It’s beaujolais nouveau day again. The best producers have made light and delicate wines, while those from the more commercial wine houses are generally more thin.
Foillard and Brun are among those all time favourites who excel in this context. Dupond, that I discovered A couple of years ago, is delivering again. Last year’s find was Perrachon.
As I wrote then, Laurent Perrachon is based outside Juliénas and harvests six appellations. Martine and Laurent are fifth generation, and the sixth is also involved in the family business.
This nouveau is made exclusively from grapes grown in the Chânes municipality on granite and blue stone soil. The wine underwent 5 days carbonic maceration.
Beaujolais Nouveau 2024(Perrachon)
Dark cherry. Red fruits, predominantly raspberry and strawberry, with some dark berries and flowers. Fresh in the mouth, soft tannins, good acidity, and a very generous fruit.
Château Thivin dates back to 1877. Today the 6th generation of the Geoffray family runs the estate.
The name of the wine comes from seven plots at Mont Brouilly in Côte de Brouilly, each contributing to the complexity with their various orientations and characteristics.
The soils are dominated by the blue stones of the region, stonier for the highest plots and more clayey for those closer to the foot of the hill.
The wine is made partly with whole bunches and matured in oak tuns for 7 months. Blending is done in the spring.
Côte de Brouilly Les Sept Vignes 2023(Château Thivin)
Garnet red with bluish hint. Aroma of cherry, blueberry and flowers, with a mineral touch. Round in the mouth with fine tannins, good acidity and a spicy finish.
This wine was from the same Morgon theme tasting as last week’s wine. Jean Foillard is a favourite on these pages. See fx here.
Côte du Py is a prestigious slope in the outskirts of the village of Villié-Morgon, that gives name to the Morgon cru. The soil is decomposed schist, rich in ferrour oxide and called morgons.
Domaine Jean Foillard is a family-run winery founded in the 1980s by Jean Foillard, who took over the estate from his father. Foillard was one of the so-called gang of four, vintners that were inspired by the teachings of natural wine guru Jules Chauvet. The majority of the 14 hectares of vines on the estate are found in the Côte du Py.
The wine is made with natural viticulture and vinification techniques, without the use of herbicides or pesticides, and with minimal sulphur additions. Some keywords: Hand-harvest, whole cluster maceration and fermentation with indigenous yeasts. The wine was raised a good half year in used oak barrels.
Morgon Côte du Py 2022(Jean Foillard)
Deep cold cherry colour. Intense aroma of cherry, with chalk and earth. Though concentrated it also has a layer of fresh raspberry and flowers on top. Quite powerful in the mouth, with young tannins, fresh fruit, an integrated acidity. Fabulous wine that currently is good with food, but will probably benefit from 5-6 more years.
Last Monday my local wine club served a dozen of Morgon wines. Most of them originate from the various climats that make up the appellation. This one is from a small climat called Douby, next to the famous Côte de Py.
Domaine Louis-Claude Desvignes is located in the town Villié-Morgon, that gives name to the Morgon appellation in Beaujolais. Today it’s run by eighth generation, the siblings Claude-Emmanuelle and Louis-Benoît Desvignes. They work their soils in the most natural way possible. No synthetic products are used in the vineyards, and the work in the cellar is carried out with as little intervention as possible.
Their Morgons are made without aging in wood. Instead they spend some time in concrete vats. The macerations depends of the wine. In preparing the tasting I also tried their Morgon Voûte Saint-Vincent. That one is macerated only for ten days and aimed at earlier consumption, while other bottlings see longer macerations.
This wine comes from an 80 year old 1 hectare vineyard in Douby. Here at this place called Château Gaillard the soil is sand and granite. The harvest is manual and the vinification traditional with 10% of the grapes destemmed. Fermentation lasts 10 days, then the wine is aged in cement vats for 7 months.
Morgon Château Gaillard 2021(Louis Claude Desvignes)
Deep cold cherry colour. Intense aroma of cherry and flowers, with chalk and earth. Quite powerful in the mouth with fresh fruit, an integrated acidity and young fine-grained tannins. I think the 21s in the tasting had benefitted from one year more than the 22s. Still this one is probably at its best after 4-5 more years.
Yesterday was that day again. The third Thursday of November I always await with excitement. I feel that nowadays the craze is gone, the hype is silenced, it’s not that many people who talk about it as before. But the wines are better than ever. Well, the best wines might not be equally “sensational” as in the past few years (that means, the ones I have tasted, a few favourite producers and some wines I think I ought to try), but the overall quality is superb. Even if the wines are lovely now, there are a few that will drink well throughout the whole of next year.
Credit: the producer
A novelty for me is the no sulfur added nouveau from Laurent Perrachon. I read that the producer is based outside Juliénas and harvests six appellations, among them Chénas, Fleurie and Saint Amour. Martine and Laurent are fifth generation, and the sixth is also involved in the family business. They claim to be the independant winemaker in Beaujolais with the most comprehensive list of crus.
