At a tasting in our wine club yesterday, we explored a line-up of Grosses Gewächs Rieslings from the newly released 2023 vintage. Among the highlights was Katharina Wechsler’s Morstein.
The 2023 vintage in Germany, and particularly in Rheinhessen, offered conditions that many growers described as “classic.” Early impressions suggest, in short, that this is a year of finesse rather than power.
Morstein is one of Rheinhessen’s great limestone vineyards, perched above the village of Westhofen. First mentioned in the 13th century, it is now firmly established as a Grosses Gewächs (GG) site, producing Rieslings of impressive longevity and mineral tension. The combination of deep clay and active limestone gives the wines both weight and energy.
Since taking over her family estate in 2009, Katharina Wechsler has become a leading figure in the new wave of German winegrowers. Her style is defined by organic farming, spontaneous fermentation and long lees ageing in large neutral oak, resulting in wines that are textural, articulate, and deeply rooted in place.
The grapes for this wine were hand-harvested in several passes to capture optimal ripeness. After gentle foot-trodding of the grapes, the must was fermented with wild yeasts in large oak casks and matured on its fine lees for several months. The approach is low-intervention but carefully guided, allowing the site’s signature to shine through.
Morstein 2023(K. Wechsler)
Pale colour. Aromatic with lime, white peach, green herbs and wet stone. Expressive on the palate, with a saline drive and laser-cut acidity. Fine texture from lees ageing, and a long, stony finish that speaks of its limestone origin. Still youthful, probably with an excellent ageing potential, but already compelling in its linear, elegant style.
Bravo is located in the increasingly popular eastern district of Stavanger. We have visited a couple of times in the past. Bravo can be characterized as a wine bar, or informal restaurant, with small but elaborate plates at very affordable prices. They offer around 15 wines by the glass, all good and inspiring, as well as a full list of wines by the bottle. The profile is natural, sustainably produced wines with a terroir character.
From the small dishes and snacks menu, this time we chose (European) hake, yellow beetroot, pork rillettes and braised sirloin, and also a bowl of green olives.
The first wine was a sort of entry-level wine from Alberto Nanclares and Silvia Prieto, one of the leading producers in Galicia’s Rías Baixas. I didn’t take many notes, so the following is mostly based on memory. Dandelión 2022, a varietal albariño, appeared as grape-fresh as usual. Light golden in colour, aroma of yellow apple, lime and stone minerals. It has the typical glyceric full-bodied albariño character, good fruit in the mouth, great acidity and finishes dry.
Hake with sea buckthorn, quinoa, cucumber and spring onion – accompanied by the albariño
We had a superb German wine, Karl May’s Osthofen Pinot Noir 2020, with yellow beetroot and even the pork rillettes. The winery has been in the family since 1815. Today it’s Peter and Fritz from the 7th generation who manage the family winery in Rheinhessen. Ruby red, and what a lovely red fruits nose, dominated by raspberry. Just behind there is cherry and a slightly earthy note. Juicy in the mouth with delicate tannin and an inspiring acidity.
Frances Grimalt of 4 Kilos is one of the leading wine personalities on Mallorca, and a torchbearer for the revolution of the variety callet, maybe the most emblematic grape on the island. Here it’s the mantonegro (also spelled manto negro), that’s playing the key role, with a small percentage syrah. Mantonegro typically gives a light colour and high alcohol to a blend. Gallinas y Focas, here in the 2019 vintage is made in collaboration with an organisation for mentally handicapped. It’s a wine with some volume and enough power to go with the braised meat. Cherry red, warm and developed aroma of red and dark fruits, with some spice.
Braised sirloin with Gallinas y Focas
To round off we had two wines, the Stolpman Vineyards‘ white Uni and Schödl‘s skin contact wine called Bloody Muscat.
Stolpman is found in Ballard Canyon, California. The wine Uni 2021 is made from roussanne 70%, and chardonnay 30%. It’s light yellow with green hints, smells of ripe pear, citrus and white flowers. It’s a wine with good volume and adequate acidity.
Schödl is located in Loidesthal, Weinviertel, just norti of Wien. Their Bloody Muscat 2023 wonderfully rounded off our meal. It’s a wine from roter muskateller grapes, that gives it a.special colour to the wine. The grapes macerated about two weeks on the skins. After fermentation the wine went into big oak casks. Bottled without filtration and fining. Deep golden with a reddish hint, slightly turbid. Aroma of orange peel, white flowers, herbs and ethereal oils. Smooth tannins and good acidity, rounded. It’s in a way serious, but it’s also fresh and fun.
Back in London and a busy Borough Market at lunchtime. Elliott’s was opened in 2011 by Brett Redman, from Australia, with the aim of serving only produce sold at the market. It has long been one of my favourites, and you can read a couple of posts here and here.
