Zarate is Eulogio Pomares‘ family winery in Meaño, Rías Baixas. Eulogio still makes the wines here, as he has done since the 2000 vintage. But in recent years he has also put a lot of effort into making wines under his own name.
This wine originates from a vineyard close to the sea, with alluvial granite and river stones and almost 80 year old vines. It was fermented in large traditional chestnut fudres with a further eight months on lees.
Carralcoba Caíño Tinto 2016(Eulogio Pomares)
Cherry red. Cool red fruits (raspberry, cherry), spice (nutmeg). Juicy and delicate, but also with crunch, salinity and a savoury acidity. Maybe optimal drinking at the moment.
Here is my second article from this year’s Simplesmente fair, where I present updates from producers that I already knew well. I tasted everything they offered, but I will try to restrict myself to presenting only a few wines.
(Read the first article from this year’s fair here, about some re-discoveries of wineries I knew a little.)
Antonio Portela from the Morrazo península, Galicia, Spain was a special guest this year. Chance had it that I started my tasting experience by his barrel. The occasion is a sad one, he is not able to continue his work for economic reasons. That means, if not anything unexpected happens we will not be able to taste his wonderful, fresh, saline wines anymore. Antonio has other activities to fall back on, such as writing and teaching, so he refuses to call the situation dramatic. Okay, but to call it a pity is to put it in a very careful way. The white (Mar do) Namorado he offered in the 2020 and 2018 vintages. It is a 85% loureiro, the rest albariño, espadeiro a.o., grown in sand on the beach. The 2020 had a light colour; aroma of citrus, flowers and yellow fruits; wonderful acidity and concentration, long with a salty aftertaste. The 2018, in comparison, had a honeyed edge, but still with plenty of acidity and concentration. The red tinta femia Namorado 2019 was light with red fruits (raspberry), a touch anise, and with a saline finish. The Namorado Berobreo 2019 was in the same line, light in colour and with a super acidity. This one was made with whole bunches.
Miguel Alfonso’s family has produced wine for generations in Val do Umia, in the Salnés part of Galicia. The current winery, Adega Pedralonga, was founded in 1997 by Miguel’s father Francisco, and biodynamic practises were implemented ten years later. Miguel says that the work is professionalized, but it follows the philosophy of the ancestors. This means they plough only when necessary, Also in the cellar they do as little as possible. Albariño is not de-stemmed, only natural yeasts are employed, malolactic fermentation is not blocked and all wines get an extended ageing on lees. The Pedralonga vineyards sit on granite soils and are influenced by an Atlantic climate, which very much shows in the wines.
Pedralonga 2021 is a classic, with its fresh aromas of citrus and flowers, wonderful texture, steely acidity, salt and a flinty mineral finish. One of the great whites of the fair. The same can be said of their Carolina 2021, made from caíño blanco, with a greenish hint, quince and herbs, unctuous with a grapefruity aftertaste. Tinto de Umia 2019 is light red with a bit of evolution, red fruits, a touch of smoke and a lovely acidity and a saline finish.
Alfredo Maestro operates in both his native Peñafiel (Ribera del Duero) and in Sierra de Gredos. Since 1998 he has vinifyed each plot according to its peculiarities, with native yeasts and without chemical products. The artisan practise continues in the cellar, where no machines are used. Wait a minute: Few machines are used. But I have seen on YouTube that Alfredo experiments with drones to do various work in the vineyard. A machine yes, but this is also to minimize the use of that sort.
Rey del Glam 2021 is an elegant example of the carbonic maceration garnacha. A mix from both Ribera and Gredos, it shows fragrant red fruits with licorice; juicy in the mouth, also with some structure. Almate 2021 Is an un-oaked Ribera: Dark cherry; red and wild fruits (cherry, blackberry); full-flavoured, yet with fine tannins. The skin-contact albillo mayor Lovamor 2021 and the partly flor-aged albillo mayor Consuelo 2020 delivered as usual. So did the speciality La Cosa / The Thing 2020, a sweet moscatel de alejandría. It’s interesting that someone makes a Cigales these days. Alfredo has an interesting garnacha gris called La Badi 2021, made with three days skin-contact. Therefore it achieves a light red colour with greyish hints (“ceniza y cigarro”, ash and cigar, Alfredo calls it). It’s a juicy glou-glou, truely fascinating. I have a crush on Rosado Clásico deValladolid, now in its 2019 vintage. It’s in fact a clarete (in Spain made of red and white grapes, the same as a Portuguese palhete). It’s made with direct press, half in botas de Jerez, half in chestnut. The colour is pale red with an orange tinge, aromas of red berries (raspberry, plum), dried fruit and leather; the acidity and the alcohol (13,5) are integrated, while the tannins, fine-grained though, struggles to see if they can break out.