This nouveau originates from 3 hectares with gamay with an average age of 45 years, pruned in Gobelet (bush vines) in crystalline soils. The grapes were picked manually, before a semi-carbonic maceration for 4 days. Always in stainless steel vats. Total production is 8.000 bottles.
Beaujolais Nouveau Sans Sufre 2023(Laurent Perrachon)
Dark red colour. The aromatics consist mainly of dark and wild fruits like blackberry, but also has some cherry and a component of strawberries, sweet flowers, and a balsamic note behind. It’s moderate on acidity, but compensates with a dense and generous fruit quality. It’s lightly structured with fine tannins, quite full on the palate, and good length with a fruity finish. A possible crowdpleaser.
In naming a restaurant, managers can provide a headline, if the content follows suit. Here it does. The relatively new restaurant Bravo of Stavanger’s ever more trendy eastern district can be summed up like this: Good food, a select wine list at good prices in a cosy atmosphere.
The food is down to earth, but it comes with a creative twist. At the moment the menu consists of eight medium-sized dishes from mainly local ingredients, and a number of snacks. The by-the-glass wine list contains around 20 references, and there is also a longer wine list. The selection largely consists of what you would call natural wines, and all of them are made in an organic, sustainable way. To call the pricing moderate would be an understatement. Look carefully and you can find wines at only 1,5 times the price of the state monopoly.
We were there last Friday, and one of the owners, Rakel Juklestad Helgheim, guided us through four courses and nine wines, assisted by her partner and chef Daniel Vigdel Hansen. Eight of these were chosen from the glass menu and the last one was kindly offered from the longer list by Rakel and Daniel. The platters were shared and most of the wine glasses too.
While enjoying some Spanish olives from the snack menu we decided to go with smoked salmon from producer Jana, right down the road, with carrot and a creamy cheese. It was followed with beetroot with almonds and guasacaca (a Central American sauce), for me the best dish of the evening. Tender cucumber slices struggled to compete with the tasty crab with mustard and lime. Then the kitchen excelled again with a seafood platter with baked ling and spring onion in a mussel sauce with celery and soy.
Knochentrocken 2021(Der GlücksJäger), a sauvignon blanc-chardonnay-riesling from Pfalz, had the volume and roundness that often come with the varieties, with matching acidity. It has some yellow colour, an unfiltered appearance, with melon and lime aromatics.
Smoked salmon with carrot and a creamy cheese, and La Mer, a mineral Muscadet
More mineral with a stony character, sea and salt and some pear was the next, La Mer 2022(Dom. de la Fessardière), a Muscadet, before we with Alsacian Sons of Wine’s Soulographie 2021 were back in a darker and richer style. Made from all the so-called non-aromatic grapes of the region (pinot blanc, chardonnay, auxerrois, pinot gris and riesling) it was nevertheless aromatic, with mature apples, flowers and fennel, and full on the palate with a fresh acidity.
Beetroot with almonds and guasacaca, accompanied by Pommier’s Chablis
It’s not every day that we can add a new Chablis to the repertoire. Pommier‘s 2021 would deliver. It’s light yellow/golden, and smells of green apples, lime – and luckily only a touch of butter. In the mouth it’s concentrated and full of flavour, and has a long, saline finish.
Malterdinger 2020(Bernhard Huber), a chardonnay-weissburgunder (pinot blanc) from Baden came in a light, greenish robe. It showed a richness on the nose, with herbs and butter. The oak was maybe more evident on the palate, and added to the feeling of fullness. I would have given this wine a few years in a cellar.
Scions of Sinai is located in Stellenbosch, South South Africa. Nomadis 2020 is based on cinsault, with contribution of pinotage. Ruby red with red and dark fruits (blackberry, raspberry) and spices. Luscious and savoury. North to Germany and Pfalz, Lebenshilfe is an ecological and social organization, offering work for people with intellectual disabilities. Together with the professionals they have here made the fruity Spätburgunder Trocken2020, a wine with cherry and raspberry fruit, combined with spices and a touch of vanilla. On the palate the fruit follows up, a bit spicy and with a light structure.
Clotaire Michal offered a structure and dark entry for a beaujolais gamay. Maybe not strange, as he had worked several places in the Rhône Valley before settling there. A Fleur de Peau 2019 opens with an animal whiff together with raspberry, plums and spices. It follows up with an impressive structured palate. It’s first of all impressive to taste now, and a terrific gastronomic wine for tasty dishes. However it would easily benefit from a few years more ageing. Back to a white wine, or to be exact… Matassa of Roussillon makes all their whites with skin-contact, so the colour would be darker. Cuvée Marguerite2021 (predominantly muscat varieties and some macabeo) is no exception: Light orange or amber colour, slightly turbid. On the nose there is citrus, white flowers and peach, and in the mouth it’s grapey and quite full, also with a slight tannin.
