This is a followup to the Beaujolais article last Friday. Today I came across two wines made by Pierre Dupond. One of the twins showed freshness and elegance, while the other was more bold and ripe. We will come back to that, but first a look at the background.
The Dupond family has its roots in Burgundy and the Rhône Valley. It began with Antoine Dupond, who was originally from Beaujolais, but began commercializing his wines in Lyon and St. Etienne in the 1860s. His son Joanny expanded the family’s estates to the Rhône area. Hervé Dupond, fifth generation, is today leading the business. Hervé has expanded production, building partnerships with nearby winegrowers and neighboring families that the they have known for generations. Each year Hervé selects the best possible plots to make his wines. A traditional method of winemaking is practiced to ensure wines produced are reflective of the land. Ageing takes place in concrete vats that allow for ideal temperatures.
The gamay grapes were handpicked and underwent carbonic maceration with indigenous yeasts. These are natural wines, both with low sulphur (one with nothing added). One is with minimal filtration, one without. To sum up: Sans Soufre Ajouté is the most fresh/acidic of the twins, while Non Filtré is the most ripe and fullbodied wine. Both are highly recommended.
Beaujolais-Village Sans Soufre Ajouté 2022(Pierre Dupond)
Dark red, blue hint. Cherry, raspberry. Medium body, fine-grained tannins, fresh acidity.
Beaujolais Nouveau Non Filtré 2022(Pierre Dupond)
Dark red, blue hint, a touch more dense than the other wine. Blackberry, eucalyptus, chocolate/coffee earthy tones. Medium-bodied with ripe fruit, a bit structured (more than the other wine), rounded acidity.
This year I haven’t tasted as many of the new Beaujolais as usual. It’s the first time I have tried Thivin‘s Nouveau, though I already knew several of their other wines.
Thivin is one of the top domaines in the Côte de Brouilly, Château Thivin is built on an ancient volcano back in the 15th century, thus one of the oldest. Claude and Evelyne, third generation of the Geoffray family, are now managing the estate with their son Claude-Edouard. They encourage biodiversity planting herbs and flowers between the rows of the more than 50 years old vines, plowing regularly and using natural composts to keep their vines healthy.
The vines for this cuvée are trained in goblet. The grapes are handpicked. Semi-carbonic maceration is used for extraction of the fruit, and the vats are handled by gravity to ensure gentle production.
Gamay Noir Vignes d’Ecussol 2022(Thivin)
Red with blueish hint. Very much raspberry, plus some currant, fresh and young, with some structure and a nice acidity.
Early one morning I take the train from Barcelona. I’m on my way to Sabadell. It is not a completely normal sightseeing, because I am going on a company visit. I get off at one stop before the train arrives at the terminus about half an hour from the busy metropolis. The contrast could hardly have been greater. I walk through a sleepy suburb with brick houses and old factory chimneys. I know I am near when I pass several garages, car rental companies, and by a large parking lot is no. 10 where I can not find the company name and entrance until I have asked the workers in a car repair shop. It’s like in a romantic fantasy about the old days: I had to ask the locals for where to go.
First impression in Sabadell is a glimpse of its industrial identity
It’s almost like I’m the first tourist here. And what does Sabadell have to brag about? They have a bank, I know. And I have been told that it has been one of Spain’s most important cities for the wool and textile industry. I have an agreement with Arnau Palomero, who has the title “commercial designer” in Pulltap’s. Arnau says that one of the most important industries in the city has been metallurgy and products associated with the automotive industry. A piece fell into place! Well, to say that Sabadell is known for making one of the world’s most popular corkscrews would be an exaggeration. But still: I’m here to find out a little more about Pulltap’s wine opener and what was the reason that it appeared exactly here.
It’s unbelievable that behind door number 10 is the headquarters of a producer for the world. Two of its neighbours are Scuderia Motors, Europcar Sabadell and a big parking spot.
A bust and a photograph of Ramón Brucart Puig are displayed in Palomero’s office. Brucart, born 14 October 1937, is the only important figure in Pulltap’s pamphlet on the company and its history. But there is not much information to be found about him, and a search on the internet gives far more hits on his namesake, the motocross rider. Arnau Palomero shows me the first corkscrew for which Brucart was granted a patent in 1991. This was mentioned in the special magazine The Daily Screw in 1991 and called Pocket Hand Corkscrew. A year earlier, he had received a European patent for a similar wine opener called Puigpull. His company was then called Puig Bonich, which he ran together with his wife Marta Bonich Linares.