I visited Casa de Mouraz after 2017, the hot year with the devastating fires. (Read about the visit here.) They make fresh and inspiring Vinho Verde wines under António Lopes Ribeiro’s initials, alr. Here I choose a few Dão wines. Casa de Mouraz Encruzado 2020 is a perfumed varietal, with the extrovert fruit that the grape can offer, wonderfully balanced. Casa de Mouraz Palhete 2021, a field-blend of 80% red grapes, the rest whites, was light in colour, with concentrated raspberry and strawberry notes, an intense flavour and balanced acidity. Elfa 2017 made from 95 year old vines, with 30 different grape varieties co-planted. Worth mentioning is that there is no touriga nacional (not normal in Portugal, especially when there are that many varieties employed) and no oak. A red fruits- (cherry, raspberry) fruity wine with an underlying pine character; it has a fine structure and good balance. António also presented three wines without DOC, under the umbrella Planet Mouraz. The fact that they come without a DOC would most often mean that they are unfiltered. I tasted two vintages of the white Bolinha, namely 2021 and 2017. This is also a field-blend, fermented in stone lagar and stayed with skins for one week. The 2021 was clearly unfiltered; light golden, turbid; with an intense aroma of yellow fruits and herbs; grapey and full. The 2017 had a bit more colour; intense, with apricot and honey; quite big and full-flavoured, long and balanced. Bolinha is the name of the dog on the label, by the way.
It’s always a pleasure to meet José Perdigão, architect and vinegrower of Silgueiros, Dão, and taste his wines with labels by his wife Vanessa. A long-time favourite among his wines is the Quinta do Perdigão Rosé, now in its 2021 edition. It’s a rosé with some colour (José can maybe “arrest” me, but I would say somewhat less colour than before). It’s a full-flavoured rosé with aromas of raspberry and currant, and fresh acidity. Another classic from the house is the Alfrocheiro 2013: Dark cherry red with dark fruit aromas (blackberry, blueberry), pine; structured in the mouth, elegant, and very much alive after almost ten years. One that I don’t remember to have tasted is Noël 2015 (named after his youngest son). This is another wine that has kept well: Dark cherry; ripe red fruits (cherry, prunes); smooth, full of flavours. Still potential for ageing.
Lastly a trio from the Lisboa region. André Gomes Pereira and his Quinta do Montalto are actually found in the municipality of Ourém, in the Santarém district. But the wines are launched under neighbouring Lisboa’s regional.wines, if not DOC Encostas d’Aire (Medieval de Ourém). Pioneers in Portugal, since 1997, all crops at Quinta do Montalto are organic.
His medieval wine, a red and white blend, must be mentioned. This year I was in a hurry and skipped it though. I tasted his amphora wines for the first time. The vessels are made locally. Originally the manufacturer used epoxy. André said that this is “cheating” and against tradition. He said to André, why don’t you do it yourself? Then, as a statement, André decided that he would himself coat the amphoras with resin. Ánfora de Baco 2021 white is a varietal fernão pires, made 30% with skins and 3 months ageing with skins and on lees. Golden colour; flowers, resin and yellow fruits; full on the palate, fresh and Atlantic. The red equivalent with the same name is made from equal quantities trincadeira and aragonêz. Garnet red; red fruits (cherry), stonefruit (plums); super acidity and salinity. Cluricun Skin 2021 from grape varieties siria and fernão pires, 3 months on skins, was a peculiar wine. Pale amber colour; aroma of clementine and nuts; medium-bodied, with a light tannic grip.
