While Norway changed government with parades and speeches, an interesting tasting took place just across the street at the Grand Hotel. This tasting in Oslo was the first official Corpinnat tasting outside of Spain.
To be short, Corpinnat (meaning born in the Penedès, after Roman etymological roots) is a group of Catalan producers of sparkling wine that has left DO Cava. All ten producers with wines in the market were represented. Leading the tasting was Carles del Amor, export director of Nadal, one of the six founding members – together with Liora Levi, Norwegian sommelier and wine writer.
The tasting showed a variety of styles. Some wineries contributed what they consider the more typical from their range, while others offered “top” wines. There were examples of restrained, mineral wines, while others were more on the fruity side. Some dominated by the xarel.lo grape (also varietals), others with more parellada. One rosé.
There will be a longer report that I will link to here. Now I will just present one wine in the ever ongoing Wine of the Week series.
Since Carles is here (on behalf of Corpinnat, that is) I still want to focus a bit on Nadal‘s contribution. Their Brut Nature Reserve 2015 was maybe the most flowery/fruity of the lot. This can maybe be seen from the grape composition; parellada 57%, xarel.lo 22%, macabeu 21%. While xarel.lo is a variety with a lot of acidity and preferred in wines made for ageing, parellada contributes more finesse and aroma. This said, Carles tells that they have a project going on, trying to prepare parellada for more ageing, for example by moving higher up towards the Pyrenees. By doing this they also prepare themselves for new, hotter times. The wine has an ageing of 60 months on the lees, is a non dosé obviously organically grown (as is mandatory without Corpinnat), and it’s degorged 21st June 2021 (also obligatory information within the group).
Here are other posts about members of the group (search the site for more):
I met Ramón Jané and his wife Mercé at a fair in Penedès a few years ago and was very impressed. This can also be said about a third member of the team, Toní Carbó, and his side project with an even more natural approach (read here).
Mas Candí disposes of 55 hectares organically farmed vineyards near the Massif del Garraf in Alto Penedès. They are now members of the Corpinnat group, that seeks to reestablish a faith in Spanish sparkling wine by differentiating between the various soils, promote organic farming and otherwise holding strict rules in every aspect.
This sparkler comes from a vineyard planted in 1955 on chalk and fossil ground. It’s a varietal xarel.lo. Minimum ageing on lees for Corpinnat is 18 months. Total sulphur is less than 30 mg/L.
Segunyola Corpinnat Brut Nature 2016(Mas Candí)
Light gold colour; citric with green and red apples and a hint of yeast and almonds; creamy mouthfeel, medium full with good acidity, finishes dry.
Loxarel I have met at a couple of artisan fairs, in Barcelona, and as far as I remember, in London too. Masia Can Mayol, the official name, is Josep Mitjans, fifth generation. When he got in charge of the family firm at a young age he changed the philosophy of this old winery. He started bottling wines, converting to organic, then implementing biodynamic techniques. (Here is another good sparkler from the house.)
The winery is located in Villobí, on a plain not far from Vilafranca del Penedès, but they have also plots in El Pla de Manlleu, higher in altitude and a bit further west.
This winery is among the many that are now abandoning the DO Cava. Among the reasons for this can be a challenging reputation that the appellation has gained over the years, and the fact that it is not dedicated to one specific geographical area. More about this in a future article.
This particular sparkler is made up from xarel.lo 55% (now widely recognized as the best of the “usual suspects” for ageing, then macabeo 30%, parellada 5%, and the rest chardonnay, a grape that I have nothing against, even not here, even not native. I interpret the name a pèl +18 as the time spent on lees (and not skins).
A Pèl +18 Brut Nature 2016(Loxarel/ Masia Can Mayol)
Light straw, greenish tones, creamy mousse. Mild Mediterranean smell of aromatic herbs, yeast, mature lemons and yellow apples. Creamy, tasty, rounded but dry.
