Radikon is a classic in the natural wine world. I took this bottle from my own cellar last week for a dinner with wine.
The winery is located in Oslavia in the Italian province of Gorizia, on the Slovenian border. The company owns 18 hectares of vineyards on steep slopes. Stanislao (Stanko) Radikon took over in 1980 and now runs the winery with his wife Suzana and their son Saša. They don’t use chemical additives at all and reduce treatments to a minimum, both in the vineyards and in the cellar.
The yields are unbelievably low, something like 4 or 5 bunches per vine. The background information that I have for this wine says 60% chardonnay and 40% sauvignon. I would have guessed some pinot grigio, as I am quite sure there is some red in there. Let’s investigate a bit on that. After de-stemming the grapes was put in oak vats, where maceration went with 3 or 4 daily stirrings. At the end of the alcoholic fermentation the vats were filled and the wine stayed in contact with the skins until December. After racking the wine rested in casks (25 to 35 hl), for about 36 months. Bottling was made without any filtration or clarification, in one liter and half liter bottles, with no added SO2.
Oslavje 2012(Radikon)
Copper coloured, slightly cloudy. Perfumed aroma with orange peel, mango and a touch volatile acidity at first (giving way to something honeyed). Full-bodied with a dry mouthfeel, good concentration and a high acidity, lots of fruit, and a long aftertaste. It’s a wine with a lot of nerve and tension, and an underlying cool sweetness, though technically dry.
There are many different dessert and fortified wines. This one is very little known, but I don’t understand why. It’s a moderately sweet wine that pairs well with typical Christmas fruit cakes like panettone and pandoro. The category is ratafia, elaborated throughout the Mediterranean, but this specific wine belongs to the sub-category Ratafia de Champagne (or: Champenois). It was my contribution to a blind tasting session in the local wine club, and one of the highlights of the evening.
The term “ratafia” can be used in about three different products; some may know the almond biscuit and the liqueur. The dessert wine has seen a solid upturn in recent years, and there are now at least 120 producers of ratafia in Champagne.
An anecdote explains that the name is supposed to have come from Catalunya, where three bishops are said to have argued fiercely, but finally reached an agreement. They wanted to celebrate this with a toast, and got some wine from a local farmer. As his drink had no name, they suggested “rata fiat” (Lat. ‘it is signed’), the last words of the document they had drawn up.
The wine is fortified, but it’s not marked by alcohol,. It’s fresh, and not overtly sweet. The basis are organically grown 1 cru chardonnay grapes from Montagne de Reims. They were manually harvested in october 2013. The alcoholic fermentation was blocked by adding distilled wine (marc). It was then aged for 7 years in wooden casks of 400 and 600 liters. The wine clocks in at 18% alcohol and 100 g sugar.
Vilmart & Cie is a récoltant-manipulant (RM) in Rilly-la-Montagne, just outside the city of Reims. They are now in their 5th generation and grow their grapes organically.
Ratafia Chardonnay(Vilmart)
Golden colour. Fresh aroma of mature lemons, candid apricots, menthol. Medium-bodied with good concentration, fresh acidity and a natural/integrated sweetness reminiscent of acacia honey. Great length and balance. Inspiring.
Our local wine club featured Sekt, sparkling wines from Germany, the other day. The tasting showed an overall good quality-price ratio, I would say better than the tasting of spätburgunders a couple of months ago. There are four categories of German sparklers, from the basic Sekt, where the grapes can be of shopped around Europe, narrowing down to Winzersekt, where a smaller manufacturer owns the grapes himself.
Among the best, and also with a very good price, was this one. Raumland is a specialist located in Rheinhessen, with facilities for making sparkling wines offered to several famous German producers. All their vineyards are worked organically, and their sekts are normally fermented out dry.
Riesling Brut 2018(Sekthaus Raumland)
Light yellow colour, fine bubbles (small mousse). Aromatic, green apples and lime, hint of bakery (after 36 months on the lees). Mellow entry, with apricot, a citrussy acidity grows in the mouth, it’s complex, it’s crisp and energetic, and it finishes off dry.