Pedro Marques of Vale da Capucha (Turcifal, Torres Vedras) is a top producer, right there up with the very best. I could have mentioned all his wines. I will not, but I can say that they are focused, elegant and shaped by the terroir. The vineyards are planted on kimmeridgian limestone with clay. The white Fossil 2017 sums it all up. The name tells the story of a winery only 8 kilometers from the coast, in earlier times under water. Fossil has a light golden colour; aroma of citrus, white flowers, wax, chalk; a mineral taste, quite full and with a super integrated acidity. A lovely wine at a very nice price. Vale da Capucha Arinto 2019 is for me a star among his varietal wines. It’s light yellow; concentrated aromas of citrus (lemon and peel), yellow pepper, chalk; medium full in the mouth, mineral, with a lovely integrated acidity. Vale da Capucha Palhete 2019 is a blend of the white arinto and the red castelinho, made by “inking” a white wine with the red castelinho, then co-fermented in steel before bottling. Light red; red fruits (raspberry), salt; juicy, carefully structured.
Baías e Enseadas is located in Codiceira, Colares country, west of Lisboa capital. They have a more mature style. Daniel Afonso says, “I want to extract all I can from the skins”. The white Fernão Pires 2020 had stayed 6 months in barrel, with a lot of batonnage. -I always have acidity, says Daniel, now I want to work on the creaminess. And yes, a creamy texture together with a good acidity was achieved here. The Escolha Pessoal 2020 could be found along the same path, though a bit more concentrated and also elegant. Castelão 2020 showed mature fruits, alongside flowers and a hint licorice; juicy and quite complex, and a fruity finish.
La Caníbal is a natural wine bar in the Lavapiés barrio in central Madrid. It’s often called a Galician bar. Maybe because their sister restaurant O Pazo de Lugo is in the other half of the locale. The latter was established back in 1971. (For another natural wine bar in the same neighborhood, read here.)
First time of two at La Caníbal I arrived in the bar without reservation, and I walked into the part that I later came to know as O Pazo de Lugo (pazo being a manor house and Lugo one of the Galician province capitals). While waiting to be seated in the restaurant part I enjoyed a glass of albariño, Albamar 2020. Its creator is Xurxo Alba, whom I met at a fair a few years ago. It’s made with grapes from different parcels in Castrelo, outside Cambados in Rías Baixas. A lovely straw, clean sight; aroma of citrus, pears and stony minerals, a touch of white pepper; quite glyceric, with integrated acidity and a long, saline finish. A small bowl of green olives, onion, paprika was also served while I was waiting.
La Caníbal has a tap system where they serve various wines. Their website insists that they are not bulk wines though, but authentic terroir wines, which their winegrowing friends pack exclusively for them. They can also be bought from their shop in formats such as a two liter bag-in-box.
Bodegas Bentomiz is located in Sayalonga, Málaga (read a report on a visit here). The grapes for this wine are grown predominantly in Córdoba, 90% pedro ximénez. The rest is moscatel from their home farm. Light straw; pear, citrus and flowers; rounded and yet light in the mouth. I don’t know if the wine has a name. Let’s call it Blanco 2020.
They even make wine. Next was collaboratively made by La Caníbal and Marc Isart, for many famous for being formerly part of Comando G of Gredos. But otherwise he is an authority in Spain’s central areas. Las Nieves2021 is a malvar from a single plot of old vines in Chinchón where the soil is calcareous with clay. Malvar is Madrid’s own variety. It’s most often cultivated high. When paired with airén, another Central Spain cultivar, it tends to be the acidic and aromatic part of the blend. Back to this particular wine: One half is fermented with skins in clay, the other without in oak barrels. It showed a “blushing brown” colour; aroma of mature apples, channel, herbs (thyme) and an earthy tone; in the mouth it played with oxidation, but had adequate acidity and a mineral touch. A fascinating orange wine.
Luís Oliván makes wine in several regions. To La Caníbal he currently delivers a Moristel 2021 for sale on tap and in a one liter bottle. It’s cherry red, simple, juicy and fruity. Pure joy.
El Sueño de las Aforjas of León is the bodega behind the next wine, Prieto Picudo Ecológico 2021, from the variety of that name, matured one year in concrete. Dark cherry; red and dark fruits (blueberry, morello); fine tannins, fresh acidity and a touch sweetness (banana).
