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Tag: Spain

Wine of the Week

Take a Spanish cab

So you don’t think a Spanish cabernet can be much fun? This one is, at least for me. Lately I have tasted through most of Dominio Buenavista’s portfolio again, most of it under the Veleta label, from the (in Spain at least once) ever-present cabernet, via the obscure local variety vijiriega, a tinto jóven made of tempranillo, to the most fascinating not-very-sweet red dessert wine Don Miguel.

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Juan, Nola and Nolita (front) Palomar (credit: Dom. Buenavista)

Dominio Buenavista is located 650 meters above sea level, in the Alpujarras, a mountaneous area in the province of Granada. This is one of the Spanish centers of natural wine, with Barranco Oscuro as one of the leading producers. Their good friends at Dominio Buenavista is another. We are in the village of Ugíjar, in the southeastern Contraviesa subzone, with a view to the Mediterranean and at the same time to Veleta, one of the highest peaks on the Spanish mainland. Planted here are cabernet sauvignon, cabernet franc, merlot, tempranillo, chardonnay, viognier a.o., not to forget the exiting white variety vijiriega. The work in the vineyard is biodynamic, only natural yeast is used and the quantities of sulphur are very restricted. Red wines normally undergo a ten days maceration, where the must is pumped-over one or two times each day before pressing. They are then typically aged for a certain time in French and American oak up to five years old.

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Veleta Cabernet Sauvignon Roble 2013 (Dominio Buenavista)

The grapes for the Cabernet Sauvignon Roble 2013 were picked mid-September, and the wine aged for three months in oak.

Dark, bright colour. Aroma with elements of ripe fruit, plums, some pepper, quite balsamic (menthol). Rich with a smooth texture, but not without tannic structure either. The balance between fruit, oak, tannins and the other elements is already intact, but the wine will develop positively for 4-5 years too.

Price: Low

 

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Wine of the Week

Brezo from Bierzo

Grégory Pérez produces highly original wines, but also with respect for terroir. They are natural wines made in a sustainable way, with knowledge of soil and protection of biodiversity as key elements. Low yields secures ripeness and concentration, and cluster thinning and organic fertilizers is only used if absolutely necessary. Selection always takes place in the vineyard. The fermentation is carried out by indigenious yeasts, different yeasts for each vineyard.

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The really like his unoaked entry level wine called Brezo made from 85% mencía and 15% alicante bouschet, a grape associated with warmer climates. It’s made from 30 year old vines 550 meters above sea level in Horta and Villafranca del Bierzo.

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Mengoba Brezo 2013 (Gregory Pérez)

After a lot of airing (this is mencia, a truely reductive grape, remember):

Dark red, bright with a violet tinge. Balsamic notes in aroma, forest fruits and flowers. Fleshy, full, with a nice acidity. A charming red bierzo on the «wild» side.

Price: Low

Food: Try with light meat, game, and a variety of cheeses

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Articles and Wine bars and restaurants

Tuna in to the Taberna de el Campero

Zahara de los Atunes is a tiny village on the southernmost stretch of the Costa de la Luz of the Cádiz province. If you can find it, then you will also find the most beautiful beaches you can imagine, bathed in the sun and cooled by the breeze. In the municipal center Barbate the most valuable fish in the world is still caught, a great deal of it will catch the next plane to gourmet sushi restaurants in Tokyo, but thanks to higher forces that some of it stays here and enriches the local bars and restaurants. If Hemingway were still alive he would probably have participated both in the catching and the eating.

