I have recently had two opportunities to taste Foradori’s range. The first was at restaurant Smalhans of Oslo, with Theo Foradori and their Norwegian importer Non Dos in mid-March. Then at Barcelona’s Vella Terra fair in the beginning of April (look for a forthcoming article), when I for the first time met Theo’s mother, the beautiful Elisabetta.
Foradori makes some magnificent white wines at the foot of the Dolomites mountains. (Read about one of them here.) But they also do a terrific job with their reds. Not least is it interesting to go through the many faces of the grape teroldego. Elisabetta is like a queen of teroldego; when she took over the winery at a young age she brought in new and better clones, switched to biodynamics, replaced barrels with clay vessels and botti and elevated the grape to a level yet unseen.
The grape grows only in Trentino, and thrives best in Campo Rotaliano, where Foradori have all their vineyards. They make two single-plot wines, Morei and Sgarzon, with exactly the same vinification. The wines demonstrate how different teroldego can be in different soils.
Here we shall speak about maybe the producer’s most simple red. It is as well made as all the others. I mean simple as in light, delicious, easy to drink; and I never miss an opportunity to taste – and drink it. Lezèr is a light red, almost rosé wine that comes from various light macerations in amphora, wood, steel and cement, and then aged four months in concrete vats. It started out in vineyards some 30 years old.
Lezèr means in local dialect. Some claim that the name teroldego comes from “oro del Tirolo” – in other words “the gold from Tyrol”.
Light ruby with blueish hint. Red berries (raspberry), plums, flowers. Luscious in the mouth, fine-grained tannins, integrated acidity.
Here is a wine from a tasting in my local wine club, that showcased grapes from southern Italy. (See an entry from Campania here.)
Antonino Caravaglio is located at the foot of the Monte dei Porri volcano on the island of Salina, off the north coast of Sicily. Here the vineyards stretch from 10 to 650 meters above sea level, mainly malvasia. In total the firm comprises about 20 hectares, divided into many parcels, some of which are on the other islands of the Aeolian archipelago.
For centuries, the economically most important products here were wine and capers. And Nino makes not only wine, but also what literature claims to be the world’s best capers.
This wine is made from malvasia di lipari grapes, relatively young vines (10-20 years) organically grown on volcanic sand and rock in a vineyard called Tricoli, that means triangle in Aeolian dialect. The vineyard is located on the northern side of the island of Salina, facing north-west and overlooking the Mediterranean Sea. The grapes were hand-harvested and sorted in the fields, pressed in whole bunches and fermented with indigenous yeasts in steel, then aged in tanks on lees for three months. Low sulphur.
Infatata 2019(Az. Agr. Caravaglio)
Light straw yellow. Aromas of litchis and jasmine over a layer of herbs (thyme). Glyceric in the mouth, integrated acidity, a touch of grapefruit and a saline finish. Clean and stylish.
Last Monday’s tasting in my private wine club was dedicated to wines from southern half of Italy, most of them from the grapes falanghina, fiano and greco di tufo. And it was the former, the only one without a DOCG, that excelled the most.
Ennio Romano Cecaro and his wife Mena cultivate four hectares in Benevento in the Campania region. The vines are between 60 and 90 years old, biodynamically farmed.
The cellar is built in an old tufo cave under the house where the couple lives, and the vinification is very simple. All the wines get a long skin-maceration in steel tanks, and no filtration or additions of any kind are carried out. The annual production is no more than 3.000 bottles.
This week’s wine fermented in open tubs, stayed five months on the skins and was bottled without addition of sulphites, clarification or filtration. I have tasted quite a few wines from the producer at natural wine fairs and bars. And once again convinced: Yes, Canlibero can!
Amber, slightly turbid. Complex aroma of orange peel, white flowers, and a light volatility, over a layer of anise and honey. Sapid, lightly textured with integrated acidity, long.
An all time favourite, you can read a little background and a review of a previous vintage (under its former name) here.
In short Nero d’Avola (30%) gives colour, frappato red berries, spice and some herbal character. The wine is made in the most natural possible way. Spontaneously fermented in cement with 15 days skin-contact. Further ageing jo cement for 6 months. Unfiltered.
SP68 Rosso 2020(Arianna Occhipinti)
Quite dark, young and blueish. Cool aroma, red berries (cherry, raspberry), flowers, herbs. Luscious, fruity, with some tannin and a fresh acidity.
Here is a lovely white from southeastern Sicilia, from the zibibbo variety. I have earlier also highlighted the red version. (Read here.)
COS started in 1980, when the three architecture students Giambattista Cilia, Giusto Occhipinti and Cirino Strano, mostly as a fun experiment, founded the winery. Names are composed of the initials of the three classmates’ surnames. Today, they make top wines using ancient methods in Vittoria on the southern tip of Sicilia. Today they cultivate 35 hectares biodynamically.
