WeingutGeorg Mosbacher is a family-run vineyard comprising 20 hectares of vineyards. The vineyards are located around the picturesque village of Forst in Pfalz. The farm is run today by the third generation Sabine Mosbacher-Düringer and her husband Jürgen Düringer.
The vineyards are protected by the high Haardt mountains, which lie in a semicircle around Forst. The grapes are hand-picked. The wine undergoes a cold maceration for 4-5 days before the must is spontaneously fermented in large oak barrels over 3 weeks. Aged for 12 months in used barriques and tonneau.
Spätburgunder 2021 (Georg Mosbacher)
Cherry red. Aroma of raspberry, cherry with hints of price and licorice. Silky palate with good fruit, adequate acidity and sweetish hint in the finish. It had a sense of CO2 that disappeared with airing.
Our local wine club featured Sekt, sparkling wines from Germany, the other day. The tasting showed an overall good quality-price ratio, I would say better than the tasting of spätburgunders a couple of months ago. There are four categories of German sparklers, from the basic Sekt, where the grapes can be of shopped around Europe, narrowing down to Winzersekt, where a smaller manufacturer owns the grapes himself.
Among the best, and also with a very good price, was this one. Raumland is a specialist located in Rheinhessen, with facilities for making sparkling wines offered to several famous German producers. All their vineyards are worked organically, and their sekts are normally fermented out dry.
Riesling Brut 2018(Sekthaus Raumland)
Light yellow colour, fine bubbles (small mousse). Aromatic, green apples and lime, hint of bakery (after 36 months on the lees). Mellow entry, with apricot, a citrussy acidity grows in the mouth, it’s complex, it’s crisp and energetic, and it finishes off dry.
When the Suez Canal was opened in 1869 wine from Reichtsrat von Buhl was offered for the celebration. This cuvée is named to honour the occasion, 150 years later. Organically grown riesling grapes were harvested manually. The base wine was fermented in stainless steel and in tonneaux, followed by a traditional bottle fermentation on the lees for 40 months.
Suez Riesling Brut Nature 2015(Reichtsrat von Buhl)
Light yellow, small mousse. Yellow fruit, mature apples, brioche notes. Full in the mouth, creamy texture, integrated acidity and a long finish. Mature style, elegant.
Sven Leiner’s domaine is located in Southern Pfalz. It consists of 15 hectares of vineyards, that he runs organically with biodynamic methods (and certification). Only a little sulfur is added to the wines before bottling, and no filtration is done. Some key words: Spätburgunder with chardonnay, age of wines 60-70 years, grapes harvested manually, fermented and matured in big oak vats and cement. I guess it’s assembled from three vintages corresponding with the numbers on the label.
Leiner Brut Nature(Weingut Leiner)
This wine lived up to the natural wines’ reputation of being living things, as it changed “colours” several times, from closed and square to open and well-assembled. In the beginning it showed a slight mousiness, but the day after (you see, this bottle I smuggled home after the tasting) it was clean and cutting.
Let’s try to assemble the many impressions: Light with very little bubbles. Aroma of ripe apples, some nuttiness and a stony minerality. Full in the mouth, a rich texture, and a fine mousse on the palate, integrated acidity, quite concentrated and long.
Raw Wine brings a lot of activity also outside the fair itself. The day before Raw Wine I had the pleasure to attend a tasting at Café Josephine in the Amager neighborhood of København. It was organized by importer Christopher Melin of Melin Vin, who has an impressive portfolio. Here follow just a few highlights among the many magnificent wines and makers.