When the Suez Canal was opened in 1869 wine from Reichtsrat von Buhl was offered for the celebration. This cuvée is named to honour the occasion, 150 years later. Organically grown riesling grapes were harvested manually. The base wine was fermented in stainless steel and in tonneaux, followed by a traditional bottle fermentation on the lees for 40 months.
Suez Riesling Brut Nature 2015(Reichtsrat von Buhl)
Light yellow, small mousse. Yellow fruit, mature apples, brioche notes. Full in the mouth, creamy texture, integrated acidity and a long finish. Mature style, elegant.
Sven Leiner’s domaine is located in Southern Pfalz. It consists of 15 hectares of vineyards, that he runs organically with biodynamic methods (and certification). Only a little sulfur is added to the wines before bottling, and no filtration is done. Some key words: Spätburgunder with chardonnay, age of wines 60-70 years, grapes harvested manually, fermented and matured in big oak vats and cement. I guess it’s assembled from three vintages corresponding with the numbers on the label.
Leiner Brut Nature(Weingut Leiner)
This wine lived up to the natural wines’ reputation of being living things, as it changed “colours” several times, from closed and square to open and well-assembled. In the beginning it showed a slight mousiness, but the day after (you see, this bottle I smuggled home after the tasting) it was clean and cutting.
Let’s try to assemble the many impressions: Light with very little bubbles. Aroma of ripe apples, some nuttiness and a stony minerality. Full in the mouth, a rich texture, and a fine mousse on the palate, integrated acidity, quite concentrated and long.
I have been a couple of days in Grimstad, Norway, the beautiful seaside town of my childhood. The most inspiring restaurant these days is Smag & Behag. They have also opened another restaurant in neighbouring Kristiansand. But this is the original. The wine list is not very extensive, but they have a magnificent underground cellar, high ambitions – and the selection is well-crafted and consists of organic and natural wines of good quality.
Hans Petter Klemmetsen, founder and chef (Credit: Smag & Behag)
For a four course meal I selected four wines together with the waiters. The three first wines -young and beautiful- were Brocard‘s saline Chablis Sainte Marie 2022, Domaine de Nozay‘s flinty Sancerre 2022 and Olivier Merlin‘s raspberry-scented Bourgogne Pinot Noir 2021. Instead of going for a dessert with a sweet wine I chose a selection of cheeses and this week’s wine, a classic style Chianti
Castell’in Villa is located in the south of Chianti Classico, just outside the village of Castelnuovo Berardenga east of Siena in Tuscany. The farm is run by the Greek-born Princess Coralia Pignatelli della Leonessa, who lives in a medieval tower on the property. Out of a total of 300 hectares, 54 ha are vineyards that are all grown organically.
The sangiovese grapes are grown in old river deposits with pebbles and sand, in a vineyard planted in the 1960’s. The grapes were picked by hand and spontaneously fermented, before 3 weeks’ skin maceration. The wine is aged in large oak barrels. Unclarified and unfiltered, and low sulfur (<40 mg/l).
Serving the Chianti
Chianti Classico 2018(Castell’in Villa)
Dark cherry red, with a beginning hint of brown. Aroma of red berries, herbs, leather, mushrooms. Firm and fine-grained tannins, good acidity, notes of tea and plums, with a decent concentration and length.
At Raw Wine Copenhagen I met Philippe Lancelot, maker of natural wine in Champagne. The estate was created by his parents who both inherited some vineyards, then bought new ones together. Philippe had introduced biodynamic practise for all vineyards by 2012. He wants to express the individuality of each cru and village, almost always completely dry and in most cases without any added sulphur. He showed five magnificent wines, among them Le Fond du Bâteau 2018, from the lieu-dit (named vineyard) of the same name in the surroundings of Choully, a grand cru village in Côte des Blancs. 100% chardonnay, no dosage and zero added sulphites. Light golden, aroma of green apples, citrus, chalk and brioche, concentrated, mineral, long, pure.
