This Austrian wine was served at the Tempo wine bar in Sandnes, Norway last week.
Proidl proudly proclaim that the most important treatments in the processing of their wines are patience, tasting and observing. And this, they do in the Kremstal, Niederösterreich. Their ancestors emigrated from Germany, near Bremen, in 1650, and they have been making wine in Senftenberg since 1738.
Some keywords are spontaneous fermentation, moving the wines by force of gravity, stirring of the lees and long intervals of maturation sur lie. They have dispensed with any unnecessary additives, any frequent agitation, all pumps and, as they say on their website, “any hysterical filtration procedures”.
The grapes were harvested by hand at the beginning of September, gentle whole-cluster pressing, fermentation in stainless steel and subsequent maturing for three months on the lees.
Senftenberg Grüner Veltliner Freiheit2022(Proidl)
Light straw colour. Aroma of peach, lime, herbs and anise. Medium-bodied with good acidity and some white pepper. Good balance and quite uncomplicated drinking at a high level of quality.
I’m in Oslo for the Skin Orange wine fair. In the Grünerløkka neighborhood, named after Friedrich Grüner in the late 19th century, what could be more appropriate than to open with a magnificent grüner veltliner? Mr. Grüner lived 250 years earlier, by the way, and served as town administrator and master of the mint.
Anyway, at Skaal Matbar I was surprised to see a wine from Stagard (or Stagård). They have been in Kremstal for 10 generations, and it was the father of Urban, one of the current owners, who introduced the family name to the business. I remembered them from my time as an importer and tasted all their wines many years ago. Since then they have taken on a biodynamic approach. This wine is a blend of two vintages, I think 2018 and 19. It’s unfiltered and bottled with only minimal added sulfur.
At Skaal you can enjoy tasty small dishes to a selection of wines by the glass. At the moment they serve oysters, schnitzel, charcuterie and more, and the wines are a little bit of everything, thankfully not the same as offered by everyone else.
Medusa N/V(Lesehof Stagård)
Light yellow. Fresh aroma of citrus (lemon zest), baked apple, a light peel character and also a mineral touch. It’s immediately appealing, but it also dense and tasty and has a certain complexity. Slightly spritzy, with a stimulating citric acidity.
Martin Diwald comes from a family of organic winegrowers in Wagram, northwest of Wien, though this project only dates from 2014.
This is his orange wine from the grape grüner veltliner, from a vineyard called Altweingarten. The grapes were hand-picked, de-stemmed and fermented on the skins. Every day the cap was punched down once or twice. 10–14 days later there was one gentle pressing before the wine matured in used 500 liter acacia barrels for 12 months. The wine was not fined or filtered, and only a small amount of sulphur was added.
Zündstoff translates as an explosion. It would maybe be tempting to use an analogy, an explosion of flavours. Anyway, it’s a tasty wine.
Zündstoff Grüner Veltliner 2021(Diwald)
Light golden colour. Aroma of mature apples, hay, ginger and oranges. Medium-bodied, lightly textured, a slight touch of toffee, adecuate acidity and a nice bitter finish (grapefruit).
Milan Nestarec’s Forks and Knives wine has changed somewhat over the years. It has been made with aromatic varietals, carbonics, and “sought-after expressions”, as Nestarec puts it. Now he calls it a “village wine”, a traditional, balanced and rich wine from his village. For the white wine this is Velké Bílovice, southeast of Brno and not far from the Austrian and Slovakian border, and the soil is loess. The grapes are now grüner veltliner, welschriesling and neuburger. The varieties are processed separately, some skin-contact overnight and very light pressing the day after. Fermentation was carried out in 3000 liter barrels. And, as he says, “no noise, no unnecessary bells and whistles, just purity and a lot of patience”. It was bottled late summer 2022, with no sulfur added, no fining, no filtration.
Forks and Knives 2020(Milan Nestarec)
Golden colour, lightly cloudy. Aroma of mature apples, oranges, apricot, white flowers, and also a tiny volatile touch (which is good in these quantities). Full-bodied and rich, concentrated, lightly textured and with a good acidity. Long.
We presented a “cultic” pét nat from this producer last year. (Read here.) We continue with a white one, or more accurately: orange. It’s a group of producers from Burgenland, Austria that have got together, and get some help from Meinklang with the winemaking.