Andi Mann is based in Eckelsheim, Rheinhessen. He makes lively, energetic wines, organic with some biodynamic methods. The soil is limestone (to which the name Calx alludes), and the age of the vines is around 40 years.
This wine is based on grauburgunder, whose official name is pinot gris. Many of you will know that this variety is not completely “white”. It has red spots, so as a skin-contact wine it will take on a red or reddish colour, depending on the length of contact. (Read about another wine of that kind here.)
Half of the grapes were directly pressed, the other half had fermentation on skins for 2 weeks. The juice was then fermented and stored in large German oak barrels for 1 year. It was bottled without filtration or addition of sulphur.
Calx Grauburgunder 2022(Andi Mann)
Beautiful blushing colour. Aroma of citrus peel, flowers and ripe peach. Delicate tannins, quite full and juicy, with a fresh acidity. Dangerously quaffable.
Price: Medium
Food: We had it with lightly spiced chicken and beef carpaggio, but it should go with a variety of fish and light meat.
Our local wine club featured Sekt, sparkling wines from Germany, the other day. The tasting showed an overall good quality-price ratio, I would say better than the tasting of spätburgunders a couple of months ago. There are four categories of German sparklers, from the basic Sekt, where the grapes can be of shopped around Europe, narrowing down to Winzersekt, where a smaller manufacturer owns the grapes himself.
Among the best, and also with a very good price, was this one. Raumland is a specialist located in Rheinhessen, with facilities for making sparkling wines offered to several famous German producers. All their vineyards are worked organically, and their sekts are normally fermented out dry.
Riesling Brut 2018(Sekthaus Raumland)
Light yellow colour, fine bubbles (small mousse). Aromatic, green apples and lime, hint of bakery (after 36 months on the lees). Mellow entry, with apricot, a citrussy acidity grows in the mouth, it’s complex, it’s crisp and energetic, and it finishes off dry.
When the Suez Canal was opened in 1869 wine from Reichtsrat von Buhl was offered for the celebration. This cuvée is named to honour the occasion, 150 years later. Organically grown riesling grapes were harvested manually. The base wine was fermented in stainless steel and in tonneaux, followed by a traditional bottle fermentation on the lees for 40 months.
Suez Riesling Brut Nature 2015(Reichtsrat von Buhl)
Light yellow, small mousse. Yellow fruit, mature apples, brioche notes. Full in the mouth, creamy texture, integrated acidity and a long finish. Mature style, elegant.
Sven Leiner’s domaine is located in Southern Pfalz. It consists of 15 hectares of vineyards, that he runs organically with biodynamic methods (and certification). Only a little sulfur is added to the wines before bottling, and no filtration is done. Some key words: Spätburgunder with chardonnay, age of wines 60-70 years, grapes harvested manually, fermented and matured in big oak vats and cement. I guess it’s assembled from three vintages corresponding with the numbers on the label.
Leiner Brut Nature(Weingut Leiner)
This wine lived up to the natural wines’ reputation of being living things, as it changed “colours” several times, from closed and square to open and well-assembled. In the beginning it showed a slight mousiness, but the day after (you see, this bottle I smuggled home after the tasting) it was clean and cutting.
Let’s try to assemble the many impressions: Light with very little bubbles. Aroma of ripe apples, some nuttiness and a stony minerality. Full in the mouth, a rich texture, and a fine mousse on the palate, integrated acidity, quite concentrated and long.
Raw Wine is ever expanding and has finally come to Scandinavia. Last Sunday some 180 artisans from all over the world was gathered in the conference center The Plant in Amager Øst, Copenhagen. There were three seminars, of which I participated in one (about wines from Castilla y León, read a note here). In the days leading up to the festival there were also tastings and other events collected under #rawwineweek, of which I also participated in the biggest of the additional tastings (see a report from Café Josephine here).
With 180 producers it’s obvious that I couldn’t taste everything. This time I rambled around with no special plan, except I wanted to talk to some that I didn’t know before, some that I knew a little, and of course say hello to some good friends.
My readers might not know that I have a history in Peru. But I have, and my daughter is half Peruvian. Some years ago I visited the region of Ica. It was exciting to know that there is now a natural wine producer right in the desert. The people of Peru knows that it’s their country, not neighbouring Chile, that is the cradle of pisco. The old harbour of Pisco is located right there, only 75 kilometers from Ica, and both are located south of Lima.