The oldest wine he presented was the 2014 vintage of Les Bas des Saran 2014, also pure chardonnay, with no additions. This one comes from four lieux-dits of various grand cru villages, among them Cramant (his home village). It’s vinified in oak barrels and vats, and spent 5 years in the cellars before launch.
Les Bas des Saran 2014(Phillipe Lancelot)
Light yellow. Discreet floral nose, expressive citrus, brioche. In the mouth it has a dry and tense attack, but develops both creamy and fruity. Concentrated, long, salty.
Raw Wine is ever expanding and has finally come to Scandinavia. Last Sunday some 180 artisans from all over the world was gathered in the conference center The Plant in Amager Øst, Copenhagen. There were three seminars, of which I participated in one (about wines from Castilla y León, read a note here). In the days leading up to the festival there were also tastings and other events collected under #rawwineweek, of which I also participated in the biggest of the additional tastings (see a report from Café Josephine here).
With 180 producers it’s obvious that I couldn’t taste everything. This time I rambled around with no special plan, except I wanted to talk to some that I didn’t know before, some that I knew a little, and of course say hello to some good friends.
My readers might not know that I have a history in Peru. But I have, and my daughter is half Peruvian. Some years ago I visited the region of Ica. It was exciting to know that there is now a natural wine producer right in the desert. The people of Peru knows that it’s their country, not neighbouring Chile, that is the cradle of pisco. The old harbour of Pisco is located right there, only 75 kilometers from Ica, and both are located south of Lima.
Pepe Moquillaza is also a pisco maker and has done a great job recuperating quebranta grapes for pisco production. Now he is rescuing Peruvian clay vessels (also called piscos, or botijas) for natural wine making. In Copenhagen I tasted two of his maritime desert wines. The first one was Mimo Italia Quebranta 2020 (italia, local name for moscatel de alejandría, and quebranta in equal proportions), organically and biodynamically farmed, with two years of skin-contact, not sulphured, aged in old oak, unfined and unfiltered. It’s a light amber coloured wine with good volume, a grapey character and also good acidity. Albita de Ihuanco 2019 is a blend of albilla (local name for palomino) and italia. It combines the minerality of albilla with the flowery scent of moscatel. It’s yellow in colour, and has good volume in the mouth, with some tannin and a lot of fruit. Like the previous wine it has almost zero sugar and a moderate 12% alcohol. The length of the skin-contact is here two months.
Lanfranco Fossà was there on behalf of Davide Spillare, who lends his name to the labels. I met them both when I visited the important village of Gambellara in Veneto five years ago, and it was nice to catch up. (Here you can read about that visit, with more background.) The wines are fresh and lively, and quite light in body. As if some extra freshness is needed, the L1 Frizzante 2021 sparkler has a small percentage of durella to give an extra boost. Bianco Rugoli 2016 comes from an 85 year old vineyard with volcanic soil, with bushes trained in pergola. The nose is complex with mature apples, wax and aromatic herbs, good acidity and a salty mineral finish.
Bianka Schmitt and her VooDoo Doll
A relatively new discovery is Bianka und Daniel Schmitt of Rheinhessen. During the last couple of years I have tasted several impressive wines, from the entry-level 1 litre bottles of Frei. Körper. Kultur. and upwards. It was then lovely to be able to meet Bianka in Copenhagen. These wines are fresh, tasty and truly inspiring. Here we tasted rieslings, like the flowery, red appley, quince and honey scented Riesling M 2018 and the flor-aged Voodoo Doll 2020. There’s no evil behind the appropriate black label; it is floral on the nose, with almonds, herbs and a touch of tropical fruit. Of the reds I will mention two; first the elegant Spätburgunder2018, with its generous raspberry, complemented with flowers, green peppers and an interesting hint of coffee. Kékfrankos is the Hungarian name for blaufränkisch, that the Schmitt family brought over from there. Now in its 2021 vintage it’s medium-bodied and in a way light, but it’s also wonderfully complex, smells of blueberry, morello, herbs and a touch of coffee, it’s luscious in the mouth with soft tannins, an agreeable acidity and a pleasant bitterness in the finish.
