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Tag: Muscadet

Wine bars and restaurants

Bravo!

In naming a restaurant, managers can provide a headline, if the content follows suit. Here it does. The relatively new restaurant Bravo of Stavanger’s ever more trendy eastern district can be summed up like this: Good food, a select wine list at good prices in a cosy atmosphere.

The food is down to earth, but it comes with a creative twist. At the moment the menu consists of eight medium-sized dishes from mainly local ingredients, and a number of snacks. The by-the-glass wine list contains around 20 references, and there is also a longer wine list. The selection largely consists of what you would call natural wines, and all of them are made in an organic, sustainable way. To call the pricing moderate would be an understatement. Look carefully and you can find wines at only 1,5 times the price of the state monopoly.

We were there last Friday, and one of the owners, Rakel Juklestad Helgheim, guided us through four courses and nine wines, assisted by her partner and chef Daniel Vigdel Hansen. Eight of these were chosen from the glass menu and the last one was kindly offered from the longer list by Rakel and Daniel. The platters were shared and most of the wine glasses too.

While enjoying some Spanish olives from the snack menu we decided to go with smoked salmon from producer Jana, right down the road, with carrot and a creamy cheese. It was followed with beetroot with almonds and guasacaca (a Central American sauce), for me the best dish of the evening. Tender cucumber slices struggled to compete with the tasty crab with mustard and lime. Then the kitchen excelled again with a seafood platter with baked ling and spring onion in a mussel sauce with celery and soy.

Knochentrocken 2021 (Der GlücksJäger), a sauvignon blanc-chardonnay-riesling from Pfalz, had the volume and roundness that often come with the varieties, with matching acidity. It has some yellow colour, an unfiltered appearance, with melon and lime aromatics.

Smoked salmon with carrot and a creamy cheese,
and La Mer, a mineral Muscadet

More mineral with a stony character, sea and salt and some pear was the next, La Mer 2022 (Dom. de la Fessardière), a Muscadet, before we with Alsacian Sons of Wine’s Soulographie 2021 were back in a darker and richer style. Made from all the so-called non-aromatic grapes of the region (pinot blanc, chardonnay, auxerrois, pinot gris and riesling) it was nevertheless aromatic, with mature apples, flowers and fennel, and full on the palate with a fresh acidity.

Beetroot with almonds and guasacaca,
accompanied by Pommier’s Chablis

It’s not every day that we can add a new Chablis to the repertoire. Pommier‘s 2021 would deliver. It’s light yellow/golden, and smells of green apples, lime – and luckily only a touch of butter. In the mouth it’s concentrated and full of flavour, and has a long, saline finish.

Malterdinger 2020 (Bernhard Huber), a chardonnay-weissburgunder (pinot blanc) from Baden came in a light, greenish robe. It showed a richness on the nose, with herbs and butter. The oak was maybe more evident on the palate, and added to the feeling of fullness. I would have given this wine a few years in a cellar.

Scions of Sinai is located in Stellenbosch, South South Africa. Nomadis 2020 is based on cinsault, with contribution of pinotage. Ruby red with red and dark fruits (blackberry, raspberry) and spices. Luscious and savoury. North to Germany and Pfalz, Lebenshilfe is an ecological and social organization, offering work for people with intellectual disabilities. Together with the professionals they have here made the fruity Spätburgunder Trocken 2020, a wine with cherry and raspberry fruit, combined with spices and a touch of vanilla. On the palate the fruit follows up, a bit spicy and with a light structure.

Clotaire Michal offered a structure and dark entry for a beaujolais gamay. Maybe not strange, as he had worked several places in the Rhône Valley before settling there. A Fleur de Peau 2019 opens with an animal whiff together with raspberry, plums and spices. It follows up with an impressive structured palate. It’s first of all impressive to taste now, and a terrific gastronomic wine for tasty dishes. However it would easily benefit from a few years more ageing. Back to a white wine, or to be exact… Matassa of Roussillon makes all their whites with skin-contact, so the colour would be darker. Cuvée Marguerite 2021 (predominantly muscat varieties and some macabeo) is no exception: Light orange or amber colour, slightly turbid. On the nose there is citrus, white flowers and peach, and in the mouth it’s grapey and quite full, also with a slight tannin.

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Wine of the Week

Mysterious Muscadet Melon

Melon de Bourgogne can be difficult to get to grips with. Not long ago there was a Muscadet tasting in my private wine club, and after having tasted through some 15 lightly coloured white wines one of the members observed that nobody had yet said a word about citrus.

The other day my student had trouble in describing this wine. And so had I, to be honest. I often start placing the aroma along the “apple scale”. Nothing obvious here. Citrus: Nope. Herbs and spices were difficult to detect, no butter, and wood: not at all. In the mouth it was quite full, but there was no particular acidity to talk about. I was thinking, maybe is this the perfect wine, when words… don’t come easy, but what you have in the glass is just delicious and, yes just wine, and just right.