Nietos de la Señora María is located in the Alto Alberche area of Gredos. The bodega is located at 1.300 meters altitude and the four brothers who run it are guided by Daniel Ramos, a very clever vinegrower in the area. This wine comes from their ten hectares of garnacha between 40 and 60 years old. Ruby red; aromas of red fruits and herbs; a distinctive granite/pencil flavour, fine-grained tannins and a luscious body. A gastronomic wine. It’s called Garnacha on the board, and the vintage is 2020, by the way.
Fancy some cheese while summing it all up? La Caníbal have their own cheese sommelier. To make the choice easier for you the platters have musical names, like Rock’n’Roll, Indie and Celta. Pick your favourite! Strike your wine chords!
Here is another wonderful saline red wine from what many regard a white wine area in Rías Baixas. The winemaker is Eulogio Pomares, who has his own series of wines also, much acclaimed. (See for example here.)
Caiño tinto is a native variety of the Salnés Valley, a late-ripening variety that can give fruity wines with high acidity. The grapes for this particular wine come from a vineyard over 60 years old with granitic soil. The grapes are trodden without destemming, with daily ‘pigeage’ for four weeks in an open vat, where also fermentation takes place. It is aged for 8 months in three year old oak, where also malolactic fermentation took place. Bottled without filtering or clarification.
2017 had a hot spring with good flowering, but the rest of the year proved more or less unstable with quick changes. In September though, the temperatures were very mild, and the result was a healthy fruit.
Zárate Caíño Tinto 2017(Eulogio Pomares/ Zárate)
Cherry colour. Fresh aroma of red berries (plums, raspberry), some pepper. Juicy, luscious in the mouth, but with a “serious” tannic edge, some spice, and a fresh, long acidity.
Food: White fish, white meat, tapas, mild and hard cheeses
I have met Iria a few times at fairs like Simplesmente of Porto (read a little more here). This summer we agreed on a visit on my way to Vigo and the nearby A Emoción fair. She makes wine in both Ríax Baixas and now also Ribeira Sacra, and they are excellent. But she is literally at home in Leiro, to where she moved with the family a few years ago, after having lived in Vigo and been commercial director of Dominio do Bibei.
When the time was right to make those important changes in life, she started with the Sacabeira label from the Salnés area of Rías Baixas. These are very stylish wines, both white and red. Here in Ribeiro Iria and her partner Miguel grow varieties like sousón, mencía, caíño tinto, treixadura and loureiro. They have one hectare on their own, and dispose of two more. Now Miguel is responsible for the work in the field. They are very clear that the vineyard they want is an organic one with little intervention, but with manual work when there is any, and chemicals are a non-existent issue. If the grapes are tasty in the vineyard, the chances for a good, balanced wine is there.
The project name “wines with memory” implies that she wants to show how they were made in the past, and also that the wines reflect the place they come from. She simply uses the time needed, and the respect that every variety requires.
Here is a lot of granite soil, with some slate and clay. They wines have a maritime character, even though we are not as close to the sea as her vineyards in Rías Baixas. This can maybe be because of the varieties, especially caíño can have a saline touch, and Iria thinks it’s maybe more pronounced in granite soil.
Castes Brancas is, as the name suggests, made from white varieties, treixadura, godello, loureiro and torrontés. It was raised in concrete, where it stayed for 6 months.
A Seara Castes Brancas 2019 (Iria Otero)
Light golden; citric aroma, flowers, green apples and tasteful yellow plums, a bit herbal too; juicy and creamy in the mouth, vivid and energetic with a delisciuos natural acidity.
Food: We had it with a wide selection of dishes, some of them typical tapas, containing both vegetables, fish and sausages. But it goes well to a great variety of light meat, fish, shellfish…
Back in the magnificent Monastery of Oia on the coast of Galicia, I will take a look at some producers that were new to me, or that I didn’t know very well. Here I have only time and space to mention a few.