Food: Apéritif, Iberian cured ham, light fish and shellfish…
Clandestina travels from Catalunya to new destinations with accordingly named labels, such as Blanc Fugitiu (fugitive), Orance Censurat (censored), Ancestral Confiscat (confiscated). Read more about these here in an article from the cancelled Rawfair this March, where I met winemaker Ferrán at wine bar WineO in London.
This week’s wine, Blanc Sense Papers 2019, has made it all the way to my northern local wine shop. It originates from a more than 50 years old xarel.lo vineyard. The grapes from the three plots were harvested seperately at different times to ensure perfect ripeness, the different harvests are fermented in steel and aged in demijohns for different periods of time, and the last harvest kept in oak for 4 months, before blending it all and bottling unfined and unfiltered. -I base my wines on acidity, says Ferrán, -and I like Bourgogne Aligoté, he answers to my question what he tries to achieve. And acidity he has managed to retain. It really is acidic. I am not sure if it has the body to match, but time will show.
Blanc Sense Papers 2019(Bodegas Clandestina)
Yellow with green and grey hints, slightly turbid. Aroma of green apricot, flowers and grapefruit. Fresh and luscious, dry, good acidity, good length.
Time to celebrate. Maybe not the year that lie behind us, but rather a toast to life, art and good wine itself. There are many possibilities; champagne, crémants, cava… Cava? All right, listen.
Agustí Torello Roca (AT Roca) belongs to the family that gave us Kripta and other great great cavas and wines from Sant Sadurní d’Anoia. While Agustí Torelló Mata (ATM) has turned to organics AT Roca goes further; with a more natural approach, and has also joined the ranks of those who leave the very strange DO Cava, that in reality stands for a way of making wine rather than a sense of place.
Agustí Torello Roca and his father and aunt Agustí and Lali founded AT Roca in 2013. One of the first priorities was to join DO Classic Penedès, a subdivision under the DO Penedès formed in 2012. It started with just 10 members, and has been growing ever since. DO Classic Penedès is perhaps the first governing body that requires organic certification in order to be a member. In addition to the farming requirements, 15 months aging on the lees is the minimum (while only 9 months within DO Cava), and all wines must be made by the traditional method and vintage dated. AT Roca goes further by only using indigenous yeasts and harvesting 100% of their grapes by hand.
For their single vineyard wines, they ferment in used barrels and age the wines on the lees under natural cork instead of crown caps, both of which are rarities in the region. Sulfur is only used once to block malolactic as an effort to retain the acidity. All their wines are zero dosage. They only work with indigenous Catalan grape varieties, with a focus on macabeu.
AT Roca Reserva 2016(AT Roca)
Yellow with greenish hints. Aroma of fennel, lime, breadcrumbs. Good body and concentration, nice acidity, and a salty dry finish.
Food: Good Spanish ham, light meat, salads, dried fish and tasty shellfish
Oníric and Entre Vinyes marks a new organic project from Maria and Fernando Barrena, also partners at Azul y Garanza, with headquarters in Navarra.
The Catalan word oníric means a dreamer and denotes the dream that the couple had, to take over and rescue old parcels and vines that had belonged to their family.
The grapes for this wine come primarily from an old vineyard in the the Baix Penedés with poor soils and naturally low yields. The grapes were pressed before a fermentation in steel tanks. After a 20 days fermentation the wine rests on lees for 6 months. It also undergoes a partial malolactic fermentation. Then it’s bottled with a small addition of sulphites. Unfined, unfiltered.
A visit at Apotekergaarden, Grimstad on the southern coast of Norway is always a highlight. This is a popular place in every sense of the word, with a fascinating mix of people coming for great natural wine served by manager and sommelier Ida Konradsen, and people coming in from the street for burgers and pizza, served by the staff, some of them really talented. There are also concerts in the backyard during the summer season. We were there last Sunday, when our meal was followed by a gig with Norwegian folk-rock band Valkyrien Allstars. I have played there myself too, in fact it was one of the last things I did before the lockdown in March. A more detailed background to the restaurant you can read here.