In the Muscadet de Sèvre-et-Maine appellation mother and daughter Véronique & Aurore have 75 hectares of vineyards. The Château du Coing vineyard is a south-facing one. Then, it’s a lees-aged wine typical for the area.

Château du St. Coing de Saint Fiacre l’Ancestral 2015 (Günther-Chéreau)

Straw yellow. Mature apples, some bread, white peach and maybe ginger. Full on the palate, a creamy lees character, medium length.

Price: Low-medium

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Articles

The Real Wine fair III: Some stars, and some comets on the rise

Here is my last report from this year’s edition of the Real Wine Fair. You may also read the first two articles that cover the sparkling wines and some Spanish producers. I will just give you some of the many highlights.

Jo Landron was there with some of his magnificent Muscadet whites, biodynamic since 2008, with their citric edge and steely minerality. Le Clos la Carizière 2015, a light and fruity wine  from a rented single vineyard, partly on gneiss soil, that gives a flinty hint, and the Amphibolite 2015, taut and mineral, from amphibolite metamorphic rock, that gives a slightly more smoky character. The Melonix 2015 is his most natural wine, with no additions and only 10 mg sulphur. It stayed 3-4 months on the lees; citrus, peel, it’s round and delicious, but the acidity carries it over.

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Jo Landron

In the corner was the lovely Marie Lapierre, whom I have never met before. The family is almost legendary, leading the way in the beginnings of the modern natural wine movement. Their vineyards cover 13 hectares in the Ville-Morgon area of Beaujolais. They used compost and ploughing to preserve the natural yeast of the grapes. The wines are unfiltered, and only given a small amount of sulphur before bottling. The Vin de France Raisins Gaulois 2016 was the only wine she had brought from the Domaine Lapierre this time, a light and delicious, raspberry/strawberry-scented wine from young vines. From their Château Cambon between Morgon and Brouilly on clay-granite and calcareous soils, she had brought three wines. The Château Cambon 2016 was more aromatic, both light and concentrated at the same time, smooth, long and so very elegant. The Cuvée du Chat 2016 was just as elegant and with a raspberry lusciousness. Brouilly 2016 was made for the first time this year. It showed a somewhat darker side, a little broader, more earthy wine, and with more structure.

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Marie Lapierre

Right beside her was Jean-Claude Lapalu, of Brouilly, Beaujolais. I have tasted some of his wines over the past few years, and I find them a bit more on the wild side. He favours some more extraction, and the wines stay at least 6 months on the lees. Among his selection the Brouilly “Croix des Rameaux” 2014, from 80 year old vines and aged in 3-5 year old barrels, is a pure wine with lovely raspberry fruit, but with an underlying earthiness, some leather and tar behind there too. The Vin de France “Eau Forte” 2013 is a bit more developed, but by no means fading. It shows some etheric, almost pinot’esque character, with some raisins, and a touch of figs, drying towards the end. The Brouilly “Alma Mater” Amphora 2012 was also interesting. It was not surprisingly vinified in amphoras, the grapes destemmed: Developed red, aromas of red fruits, cherries, and a bit raisiny too, concentrated and serious.

IMG_4212 Jean-Claude Lapalu  

Jean-Claude Lapalu

From Sicilia came Arianna Occhipinti, who has taken the wine world with storm with her stylish, fresh wines, such as the SP68 2016 Rosso and Bianco, named after the main road in her part of Vittoria. She seems to have a magic touch with the frappato grape, but the nero d’avola and the white albanello and muscato also perform well. Low yields and natural farming are two key-factors. The white SP68 is as simple as it’s good, with its flowery aroma with hints of peel and nuts, and is just on the way to become an orange wine, even it the light colour suggests something else. Its red counterpart (frappato and nero d’avola) has a somewhat lighter body than the previous vintage, quite dark in colour, but with a very supple and fresh fruit, with elements of blueberry and herbs. Il Frappato 2015 was extraordinary, of course, with its pure, elegant dark cherry fruit with apricot and some spicy notes. I also liked Il Siccagno Nero d’Avola 2014, light in colour for a nero d’avola, but delicious, pure, red fruits, blueberry and flowers aroma.

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Arianna Occhipinti

Cantina Filippi owns the highest vineyards in Soave, up to 400 meters. Most of the vineyards were planted in the 1950’s, and the 16 hectares are divided into three “crus”, Castelcerino (the highest one), Monteseroni and Vigne della Brà. The Vigne della Brà 2014, from clay soil, was light and very delicate. I also liked the Montesoroni 2014, from limestone. It’s more open, with white flowers and herbs. In a way it feels mellow and smooth, but with a very “Italian” grapefruity, slightly bitter aftertaste.