What could be more appropriate than to start, like I did last Saturday, at the table of two Danish brothers. Poppelvej is Uffe (winemaker) and Jens Deichman who run their estate in McLaren Vale, South Australia. From organically and biodynamically tended vineyards there and in the neighbouring Adelaide Hills, they produce wines in a natural way, with little or no use of sulphur. Poppelvej is the name of the street in Denmark where the brothers grew up. SommerNat Pét Nat from mourvèdre came in two vintages; the 2022 had a light peach colour and was very fresh, berry fruity and with herbs, while the 2021, with longer time in concrete eggs resulted a bit creamier and fatter in texture. Irresistible Impulse 2022 is a sauvignon blanc fermented in barrel and aged on lees for 10 months. It’s light and turbid in appearance, with notes of apples, passionfruit and herbs, good volume, textured, with crisp acidity, and with a slight bitterness in the finish. Lastly, Lille 2022 is based on the northern Italian grape teroldego. It’s quite dark with a blueish hint, dark and wild fruits, some spice and earth, with a light sparkle.
There were three Italian producers in the “garden party” of Café Josephine organised by Melin Vin (see previous post). Ampeleia is located in the Maremma region of Toscana, specifically in the medieval town Roccatederighi. Under manager Marco Tait they converted to organic and then biodynamic. Francesco Pascucci brought to this tasting a personal trebbiano-dominated blend (with ansonica and malvasia) simply called Bianco di Ampelaia 2022. It’s a light orange wine with a nice dried fruit character that adds complexity to the fresh fruits and orange peel aromas, and with a light structure in the mouth. He also presented a delicious blend in one litre bottle aptly called Unlitro 2022, easy to drink with fresh fruits, herbs and some balsamic. Alicante Nero 2017 is a wine with personality and depth; light and fresh red fruits, but underneath a layer of herbs and earth, and with a delicate structure. Their emblematic cabernet franc wines were offered at the fair itself, if I got it right.
There were two producers from Veneto. Alex Della Vecchia is winemaker for Costadilà in prosecco-land north of Venezia, but he also has his own project called Ombretta. Simone Ambrosini’s Indomiti is found in Colli Berici, Vicenza.
Alex Della Vecchia sources grapes from the family’s vineyards in two municipalities. For his Grinton label he also uses organic grapes from friends elsewhere in Italy. Here in the current vintage Alex showed an easy-drinking, delicate pinot bianco and a more structured, reddish skin-contact pinot grigio. A wine with a tremendous personality was a cabernet franc pét nat. (I must ask Alex about the name, so stay tuned!). The colour was light red with fine bubbles, an aroma of flowers, peel and a sweetish hint, and in the mouth it was tasty, concentrated with a raisiny touch. The wine had been made from passito (dried) grape juice, Alex informs.
Simone Ambrosini tells a story about him as a young man travelling to Australia, in search for harmony and the good things in life, more or less at random. Among other things he learns to love wine. Back in Italy he embarks on studies in enology and viticulture. After working with several wineries he decided to set up his own, with “a wallet full of ambition”, as he puts it. This was as recently as 2018. Now he rents old vineyards that he has restored in Colli Berici, his homeland. These vines, now brought back to life, are the “indomiti”, the indomitable ones that gave name to his project. Mistica was a lovely garganega 9 month skin-contact wine with good structure to the primary fruit. I tasted two wines with tai rosso. The varietal Osai2021 rosé shows delicate raspberry aromas, and in the mouth there is a cool acidity running through an otherwise round and fleshy body. Opplà 2021 is an uplifting pét nat rosé, where the tai rosso is accompanied by garganega, pinot bianco and sauvignon blanc. It’s light orange, aromas of white flowers, peach and a touch of orange peel, and in its lightness it’s full of flavours and with a refreshing integrated acidity.
Two German producers were present. It’s always a pleasure to taste the outstanding wines of Brand Bros of Bockenheim, Pfalz. These are made in full respect of the terroir, without additives, unfiltered, and always full of freshness and energy. This is the first time that I have met one of the brothers, Jonas Brand, who guided the guests through part of their portfolio.
I have had their charming Wilder Satz in many wine bars throughout Europe. The 2022 is different though, as 18 hours of skin-contact gives it more colour and structure than before. It also has good volume and appears quite grapey, and with lovely scents of citrus (clementine), flowers and some balsamic. Jonas brought two magnificent magnums, a non vintage Riesling (with that name) and Monastery 2016. The latter was light yellow in colour, with concentrated aromas of yellow fruits, some balsamic, and on the palate good acidity and wonderful balance. Add to this super pét nats, reds, among them a brilliant Cabernet Franc 2015, and you get the picture of a great producer.