Arnaud Romeral in the office, overlooking some of the city’s many car companies
Pulltap’s was founded in 1996, here in Sabadell, a city of just over 200,000 inhabitants in the province of Barcelona. The company came about after Ramón Brucart contacted the Alberich and Vilarrubí families. These had previously, in 1963, founded the metallurgical company TADE-Talleres Auxiliares de Estampaciones, which is headquartered in Sabadell. Pulltap’s then became part of the TADE company, until Pulltap’s grew as a company and became independent.
No tree can grow into the sky. But Brucart founded an empire
Pulltap’s in the tradition
There are a number of corkscrews on the market. We read that the first simple corkscrews may have been derived from the tools used to remove gunpowder sludge from weapons in the 17th century, including those with a metal spiral. Due to the large force required to pull a cork out of a bottle, many mechanical corkscrews have been made that use the so-called lever principle. Variants of this are models such asthe waiter’s friend, the Screwpull, the butterfly and the winged owl corkscrew (also of Spanish origin). Pulltap’s fit into this tradition.
The first corkscrew made by Ramón Brucart in 1996
When Pulltap’s wine opener has in a relatively short time become an established classic for both professionals in the wine industry and among private individuals, it is not without reason. It is made of quality materials and has a design that takes good care of aesthetics and ergonomics. With Pulltap’s, waiters all over the world know that they can pull out a cork while standing at the table, with one hand on the neck of the bottle and the other operating the corkscrew. The double joint makes the opening of a bottle an effortless process, where the force only acts in one direction. With many other wine openers, the cork is pulled against the neck of the bottle, with the risk of the cork breaking.
One of the most important partners has been, and still is, Miguel Torres, renowned bodeguero in Vilafranca del Penedès
The original model is today called Classic. The company found that it was necessary for most people to use both hands. A newer addition is a sliding knife blade that is pulled out with just one hand. This patented model is called Slider. Variants of this model are called Slider Boss and Samurai. Pulltap’s also produces corkscrew models for left-handers, with the spiral symmetrically opposite to the regular one.
Both the handle and the lever for the Classic and Slider models are made of stainless steel. The handle is lacquered and the lever nickel-plated, to achieve a protective effect and prevent rust. Slider Boss is made of aluminum with a stainless steel lever. The handle can be made in many different colors and finishes and can also have inlaid hardwood. Included are a teflon-coated spiral worm, a knife blade and a beer or soda bottle opener.
Corkscrews for the city and its football team
The entire production process takes place in the country, in the Barcelona area, with the exception of the spiral produced in France. It is a work that is mostly manual, and very slow, when printing logos and names on a form that is so complex. Arnau says that he himself has participated in this work this past week.
Imitations
Imitations have been a big problem for Pulltap’s, and they have two shelves where they display only some of all the imitations made in other countries, such as China. Arnau holds two seemingly identical wine openers next to each other. The devil is in the details, they say. Maybe it will not be more true than here. The copy from Argentina has a 30% smaller metal original, it has a finish of chrome instead of nickel – and it seems more flimsy.
Above the original in nickel, below an imitation with chrome, and 30% less metal
From the shelves of imitations
At most, Pulltap’s made 4 million wine openers annually. But due to the many imitations, they are now down to 1-2 million. They would rather use energy to further develop their own product than to try to fight the imitations. They have introduced the brand name Pulltap’s Genuine, that is engraved onto all openers. And since 2014, all genuine Pulltap’s products have come with a P engraved next to the brand name.
Pulltex is a distributor for Pulltap’s products in Europe and America. It is a large company headquartered in the Llobregat area, closer to Barcelona airport, which produces and distributes wine accessories. But they also make wine openers, and for the sake of confusion some come with the name Pulltap’s. They want to be associated with Pulltap’s, so they have taken a name that is close. Palomero nevertheless points out that the relationship with Pulltex is obviously good.
Ramón Brucart is still alive, and he is approaching 85 years of age. Arnau says that he has good contact with the company, which still has the character of a family business. But it’s time to go, as I have an appointment in Barcelona in the evening. So this time it is not time to contact the inventor himself. I imagine he could have had interesting stories to tell. But it will be next time.