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Filippo Filippi (left), and Emma Bentley (right) from Cant. Filippi

IMG_4198 Meinklang 

Nicolas of the Winemakers Club representing Meinklang

Meinklang is a big estate, some 1.800 hectares, 70 of them vineyards. They are Demeter-certified biodynamic. They started over the border in Somlo, Hungary. This is a plateau formed by a volcano. Angela and Werner Michlits of Meinklang were represented by their importer The Winemakers Club, that showed a great variety of wines, such as the J 2013, (the J standing for the juhfark grape) from the aforementioned Somlo of Hungary, a cider, and many lovely wines from various Austrian grape varieties. If I then should give myself the task of mentioning only three wines among those that I never had tasted before, I would this time stick to the whites: The J was an exciting wine one and a half days skin-contact and that stayed for 12 months in big Hungarian barrels. It was quite light, fruity with some peel and some tropical notes, with a good acidity and a slightly bitter aftertaste. The Graupert Weiss 2015 from an unpruned grauburgunder (pinot gris) with ten days skin-maceration, and Konkret Weiss 2014 of red traminer, yellow traminer and geewürztraminer, of 28 days skin-contact in concrete eggs especially designed for Meinklang. After pressing it went back to the egg for a 9 months ageing. No sulphur at any stage. A dark wine that plays with oxidation, quite structured.

were both darker wines with more skin-contact, both flowery with aromas of peel, smooth textured lovely wines..
Konkret Weiss 2014.

IMG_4173 Pedro Marques 

Pedro Marques

Pedro Marques at Vale da Capucha, Torres Vedras, is among the young squad that is currently revitalizing the vast Lisboa region. I have knowed the man and his work for some years, and I love his full, expressive whites and some of his fresh reds too. In the monarchy of Arinto it’s he who is king, and occasionally his alvarinho and gouveio deliver on the same level. He looks for maturity and a rich texture, and he uses only a minimum of sulphur. All wines could be mentioned, here I will limit myself to the two entry-level wines he shows in the picture, called Fossil, that denote that the farm is located only 8 km from the sea, and in the ancient times under water.

Fossil Branco 2015 was full and glyceric, but energetic and complex, salty, with citric notes, pineapple, and some smokiness, and good acidity from the arinto (fernão pires and gouveio also in the blend, all three in equal parts). The 2014 was also brought to the table. Clearly in the same family, but not as bright. Fossil Tinto 2015 (touriga nacional 60%, tinta roriz and some syrah) was dark, smoky with flowers and green herbs, fresh, and with a nice tannic grip.

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Craig Hawkins

Craig Hawkins is a leading figure in South Africa’s dynamic Swartland region. I have tasted his range several times and cannot recommend it enough. The wines tend to be very natural and with little extraction. I really like the entry-level wines called Baby Bandito. His Testalonga El Bandito “Cortez” from 35 year old chenin blanc vines on granite is always brilliant, now 2015. Lively, iodine, mineral and with that steely edge from the grape. “Mangaliza” 2015, from the Hungarian grape of that name, was a new find. “Monkey gone to Heaven” (on bicycle, according to the label), now 2016, is as always concentrated. But there is a lot more to it, a floral and grapey mourvèdre with red fruits and fresh aromatic herbs.

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Most of the range, Testalonga Bandito and Baby Bandito

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Sebastiano de Martino

De Martino has been around since the founder came over from Italy to Maipo in the 1930’s. Today they are among the leading organic producers in several regions. Some of their most interesting wines are results of dry farming in the southern Itata region. The Muscat and the Cinsault aged in clay are the two that come to my mind. Here they came in various versions; a muscat/corinto was interesting. So were some of the cheaper ones such as fruity, wonderfully balanced cabernet sauvignon under the Legado label (2016).

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Wine bar Ducksoup of Soho had a stand with marvellous small dishes

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Wine of the Week

A great, mineral Muscadet

Muscadet by the Loire is maybe underestimated. At least it’s undoubtedly good value. Even this wine, handmade, low-sulphur, natural and with loads of character, is very good value. It’s a wine that evokes memories of summer, flowers and sunshine.

This one is made by Jo Landron, that started to make wines with his father back in 1979 and has since walked the steps via “normal” organic to biodynamic farming.

This wine is from 40 years old melon de bourgogne vines, fermentation in cement with indigenous yeasts, the malolactic was blocked to retain the freshness, and the wine was bottled unfiltered.

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La Fief du Breil 2013 (Jo Landron)

Straw-coloured. Bread and yeast aromas from ageing on lees, wet stone. Full, round on the palate, chalky minerality and just enough acidity to match.

Price: Medium

Food: Tasty fish, salads, creamy cheeses

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