Unknown to me was Glow Glow of Nahe. Pauline Baumberger runs it with her brother. Pauline showed various fresh, lovely uncomplicated whites from riesling and gelber muskateller, a relatively dark dorenfelder/regent, and more. Here we focus on the Spätburgunder 2022, that has all the young virtues of the white wines under a coloured cover. Made partly with carbonic maceration and short skin-contact it appears as a light rosé-ish wine with red fruits on the nose, and with a delicious natural acidity wrapped in a rounded body.
It seems to be no end to the list of interesting producers coming out of the ancient and historic wine country of Georgia. Andria’s Gvino I had never heard of, but now it’s not easy to forget. The winery is located in the Kakheti region, not far from the capital Tbilisi. They make their wines in the traditional and natural way, in qvevri, without additives and without filtration.
Winemaker George Wolski and his wife Tako showed me their main line and also the wines that come with the Château Khashmi label. There was a number of beautiful amber and red wines, of which I will only mention two. Their Mtsvane had lots of character. The colour was light amber, with aromas of mature citrus, orange peel and a touch of marzipan, and in the mouth it was rich and structured with a touch of raisins. George tells that the must spent five days with full skin-contact in qvevris. The Saperavi Khashmi 2020 comes from a 40 years old pre-phylloxera vineyard. Saperavi is fascinating grape that often has an impressively dark colour, but is still highly drinkable. This one is not among the darkest and has a blueish hue. I find it quite flowery with dark fruits (boysenberries), plums, some earthiness, and in the mouth it’s fresh and juicy, with some tannin, and overall it’s very appealing.
In naming a restaurant, managers can provide a headline, if the content follows suit. Here it does. The relatively new restaurant Bravo of Stavanger’s ever more trendy eastern district can be summed up like this: Good food, a select wine list at good prices in a cosy atmosphere.
The food is down to earth, but it comes with a creative twist. At the moment the menu consists of eight medium-sized dishes from mainly local ingredients, and a number of snacks. The by-the-glass wine list contains around 20 references, and there is also a longer wine list. The selection largely consists of what you would call natural wines, and all of them are made in an organic, sustainable way. To call the pricing moderate would be an understatement. Look carefully and you can find wines at only 1,5 times the price of the state monopoly.
We were there last Friday, and one of the owners, Rakel Juklestad Helgheim, guided us through four courses and nine wines, assisted by her partner and chef Daniel Vigdel Hansen. Eight of these were chosen from the glass menu and the last one was kindly offered from the longer list by Rakel and Daniel. The platters were shared and most of the wine glasses too.
While enjoying some Spanish olives from the snack menu we decided to go with smoked salmon from producer Jana, right down the road, with carrot and a creamy cheese. It was followed with beetroot with almonds and guasacaca (a Central American sauce), for me the best dish of the evening. Tender cucumber slices struggled to compete with the tasty crab with mustard and lime. Then the kitchen excelled again with a seafood platter with baked ling and spring onion in a mussel sauce with celery and soy.
Knochentrocken 2021(Der GlücksJäger), a sauvignon blanc-chardonnay-riesling from Pfalz, had the volume and roundness that often come with the varieties, with matching acidity. It has some yellow colour, an unfiltered appearance, with melon and lime aromatics.
Smoked salmon with carrot and a creamy cheese, and La Mer, a mineral Muscadet
More mineral with a stony character, sea and salt and some pear was the next, La Mer 2022(Dom. de la Fessardière), a Muscadet, before we with Alsacian Sons of Wine’s Soulographie 2021 were back in a darker and richer style. Made from all the so-called non-aromatic grapes of the region (pinot blanc, chardonnay, auxerrois, pinot gris and riesling) it was nevertheless aromatic, with mature apples, flowers and fennel, and full on the palate with a fresh acidity.