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You get chopsticks if you like

La Taberna de el Campero is a branch of restaurant El Campero of Barbate and found right in the small center of Zahara del Atunes. Here chef Julio Vázquez lets the tuna fish, or Atún Rojo Salvaje de Almadraba (to call him by his full name) play the main role. The interior is in aquarium blue colours, table cloths have tuna motifs, and on the menu that’s written on the wall there are tuna dishes, traditional and original, such as Tartar de Atún Rojo (where they use the ‘cola blanca’, the lower part of the tail, in front of the fin), Surtido de Crudos de Atún Rojo (tuna sashimi, tartar and tataki), Lasaña Fría de Atún (cold tuna lasagne) and Albóndiga de Atún (Spanish meatball, made with tuna), just to name a few. Two people, two nights, we were able to see the tuna from many sides and taste types of tuna fish meat we didn’t know existed.

(Here is a clip from the facebook page where you can see their own sushi specialist Jun prepare an interpretation of a Japanese dish.)

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Big surprise, they have a special focus on natural wines!, and that must be the main reason that we came back. The selection was not very big, only one page. But it was ecclectic, and the rest of the wine list wasn’t bad either. Among the whites were La Mar Salada, from Nieva in the Segovia part of Rueda, and almost local wines such as Lagar de Ambrosio from Olvera in the Cádiz mountains. I have written about Rafa Bernabé here in an earlier post. Here is a wine from one of his collegues from Alicante, Bodegas La Encina (from the village of the same name, bordering La Mancha). This is a fresh and delicious un-oaked white called El Juncar from varieties forcallat blanca, tortosina and macabeo and now in the 2014 vintage. This is a good, healthy and naturally made alternative to Castillo de San Diego and other VT Cádiz wines from the sherry houses more likely to be found here.

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El Juncar, white natural wine

And among the reds were Casar de Valdaiga, oak-aged mencía from Bierzo, Duende, a syrah from Granada, Pésico, a wine from the unlikely area of Cangas de Narcea (Asturias), made from the still more unlikely grape varieties of albarín tinto, carrasquín, red verdejo (!) and mencía. All of these were only sold in whole bottles, so we had to be very selective (we can hope that people will find out that these wines are more than merely funny names from funny places, so that the restaurant can find it worthwhile to serve them by the glass next time). One of our whole bottle reds was Viña Almate (Alfredo Maestro), a tempranillo roble from the banks of the river Duratón that runs into the town of Peñafiel (in the heart of Ribera del Duero). I have been an admirer of this wine since I tasted it together with its maker a few months ago. It has a very direct, fruity, flowery and spicy character, and it’s mouthfilling and with a seductive acid freshness.

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Viña Almate, red natural wine

Zahara de los Atunes is a small oasis along the coast of the light. Yes, it’s small, but you have Tarifa and Morocco within reach, so is Cádiz, the sherry district and Sevilla. But you have also interesting historic places such as the Cabo de Trafalgar, the town of Medina Sidinia, reminiscants of the romans… Atlantis may have been here, certainly Tartessos. And apart from the obvious advantages of the beaches and the sunsets, places like the Taberna de el Campero make it even worth to stay in the village for a while.

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Sunset in Zahara de los Atunes

 

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Wine of the Week

Marenas Lucía of Cordoba

We often hear that natural wines cannot age. Libenese Musar is an example that this isn’t true, though it’s maybe not strictly natural either. Here is a more hard-core natural wine from the current leader of Spain’s organization of producers of natural wines PVN, José Miguel Márquez of Montilla, Cordoba.

Some of his wines age under flor, to honor the tradition of the area. After all Montilla is the town that inspired the name of the famous sherry style amontillado. All Marenas’ wines come from vineyards with nearly the highest insolation in Spain, maybe in Europe, and the sunny character is evident in the wines. Still José Miguel achieves a good sense of balance and harmony, and wines that last at least mid-term.

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Marenas Lucía Tempranillo-Monastrell 2005 (Bodega Marenas)

Dark with brownish, developed tones. Mature fruit, cherries, coffee, marmelade. In a good harmony between fruit, wood, and age. Will not improve however.

Price: Medium

Food: Red and light meat, roast, hard cheeses

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Articles and Wine bars and restaurants

Unfortified wines in Sherry country

While sherry sales have declined for years something new is emerging. From one of my numerous trips to the sherry district in the past I remember Bodegas Ferris showed me some plantings of the tintilla de rota grape. Now this grape plays a major part when un-fortified wines are gaining ground.