Pepe Moquillaza is also a pisco maker and has done a great job recuperating quebranta grapes for pisco production. Now he is rescuing Peruvian clay vessels (also called piscos, or botijas) for natural wine making. In Copenhagen I tasted two of his maritime desert wines. The first one was Mimo Italia Quebranta 2020 (italia, local name for moscatel de alejandría, and quebranta in equal proportions), organically and biodynamically farmed, with two years of skin-contact, not sulphured, aged in old oak, unfined and unfiltered. It’s a light amber coloured wine with good volume, a grapey character and also good acidity. Albita de Ihuanco 2019 is a blend of albilla (local name for palomino) and italia. It combines the minerality of albilla with the flowery scent of moscatel. It’s yellow in colour, and has good volume in the mouth, with some tannin and a lot of fruit. Like the previous wine it has almost zero sugar and a moderate 12% alcohol. The length of the skin-contact is here two months.
Lanfranco Fossà was there on behalf of Davide Spillare, who lends his name to the labels. I met them both when I visited the important village of Gambellara in Veneto five years ago, and it was nice to catch up. (Here you can read about that visit, with more background.) The wines are fresh and lively, and quite light in body. As if some extra freshness is needed, the L1 Frizzante 2021 sparkler has a small percentage of durella to give an extra boost. Bianco Rugoli 2016 comes from an 85 year old vineyard with volcanic soil, with bushes trained in pergola. The nose is complex with mature apples, wax and aromatic herbs, good acidity and a salty mineral finish.
Bianka Schmitt and her VooDoo Doll
A relatively new discovery is Bianka und Daniel Schmitt of Rheinhessen. During the last couple of years I have tasted several impressive wines, from the entry-level 1 litre bottles of Frei. Körper. Kultur. and upwards. It was then lovely to be able to meet Bianka in Copenhagen. These wines are fresh, tasty and truly inspiring. Here we tasted rieslings, like the flowery, red appley, quince and honey scented Riesling M 2018 and the flor-aged Voodoo Doll 2020. There’s no evil behind the appropriate black label; it is floral on the nose, with almonds, herbs and a touch of tropical fruit. Of the reds I will mention two; first the elegant Spätburgunder2018, with its generous raspberry, complemented with flowers, green peppers and an interesting hint of coffee. Kékfrankos is the Hungarian name for blaufränkisch, that the Schmitt family brought over from there. Now in its 2021 vintage it’s medium-bodied and in a way light, but it’s also wonderfully complex, smells of blueberry, morello, herbs and a touch of coffee, it’s luscious in the mouth with soft tannins, an agreeable acidity and a pleasant bitterness in the finish.
Philippe Lancelot is a natural wine classic within Champagne. The estate was created by his parents who both inherited some vineyards, then bought new ones together. Philippe had introduced biodynamic practise for all vineyards by 2012. He wants to express the individuality of each cru and village, almost always completely dry and in most cases without any added sulphur. He showed five magnificent wines, among them Le Fond du Bâteau 2018, from the lieu-dit (named vineyard) of the same name in the surroundings of Choully, a grand cru village in Côte des Blancs. 100% chardonnay, no dosageand zero added sulphites. Light golden, aroma of green apples, citrus, chalk and brioche, concentrated, mineral, long, pure. The oldest wine he presented was Les Bas des Saran 2014, also pure chardonnay, with no additions. This one comes from four lieux-dits in the grand cru villages, among them Cramant (his home village). It’s vinified in oak barrels and vats, and spent 5 years in the cellars before launch. It has a discreet floral nose, more expressive citrus, brioche, in the mouth it has a dry and tense attack but develops both creamy and fruity.
Château Meylet is another natural wine venture from a classic place. They are also biodynamic since 1987. David Favard runs the family estate, that due to its location in St. Emilion has a high percentage of merlot plants, but also cabernet franc, cabernet sauvignon, malbec and petit verdot. Cuvée Baiser d’Ange 2021 is an interesting orange wine from semillon, made with 15 days skin-contact in amphora. Yellow colour, rich with a sweetish sensation. Château Meylet 2019 showed that the reds have some oakiness at an early stage. Luckily there are aged wines then. The 2003, made by David’s father, has stood the test of time. Red with brick rim; red and dark fruits, some tobacco and spice; fine tannins and well-balanced, a raisiny touch also.
Mas de la Lune is located in the Agly valley, Côtes du Roussillon. In schist and granite soils grow varieties also known from the Spanish side, all of them 70-90 years old. Vanessa Courtay showed me a handful of wines in several colours. I am not sure which vintage I tasted of Le Second Souffle; I think it might be 2022, although it then would barely have the time to stay the 9 months with skin-contact that Vanessa told me it had. Anyway it had also little colour for that amount of time. It’s made of macabeu and tastes of wax, flowers and yellow apples, with a structure that more than the colour tells about the prolonged time on skins.