The grape for this one is zibibbo, in the moscato family. The soil is calcareous and volcanic clay, with silica sand, in a vineyard planted in 2001. It’s of course spontaneously fermented, before a 7 months skin-maceration, and maturation a few months in clay. COS prefers the Spanish tinajas as made by José Padilla of Albacete (read here). Unfiltered.
Certification is organic, and they work according to biodynamic principles.
Zibibbo Pithos Bianco 2018(Az. Agr. COS)
Light golden. Aromatics include apple, orange blossom, pineapple, and a touch of honey. Full-bodied, dense, adequate acidity.
Here is a “young” and dark wine from a vintage with problems and where many producers chose to declassify their brunello to rosso. It was one of several good wines from a private brunello tasting last week.
Fonterenza was created by two twin sisters from Milano. They planted their first vineyard in 1999, and now all the plots are cultivated biodynamically, as natural as possible and with minimum intervention.
The grapes are sourced from a small plot with clay and shale soil. The must ferments in 1.750 litre Slovenian oak foudres with native yeasts. It is aged in 2.000 and 2.300 litre barrels for 47 months. The final wine is not filtered or clarified before bottling.
Brunello di Montalcino 2014 (Fonterenza)
Dark cherry red, a bit brick-toned; aromas of dark and wild berries and a touch of smoke and leather; fresh in the mouth, dense, with quite elegant tannins, long. Will keep.
Luca Roagna is a well-known producer of delicious barberas and stylish barolos. But there is much more. This rosé is a collaboration with local farmers, where Roagna has been part of the whole process and did the final selection.
We are in northwestern Piemonte in the cool area Bricherasio. This region is capable of making fresh wines with excellent fruit. There is barbera, nebbiolo, dolcetto, freisa and several lesser known local varieties.
Everything is natural, on sugar added, low sulphur, and the wine is naturally fined and filtered.
Selezione di Luca Roagna Piemonte Rosato 2020 (Vignaioli Piemontesi)
Light red, touch of salmon colour. Lots of fresh berries in the aroma (raspberry, wild strawberry) and flowers. Some structure, concentrated fruit on the palate, fresh acidity, long.
Valpolicella was originally light to medium-bodied, refreshing, with a pleasing bitterness on the finish. Nothing to do with the dark, sweet, oaky or raisiny wines we have come to know. (Okay, amarone and ripasso have a rightful place in their context.) Monte Dall’Ora makes beautiful classical style wines.
The winery was founded by Carlo Venturini with his wife Alessandra in 1995. They bought some land in bad condition and started almost from scratch. They work the traditional varieties corvina, corvinone, rondinella, molinara, and also oseleta, an almost extinct grape that now is on the up.it was always organic, and in 2006 they converted to biodynamic agriculture.
They are found on the Castelrotto height, in San Giorgio, northwest from Verona. The soils are limestone with a reddish hue, quite special for this area, with a porous upper part. They train their vines in pergola. These varieties are vigourous and can easily grow to big bunches to control. Pergola gives air and space between the clusters, and you would also get smaller and concentrated bunches.
The actual wine is made up of 40% corvina, 30% corvinone and 20% rondinella, and a dash molinara. The vines for this traditional Valpolicella varieties were planted in 2008, trained on wires in guyot rather than in pergola for greater concentration. It’s harvested by hand in October, later than for the rest of their wines.
The grapes are destemmed and gently pressed. Spontaneous fermentation takes place with native yeasts and without sulfur in concrete and steel tanks, then maceration 7-8 days with occasional manual punch-downs. Aged 6 months in steel, then 6 months in old 25-hectoliter oak vessels bottled without filtration and only a small amount of sulphur.
Ruby red, just a bit cloudy. Aroma of cherries, white flowers and, wild raspberry. On the palate more pungent than it appears by the eye; with red currant, pomegranate, berry seed, and stony minerals. Lots of pleasure in this bottle!
Food: Light meat, liver, sage, prosciutto, pasta, boils, hard cheeses…
These notes are from another wine talk in the Vinestor-series. (Read my first report here.) Now the time had come to La Stoppa and their Norwegian importer Vinum, represented by Runar Nikolaysen.
I suppose that for many people La Stoppa’s Ageno was the first orange wine they ever tasted. This because of its presence in several markets.
Representing the winery was Nico Sciackitano, who was born in the USA, where he among other things worked as a sommelier in San Francisco. But he wanted to follow another path. Thus he came to Italy, worked for Arianna Occhipinti in Sicily, and through her met Elena of La Stoppa. He is export representative, but he also works in the vineyard and in the cellar.
La Stoppa, the winery in Emilia-Romagna, can trace its roots back to the 19th century. The farm has now 58 hectares, of which 30 are planted with local varieties barbera, bonarda, malvasia, ortugo and trebbiano. One of the features that distinguish them from the mainstream is long skin-maceration, especially a particularity for white wines. Otherwise good raw material and little intervention are key words.