Jura is a small, yet diverse wine region. Stéphane Tissot is one of its most dynamic and creative producers, and boasts a huge varieties of styles. Here he has made a sparkling wine with vin de paille in its dosage. And vin de paille? A traditional Jura thick and sweet dessert wine made of dried grapes.
Indigène ferments with indigenous yeasts, hence the name. Then the second fermentation is begun with vin de paille. This wine has the same grape composition as Tissot’s crémant Normale: 55% chardonnay, 35% pinot noir, the rest poulsard and trousseau. These two wines are separated after the first fermentation, when Indigène is dosed with vin de paille, added daily in tiny amounts. The second fermentation takes six months – and adds to the richness and complexity of the wine.
Indigène(S. Tissot)
Straw yellow. Aromas of clementine, yellow apple, spices, dried fruit, bread and nuts. Glyceric, smooth with good concentration, and a long salty finish.
Last Thursday I had the pleasure to revisit Bellies, a 100% vegan restaurant in the eastern neighborhood of Stavanger, Norway. Here you are not served “vegan burgers” and such. The focus is on the tastes of the ingredients, and there is a high level of creativity in the presentation. Add to this a select wine list that mostly highlights natural wines and you have got the picture.
I had the “Full Bellies”, a ten servings presentation (dishes of various sizes), accompanied by a package of five wines, plus an elegant champagne, the Les Vignes de Montgueuxblanc de blancs extra brut (J. Lassaigne). Among the wines were a stylish, slightly buttered, tropical fruit-scented Saint-Véran, Les Pommards 2020 by Jessica Litaud, a fresh Loire white, Saumur 2021(B. Stater-West) and an interesting relatively full-bodied oak-treated beaujolais, Morgon Dynamite 2020(A. & Y. Bertrand). All these were wines that I will keep an eye on, and good enough to be featured.
Our wine came with a dish that I have forgotten the name of, which contains jelly, blackberry, pepper with sea urchin, a.o.
This time I concentrate on a brilliant fruity, earthy, full-of-life red from the Loire valley. Nadège Lelandais can be found in Rochefort sur Loire, a few miles southwest of the city of Angers. There she cultivates 4.5 hectares of cabernet franc, cabernet sauvignon, and chenin blanc. She has been practicing organic and biodynamic viticulture since the start in 2005.
Our wine Vigneronne is made of cabernet franc, handpicked and fermented in fiberglass vats and aged several months in older barrels.
Vigneronne 2021(Nadège Lelandais/ Les Vignes Herbel)
Dark purple. Fragrant with raw red fruits (cherry, red currant), blackberry, and with an earthy note. Juicy and fleshy in the mouth with fine tannic structure, herbaceous with fresh acidity. Simply delicious.
The Olivier Horiot domaine is located in Les Riceys, a commune in Côte des Bar. We are in the southern part of Champagne, and it’s an area that has once belonged to Bourgogne. Here in the Aube département the vineyards are more scarce than in central parts of Champagne, and interspersed with forests, waters and farms.
The Horiot family continues to produce wonderful natural wines from biodynamic viticulture, and has by the way also done a great job to recover the region’s indigenous grape varieties, like arbane.
Credit: O. Horiot
Maybe inspired by nearby Bourgogne, the domain separats its different terroirs into distinct cuvées. The result is champagnes with strong individual character.
The name Métisse refers to the fact that this cuvée is made from several different terroirs in the village of Les Riceys. It’s a non vintage, made from pinot noir and pinot blanc. It has a minimal addition of sulphites and undergoes neither fining nor filtering.
Métisse Pinots Noirs et Blancs Extra Brut(O. Horiot)
Pale yellow, small, delicate bubbles. Aromas of apples, pears, citrus, flowers, brioche and spicy notes. It’s fresh and lively on the palate, with a fine-tuned interplay between the autolysis and the fruit. Completely dry, good length.
Domaine du Bel Air is a producer of fine, age-worthy wines from cabernet franc. Jour de Soif (Day of Thirst) is their entry-level wine, made from younger vines of 20 years.
The Gauthier family is found in Benais, in the Bourgueil appellation since 1600. Today Pierre Gauthier and his son Rodolphe run the estate. It covers more some 18 hectares. Pierre Gauthier begins his winemaking work with a real philosophy. In 2000, the farm converted into organic viticulture.