Last week I took a day trip from Zahara de los Atunes down the Costa de la Luz. I visited a few producers in the Cádiz province, and tasted wines from some more. In El Puerto de Santa María municipality, on the road between Jerez and Rota, the bodega of Forlong was hard to find, but with a little telephonic help I managed. Here Alejandro Narváez and Rocio Áspera are making wine from 3 hectars, only one in production though, but they also count on vineyards in Jerez and Trebujena. They neither buy nor sell grapes.

2015-06-30 12.00.34 Alex in white albariza vineyard

For red wine tintilla de rota that is the star grape, with its nice acidity, its spiciness and its local pedigree. For the whites the first grape is sherry variety palomino fino, but its collegue pedro ximénez is also grown. The tintilla de rota is «technically a clone of graciano», explains Alejandro, or Alex, «but where graciano has four pips the tintilla has only one». They use spontaneous fermentation, and sulphur levels are quite low (typically 40-55 mg/L). It’s not that difficult to maintain an organic agriculture here, according to Alex. There was already a good eco-system, as it is near the Doñana ‘marisma’ (wetlands) and a natural lagoon, and the wind and the sun in the vineyards. The biggest threat is a frog that goes after the leaves.

The property was bought in 2007, and Alex and Rocio named it Forlong – after Forlon, the previous owner – but added a ‘g’, since the Spanish pronounce it like that anyway. The small bodega house is built with the estetics of a coastal sherry house, with beams under the roof, but without the openings, since they don’t wish to grow ‘flor’ (the yeast that is helped by the Atlantic breeze). The bodega has some big century old tinajas (clay jars), and some barrels. It’s somewhat provisional though, as a new storage room is now under construction.

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We tasted their three wines, a white, a rosé and a red. The white, from 85% palomino and the rest px, was very expressive, with aromas of white flowers, lychee, yellow apple, with some mineral character from the albariza (the white calcareous soil that reflects the sunlight), and some saltiness in the aftertaste. In this area you often hear that palomino is a neutral grape with little acidity and character. Alex and Rocio want to change that idea, and this wine is a welcome contribution.

An interesting rosé from cabernet sauvignon had been fermenting for 15 days at low temperatures. It was light in colour, with smells of strawberries, red berries, and of underwood and mushroom too. Quite slender and with good acidity, and the slight CO2 content also contributed to its freshness and general appeal. The red wine – a syrah, merlot, tintilla blend) that had been in clay for 6 months and 3 more months in oak of varying ages and origins – was also interesting, round, and with a dense fruit, though it might be that with a lower alcohol degree than 15˚ it would have been even better.

After a couple of hours Miguel Gómez shows up. He is renting space at Forlong, where he makes his Mahara wine. He has two more projects, the Alba Viticultura in Sanlúcar and another in Ronda (Málaga). Here in the Cádiz province he has 5 hectars of vineyards, expanding a little each year, works by gravity, and the vineyards and wine are «never touch by a machine». About its «organicness», these vineyards are now in conversion, while in Ronda biodynamic technices are already employed.

2015-06-30 13.42.38 Miguel takes a sample from a 12 year old Hungarian barrel

We tried two samples, one from a 12 year old Hungarian barrel, and one from an American one. All barrels are in fact used when bought. It’s interesting to see two samples that different when they come from one vineyard and are treated the same way. The one from the Hungarian barrel is more soft, rounded, and full, while the other is more spicy, salty and floral on the nose, and in the mouth it’s more aggressive, even more concentrated.

For the final wine all 14 barrels will be blended, «as they are after all from the same vineyard, and together they will express the characteristic of that vineyard». Until now there has not been added any SO2. Maybe he will add a tiny amount before bottling, maybe not. The wine clocks in at a mere 12˚ alcohol.