On Sunday they made a special plate of Italian cheese and ham, olives and other stuff for us, followed by a main course of duck with a compote of red onion and a burger with spicy mushroom and onion, and on Tuesday we shared various pizzas.
Here are some of the wines, some of them in fact outside the official menu, but generously offered by Ida and the staff.
Foam Somló 2019(Meinklang), Somló, Hungary, made by Meinklang of Burgenland, Austria who owns vineyards on both sides of the border. This is a pét nat from Hungarian grapes hárslevelű and juhfark.
Light golden; aroma of yellow apples, hints of pumpkin and gooseberry; concentrated, with a sweet-irh sensation, inspiring indeed.
Brut Nature Reserva Anne Marie(Castell d’Age), Cava, Catalunya, Spain
A traditional cava from one of the pioneers in organic farming in the Penedès area, named after Anne Marie Onyent, one of today’s leading ladies of the company. The grapes are the three usual cava “suspects”.
Slightly bubbly; fresh and appley; fine natural acidity.
La Croix Moriceau 2018(Complémen’ Terre)
A full and concentrated, mineral muscadet full of character.
Yellow; waxy, with mature apples and white peach; quite full, mineral (chalky), a nice bitterness in the aftertaste.
Palmento 2019 (Vino di Anna), Etna, Sicilia, Italy
Skin-contact wine made from the Sicilian carricante grape in fiberglass tanks.
Golden towards orange; aroma of citrus peel, clementine, apricot, mango; full in the mouth and slightly textured. Not too acid, low alcohol (11,5) and perfect while waiting for the main course.
Light yellow; aromas of apple, citrus (lime), with a mineral touch; rich, with a good acidity and splendid concentration. Superb with the duck plate.
A light, fruity barbera that comes in a full litre bottle (hence the name), made by the producer behind the famous “donkey wine” Asinoi. At best when chilled.
Lght cherry red; light berries (strawberry), herbs; lively in the mouth (slightly pétillant), juicy, with a good natural acidity.
Montesecondo 2018(Montesecondo), Toscana, Italy
Located in the Chianti area, but not always classified as such. This is an entry-level wine, with 2% of trebbiano blended in with the sangiovese. If my memory doesn’t fail me it’s a light vintage for this wine.
Rather light cherry colour, aroma dominated by red berries; juicy and refreshing.
Made from tempranillo grapes in Arnedo in the lower part of Rioja. Not completely natural, but with a low amount of sulphur added.
Dark red; blackberry and spice; full, fresh and fruity.
After a few wines I often like to round it off with a beer, to “stabilize” the stomach that by now feels like full of acidity. So I asked Mathias S. Skjong, the in-house brewer, if he had something special, maybe something personal. So he produced Terje (made by Mathias himself in collaboration with Grimstad’s successful brewery Nøgne Ø and given a wide distribution by them, for the restaurant’s 10 year anniversary. It’s a very very hoppy, citrussy and dry India pale ale. Perfect to round off another good meal at Apotekergaarden.
There were several wine fairs that were postponed due to the uncertainties around the coronavirus outbreak. But as far as I know this was the first major fair, and the only one so far that I planned to attend.
Luckily there were many danger-seeking people like me, who decided to go anyway. One of them was Carles Mora Ferrer of Penedès, one of the heroes in this story.
As readers of this blog may know, Raw is a fair for natural, artisan producers and seeks to highlight the “poetry” in the wine. And it has become something of a worldwide community, as the fair has expanded to places like Berlin, New York and Toronto.
Sager & Wilde, Ries & Shine, Antidote and Dandy were among the restaurants that were registered in the #rawwineweek program. And Lady of the Grapes was hosting an event on Women’s Day 8th March. I used the opportunity to visit Elliott’s, as you will soon hear more about, but also favourites like Flor, the Spanish tapas place Brindisa, and the Portuguese Bar Douro (read a post from my visit here). I attended two tastings held by several importers. And the first thing I did was making an appointment with a rising star of British wine, the Tillingham winery. (There will be more about this in the next post from the “fair”.)