Even though I recently have come across a few good nouveau wines, this is probably the Beaujolais revelation of the year for me.
Romain des Grottes has since 2001 run his domaine organically, and it has been biodynamic certified since 2006. The soil is granitic. In the vineyard he does not use any synthetic substances, and very little copper. He prefers herbal teas and fermented extracts. Trees and hedges are planted to contribute to biodiversity. The domaine has been welcoming volunteers for more than 10 years to transmit their values and allow them, in Romain’s words, “to bring down into reality our dreams of a world of sharing, exchange and respect”.
Here is a super low-extraction red beaujolais made without sulfur and without filtration. It’s obviously made from solely gamay. The natural carbonic maceration lasted for 5 days.
Brut de Cuve 2018 (Domaine des Grottes)
Light amber, almost currant coloured. Lovely scent of raspberry, currant, white flowers and a touch of apricot. Super, cool fruit in the mouth, lovely acidity.
This is a followup to the Beaujolais article last Friday. Today I came across two wines made by Pierre Dupond. One of the twins showed freshness and elegance, while the other was more bold and ripe. We will come back to that, but first a look at the background.
The Dupond family has its roots in Burgundy and the Rhône Valley. It began with Antoine Dupond, who was originally from Beaujolais, but began commercializing his wines in Lyon and St. Etienne in the 1860s. His son Joanny expanded the family’s estates to the Rhône area. Hervé Dupond, fifth generation, is today leading the business. Hervé has expanded production, building partnerships with nearby winegrowers and neighboring families that the they have known for generations. Each year Hervé selects the best possible plots to make his wines. A traditional method of winemaking is practiced to ensure wines produced are reflective of the land. Ageing takes place in concrete vats that allow for ideal temperatures.
The gamay grapes were handpicked and underwent carbonic maceration with indigenous yeasts. These are natural wines, both with low sulphur (one with nothing added). One is with minimal filtration, one without. To sum up: Sans Soufre Ajouté is the most fresh/acidic of the twins, while Non Filtré is the most ripe and fullbodied wine. Both are highly recommended.
Beaujolais-Village Sans Soufre Ajouté 2022(Pierre Dupond)
Dark red, blue hint. Cherry, raspberry. Medium body, fine-grained tannins, fresh acidity.
Beaujolais Nouveau Non Filtré 2022(Pierre Dupond)
Dark red, blue hint, a touch more dense than the other wine. Blackberry, eucalyptus, chocolate/coffee earthy tones. Medium-bodied with ripe fruit, a bit structured (more than the other wine), rounded acidity.
This year I haven’t tasted as many of the new Beaujolais as usual. It’s the first time I have tried Thivin‘s Nouveau, though I already knew several of their other wines.
Thivin is one of the top domaines in the Côte de Brouilly, Château Thivin is built on an ancient volcano back in the 15th century, thus one of the oldest. Claude and Evelyne, third generation of the Geoffray family, are now managing the estate with their son Claude-Edouard. They encourage biodiversity planting herbs and flowers between the rows of the more than 50 years old vines, plowing regularly and using natural composts to keep their vines healthy.
The vines for this cuvée are trained in goblet. The grapes are handpicked. Semi-carbonic maceration is used for extraction of the fruit, and the vats are handled by gravity to ensure gentle production.
Gamay Noir Vignes d’Ecussol 2022(Thivin)
Red with blueish hint. Very much raspberry, plus some currant, fresh and young, with some structure and a nice acidity.
Beaujolais is back. The local people brings it back on the squares of central Beaujolais after two pandemic years. And as usual, from the third Thursday of November it’s arrivé here for us to enjoy.
One of the best I have tasted this year is a Beaujolais-Villages from Château du Chatelard. The château was first owned by the Tournus abbey of south Burgundy in the 12th century. Today the labels carry emblems of the families that have developed it further.
The actual 28 hectares were mainly established before 1955. They believe in integrated farming and grass cover of the parcels to preserve the soils and the biodiversity.
Aurélie Vermont
Aurélie de Vermont is now manager, and as winemaker she sticks to local traditions. She selects micro-cuvées from the many terroirs of both their Beaujolais and Mâconnais vineyards.
Typical for the area, low temperature semi-carbonic maceration is used for the nouveau. This means that whole and partial bunches of grapes are vatted and the alcoholic fermentation starts inside each grape. The low temperature allows a longer winemaking process (more than 10 days).
Baronne du Chatelard Beaujolais-Villages Nouveau 2021 (Château du Chatelard)
Deep purple, young. Aroma of sweet cherries, raspberries. Nice acidity, clean fruit, elegant and careful tannin