Beetroot with almonds and guasacaca, accompanied by Pommier’s Chablis
It’s not every day that we can add a new Chablis to the repertoire. Pommier‘s 2021 would deliver. It’s light yellow/golden, and smells of green apples, lime – and luckily only a touch of butter. In the mouth it’s concentrated and full of flavour, and has a long, saline finish.
Malterdinger 2020(Bernhard Huber), a chardonnay-weissburgunder (pinot blanc) from Baden came in a light, greenish robe. It showed a richness on the nose, with herbs and butter. The oak was maybe more evident on the palate, and added to the feeling of fullness. I would have given this wine a few years in a cellar.
Scions of Sinai is located in Stellenbosch, South South Africa. Nomadis 2020 is based on cinsault, with contribution of pinotage. Ruby red with red and dark fruits (blackberry, raspberry) and spices. Luscious and savoury. North to Germany and Pfalz, Lebenshilfe is an ecological and social organization, offering work for people with intellectual disabilities. Together with the professionals they have here made the fruity Spätburgunder Trocken2020, a wine with cherry and raspberry fruit, combined with spices and a touch of vanilla. On the palate the fruit follows up, a bit spicy and with a light structure.
Clotaire Michal offered a structure and dark entry for a beaujolais gamay. Maybe not strange, as he had worked several places in the Rhône Valley before settling there. A Fleur de Peau 2019 opens with an animal whiff together with raspberry, plums and spices. It follows up with an impressive structured palate. It’s first of all impressive to taste now, and a terrific gastronomic wine for tasty dishes. However it would easily benefit from a few years more ageing. Back to a white wine, or to be exact… Matassa of Roussillon makes all their whites with skin-contact, so the colour would be darker. Cuvée Marguerite2021 (predominantly muscat varieties and some macabeo) is no exception: Light orange or amber colour, slightly turbid. On the nose there is citrus, white flowers and peach, and in the mouth it’s grapey and quite full, also with a slight tannin.
Alexander Pflüger is third-generation owner and winemaker of Weingut Pflüger in the Pfalz. The name Pflüger means he who ploughs, and implies that the family has a long tradition as farmers. They were pioneers in organic farming in Germany, and the vineyards were certified in 1989. In the early 2000s, they switched to biodynamic. Today, Weingut Pflüger is the producer in Germany with the largest Demeter-certified vineyard.
It’s an all pinot, spontaneously fermented and raised in steel.
Buntsandstein Pinot Noir 2020(Pflüger)
Cherry red with blueish hint. Aroma of red berries (raspberry), plums, anise, an earthy touch. Juicy, fresh, medium-bodied, with fresh acidity.
Pedersgata in the main street in what was earlier known as a tired eastern neighbourhood, but is now bustling with energy. Other fabulous restaurants like Bellies (vegan) and Sabi Omakase (Japanese with Michelin star) are also found here. This wonderful wine we tasted at Claes Helbak’s new place Lapin in that street.
One of the wines I tasted at the opening night in March was Wilder Satz 2018, a very clean, pure natural wine from Bockenheim, Pfalz. Weingut Brand is now brothers Daniel and Jonas, 5th generation. When little brother Jonas joined in 2014 the then organic production was taken a step further to natural. In some wines are added a bit sulphur. This one not. Whole clusters of chardonnay, müller-thurgau and silvaner were pressed before spontaneous fermentation. Bottled unfiltered.
Wilder Satz 2018 (Weing. Brand)
Light straw, slightly turbid. Aromatic, yellow apples, lime and orange peel, and yeast. Energetic, with lovely acidity and low alcohol; long.
A visit at Apotekergaarden, Grimstad on the southern coast of Norway is always a highlight. This is a popular place in every sense of the word, with a fascinating mix of people coming for great natural wine served by manager and sommelier Ida Konradsen, and people coming in from the street for burgers and pizza, served by the staff, some of them really talented. There are also concerts in the backyard during the summer season. We were there last Sunday, when our meal was followed by a gig with Norwegian folk-rock band Valkyrien Allstars. I have played there myself too, in fact it was one of the last things I did before the lockdown in March. A more detailed background to the restaurant you can read here.