The grapes are grüner veltliner 65%, welschriesling 25% and muscat 10%. They were grown in clay and limestone soils, picked by hand and spontaneously fermented with 7-8 days of skin maceration. Maturation was done in steel, and the wine was bottled unfiltered.
Weisse Blumen 2021(Biokult)
Light orange. Aromatic with white flowers, white peach, a touch orange peel. Fresh taste, nice rounded acidity, lightly structured, salty finish.
Price: Low
Food: Apéritif, salads, fish (red and white), light meat, pig
I could have written a long introduction to the tasting. Here I will just mention that Nebbiolo Wines is one of the most important importers of natural wines in Norway, and Bellies, where Jan-Erik Hybertsen conducted this tasting (he is actually also a classical musical conductor) is probably the best 100% vegan restaurant in Norway. I came a bit late, so I chose to concentrate on the Czech and Slovakian producers of their portfolio.
Magula is the Slovakian producer that we shall focus on here. They make natural wines exclusively from their own, organically grown grapes of Slovak and regional varieties. They started out in 2007, and since 2016 the farming has been biodynamic. They are found in Suchá Nad Parnou, a traditional wine-making village in the Small Carpathian wine region, just northeast of Bratislava. Here we find deep loess soils with a high proportion of minerals, especially calcium, and there is scarce rainfall, coupled with a large proportion of sunny days.
At Bellies: Nestarec’s Czech wine Umami left
In 2001 they picked up the family tradition that been interrupted by the communist era. At that time they had an estate near what is in Slovak called the Wolf valley, from where this series of wines take its names.
Vlk is Slovak for wolf, and Oranžový Vlk becomes orange wolf. Among the other contributions the red, Cerveny Vlk, has a nice evolution while retaining its fine acidity; lots of red fruit and some leather and chocolate. The Frankovka (blaufränkisch in Austria) has a typical stony & herby aroma and fleshy taste. The pink wolf, Ružový, was a superb, fresh, lightly structured rosé.
The orange wolf is made from white grapes by open vat fermentation on skins and stems, followed by further maceration for two weeks. The blend is welschriesling 50% and grüner veltliner 30%, both from an old vineyard in Wolf’s valley, with the variety devín from a young vineyard on Rose mountain. It’s spontaneously fermented, unfiltered, unfined, and with no SO2 added. It’s aged in old barrels and amphorae. Half of it had two months of skin-contact with stems, most of the rest had ten days of skin-contact.
Orange wolf bottle next to the glass on the left
Oranžový Vlk 2019(Magula)
Deep orange. Aroma of stone fruits, apricot, peel and a touch of smoke. Medium-bodied with light tannin, good concentration and fruit, and adequate acidity.
This is a wine that I have thought about a long time. I include it here, “for the records”, maybe. Because the last thing I did before the pandemia rules were introduced in my country, was visiting the Rawfair, that after all didn’t take place.
One of my favourite London wine bars is DuckSoup, of Soho, near two leading jazz clubs, Ronnie Scott’s and the Pizza Express. This week’s wine was enjoyed there, one day or two before entering a very surprising quarantine indeed.
Martin & Anna Arndorfer work very naturally, and stress the importance of the soil. They say they do not feel bound by tradition, but still they emphasize the influence of the vineyard as crucial to their philosophy. And there they maintain the natural ecosystem. Most wines are unfiltered, and sulphur and chemicals are avoided, though they have never certified anything.
This wine is from their Strasser vineyard of 1976, with sandy and clayey soil. Biodynamically farmed, only a total of 20 mg/L sulphur, short maturation in steel, unfiltered.
Handcrafted Grüner Veltliner 2018(Arndorfer)
Light yellow colour. Fresh, vibrant, with yellow fruits, herbs, almost spicy. Juicy, luscious and light in the mouth, with enough acidity, and finishes dry.
With a little help from their friends: Welshriesling, Neuburger, Muscat Ottonel, Grüner Veltliner.
The most autochtonal grape varieties with indigenous character. Originally grown on limestone, schist and sedimentary soils. Handpicked, left overnight on the skins and stems, spontaneously fermented in large, old oak casks. Unfiltered. No sulfur added. Pure.
This is the beginning of the back label text, and it sums it all up well.