Adega do Ricón can be found in Arbo, otherwise known for the Galician-Portuguese speciality lamprea, that jawless fish that is not an eel, but swims in the Miño-Minho and is often cooked and served in its own blood, and not only during the festivals in honour of the fish. Albariños and other local wines are perfect with lamprea. We are now in the subzone of Condado do Tea of Rías Baixas, close to the Portuguese border. Adrián Ricón manages 1.6 hectares of vineyards organically. The vineyards are more than 30 years old and planted with many different local grapes, both white and red. Both their Do Ricón Blanco 2018 made from albariño, loureira, treixadura and godello, and the lees-aged Anne do Ricón 2017 (same grapes except for godello) must be good lamprea wines. The first made in steel; young, fresh style, with a good acidity to match, the latter richer, but still more than enough acidity. I also liked the Do Ricón Tinto 2018, made from sousón, mencía, caíño tinto, espadeiro and brancellao and fermented in steel and with a short stay in used French barriques. Light red; strawberry and raspberry; fresh and with a good fruit all the way.
Adega Torgo is found at A Cañiza in the outer limits of Ribeiro, towards Condado do Tea. They offer fascilities for holiday and leisure, in addition to their small wine business based on one hectare of albariño, loureira and treixadura. They are in conversion and will be certified organic from this year. They have an interesting sparkling albariño with 8 months on lees. And then there is the Torgo & Tal 2018, which is a 80% albariño, 20% loureira/treixadura, grown in sandy granitic soil. It’s kept on lees with some bâtonnage: Golden colour; aroma of mature apples; very fresh, with a vivacious acidity.
Antonio Miguez Amil and his Boas Vides may be a name to watch. The only wine I tasted was from the hot and dry 2017, but I liked it. He is located in S. Lourenzo da Pena, near Ribadavia. At present he has only one hectare, and many different local grapes were planted by himself in 2005 on a terrace of loam and sand. He practises organic and biodynamic farming, and average yield is as low as 20 hl/ha. The grapes were de-stemmed but not crushed, and the wine was made in stainless steel and plastic. Only natural yeasts were used, no additives, and only a small dose of sulphites. It was aged in two year old French oak 300L and 500L for 12 months, then another six months in inox. No fining nor filtration. A short tasting note: Quite dark in colour; dark and red fruits on the nose, some coffee; round tannins, some oak yes, but also with a very saline touch.
Zak Elfman is a man with a mission. He is American, but his mission to make wine started in Stellenbosch, South Africa, where he got training at Keermont Vineyards, then crossed the South Atlantic to Mendoza, Argentina – before he ended in Ribeira Sacra, where he finally set up his small venture called Mission, at present a mere 0.15 hectares. We are talking about low imprint natural wines. The bottles are lightweight. The wines are handmade through every step, from picking to packing. In fact when I lifted up a bottle after the airplane flight when I came home, the label fell off. So they are probably sustainable, and I will not be surprised if there is used a vegan-friendly glue. The grapes are stomped lightly and has had gentle punch downs. They are all aged in neutral French oak, unfined and unfiltered. I chose Mission Cantina Amandi (pink label) 2018: The wine was quite dark, a bit turbid; flowery, cherries, iodine, a bit rustic (earthy); very luscious and delicate in the mouth. I also tasted the 2019, that was less rustic, and a bit darker, as the grapes had matured better. But I liked both. On the third day, and when the temperature was rising, there arrived a slight hint of mousiness too. But don’t worry, this is already lovely, and when these wines are fine-tuned after a couple more years it will be just great. No reason to doubt it!
A Emoción dos Viños is now in its 10th edition. It is a fair for small artisan vintners held at the magnificent Real Mosteiro de Oia, with splendid views to the Atlantic Sea. This Cistercian monastery -near Baiona, roughly between the big city of Vigo and wine town A Guarda- can trace its history at least back to 1149, when king Alfonso VII of León and Castilla granted parts of today’s complex to the monks of Oia. The fair was held over two days. A novelty this year was not more than 35 wine producers on the first day, and 35 others on the second. And every possible coronavirus times precausion was taken, such as mandatory use of masques for both artisans and visitors.
Antonio Portela, himself wine producer, is head of the fair, together with wine merchant Marina Cruces. In this much too short report we will concentrate on the Galician wines, try to select one wine per producer (at least not all will be mentioned) – and why not start with the organizer. Antonio Portela has always impressed me with his wines, that really tell a story. I visited him last year and saw his beachfront vines, whites albariño, espadeiro blanco and loureiro, and reds tinta femia (caíño tinto), espadeiro, loureiro a.o. They always have a clearcut edge, a long curve, and a wonderful saline finish. The winery is located in Bueu on the Morrazo península, between the rías of Pontevedra and Vigo, just outside the Rías Baixas denomination.