At Elliott’s Café, Borough Market I had four wines this time, the two from Clot de les Soleres offered in the by the glass-selection. Allow me first a few words on the winery. In Piera, close to Sant Sadurní (the Cava capital) lie Carles Mora’s family vineyards, abandoned since the 1960’s. Many years later Carles planted some cabernet sauvignon there, and the intention was clearly to make natural wine aged in amphora. Today he and his partner Montse hav 5-6 hectares of not only cabernet, but also chardonnay, and the local varieties macabeo and xarel.lo, that they tend organically, and there are zero additivies in the vineyard or cellar, except for a little copper/sulphur in the vineyard when absolutely necessary. The vineyard lies around 300 meters above sea level, on calcareaous soil, with small stone and pebbels. There is a Mediterranean climate with a lot of sun, but also a breeze from the sea that regulates the temperature so the grapes will not be “baked”. They want to express the terroir, but also the grape variety. So for that reason, only varietal wines are made.
Clot de les Soleres Macabeu 2018 was a pale, slightly pétillant wine, pears and flowers scented, with lovely lemony acidity. The red Clot de les Soleres Cabernet Amphora 2018 was deep dark, dominated by black fruits like blackcurrant, but also with a mineral touch, and well-structured and very vibrant in the mouth.
Aside from this I had the V&S Bacchus 2018, from 2naturkinder of Franken, Germany. This was golden in colour, with orange peel and flowers as dominant aromatics, and full and “orangey” in the mouth. Last this afternoon was Rivera del Notro 2018(Roberto Henríquez), from Bio Bio of Chile, made from the país variety. The wine was light cherry red, with raspberry and some ethereal note. Quite firm in the mouth, and moderate acidity.
Elliott’s has delicious small dishes to go with the wines too. After recommendations from the sommeliers I chose stratiacella (an eggsoup with cheese and nutmeg) culatella (a cured ham from Parma) and hake ragu with the four mentioned wines.
Tasting at Weino BIB
Fernando Berry from Elliott’s is involved in the import company Otros Vinos. Together with a couple of other importers they invited some of the visiting producers to the small wine bar Wineo BIB near Dalston Junction.
So let’s go back to Clot de les Soleres. At Weino BIB Carles served both white, rosé and red wines, still and sparkling. Some were samples, as far as I remember. I hope I have got the names and vintages right. All the whites have been pressed before they ferment in steel, spent the winter in tank and bottled in spring. After the same Macabeu as at Elliott’s the other afternoon there was the Chardonnay 2017, a light, clean and citric wine, mellow in the mouth and with a year more it has achieved a good balance between alcohol and acidity.
The Xarel.lo pét nats (Ancestral I think the name is), vintage 2015 and 2017, were fascinating. With 30 grams in the 2015 when it was bottled (less in the finished wine because it continues to ferment) golden yellow in colour, with an aroma of mature apples and lots of bread from the autolysis; rich and mouthfilling, with a sweet touch, but nice acidity to match. The 2017 was made in the same way, but behaved differently. There were muh less bubbles, more green apple character, citrus and pineapple, some ginger and herbs too, and also some toast, and an excellent acidity. The Chardonnay 2018 pét nat came from two tanks. It showd ligh yellow, more fruity and citric; still with an unfulfilled potential, but with time this will also get a good balance between sugar and alcohol.
I tasted the Rosé Cabernet Sauvignon 2017, a very pale, peach-coloured wine (pressed less than one hour), flowers and strawberry-scented, quite soft but with good acidity, before turning to the reds. The Cabernet Saugivnon 2014 (from 22 year old vines) had only been in tank. It was dark after six years, with typical cabernet aromas such as blackcurrant and a vegetal component; slender in the mouth with a nice structure. Cabernet Sauvignon 2016 had stayed 13 months, then bottled. Also dark, and very fruity, with blackcurrant, green pepper, sour cherries, and an inspiring acidity. It comes with 14% alcohol, but it’s well integrated. The Cabernet Sauvignon 2017 were made in the same way, except for a period in three amphoras of 700L (from Extremadura, because of the quality and type of clay): This one was a little more on the “wild” side; more sour cherries, also with more red berries; quite big in the mouth (13% alc.).