On Sunday they made a special plate of Italian cheese and ham, olives and other stuff for us, followed by a main course of duck with a compote of red onion and a burger with spicy mushroom and onion, and on Tuesday we shared various pizzas.
An impromptu first platter
Here are some of the wines, some of them in fact outside the official menu, but generously offered by Ida and the staff.
Foam Somló 2019(Meinklang), Somló, Hungary, made by Meinklang of Burgenland, Austria who owns vineyards on both sides of the border. This is a pét nat from Hungarian grapes hárslevelű and juhfark.
Light golden; aroma of yellow apples, hints of pumpkin and gooseberry; concentrated, with a sweet-irh sensation, inspiring indeed.
Brut Nature Reserva Anne Marie(Castell d’Age), Cava, Catalunya, Spain
A traditional cava from one of the pioneers in organic farming in the Penedès area, named after Anne Marie Onyent, one of today’s leading ladies of the company. The grapes are the three usual cava “suspects”.
Slightly bubbly; fresh and appley; fine natural acidity.
La Croix Moriceau 2018(Complémen’ Terre)
A full and concentrated, mineral muscadet full of character.
Yellow; waxy, with mature apples and white peach; quite full, mineral (chalky), a nice bitterness in the aftertaste.
Palmento 2019 (Vino di Anna), Etna, Sicilia, Italy
Skin-contact wine made from the Sicilian carricante grape in fiberglass tanks.
Golden towards orange; aroma of citrus peel, clementine, apricot, mango; full in the mouth and slightly textured. Not too acid, low alcohol (11,5) and perfect while waiting for the main course.
Light yellow; aromas of apple, citrus (lime), with a mineral touch; rich, with a good acidity and splendid concentration. Superb with the duck plate.
Jürgen Leiner’s Handwerk
Completo 2019(Carussin)
A light, fruity barbera that comes in a full litre bottle (hence the name), made by the producer behind the famous “donkey wine” Asinoi. At best when chilled.
Lght cherry red; light berries (strawberry), herbs; lively in the mouth (slightly pétillant), juicy, with a good natural acidity.
Montesecondo 2018(Montesecondo), Toscana, Italy
Located in the Chianti area, but not always classified as such. This is an entry-level wine, with 2% of trebbiano blended in with the sangiovese. If my memory doesn’t fail me it’s a light vintage for this wine.
Rather light cherry colour, aroma dominated by red berries; juicy and refreshing.
Made from tempranillo grapes in Arnedo in the lower part of Rioja. Not completely natural, but with a low amount of sulphur added.
Dark red; blackberry and spice; full, fresh and fruity.
Duck with riesling
After a few wines I often like to round it off with a beer, to “stabilize” the stomach that by now feels like full of acidity. So I asked Mathias S. Skjong, the in-house brewer, if he had something special, maybe something personal. So he produced Terje (made by Mathias himself in collaboration with Grimstad’s successful brewery Nøgne Ø and given a wide distribution by them, for the restaurant’s 10 year anniversary. It’s a very very hoppy, citrussy and dry India pale ale. Perfect to round off another good meal at Apotekergaarden.
I think it’s common not to visit sights and attractions close to your home, because you can always go – some other time. This may also be the case with bars and restaurants. Stavanger, Norway (in my own backyard, so to speak) has got its first decent wine bar, and then it should take three months before I managed to get there, and then quite by chance, while I was waiting for a party to start some other place in downtown Stavanger.
Once inside, I meet an old wine-mate Emil Heimdal behind the bar, and then I know we are talking “serious business” here. I know him from several restaurants over the years, and this is a man with passion for wine and real dedication. Emil took over the wine section of this bar, now called Vinkontoret (The Wine Office), together with Christoffer Ingebretsen. They have no purchase agreement that binds them, so they buy exactly the wines that they want and now collaborate with about 30 importers. They use the Coravin system, which allows them to serve anything by the glass. Here you can buy smaller units than a whole glass and pay less, so you can taste more wines during an evening.