Credit: Weing. Heinrich
Gernot Heinrich runs his farm by the Neusiedler sea in a terroir-focused way with biodynamic treatments. His focus is on local grapes, and as such are the main actors in this performance among the minor grapes, the whole farm seen as a whole. It’s not a very small business, but after a more conventional big player start he now shares the principles normally associated with small artisan producers.
Natural White 2017(Weing. Heinrich)
Turbid yellow-green-greyish. Aromatic flowers and elderberry, somewhat yeasty over a layer of apricot. Over all a wonderful glug-glug, full, with integrated acidity and the slightest bit of resistance in form of a peel’ish hint of bitterness.
Price: Low
Food: Apéritif, salads, charcuterie, fried fish
Finally, as the back label advices: Attention: For best enjoyment, shake before pouring!
Matthias Hager is found in the Kamptal region of Niederösterreich. In Molland, in the northern part of Kamptal, he produces terroir-driven wines from his 14 hectares of vineyards.
I met him in London earlier this year, and here you can read a little more about his winemaking and some of his other wines. He did not bring this wine, but I tasted it when I came home, because it had won a tender within the Norwegian monopoly.
This is a grüner veltliner-dominated wine from grapes grown in loam, loess and schist and aged in old, neutral oak. It is a low-sulphite wine (less than 25 mg in total), unfined and unfiltered, and the 25% skin-fermentation for up to 8 days places it just inside the orange wine category.
Vielfalt means diversity, and the grapes were selected from various plots with different soils.
The picture on the label was painted with self-made earth-colours. As Matthias explains, “The earth comes from our Mollandser sites and was prepared and used for painting in a workshop with Caritas Schloss Schiltern – a dormitory for handicapped people.” The one for the Vielfalt was chosen because it shows strength and complexity, just like the wine itself. “For every sold bottle Caritas gets a part for its participation on this project”, concludes Matthias.
Vielfalt 2017(M. Hager)
Golden colour, turbid. Aroma of citrus (lime), pineapple, some spice (like white pepper), a bit nutty. Full on the palate, slightly textured, a bitterness that hints to grapefruit, concentrated, long.
Price: Medium
Food: Tasty fish, light meat, rich salads, cheese and ham selections
There were several wine fairs that were postponed due to the uncertainties around the coronavirus outbreak. But as far as I know this was the first major fair, and the only one so far that I planned to attend.
Luckily there were many danger-seeking people like me, who decided to go anyway. One of them was Carles Mora Ferrer of Penedès, one of the heroes in this story.
Me and Carles at Elliott’s
As readers of this blog may know, Raw is a fair for natural, artisan producers and seeks to highlight the “poetry” in the wine. And it has become something of a worldwide community, as the fair has expanded to places like Berlin, New York and Toronto.
Sager & Wilde, Ries & Shine, Antidote and Dandy were among the restaurants that were registered in the #rawwineweek program. And Lady of the Grapes was hosting an event on Women’s Day 8th March. I used the opportunity to visit Elliott’s, as you will soon hear more about, but also favourites like Flor, the Spanish tapas place Brindisa, and the Portuguese Bar Douro (read a post from my visit here). I attended two tastings held by several importers. And the first thing I did was making an appointment with a rising star of British wine, the Tillingham winery. (There will be more about this in the next post from the “fair”.)
Elliott’s Café
At Elliott’s Café, Borough Market I had four wines this time, the two from Clot de les Soleres offered in the by the glass-selection. Allow me first a few words on the winery. In Piera, close to Sant Sadurní (the Cava capital) lie Carles Mora’s family vineyards, abandoned since the 1960’s. Many years later Carles planted some cabernet sauvignon there, and the intention was clearly to make natural wine aged in amphora. Today he and his partner Montse hav 5-6 hectares of not only cabernet, but also chardonnay, and the local varieties macabeo and xarel.lo, that they tend organically, and there are zero additivies in the vineyard or cellar, except for a little copper/sulphur in the vineyard when absolutely necessary. The vineyard lies around 300 meters above sea level, on calcareaous soil, with small stone and pebbels. There is a Mediterranean climate with a lot of sun, but also a breeze from the sea that regulates the temperature so the grapes will not be “baked”. They want to express the terroir, but also the grape variety. So for that reason, only varietal wines are made.