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Miguel goes out for a while, and from the car he comes back with a plastic bag filled with ice and with two bottles. These are a white and a sparkling wine from his Sanlúcar project called Alba. We decide to go into the vineyard to taste them. The sparkling wine is light and appealing. The still version has been under flor for 8-9 months, a golden, tasty wine, salty as a manzanilla and bottled ‘en rama’, unfiltered.

The vineyard is not where they come from though, they grow in Miraflores and Maina near Sanlúcar, while we are now in the famous pago of Balbaina, the jerezano vineyard that is closest to the coast. But it’s scenic, and we can see one of the reasons that his red wine has such a low alcohol: The grape clusters block for the sun, so in the middle of the day the sunlight is mainly reflected from the albariza soil. The Poniente wind also contributes to a slower maturation.

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Miguel rents this part of Balbaina. While we are out there sampling some delicious white and sparkling wine owner Martín comes to join the fun.

Before I went back to Zahara I visited Armando Guerra’s place in Sanlúcar de Barrameda, the Taberna Der Guerrita. This is a wine bar, a small restaurant, a shop – a real oasis and nothing you would expect in the capital of Manzanilla, where people stare at you once you order a red wine in a bar, assuming you mean a «tinto de verano» (a low alcohol drink that is taking over for sangría). Armando used to sell his «own» table white wine and amontillado («own» because they were brands and made by R. Ibáñez and Delgado Zuleta, respectively). But he is running the taberna, he sells and serves the wines he likes himself – and he receives a lot of attention for his ambitious series of wine tastings involving many great producer and journalist names from Spain and abroad, and the proprietor too.

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Armando with a glass of «unfortified manzanilla» in front of his small wine bar

We tasted some wines and talked a little about the industry. It is well known that sherry is losing ground in many markets, so many producers, with Barbadillo as the most famous wine and the greatest commercial success, have started to produce unfortified wines from the area. Today the ones that put all their effort into these wines are the flagbearers for quality, such as Luís Pérez, Ramiro Ibáñez, Forlong, Mahara, Alba, Huerta de Albalá, and not least Equipo Navazos.

There is no D.O. for wines like this in the Cádiz province. Both Miguel Gómez and Armando Guerra says that this could be both positive and negative. In general it will help the big bodegas as these people will put a stronger quality focus on the vineyards, Armando suggests. Both admit that the wine doesn’t sell itself, but on the other hand there are no rules, and the new growers can contribute to define the «future». It would not surprise me (even with the mighty families of the Marco de Jerez around) that a new regulation would be built upon the red grape tintillo de rota and the white palomino fino, but with possibilities for several «caprichos» too.

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Wine of the Week

About flowers and bees

Ribeiro is one of Galicia’s inland DO’s. Coto de Gomariz overlooks the river Avia, and counts nearly 30 hectars on schist, granite and sand. The land is mainly steep, and the yields are naturally low. Gomariz has surely come a long way since Ricardo Carreiro’s father founded the estate a few decades ago, and has been one of the leading estates in Galicias Ribeiro for several years now, one of the major awards so far is «best white wine of the year» by Spanish wine website ElMundoVino. Many good wines mainly from treixadura and sousón have emerged, terroir based wines full of expressive fruit and a great deal of minerality.

IMG_2771 Ricardo Carreiro in the Gomariz cellar

Ricardo has introduced biodynamic techniques. Recently, together with his winemaker Xosé Lois Sebio, he has also added some new wines. I think the main reasons for this were to secure some quicker income, and at the same time improving the grape material for the top wines. A basic white was released. Then there are the two varietal wines called The Flower and the Bee. There is a treixadura white, while this week’s special wine is red, and the one grape being sousón. This variety is thought by some to be an original Galician grape, but it is in fact the same grape known as sousão or vinhão over the Portuguese border.