The wine is a 100% cabernet franc. Manual harvest. The grapes are destemmed and then sorted on the table before being put into vats. Maceration was gentle and lasted 8 days with pumping over and a temperature not exceeding 25% to preserve as much fruit as possible. Ageing was 6 months on fine lees.
Jour de Soif2020 (Dom. du Bel Air)
Purple colour. Aroma of dark and red fruits (blueberry, cranberry), flowers. Mouthfilling with smooth tannin, medium acidity and long fruity aftertaste. Quaffable.
Price: Low
Food: Thirstquenching, but can also be drunk with light meat, Caesar and other salads and charcuterie
This summer at Porto’s Simplesmente… Vinho fair I met Miguel Morais and Filipa Silva of Quinta da Costa do Pinhão. I tasted their splendid range of wines, all from the Favaios area, by the Pinhão river, a subsidiary of the Douro.
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Miguel and Filipa this summer in Porto
Among them was this red, that is now available in my local shop. It comes from a scistous vineyard at 300-450 meters elevation, between 35 and 45 years old. The composition is touriga nacional 40%, touriga franca 30% and tinta roriz 30%. The grapes were foot-trodden and fermented in traditional lagares. It was aged 12 months in French barrels.
Gradual 2017(Quinta da Costa do Pinhão)
Dark cherry red. Aroma of red and dark fruits (cherry, blackberry, plum), black pepper, herbs, licorice and some animal tones. In the mouth it’s quite full, with integrated wood, good acidity, still some tannins, and with a hint of tobacco along with the fruits. A tasty Douro, still with ageing capacity.
Price: Medium
Food: I had it with leg of lamb, but goes with a variety of tasty meat, casseroles and more
Saperavi is an old indigenous teinturier grape, a variety where the pulp and grape juice are colored. It’s a hardy variety, known for its ability to handle extremely cold weather, and is popular for cultivation in high altitude and inland areas such as Kakheti. But from my experience, even if the wine can be black as ink, it’s often juicy and surprisingly accessible.
The Georgian Vine and Wine Company, that also goes by the name Shilda Winery, was founded in 2014. The property covers five hectares and is owned by the Chkhartishvili family. Winemaker is Temur Kortava. Rustaveli is named after the Georgian poet Shota Rustaveli.
The wine is produced from the Saperavi grape and is fermented in large clay pots (qvevri) before 5 months of further storage in qvevri. Kakheti is the region in the far east of the country, where 70% of the vines are grown and 80% of all wine in Georgia is produced. The region has varied topography and large limestone deposits. Kakheti is the hotbed of qvevri winemaking.
Saperavi Qvevri 2020(Rustaveli)
It has a deep, dark colour. The aroma shows hints of blueberries, wild berries, with herbs, flowers and spices. It is fruity and juicy on the palate, follows the nose with a cool herbal note, with a slight dryness.
On my way to Valladolid I stopped in the small Segovian settlement of Nieva. This is one of the southernmost villages within the Rueda area, and probably the one with highest altitude. Ismael Gozalo’s family has been involved in the small coop Viñedos de Nieva, and Ismael himself was one of the founders of Ossian. He sold his part there to concentrate on his own project, but kept the high-altitude pre-phylloxera verdejo vineyards. (Add to this the bodega of the Herrero family, also formerly with the coop, and you see that 4 notable wineries isn’t bad for a settlement of less than 300 people.)
Ismael was waiting outside the MicroBio bodega talking to one of the neighbours when I arrived. The bodega is located right beside the village church, and an old Dominican convent forms part of the bodega.
The wine Frágil is made in damajuanas
He has been called a “verdejo alchemist”, for his creative ways to deal with this grape. Everything has root in tradition, it has to be said. I was there when I tracked down the roots of the area’s tradition for sherry-like wines. Here you can read the one article among three, the one that deals with Ismael’s EvoluciÓn.
EvoluciÓn is stored longer under flor than the dorados of the other producers’ wines. Therefore, one might call it pálido rather than dorado. Surely it is that it is also made after inspiration from the historical wines from Rueda. Because of a longer time under flor it is lighter than the others in colour. It is aromatic, with hints of ripe apples and plum and a yeasty flor characteristic. It is a very fresh wine with good concentration, vital acidity and a sweetish fruit sensation. Dry in the mouth, and good length.