Philippe Lancelot is a natural wine classic within Champagne. The estate was created by his parents who both inherited some vineyards, then bought new ones together. Philippe had introduced biodynamic practise for all vineyards by 2012. He wants to express the individuality of each cru and village, almost always completely dry and in most cases without any added sulphur. He showed five magnificent wines, among them Le Fond du Bâteau 2018, from the lieu-dit (named vineyard) of the same name in the surroundings of Choully, a grand cru village in Côte des Blancs. 100% chardonnay, no dosageand zero added sulphites. Light golden, aroma of green apples, citrus, chalk and brioche, concentrated, mineral, long, pure. The oldest wine he presented was Les Bas des Saran 2014, also pure chardonnay, with no additions. This one comes from four lieux-dits in the grand cru villages, among them Cramant (his home village). It’s vinified in oak barrels and vats, and spent 5 years in the cellars before launch. It has a discreet floral nose, more expressive citrus, brioche, in the mouth it has a dry and tense attack but develops both creamy and fruity.
Château Meylet is another natural wine venture from a classic place. They are also biodynamic since 1987. David Favard runs the family estate, that due to its location in St. Emilion has a high percentage of merlot plants, but also cabernet franc, cabernet sauvignon, malbec and petit verdot. Cuvée Baiser d’Ange 2021 is an interesting orange wine from semillon, made with 15 days skin-contact in amphora. Yellow colour, rich with a sweetish sensation. Château Meylet 2019 showed that the reds have some oakiness at an early stage. Luckily there are aged wines then. The 2003, made by David’s father, has stood the test of time. Red with brick rim; red and dark fruits, some tobacco and spice; fine tannins and well-balanced, a raisiny touch also.
Mas de la Lune is located in the Agly valley, Côtes du Roussillon. In schist and granite soils grow varieties also known from the Spanish side, all of them 70-90 years old. Vanessa Courtay showed me a handful of wines in several colours. I am not sure which vintage I tasted of Le Second Souffle; I think it might be 2022, although it then would barely have the time to stay the 9 months with skin-contact that Vanessa told me it had. Anyway it had also little colour for that amount of time. It’s made of macabeu and tastes of wax, flowers and yellow apples, with a structure that more than the colour tells about the prolonged time on skins.
I will soon go on a trip to Bobal country in mid-south-east Spain. A perfect introduction was then to visit the table of Altolandon, from the Cuenca part of DO Manchuela. The property lies up to 1.100 meters, that makes a slow maturation and a fresh acidity possible. Carmen Sebastián and winemaker Rosalía Molina showed me several wines as proof of this. Milhistorias Bobal 2020 has a bright red-blueish colour; red and black fruits on the nose with flowers and herbs; it’s fresh and fruity, very much alive and with a super acidity.
When I was about to call it a day and leave I stumbled upon Nacho León of Demencia Wine. He is located in Villafranca del Bierzo, and the name points to mencía, the most important grape in the area. The wines come in an expressive style, with good fruit and firm tannins. Fuente de San Lázaro 2019 comes from 115 year old vines in a variety of soils and is made in old wood. It shows red and black fruits, herbs and am earthy touch; in the mouth it has the firm tannins, and also a lot of freshness. Villegas 2019 comes from sandy and clayey soils and is also made in old wood. Ripe red and black fruits, herbs, a toasted note; the tannins are firm and there is some coffee and a touch bitterness in the end.