 

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The Flower and the Bee (La Flor y la Abeja) Sousón 2013 (Coto de Gomariz)

Dark with a blue rim. Vivid aromas of blueberry and raspberry, some balsamic notes (mint), and a touch of sweet spice. In the mouth juicy, slightly carbonic, and very easy to drink. The 2013 has settled and is maybe at its peak right now.

Price: Low

Food: Salads, a variety of tapas, light meat and -why not?- bacalao

 

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Wine of the Week

Mountain wine off Granada’s tropical coast

We took a trip from Almuñécar on Granada’s tropical coast and found Bodega H. Calvente in the village of Jete just 15 minutes inland. Here Horacio Calvente and his wife Josefina makes organic red, white, rosé and sparkling wines from two main vineyards in the sheltering mountain ranges Chaparral and Almijara. They ferment them with natural yeasts, and they play with the temperatures to achieve the desired qualities. The lights and whites are simply delicious. The reds are on the oaky side, but I believe that they have the power to come around.

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When we were there on San Juan, a public holiday, they obviously had other plans. Still they kindly opened the doors for a brief visit. It’s wonderful actually that everywhere you turn there are small scale producers like these who love their land, their work and their wine. 

The wine of this week is their signature white wine. Made from 50-120 years old moscatel de Alejandría grapes in the Guindalera vineyard at 750 to more than 1000 meters in the Sierra de Chaparral.

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Calvente Guindalera (mountain wine) 2014

Light straw yellow. Expressive aromas of peach and pineapple, white flowers, some tropical fruit (chirimoya). Full on the palate, a slight hint of bitterness, and with moderate acidity, all this typical of the grape.

Price: Low/medium

Food: Fish, shellfish, chicken, fruits. The picture is taken at Almuñécar’s Los Laureles restaurant, where we had a blue cheese and cured ham salad, and it also went well with the chicken main and a strawberry, cream and peppermint dessert.

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Articles

Verdejo in the wind

I was invited to speak about the wines of Rueda in a wine club on the windy Norwegian southwestern coast. Jæren Wine Club is one of the most active and ambitious ones in the area. They have monthly tastings with invited speakers, and they also arrange an interesting annual wine and food fair. The tastings are held in an extraordinary cultural project, Hå gamle prestegård (Old Vicarage), home to events like concerts and exhibitions.

Hå gamle prestegård

Although the grape variety verdejo has existed in northern Castilla since the 11th century it rose to prominence from the 1970’s on. Today it’s almost a synonym of DO Rueda. So popular has it become that it’s maybe the white wine you are most likely to be served almost anywhere in Spain. The influx of external actors on the scene is enormous (though only a few have established their own bodega), and there are many commercial brands hiding almost identical steel tank wines these days. Still many producers fight to keep the quality up, there is interesting work being done.

Here I have picked four wines from the tasting. All these were made from organically managed vineyards and fermented with natural yeast. The first one is splendid value for money, the three others (at least in theory) contenders to the Spanish white wine throne.

A typical dish to go with these wines is ‘cochinillo’, the suckling pig so popular and delicious in the provice capitals of Castilla y León.

Menade 2013 (Bodegas Menade)
Light yellow. Fresh, green, with a touch of citrus and nettle. Quite full on the palate, with a lightly citric taste, and good length

Price: Low

El Transístor 2012 (Telmo Rodríguez)
Telmo Rodríguez, originally from Rioja, is famous for restoring of old vineyards in partnership with vintners in many Spanish regions. The name of this wine is inspired by the a special form of biodiversity: a radio blasting in the vineyard to keep the wild boars away.

The wine has a light straw colour. Mature apple and white fruits on the nose, some citric tones. Round, tasty and concentrated, some acidity and a lightly green finish. Just lovely. Fermented in oak, cement and steel, that only adds to the complexity.
I would say near its peak, but will keep.