La Stoppa is found in Rivargaro, south of Piacenca. And Ageno, Giancarlo Ageno, was the founder, who bought the land that they own today. They have three little hills and three valleys around them. He planted some 40 different grape varieties, and was one of the first in the area to bottle his wines. There is a lot old red clay in the area, and rich in iron, not unlike parts of Bordeaux. This Nico tells while showing a picture of a bottle of “bordeaux” that Ageno made himself. It was in 1973 that Elena’s father Raffaele, from Piacenza, bought the farm. It was when her father died in the 90’s that Elena’s mother convinced her to come back, and together with winemaker Giulio they decided only to focus on local varieties and to express the terroir of the farm.
La Stoppa makes basically red wines. Nevertheless, the one white wine, named after the founder, is maybe the most famous one.
Nico tells that its not the climate that differes the most from the more famous neighbours (like Veneto and Piemonte), but the soils. Barbera with its acidity is the most important grape variety, as the cuisine is quite fat. Piacenza is more of a diverse farmland than many of the neighbouring wine regions. Around La Stoppa the vines are mostly on the hills, so when it’s harvest time the animals will rather eat corn and tomatoes in the valleys floors than their grapes, explains Nico.
Interestingly the Ageno that the founder made himself was a müller-thurgau, riesling, sylvaner, moscato and sauvignon blanc, and made without skin-contact as today. The new owners continued that tradition (but mostly with chardonnay and sauvignon), untill the 90’s, when it was changed to the wine that we know now, based on a thick-skinned malvasia. 2002 was the first vintage of today’s Ageno, born as a nod to the history of skin-macerated wines, not only in Emilia-Romagna, but in Europe as a whole. -This is the reason I am here, tells Nico. -I was tasting the wine blind. It smells sweet, then comes the dry taste and the tannic mouthfeel. And the colour, within a year it changes from yellow to amber to dark orange. Ageno kind of plays with your mind, says Nico. In recent vintages 18, 19 and 20 the weather has been different; cooler with more rain. Thus the colour is much paler than in the preceeding vintages. The maceration lasts on skins untill winter, that is 3-4 months.
They always macerate everything outside in tanks without temperature control. So it’s important that the temperature stays high, so the fermentation can continue. In 2016-17 there were sudden falls in temperatures, so they had to cover up the tanks.
You have understood that La Stoppa stands for a low-intervention winemaking, “hands-off” in the field, just spray copper and sulphur when necessary. It’s a question of paying attention, prune well, and let time work. -Guilio’s 40 years of experience lets him not needing to do anything.
A feature is also that they don’t necessarily release the vintages chronologically. 2017 was ready before 16, and they also found out that to realease the 19 alongside the 16 could be a way for people to understand and appreciate the differences.
The grape composition varies. The 2016 is made from malvasia di candia aromatica 90%, the rest is divided between ortrugo and trebbiano. Here are some more key figures, in short: Quite young vines, 20 years. No fertilizing, no weed-killers. The soil contains clay silt. The trellis system is simple guyot. 4 months maceration on skins in stainless steel and cement tanks. Spontaneous fermentation with indigenous yeasts, aged in 40 hectolitre wooden tanks. No filtration, no sulphites added.
Deep golden, amber. Concentrated aroma with both fresh (red apples), dried and pickled fruits (apricots, figs), honey, floral overtones, and some volatile acidity. Full-bodied, fruity, evident tannins, long with good acidity and also here a slight volatile character.
This is a rather unpretentious wine from the traditional blend barbera (60%) and bonarda from the lower plots. I like it a lot, and makes for excellent drinking now, with charcuterie, light meat or a variety of antipasti. Some key information: Organic farming with biodiversity. No fertilizing, weed killers or pesticides. Clay Silt. Mostly simple Guyot. Age of vines: 7, 15 and 40 years. 20 days maceration on skins in stainless steel and/or cement tanks. Spontaneous fermentation with indigenous yeasts, in stainless steel and cement tanks.
Dark ruby. Dark and red fruits (mature blackberry, freshness cherry), and a smoky tone. Medium weight with a bit firm, but agreeable tannins, adecuate acidity and a nice touch of stony bitterness.
Macchiona and Barbera are more “serious” wines. They have the potential to age for a long time (especially in cooler vintages). Ageno is a newer project, so the producer claims that one doesn’t don’t know yet its ability it has to age.
The Asinoi “we are donkeys” wine is maybe easy to forget. But it’s rather remarkable that the Carussin family manages to keep the quality up and the price down. The 2019 has an acidity as splendid as ever before. I have given some background here, when talking about a wine two years older.
Some keywords: Biodynamic farming, hand-picked grapes, spontaneous fermentation, low sulphur and no oak.
And, as producer Bruna Ferro says to Wine Chords: Asinoi is a simple yet complex wine – just like the character of the animal donkey.
Asinoi Barbera d’Asti 2019 (Carussin-Bruna Ferro)
Ruby red. Aroma of red berries (cherries, raspberries), herbs and a trace of almond. Fresh, luscious, low tannin, and a wonderful acidity that keeps on going from start to finish.
Food: Pasta, pizza, light meat, white fish, vegetables, and a variety of (mostly hard) cheeses