His varietal tinta femia (Mar do) Namorado, an all-time favourite, now in its 2018 vintage, must be mentioned. It’s a low-extraction wine, full of red berry aromas (raspberry), herbs like thyme, and as mentioned above, with a long curve, lovely integrated acidity and saline finish. Along the same line was Viña Fazóa 2019, also a tinta femia, this one from three different municipalities, but the taste had close similarities to the more established brand. Aside of this I tasted a tinta femia-espadeiro, in the same vein as the Namorado, and also an interesting loureira tinta, both from 2018. The latter comes with a much darker colour, because of the character of that grape variety.
It was a nice oportunity for an update of other well-known producers from the region. Among these were Luís Anxo Rodríguez, who has a wide range of wines. I visited him in Ribeiro 7-8 years ago. Some of his wines are meant to last, and among the wines he had brought here were A Teixa 2017 (mainly treixadura with godello and albariño), a citric, creamy and a bit buttery white, still young. Even more so the Viña de Martín Escolma 2015 (treixadura, albariño, torrontés, lado), almost Central Burgundian in its rich citric, powerful, buttery oakiness (12 months in new French oak), 10-15 years before it reaches its prime, according to Luís. And this I can believe, because when I visited him he showed much older editions of the Escolma. For drinking now the Viña de Martín Os Pasás 2018 (80% treixadura, the rest albariño, torrontés and lado) was a better choice. Light yellow with some green, citric, chalky, a bit honeyed. In a way luscious and light, but also concentrated. Appealing.
Two other excellent Ribeiro producers were Iria Otero and Cume do Avia. Iria I visited one of the days before the fair and will publish a report. Both ranges were tasted at the Simplesmente Vinho fair in Porto in February this year (here is a summary), so the tasting here was done quickly. From Cume do Avia I tasted a wine in Vigo a couple of days before the fair. (Read about it here.)
Adega Vimbio of O Rosal are now taking steps to be fully organic, and can at the moment be dubbed sustainable. Low sulphur is a characteristic here. I have for long admired their varietal Albariño. It didn’t disappoint in the 2018 vintage either; apples, white flowers and a hint of spice. Splendid was the Baenis 2017 (after an old name for the river Miño), an albariño from a 0.5 ha. plot with poor clay soil. It’s whole-cluster pressed, and spends 6 months with bâtonnage, then another three or four on lees without stirring. There is minimal added sulphur here. It’s rich and tasty, with a slight feeling of sweetness, and with a super integrated acidity. On the nose it’s both herby and saline.
More over to the wild side, and well-known after numerous natural wine fairs, is La Pérdida of the village Larouco in Valdeorras. There Nacho González grows 4 hectares of vines on granite and clay at an elevation of 500 meters. The name pérdida (“lost”) derives from the vineyard of old garnacha tintorera that he inherited from his grandmother, and chose to restore in-stead of replant or sell. This marked the start of his winemaking career. He makes extensive use of tinajas (clay vessels) from expert maker Juan Padilla in La Mancha (see here), and very old oak. You will never find any oakiness in his wines, and sulphur is a word you would think he hasn’t heard of. Palomino is another grape that he favours, historically important to the region.
Malas Uvas 2019 was absolutely wonderful. It’s made mostly from palomino, but also doña blanca, two varieties not permitted in Valdeorras (hence the name “bad grapes”). It’s made in steel and tinaja, and got five days skin-maceration, then spent the winter on the lees. No fining, filtration nor addition of SO2. Yellow/greenish and cloudy; very flowery, with pears and minerals; a fine and light tannin, and a lovely cidery acidity. A Chaira 2019 was equally appealing, very natural and juicy, a doña blanca made in tinaja and inox. O Pando Orange is a wine I love, and very much so in the 2019 vintage. From a single vineyard godello, it’s fermented on skins for around 5 months in tinajas before being racked over to steel. This one has more colour, and there is a lot more tannin texture here; aromas of mature citrus (clementine), mature apples, white flowers and salt. It’s a white wine for everything from the grill. OK, I also have to mention the Proscrito 2019. This is made mostly with palomino with some garnacha tintorera, fermented in chestnut and oak, then finished in steel. The grapes are both white and red, thus the category is clarete. Light cherry red; aromas of strawberry, raspberry, orange peel; lightly textured, and a very appealing acidity.