A highlight was indeed the veggie pita served by Jakobsen’s Pita. Not least because I met Ismael Gozalo, that gave me a sip of his magnificent Frágil 2021, a glass-raised verdejo, just in time to enjoy it with the pita. And of course, interviewing Isabelle Légeron MW for Vinforum magazine, in a story about the Raw Fair itself. When it’s published I may port a short version of it here.
In naming a restaurant, managers can provide a headline, if the content follows suit. Here it does. The relatively new restaurant Bravo of Stavanger’s ever more trendy eastern district can be summed up like this: Good food, a select wine list at good prices in a cosy atmosphere.
The food is down to earth but it comes with a creative twist. At the moment the menu consists of eight medium-sized dishes from mainly local ingredients, and a number of snacks. The by-the-glass wine list contains around 20 references, and there is also a longer wine list. The selection largely consists of what you would call natural wines, and all of them are made in an organic, sustainable way. To call the pricing moderate would be an understatement. Look carefully and you can find wines at only 1,5 times the price of the state monopoly.
We were there last Friday, and one of the owners, Rakel Juklestad Helgheim, guided us through four courses and nine wines, assisted by her partner and chef Daniel Vigdel Hansen. Eight of these were chosen from the glass menu and the last one was kindly offered from the longer list by Rakel and Daniel. The platters were shared and most of the wine glasses too.
While enjoying some Spanish olives from the snack menu we decided to go with smoked salmon from producer Jana, right down the road, with carrot and a creamy cheese. It was followed with beetroot with almonds and guasacaca (a Central American sauce), for me the best dish of the evening. Tender cucumber slices struggled to compete with the tasty crab with mustard and lime. Then the kitchen excelled again with a seafood platter with baked ling and spring onion in a mussel sauce with celery and soy.
Knochentrocken 2021(Der GlücksJäger), a sauvignon blanc-chardonnay-riesling from Pfalz, had the volume and roundness that often come with the varieties, with matching acidity. It has some yellow colour, an unfiltered appearance, with melon and lime aromatics.
Smoked salmon with carrot and a creamy cheese, and La Mer, a mineral Muscadet
More mineral with a stony character, sea and salt and some pear was the next, La Mer 2022(Dom. de la Fessardière), a Muscadet, before we with Alsacian Sons of Wine’s Soulographie 2021 were back in a darker and richer style. Made from all the so-called non-aromatic grapes of the region (pinot blanc, chardonnay, auxerrois, pinot gris and riesling) it was nevertheless aromatic, with mature apples, flowers and fennel, and full on the palate with a fresh acidity.
Beetroot with almonds and guasacaca, accompanied by Pommier’s Chablis
It’s not every day that we can add a new Chablis to the repertoire. Pommier‘s 2021 would deliver. It’s light yellow/golden, and smells of green apples, lime – and luckily only a touch of butter. In the mouth it’s concentrated and full of flavour, and has a long, saline finish.
Malterdinger 2020(Bernhard Huber), a chardonnay-weissburgunder (pinot blanc) from Baden came in a light, greenish robe. It showed a richness on the nose, with herbs and butter. The oak was maybe more evident on the palate, and added to the feeling of fullness. I would have given this wine a few years in a cellar.
Scions of Sinai is located in Stellenbosch, South South Africa. Nomadis 2020 is based on cinsault, with contribution of pinotage. Ruby red with red and dark fruits (blackberry, raspberry) and spices. Luscious and savoury. North to Germany and Pfalz, Lebenshilfe is an ecological and social organization, offering work for people with intellectual disabilities. Together with the professionals they have here made the fruity Spätburgunder Trocken2020, a wine with cherry and raspberry fruit, combined with spices and a touch of vanilla. On the palate the fruit follows up, a bit spicy and with a light structure.