Price: Medium

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Barco del Corneta 2012 (Beatriz Herranz Sanz)
Today Beatriz has two projects, she’s doing verdejo in Rueda (or rather: Castilla y León, as the wine has the designation ‘vino de tierra’), and another interesting grape variety named juan garcía in Arribes. Formerly she was also working with garnacha in the Gredos area.

This verdejo has a light straw colour. Citric aroma with hints of herbs, minerals, it has a yeasty ‘sobre lías’ (on lees) character, but very, very clean. It has some more Though a bit more ‘lees’ than the previous wine it’s also very elegant, and I would say a bit tough more acidity. Fermented in barrels, but it’s by no means oaky.
Excellent drinking now, but will keep.

Price: Medium

Ossian 2012 (Ossian Vides y Vinos)

This wine is from the most southeastern corner of Rueda, and higher than the others (almost 1.000 meters as opposed to around 700). The tiny village of Nieva has only three wineries, all of them owners of old ungrafted verdejo grapes. This one has spent 9 months in new and used oak.

Pale and clear. Vanilla on the aroma, some apple, apricot, and a touch of honey. It’s full on the palate, nuances of citrus, and at this stage, quite oaky.
It clearly needs to mature, but will it ever come around? Maybe, maybe not. And though from the coolest part of Rueda, another question is if it has the acidity to accompany it along the way. One has to buy some bottles to find out.

Price: Medium

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Wine of the Week

Gold on the Costa Blanca

Interesting things are happening at the unlikely place of the Costa Blanca, the most heavy tourism and holiday home strip along the Spanish coast. From head-quarters in Bigastro, between Oriuhela and the infamous Torrevieja, Rafa Bernabé makes wines from grapes sourced from a rather big area from the coast and towards bordering Murcia.

This week’s special wine is aged in clay jars (in Spanish called tinajas) made in La Mancha. Perhaps more sensational, it is grown within the borders of La Mata national park in the municipality of Torrevieja. Bernabé is one of the many who have left their respective DO’s lately, so the wine is classified as a table wine (Vino de Mesa). The vineyards are situated near sea level, and they are organically treated. They have a high proportion of sand, so the vines are also predominantly pre-phylloxera, ungrafted. The ageing has been carried out in jars, without stirring, no SO2 has been added, the yeast are all natural, and there has been no filtration.

The wine has an orange colour one can expect from a «white» wine that has spent a prolonged time in contact with the skins (30 days maceration), but it has also a red hue. Why is this, I first asked myself, especially when the only grapes listed are the white merseguera 60% and moscatel 35%. But then, there are also 5% «others». So I asked the producer the same question. And yes, the wine also includes five red varieties that already existed within the old vineyards, and they are esclafacherre, plantamula, forcayat, valensi and parrell. (Say them one more time, as fast as you can!) Rafa says the old folks liked the colour that red varieties in small quantities gave the white wines. But he says that he also thinks the higher proportion of polyfenols adds to the ageing potential to the wine.

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Tinajas de La Mata 2013 (Bernabé Navarro)

Golden orange colour, with a light touch of red, and with «long legs». Aromas of flowers, white fruits, orange peel, and with a salty tang; some barnyard at first, but it disappears with airing. It’s quite full, with some tannin, and a mellow citric acidity. All in all a lovely, stimulating wine.

Price: Medium

Food: Fish and shellfish, foie, a variety of cheeses, and – why not – paella

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Articles

Master tinajero in Albacete

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I took a day off and left Madrid for a trip through Quijote’s manchego land, passed the beautiful windmills in Mota del Cuervo. And soon I found Juan Padilla’s place. Not where the map showed me, but some people at a nearby restaurant knew the way. I had no appointment, and I was prepared only to talk to somebody in the reception, and take a walk around and take some pictures. I knew it was right when I came to this closed door.

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So I phoned the number, and who else came and let me in but the master himself. He showed me around, and explained the various stages. Very rarely I have had so few questions to ask, I must admit.