I have had a special relation to Guímaro. Mostly because I have for a long time loved the wines. I visited Pedro Manuel Rodríguez back in 2012, and I was also his importer a couple of years. He is found in Sober in the Ribeira Sacra sub-region of Amandi, where he has 8 hectares of own vineyards at 350-550 meters on slate, granite and sand. He makes both red and white wines, entry-level blends and single plot wines. Just after this fair I had his Finca Meixemán at a restaurant in Madrid, about which you can read here. I have always been a fan of his basic red mencía. In most years, except for some of the hottest, the Guímaro Tinto, is an elegant, red berries fruity wine with some herbs, and with a mineral palate. 2019 is no exception. An interesting feature was Camiño Real, that Pedro brought in two vintages. The grapes are sourced form a 50 year old vineyard, is made with 80% mencía, the rest garnacha tintorera, and pressed with 60% whole bunches. The 2017 was one of the hot years. Here it showed dark, mature fruits, a hint of wood, also a bit vegetal; in the mouth it was quite potent, but also with a stimulating acidity. The 2018 on the other hand, was lighter in colour; it showed more red berries, and more of the saline, sea-breeze characteristics; very juicy in the mouth, and overall a more elegant style. A Ponte is also an “all-time” favourite (since its debut in 2015), now 2017. It’s from an 80 year old vineyard of granite and slate, from the same slope as Meixemán, but on top (while the other is in the middle). The grapes are mencía, sousón, brancellao, merenzao and caiño tinto. It shows plenty of red fruits, also some balsamic, herbs, it’s quite structured, still with a bit oak, and would be perfect in a 3-5 years time, I would guess. Interesting was also Divina Clementia 2015, a wine in its optimum drinking point, according to Pedro. It was a bit developed, cherry coloured, with fine-grained tannins and still good acidity. And it would be unfair to leave without having mentioned the whites. Both the entry-level Guímaro Blanco 2019 and the Cepas Viejas 2018 deliver as expected. The first light, smooth and lovely immediate drinking, the other more yellow, a bit buttery, full, but still with good acidity.
Back soon for some (at least for me) lesser-known producers, then some from outside Galicia.
Just before leaving Spain this time I had the chance to visit the wonderful wine bar-restaurant Angelita Madrid just off the Gran Vía. This is an all time favourite, but I realized that this post is the only one on these pages so far. They have a bodega with more than 500 references, and always some 50 on offer by the glass. Add to this a high level kitchen, moderate prices and a highly competent staff, and you understand that the place is recommended.
This time I started with an albariño from Meaño, Rías Baixas, Galicia. Altos de Cristimil 2018, from the bodega of the same name. It showed a light yellow colour with greenish tones; aroma of yellow apples, flowers and with a certain lees character; quite slender in the mouth, with a good acidity, a bit almondy and with a salty finish. Very appealing.
La Flamenca 2018 is a new project of Mario Rovira, of bodega Akilia in Bierzo. This is however in Alella, Catalunya, just north of Barcelona. It was listed under skin-contact wines, but the contact is limited with only five days of maceration with skins and two more days in spontanous fermentation after pressing – thus the light colour. 2018 is his first vintage here. Macabeu and pansa blanca are grown near the sea in granite soil. Aging was in ceramic egg, manzanilla barrel and steel tank. I would say the colour is light straw; a fine and discreet aroma with white flowers and lime; lightly textured, just a hint of peel, and with a salty finish. Really cool.
I tried Massuria 2009, a specialty in that it’s a developed red Bierzo wine. This dish however, called for something fresher. Guímaro Finca Meixemán 2017(Pedro Manuel Rodríguez) could provide that. It’s a single plot wine from the middle of a hill in the Amandi subregion of Ribeira Sacra. Dark colour with violet hints; despite a hot vintage the aroma is quite cool, with red berries and some balsamic, or herby, notes; super fruit in the mouth, a natural, integrated acidity, and just the faintest touch of barrel.