Clotaire Michal offered a structure and dark entry for a beaujolais gamay. Maybe not strange, as he had worked several places in the Rhône Valley before settling there. A Fleur de Peau 2019 opens with an animal whiff together with raspberry, plums and spices. It follows up with an impressive structured palate. It’s first of all impressive to taste now, and a terrific gastronomic wine for tasty dishes. However it would easily benefit from a few years more ageing. Back to a white wine, or to be exact… Matassa of Roussillon makes all their whites with skin-contact, so the colour would be darker. Cuvée Marguerite2021 (predominantly muscat varieties and some macabeo) is no exception: Light orange or amber colour, slightly turbid. On the nose there is citrus, white flowers and peach, and in the mouth it’s grapey and quite full, also with a slight tannin.
This was one of the very best from a recent tasting of pure chardonnay extra-dry grower champagnes.
Maison Fleury was established in 1895 in Courteron, in Côte des Bar, southern Champagne. The 15 hectares are all cultivated biodynamically. In fact Fleury was the first producer in Champagne to be certified biodynamic. Jean-Sébastien Fleury has since 2009 been responsible for both vineyards and cellar. He introduced plowing with horses in the vineyards, and today half of them are cultivated in this way. It was also Jean-Sébastien who introduced the first sulphur-free vintage champagne.
Near to Chablis, the grapes are grown on Kimmerigian calcareous clay soils. Most of the vineyards are located on steep slopes facing south and south-west, where the grapes get a lot of sun and thus high ripening. The grapes are hand-picked, and the wines are spontaneously fermented in steel tanks and in 6,000 liter old oak vats, where they also ripen. Cuvée Cépage Blancs Extra-Brut 2011 is elaborated from 100% chardonnay. 35% is vinified in oak barrel.
Cépages Blancs Extra-Brut 2011(Maison Fleury)
Straw yellow, careful mousse. Lovely complexity on the nose: citrus, green apple, white flowers, brioche, and a touch dried fruit. Persistent acidity, almonds and lovely fruit throughout; and even if it’s a dry wine there is a hint of honey in the finish.
Jura is a small, yet diverse wine region. Stéphane Tissot is one of its most dynamic and creative producers, and boasts a huge varieties of styles. Here he has made a sparkling wine with vin de paille in its dosage. And vin de paille? A traditional Jura thick and sweet dessert wine made of dried grapes.
Indigène ferments with indigenous yeasts, hence the name. Then the second fermentation is begun with vin de paille. This wine has the same grape composition as Tissot’s crémant Normale: 55% chardonnay, 35% pinot noir, the rest poulsard and trousseau. These two wines are separated after the first fermentation, when Indigène is dosed with vin de paille, added daily in tiny amounts. The second fermentation takes six months – and adds to the richness and complexity of the wine.
Indigène(S. Tissot)
Straw yellow. Aromas of clementine, yellow apple, spices, dried fruit, bread and nuts. Glyceric, smooth with good concentration, and a long salty finish.
As the rain set in on the rugged coast we wanted a bold wine for the cheeseboard. Luckily this Côtes du Jura was offered by the local store.
Domaine Maire is one of the largest producers of Jura covering 234 hectares of vines, and they sell their wines at affordable prices. The word tradition on the label here refers to a typical blend of the local white grapes varieties ahardonnay and savagnin. Maire’s cuvée comprises around 80% chardonnay and 20% savagnin.
Chardonnay, originating from Burgundy but cultivated in Jura since the 10th Century, has become a native, and is especially well suited on limestone and light soils. The savagnin is typical to Jura and matures slowly on grey marl soils. It’s the ideal grape variety for an oxydative maturing process under a veil of “flor”, referred to locally as “sous voile”. Most of the chardonnay was aged in stainless steel tanks for 2-3 months, the rest on fine lees in wooden vats for the same period of time. A part of the savagnin juices were matured in oak barrels under flor for 8 to 12 months.
Grand Héritage Tradition 2017(Dom. Maire)
Yellow with green hints; apples and flowers (from chardonnay), flor, butter, roasted almonds and nuts (from the savagnin ageing); full in the mouth, good and persistent acidity, meaty.
Price: Medium
Food: Comté or blue cheeses, tapas, shellfish, paté, charcuterie