During the last few years I have been aware that containers made of clay can provide a serious alternative, as it lets the wine breathe in a way that stainless steel cannot, without affecting the taste of the wine in the same way that oak barrels do. But I am only beginning to see behind the initial fascination and to understand a little bit. I knew there were many old ones around. I also know that there is an 8.000 year old unbroken line in Georgia, and some very good producers. And the number of wines made in these vessels, big Georgian kvevri or smaller amphorae (in Roman times made for transport), seems to be increasing every day. When I attended a kvevri seminar at the RAW fair in London 2013 Emilio Foradori presented a fabulous wine, for me best-in-show (see here), and I was amazed when he told that this was the only one not made in Western Georgia, but in Castilla-La Mancha, Spain. In Spain they call them tinajas, (the big ones tinajones) or simply barros (barro meaning clay), and the makers are tinajeros.

I contacted Emilio when I planning to write this article, and he tells that for him «Padilla is the last real wine-clay artisan, the quality of his clay is outstanding and above all others I have tasted (lowest percentage of metals)». I also contacted COS, who inform that when they started to use amphoras in 2000 they had also tried jars from Tunisia as well as from their native Sicilia, but they preferred Padilla’s tinajas.

So here I am, walking around Padilla’s pottery in the outskirts of Villarobledo, Albacete. He talks about the process, and shows me his workshop, where he has started on many new tinajas.

2015-05-08 15.31.17 New tinajas

In short, the clay is grinded, then it’s mixed with water and kneaded. It’s widened, then left to rest overnight, and it’s kneaded again the day after. He forms the jars with two metal blades, before it’s scratched so as to avoid marks between the numerous overlapping rolls of clay used.

Padilla paleteando … formed by two blades

Once completed, it is dried slowly, in various periods like autumn and early spring. In May the jars get in the wood oven and once baked, they are finally ready and can be shipped, to Italian producers like Foradori and COS, or some Spanish wine producer (or gardener) will eventually come and pick them up. So you see, it’s not much rush about this.

20150508_153606 Another small building where he keeps the oven

La Mancha is the historically the big center of the jar industry in Spain. You can read about it in Cervantes novel, and nearby El Toboso, where Quijote’s virgin lived (according to himself), was one of the most important villages. In more recent times, between 1915 and 1930, Villarrobledo had 72 active producers.

2015-05-08 15.34.51 Holes for the fire

At the natural wine fair in Madrid I tasted some really delicious wines from the interior of Galicia, the red ones from mainly garnacha tintorera being raised in tinajas. Nacho González tells that his wines called La Perdida are made in clay a little more porous than the ones from Padilla, but they share some of the natural characteristics. Some clay containers are covered inside with epoxy, beeswax or other elements. «For me this is like losing some of the essence of the clay», says Nacho. «I am looking for a natural element for the wine to ferment in.»

Several winemakers, like Nacho González, refers to Rafa Bernabé for his long experience with the use of clay. He is located in the village of Bigastro on the Costa Blanca tourist and international holiday home strip. Rafa informs that all his tinajas has been new and aquired from Padilla. He has now more than 100 tinajas with a capacity between 200 and 400 liters. He works with Padilla «for many reasons», he says, «but mainly because of his artesan character, having learned the skills from his grand-father, for the rigorous selection of the clays, and for the way he dries and blends them». The way he heats it up, in his wood oven (horno de leña, in Spanish), is maybe the most important single factor, according to Rafa.  He says he likes the finish and roughness, probably the only jars of the world that do not require to be lined inside with epoxy or other materials. Still, having said this, Rafa Bernabé stresses that he is not looking for anything in particular when it comes to making wine in jars, because «after all the most important is the vineyard and the grape, that must be shown respect and given freedom. I think we should intervene as little as possible so that these wines can be the very expression of the landscape, territory, its vineyards and its people.»

And here we are back where we started, the most important is the potential of the grape, and the land where it’s grown. And it’s here that clay offers an interesting alternative to both steel and wood.

 

 

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