, very different from both the young and clean tank style of the 1970’s (still popular) and the oaky style requiring long ageing. The basic Sierra de Toloño 2017 is clean and bright, but has already a profound quality. A favourite among white riojas during the latest years has been the Nahi Blanco, now 2016. Made from viura, malvasía and calagraño, a field blend from five small parcels in Villabuena de Álava, with a light ageing in barrel: Golden colour, a touch of tropic (litchi), white flowers and a light touch of smoke, full in the mouth and a nice natural acidity.

Alfredo Maestro (left) and Dutch journalist Paul Op ten Berg

I have tasted Alfredo’s wines several times lately, so here I only tasted a couple in order to discuss them with my friend, Dutch journalist Paul Op ten Berg. One was an orange wine that was featured in January. (Read it here.) In short: Lovamor 2016 stayed 6 days with the skins, then on lees for 4 months. Due to the cold Castilian winter a malolactic fermentation never happened. It’s a rich and complex wine with a gold-orange colour; apple and melon in the aroma, flowery, and also lovely, light citrus; slightly pétillant and with a citrussy aftertaste.

Yulia Zhdanova

I first met Yulia in Alfredo’s neighbourhood, more precisely at Dominio de Pingus, where she guided us around the premises during a wine trip that I organized. But she has Eastern roots and is now making wine in the Kakheti region of Georgia. The winery is called Gvymarani and can be found in the village of Manavi. The wine is made from the mtsvane grape, fermented 7 months and also aged in qvevri. Gvymarani Mtsvane: Clean golden; fruity nose of apple, dried apricot, peach, orange peel and some honey; full and with evident tannins in the mouth.

Antonio Portela (picture taken at the Barcelona tasting)

I tasted Antonio Portela‘s wines in Barcelona earlier that month and made an appointment to visit his vineyards later – so I just took the opportunity to try his beautiful red tinta femia Namorado 2017 (tinto mareiro) again, fermented and aged for 12 months in used French oak: Light in colour; pure, with fresh, red fruits on the nose; a vibrant flavour, a good natural acidity and in a long saline finish. Goodness, what a wine!

Constantina Sotelo (picture taken in her winery after the fair)

Constantina Sotelo was another producer that I decided to cross the border to visit once the fair was over. Here I tasted, among others, her Pio Pio 2017 ‘en rama’ (unfiltered). It’s from a vineyard with quite a lot of ‘pie franco’ (ungrafted) plants, and a very personal wine: Light yellow; green apple, citric (lime), anise; quite full, glyceric, and with an appealing acidity. A lovely albariño. See you on the other side of the border!

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Wine of the Week

Black Friday

Published 25. November 2016 by Vidar Kenneth Johansen

The grape saperavi is so dark in color it’s called black in Georgian, according to producer Pheasant’s Tears. During the last few years I have tasted quite a few saperavi wines, and the colour varies from very deep, dark red to opaque black. This one is probably the Georgian saperavi most widely found outside its homeland.

Georgia has a 8.000 year long unbroken history of fermenting and ageing the wines in qvevri, big clay vessels lined with beeswax and buried under the ground, where the temperature is stable. All Pheasant’s Tears’ wines are made according to this tradition, and with a low-interventional approach.

As pointed out in many blogposts I appreciate this way of making wine, without any oak to disturb the natural flavours of the grape. One could also say that the way the beeswax is treated, or whether it is applied at all, is also a topic (and a discussion too long for this post), but generally speaking clay is more respectful to the grape than wood.

(photo: courtesy of Pheasant’s Tears)

Pheasant’s Tears is found in the Kakheti region. Here in the eastern part of the country, besides the snow-covered Caucasus, the family of winemaker Gela Patalishvili has been making wine for more than 8 generations. In summer there is more than 14 hours of sunlight a day, and the evenings are cooled down by the breezes from the mountains. The soil has limestone, chalk and dark clay over sandy loam mixed with gravel, that gives good drainage.

Though the family has been farmers for a long time it was only in 2007, when American John Wurdeman joined forces, that the modern company came to being, and 2009 was the first vintage to be bottled.

The must underwent a spontaneous fermentation, 10 days maceration with skins, and the finished wine was bottled unfined and unfiltered. Just a slight amount of SO2 (10 mg) was added before bottling.

Saperavi 2013 (Pheasant’s Tears)

Black as ink, as a november night, dense. Ink, peppery, raisiny aroma. In spite of the black colour saperavi wines are often juicy, grapey, with not at all the extremely powerful body and tannin structure as indicated by the colour, nor a very long aftertaste. This one is just like that, surprisingly drinkable. Highly personal, deliciously different!

Price: Medium

Food: Lamb, pig, fowl and game. Try with mature, hard cheeses

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