Clot de les Soleres Macabeu 2018 was a pale, slightly pétillant wine, pears and flowers scented, with lovely lemony acidity. The red Clot de les Soleres Cabernet Amphora 2018 was deep dark, dominated by black fruits like blackcurrant, but also with a mineral touch, and well-structured and very vibrant in the mouth.
Cabernet Amphora
Aside from this I had the V&S Bacchus 2018, from 2naturkinder of Franken, Germany. This was golden in colour, with orange peel and flowers as dominant aromatics, and full and “orangey” in the mouth. Last this afternoon was Rivera del Notro 2018(Roberto Henríquez), from Bio Bio of Chile, made from the país variety. The wine was light cherry red, with raspberry and some ethereal note. Quite firm in the mouth, and moderate acidity.
Elliott’s has delicious small dishes to go with the wines too. After recommendations from the sommeliers I chose stratiacella (an eggsoup with cheese and nutmeg) culatella (a cured ham from Parma) and hake ragu with the four mentioned wines.
Outside Weino BIB (Fernando 2nd from right)
Tasting at Weino BIB
Fernando Berry from Elliott’s is involved in the import company Otros Vinos. Together with a couple of other importers they invited some of the visiting producers to the small wine bar Wineo BIB near Dalston Junction.
So let’s go back to Clot de les Soleres. At Weino BIB Carles served both white, rosé and red wines, still and sparkling. Some were samples, as far as I remember. I hope I have got the names and vintages right. All the whites have been pressed before they ferment in steel, spent the winter in tank and bottled in spring. After the same Macabeu as at Elliott’s the other afternoon there was the Chardonnay 2017, a light, clean and citric wine, mellow in the mouth and with a year more it has achieved a good balance between alcohol and acidity.
The Xarel.lo pét nats (Ancestral I think the name is), vintage 2015 and 2017, were fascinating. With 30 grams in the 2015 when it was bottled (less in the finished wine because it continues to ferment) golden yellow in colour, with an aroma of mature apples and lots of bread from the autolysis; rich and mouthfilling, with a sweet touch, but nice acidity to match. The 2017 was made in the same way, but behaved differently. There were muh less bubbles, more green apple character, citrus and pineapple, some ginger and herbs too, and also some toast, and an excellent acidity. The Chardonnay 2018 pét nat came from two tanks. It showd ligh yellow, more fruity and citric; still with an unfulfilled potential, but with time this will also get a good balance between sugar and alcohol.
Carles of Clot de les Soleres
I tasted the Rosé Cabernet Sauvignon 2017, a very pale, peach-coloured wine (pressed less than one hour), flowers and strawberry-scented, quite soft but with good acidity, before turning to the reds. The Cabernet Saugivnon 2014 (from 22 year old vines) had only been in tank. It was dark after six years, with typical cabernet aromas such as blackcurrant and a vegetal component; slender in the mouth with a nice structure. Cabernet Sauvignon 2016 had stayed 13 months, then bottled. Also dark, and very fruity, with blackcurrant, green pepper, sour cherries, and an inspiring acidity. It comes with 14% alcohol, but it’s well integrated. The Cabernet Sauvignon 2017 were made in the same way, except for a period in three amphoras of 700L (from Extremadura, because of the quality and type of clay): This one was a little more on the “wild” side; more sour cherries, also with more red berries; quite big in the mouth (13% alc.).
Near Clot de les Soleres, in the tasting room but also the Catalan bodega itself, is Ferrán Lacruz. He runs the Bodega Clandestina in the village of Sant Martí Sarroca, not far from Vilafranca del Penedès. The farm has 8 hectares, of which 3 is planted with vines. The bodega name has inspired the titles of the wines too, Blanc Sence Papers, Fugitiu, Censurat and Confiscat. I think there is no need to translate, please tell me if the contrary is true. The first vintage was 2018. It’s an organic and natural project, no additives, not even SO2, and he works outside any appellation.