Valderiz 2016 was also tried, and is not bad at all. But I had already selected the Yotuel Selección 2015. The family bodega Gallego Zapatero is one of three in Ribera del Duero that Alsatian winemaker Sophie Kuhn was in charge of before she left a couple of years ago. From nine hectares in Anguix, Burgos province, they have a selection of wines, some of them single-plot wines. This is the quality between the entry-level wine and the single vineyard wines. It’s a varietal tinta del país (tempranillo) from two plots, both with more than sixty year old vines in bush training, grown in mainly clay and sandy soil. 2015 was a hot year with a short growth cycle. Fermentation was carried out in inox and concrete, and the 14 month ageing in French oak and concrete. Dark red with violet hints; aroma of forest fruits (blackberry), herbs (mint, rosemary) and pepper and some coffee,; it’s a potent wine, but the tannins are not overwhelming, and it has a good balance between the richness and the acidity, a hint of toast, and stylish in spite of 14%.
Last Friday I visited Rodrigo Méndez and Forjas del Salnés. We started in the precious Finca Genoveva in Barro and ended at a delightful restaurant A Curva in Portonovo, all in the province of Pontevedra.
Rodri is the nephew of another great producer, Gerardo Méndez of Do Ferreiro (that means “from the blacksmith” in gallego language), and Forjas (forges) de Salnés is named after the iron business that his grandfather had set up a long time ago.
Forjas del Salnés sources the wines from 7.5 hectares of vines in the villages of Meaño, Sanxenxo and Barro. Of these they own 4 hectares, the rest are rented from local growers. Genoveva is one of these. It is a 2,5 hectares farm in the municipality of Barro, and 1 hectare is planted. 70-80% is 200 years old albariño, and there is also caíño tinto and other red grapes. The caíño tinto grapes go into a single plot red wine without DO.
This wine is produced from the bicentenary albariño vines in sandy granite soil. It was fermented with whole clusters in big 2.500 liter oak foudres, and matured in them on lees for a year before bottling. Note: There is no oaky character in the wine. Other than that, minimal intervention is employed, no temperature control, only some SO2 when the grapes come in and later to block malolactic fermentation. Typical total amount is 20 mg, according to Rodri. Both 2017 and 18 were hot years, so the harvest was early (normally it’s late august).
Leirana Finca Genoveva Albariño 2018(Forjas del Salnés)
Straw yellow. Aroma of flowers, red apples, minerals. It has concentration of flavours, but is very balanced, fine-tuned and elegant, with a super, mature acidity and a saline finish. We have seen it more “wild” or edgy in previous vintages (such as 2015), but this is delicious.
Food: White fish, seafood (oysters, clams, pulpo), rice dishes, chicken and salads
I am back in Vigo for the Emoción dos Viños fair to be held this weekend a bit further down the coast. A stop at Malauva is then mandatory. (Read about my last visit here.)
This time Josiño first recommended Monte Pío 2019, a very nice Salnés albariño from the bodega of the same name. It had all the typicity intact, which means aromas of apple and citrus from indigenous yeast, low sulphur, creamy after long time on lees and a clean citric aftertaste. Then a very different albariño, biodynamically grown, from Alberto Nanclares, Soverribas 2015. It had very typical aged albariño character, at least from my experience. This includes mature apples that hints to oxidation, just hints!, nuts (direction almonds/hazelnuts), and full, glyceric, dry and long in the mouth.
Our wine of the week is a wonderful Atlantic style red from the Ribeiro area. Cume do Avia is the producer (also mentioned here), and it’s also the name of the highest hill in the Ribeiro subregion of Avia. It is Diego, Álvaro and Fito, all relatives, who are Cume do Avia. They come from a family of vignerons, and started for themselves in 2005. They went organic from the start, with some biodynamic practises. They count on 9 hectares with 13 autochthonous grape varieties in Eira dos Mouros.
The soil consists of clay, schist and granite, east facing, with good sun exposure and ventilation. In the cellar they use indigenous yeast, no filtration, clarification with gravity and only a small amount of sulphite before bottling. The reds are made with low extraction.
Dos Canotos Caíño Longo 17 (Cume do Avia)
Light cherry red. Fresh red fruits, slightly herby. Juicy, but concentrated, with lots of integrated natural acidity, traces of iodine, salt. It’s not powerful, but very long, and so full of energy!