Near Clot de les Soleres, in the tasting room but also the Catalan bodega itself, is Ferrán Lacruz. He runs the Bodega Clandestina in the village of Sant Martí Sarroca, not far from Vilafranca del Penedès. The farm has 8 hectares, of which 3 is planted with vines. The bodega name has inspired the titles of the wines too, Blanc Sence Papers, Fugitiu, Censurat and Confiscat. I think there is no need to translate, please tell me if the contrary is true. The first vintage was 2018. It’s an organic and natural project, no additives, not even SO2, and he works outside any appellation.
All the wines are samples from the 2019 vintage, so I will just go briefly through them. Blanc Sense Papers 2019 comes from a more than 50 years old xarel.lo vineyard. The grapes from the three plots were harvested seperately at different times to ensure perfect ripeness, the different harvests are fermented in steel and aged in demijohns for different periods of time, and the last harvest kept in oak for 4 months, before blending it all and bottling unfined and unfiltered. -I base my wines on acidity, says Ferrán, -and I like Bourgogne Aligoté, he answers to my question what he tries to achieve. And acidity he has managed to retain. It really is acidic. I am not sure if it has the body to match, but time will show. The Blanc Fugitiu is another varietal xarel.lo with three weeks maceration. The skins are always inside the wine, as it is held down with an inox net. It finishes in 500L barrels and amphoras from the French side of Catalunya. This one is much more textured than the former, in the sense of tannins. It’s a bit more funky too, but has nice flowers and citrus peel aromas. Orance Censurat is a carinyena blanc with 4 weeks skin-contact, then aged in amphoras for 5 months. Also a bit on the funky side, but very nice citric notes and quite floral too. The Ancestral Confiscat is a xarel.lo sparkling wines with one year and three months ageing in bottle. The colour is yellow, and there is an abundancy of bubbles; very fruity, appley character with evident autolysis. A promising sparkler.
Le Quais á Raisins is a producer from Aubais in the Languedoc, started in 2015. They are Imogen and Robin, from England and Alsace respectively, who met there while studying. They have also worked abroad, being inspired by and have worked with the Swartland Independent Producers of South Africa, to name just one of the places they have experienced. Imogen was represented here. They only own 1.5 hectares, but use grapes from friends in Languedoc, Roussillon and Rhône. Everything is organic, and some places biodynamic practises are also employed.
Among the wines were Umami 2019, a pét nat with 9 months on the lees from muscat and grenache with no sugar, and no SO2 added. A very nice wine with aroma, a bit peachy, some brioche; it was mouthfilling, with nice acidity, and a saltiness at the end. Méridional 2018 from rolle, grenache and muscat, was floral, but also mineral, and very fresh, – fermented in tank, and some 15% in neutral wood. Embruns 2018, made from macabeu in alluvial soil, was light, pear-like in aroma, there was a little more oak-influence there, and some smokiness. A really interesting one was Syrault 2018 (from syrah and cinsault) from calcareous loess: Cherry red; aroma of blueberry, flowers, mint, pepper; a little sweet sensation in the mouth, but after all an easy-drinking wine. Then a delicate, yet fleshy amphora-aged cinsault called Lopin 2018. Before we rounded off with the Garmatcha 2018 (a grenache, or garnacha grown on limestone and gneiss): Darker colour (because of small yield, more extraction, more punch-down), 18 months in 400L oak (some young, some neutral): It had a intriguing smell of chalkiness, red fruits and herbs, a fruity and well-structured, concentrated taste with some coffee/lickorice towards the end.