Ferrán Lacruz of Bodegas Clandestina
All the wines are samples from the 2019 vintage, so I will just go briefly through them. Blanc Sense Papers 2019 comes from a more than 50 years old xarel.lo vineyard. The grapes from the three plots were harvested seperately at different times to ensure perfect ripeness, the different harvests are fermented in steel and aged in demijohns for different periods of time, and the last harvest kept in oak for 4 months, before blending it all and bottling unfined and unfiltered. -I base my wines on acidity, says Ferrán, -and I like Bourgogne Aligoté, he answers to my question what he tries to achieve. And acidity he has managed to retain. It really is acidic. I am not sure if it has the body to match, but time will show. The Blanc Fugitiu is another varietal xarel.lo with three weeks maceration. The skins are always inside the wine, as it is held down with an inox net. It finishes in 500L barrels and amphoras from the French side of Catalunya. This one is much more textured than the former, in the sense of tannins. It’s a bit more funky too, but has nice flowers and citrus peel aromas. Orance Censurat is a carinyena blanc with 4 weeks skin-contact, then aged in amphoras for 5 months. Also a bit on the funky side, but very nice citric notes and quite floral too. The Ancestral Confiscat is a xarel.lo sparkling wines with one year and three months ageing in bottle. The colour is yellow, and there is an abundancy of bubbles; very fruity, appley character with evident autolysis. A promising sparkler.
Le Quais á Raisins is a producer from Aubais in the Languedoc, started in 2015. They are Imogen and Robin, from England and Alsace respectively, who met there while studying. They have also worked abroad, being inspired by and have worked with the Swartland Independent Producers of South Africa, to name just one of the places they have experienced. Imogen was represented here. They only own 1.5 hectares, but use grapes from friends in Languedoc, Roussillon and Rhône. Everything is organic, and some places biodynamic practises are also employed.
Imogen Berry of Le Quais á Raisins
Among the wines were Umami 2019, a pét nat with 9 months on the lees from muscat and grenache with no sugar, and no SO2 added. A very nice wine with aroma, a bit peachy, some brioche; it was mouthfilling, with nice acidity, and a saltiness at the end. Méridional 2018 from rolle, grenache and muscat, was floral, but also mineral, and very fresh, – fermented in tank, and some 15% in neutral wood. Embruns 2018, made from macabeu in alluvial soil, was light, pear-like in aroma, there was a little more oak-influence there, and some smokiness. A really interesting one was Syrault 2018 (from syrah and cinsault) from calcareous loess: Cherry red; aroma of blueberry, flowers, mint, pepper; a little sweet sensation in the mouth, but after all an easy-drinking wine. Then a delicate, yet fleshy amphora-aged cinsault called Lopin 2018. Before we rounded off with the Garmatcha 2018 (a grenache, or garnacha grown on limestone and gneiss): Darker colour (because of small yield, more extraction, more punch-down), 18 months in 400L oak (some young, some neutral): It had a intriguing smell of chalkiness, red fruits and herbs, a fruity and well-structured, concentrated taste with some coffee/lickorice towards the end.
Matthias Hager
Matthias Hager is located in the northern part of the Kamptal, and is known as one of the most creative producers in the area. He produces terroir-driven wines from his 14 hectares of vineyards, from Mollands, his hometown. He has had a biodynamic certification since 2005. He works with different soil types, like loess and clay. He uses different product lines, literally speaking: A label with a blue line represents a fresh and young wine, while a brown line denotes more earthy, flavorful characteristics. Red line stands for no sulphites.
Here are the wines he brought, in brief: Grüner Veltliner Mollands 2018: Light colour; fruity, with pepper and other herbs; smooth, quite concentrated, dry and salty. Grüner Veltliner Urgestein 2018, from schist soil, 10% skin-fermented, made in old oak and steel: This one is more yellow, more mineral, also with peppery tones; good weight in the mouth, and evident acidity. Completely natural. Riesling Alte Reben 2016, 10% skin-fermented for 6 weeks: It’s light yellow; flowery, fruity (but also some mineral); in the mouth it’s textured, rich. A nice take on a riesling.
Red line denoting no additions
Riesling PUR 2015 is a wine with 100% skin-contact for 3 weeks: Golden colour; a bit waxy, appley, with ginger and some honey; full in the mouth, textured and with a good acidity. Lastly the Zweigelt Blauburger 2018, an “Austrian merlot”, as Matthias called this second variety (a cross between blauer portugieser and blaufränkisch, noted for colour, not tannin or acidity). The grapes were grown on clay (the zweigelt), loess and schist soil. The wine is blueish; smells of red berries, some green components (pepper), herbs; it’s clean, soft, luscious and also crispy.
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