Emil serves smaller units of better wines
They can literally offer hundreds of wines. They have a list that is heavy on traditional wine regions such as Burgundy, Rhône, Alsace, Mosel, Rhine, Piemonte, Tuscany and … say west-of-Vienna Austria.
But these people are just as crazy wine freaks to throw in almost anything you can think of.
As for grapes, of course they offer cabernet, merlot, syrah and such, without being “ashamed” of it at all (as if that would be something to regret). If you look carefully at the list you will see some “oddities” like a manzoni from Trentino, a kékfrankos from (why not) Austria, and you can get the “Pornfelder” if you like, Lukas Krauß’ German blend of portugieser and dornfelder. But most of all it’s a focus on the classic grapes here, even from not-so-classic countries.
There was a time when Stavanger was more in the avant-garde of the Norwegian culinary movement, when the oil industry was booming, and the most important gastronomic educational institutions were located there. Today there is no doubt that the hegemony is in Oslo, and that every initiative like this deserves a warm welcome.
Emil and Christoffer also have a small selection of handcrafted beers, like lambic and geuze. (Bear in mind that one of the country’s best beer selections is just across the same narrow street, at Cardinal bar. So this is obviously not their biggest priority.) The wine selection must be best in town. I am not sure if the wine list is the longest, but there are several hundred references, and mainly wines to drink, no show-off crazy over-priced stuff.
Here are just a few picks from my first brief visits.
Here is a riesling spätlese trocken from the Ökonomierat Rebholz of Pfalz, the Rebholz 2008. It proved to be a rich and honeyed wine with a thick texture and great acidity. To the right is a Gevrey-Chambartin, the Rossignol-Trapet Clos Prieur 1er Cru 2008 from Domaine Rossignol. It shows a clear ruby, somewhat developed colour, and smells quite aerial og cherry and plums. The tannins are still evident, and the acidity is well integrated. The actual vintages of these wines on sale are 2012 and 2013, respectively. So come here to get the wines closer to their peak.
Here is a wonderful pinot noir called Nature 2015 from Alsace producer Rieffel, now with Lucas in charge. Today the estate covers 10 hectares, all organic certified. The 30 year old vines are planted in soil of clay and alluvial sandstones. The fermentation is spontaneous and goes on for seven months in 228L barrels. It’s really fresh, juicy and quite full, with just enough structure to match a wide variety of food. After this I wanted a red with darker fruit, and I suggested syrah. On the counter was a Stellenbosch syrah, that was already opened, so I went for that one. The Liberator The Francophile 2015(Dreyfus Ashby) was ok; a somewhat warm blackberry fruit, earthy with some spice, mouthfilling with rounded tannins.
The door is permanently closed at The Office (Kontoret). The Wine Office has opened.
I met German winegrower Alexander Pflüger at a tasting yesterday, and tried the five wines that he had brought. Pflüger took over the family estate in 2010, fine-tuned the viticultural practise and started exporting. All the work had been organic since the 1980’s, but some biodynamic principles were introduced, and there is still a constant work to maintain a healthy biodiversity.
Alexander Pflüger
The farm is found in Bad Dürkheim, in the central-north part of Pfalz. All the wines are authentic, full of character and tell about their origin.
The vines grow on a terrace in Michelsberg vineyard. The St. Michael chapel is located at the top of the vineyard, and there has been winegrowing here since the 17th century. The vineyard faces south, and the soil consists of fossil limestone and a mixture of red and yellow sandstone. The must is macerated for about fourteen hours, and there is no filtering nor clarification before the spontaneous fermentation in large 2400 liters old wooden vats. Batonnnage is carried out over a six month period.
Pflüger’s Pferd in Pfalz…
In Pfalz vintage 2016 gave generally fruit-driven, elegant wines. This one is certainly no exception.
Light yellow, a touch of green. Clean, fruity, appley with a touch of lemon and canteloupe melon. It’s a relatively rich wine, but with a steely structure that keeps it wonderfully together in a perfect balance. It’s still young though, and I expect that it will continue to reveal more layers over the next few years.