I will soon go on a trip to Bobal country in mid-south-east Spain. A perfect introduction was then to visit the table of Altolandon, from the Cuenca part of DO Manchuela. The property lies up to 1.100 meters, that makes a slow maturation and a fresh acidity possible. Carmen Sebastián and winemaker Rosalía Molina showed me several wines as proof of this. Milhistorias Bobal 2020 has a bright red-blueish colour; red and black fruits on the nose with flowers and herbs; it’s fresh and fruity, very much alive and with a super acidity.
When I was about to call it a day and leave I stumbled upon Nacho León of Demencia Wine. He is located in Villafranca del Bierzo, and the name points to mencía, the most important grape in the area. The wines come in an expressive style, with good fruit and firm tannins. Fuente de San Lázaro 2019 comes from 115 year old vines in a variety of soils and is made in old wood. It shows red and black fruits, herbs and am earthy touch; in the mouth it has the firm tannins, and also a lot of freshness. Villegas 2019 comes from sandy and clayey soils and is also made in old wood. Ripe red and black fruits, herbs, a toasted note; the tannins are firm and there is some coffee and a touch bitterness in the end.
A highlight was indeed the veggie pita served by Jakobsen’s Pita. Not least because I met Ismael Gozalo, that gave me a sip of his magnificent Frágil 2021, a glass-raised verdejo, just in time to enjoy it with the pita. And of course, interviewing Isabelle Légeron MW for Vinforum magazine, in a story about the Raw Fair itself. When it’s published I may port a short version of it here.
Bingen is maybe most mostly associated with Hildegard, the great composer, mystic, abbess that founded a monastery there nearly a thousand years ago. This improvised title bears more associations to the old jazz masters. But anyway: It is here, on the Nahe estuary in Rheinhessen, that Carolin and Erik Riffel have their home. Since I got to know them I have admired their wines. The organic Riesling Trocken is as stylish as it gets, the silvaners well-made, the pét nats (such as the scheurebe) truly inspiring. With this wine they go one step further, with a more un-tamed, naked orange wine.
But it’s only natural. As long as I have known them they have talked about their passion for the nature of wine, for their place and for the vintage in the glass. They intervene as little as possible, giving the wines the time they need. Today they have 16 hectares on quartzite soils, farmed biodynamically.
Erik and Carolin Riffel
The orange wine is made from equal parts sylvaner and gewürztraminer. They are handpicked, and destemmed, fermented on skins for two weeks. Parts of the wine are matured in barriques, the rest in steel and with six months on fine lees.
Orange-Naked Trocken 2019(Weing. Riffel)
Golden colour, slighly turbid. Aroma of mature apples, pear, flowers, and a nutty hint. Smooth tannins in the mouth, good acidity, and though full flavours and a good lenght it is also a pure fun wine.
You are advised to turn the bottle upside down before opening, to get the full intensity from the yeasts too.
Price: Medium
Food. Asian dishes, light meat, tasty fish, many kinds of salads…
No, this is not just a slick heading, but actually the name of the wine. For so much loves Rheinhessen producer Wittman this type of soil that they decided to name a wine after it.
I bought it in a tax-free shop at a ridiculously low price. And in the wine is in fact bottled specifically for the Heinemann group, that’s responsible for the selection of most airports in northern Europe. It reminds me of some of their more basic dry rieslings though, but more about this and this brilliant winery at a later occasion.
Light yellow. Young, fruity aroma of yellow apples, flowers, and a stony minerality. Young, slender, but with good concentration, slightly spritzy riesling style, and am elegant acidity dancing on the tongue.
I’ve known Riffel for many years, and tasted some of their wines in several vintages, such as this one, their basic dry Riesling. But this time I encountered it by chance, as it was a house wine at a modest restaurant in Stavanger, Norway.
Carolin and Erik (Credit: Weing. Riffel)
Carolin and Erik Riffel are found in the municipality of Büdesheim in the Bingen area, Rheinhessen. Bingen was the birthplace of the famous Hildegard, composer and more. But nowadays it swings more than ever here.
The vineyards cover 16 hectares, most of it riesling, together with other grapes. Their work with silvaner is very promising. They have for a long time had an organic approach, and in 2012 they switched to biodynamic farming. Obviously they use spontaneous fermentations, and there are few additions. Riffel produces around 100,000 bottles annually. Aside from the still wines bottle-fermented sekt, pét nat and non-alcoholic grape juice are made.
This is a fresh wine made in steel at controlled temperatures, lightly filtered, and clocks in at 5 grams residual sugar and around 8g acidity. The alcohol is 12% vol.
Riesling Trocken 2018(Weingut Riffel)
Light colour, greenish tinge, just a little pétillant. Fresh fruit, citrus (lemon, lime), green apples, a touch of gooseberry. Light, with a fresh acidity, and a pleasure to drink.
Price: Low
Food: Fish, shellfish, salads, light meat, not too heavy or spicy Asian…