Matthias Hager is located in the northern part of the Kamptal, and is known as one of the most creative producers in the area. He produces terroir-driven wines from his 14 hectares of vineyards, from Mollands, his hometown. He has had a biodynamic certification since 2005. He works with different soil types, like loess and clay. He uses different product lines, literally speaking: A label with a blue line represents a fresh and young wine, while a brown line denotes more earthy, flavorful characteristics. Red line stands for no sulphites.
Here are the wines he brought, in brief: Grüner Veltliner Mollands 2018: Light colour; fruity, with pepper and other herbs; smooth, quite concentrated, dry and salty. Grüner Veltliner Urgestein 2018, from schist soil, 10% skin-fermented, made in old oak and steel: This one is more yellow, more mineral, also with peppery tones; good weight in the mouth, and evident acidity. Completely natural. Riesling Alte Reben 2016, 10% skin-fermented for 6 weeks: It’s light yellow; flowery, fruity (but also some mineral); in the mouth it’s textured, rich. A nice take on a riesling.
Riesling PUR 2015 is a wine with 100% skin-contact for 3 weeks: Golden colour; a bit waxy, appley, with ginger and some honey; full in the mouth, textured and with a good acidity. Lastly the Zweigelt Blauburger 2018, an “Austrian merlot”, as Matthias called this second variety (a cross between blauer portugieser and blaufränkisch, noted for colour, not tannin or acidity). The grapes were grown on clay (the zweigelt), loess and schist soil. The wine is blueish; smells of red berries, some green components (pepper), herbs; it’s clean, soft, luscious and also crispy.
Stay on this channel for more from the first restaurant.
Toní Carbó is maybe better known for his collaboration with his friend Ramón Jané at Mas Candí. But he started unofficially to make wine under the Salada label in 2012, together with his wife Ana, from his family’s old farm Celler La Salada.
The family vineyards have never been sprayed, and Toní and his wife have also planted new ones, that they tend organically. These are wonderful wines without any additions of sulphur.
We are in Penedès, in the Barcelona province. La Fusta is the name of this particular vineyard, planted in 1988 in soil with limestone and some clay.
The wine is a varietal xarel·lo. The grapes were hand-picked, pressed in whole bunches, before spontaneous fermentation in old 1000 liter chestnut barrels. Unfiltered.
La Fusta 2018(Celler La Salada)
Light grapefruit colour, somewhat turbid. Smells of yellow apples, white flowers and mature citrus. It’s a bit waxy and mineral with a lively acidity. Long.
Food: Fish and shellfish, paella, and the power and the acidity suggests that it goes well with many meat dishes
Before the Vins Nus and Vella Terra wine fairs started in Barcelona I took the opportunity to travel around l’Empordà – together with a good friend, Malena Fabregat, wine writer and distributor.
We visited two producers of natural wine, one well-established classic, and one up-and-coming estate, both in the same vicinity – Carles Alonso and La Gutina.
Carles Alonso is maybe the foremost pioneer of Catalan natural wines, having started back in the late 1970’s. He is certainly not the most well-known figure, but this is only due to the fact that he has never seeked the limelight, and it has not been necessary either, as he has easily sold everything from his bodega at the entrance of the Els Vilars village.
Carles is self-taught, and he hasn’t felt it necessary to join either fashions or denominations. He owns between 4 and 5 hectares of vineyard, and there he works about 10 varieties, most local, but also some foreign that have adapted well in Catalunya. He does all the work himself. -My daughter helps me a bit though, he admits, -and of course at harvest times there are many people here.
The altitude is never really high in l’Empordà. Here we are about 15 km from the sea and at 230 meters altitude. The Tramontana wind is always noticeable in the area. Carles has a lot of knowledge, and likes a good discussion, and some good jokes. After having joked about bad things in France (politics and weather) he gets more serious: -I am from the Mediterranean, born in Barcelona. So this is my terroir. I make strong, thick wines, full of alcohol. I harvest only 0,5 kg per plant, never prune in green, I never move a leaf… And I harvest late (i.e. September). Many look for acidity, and the only thing they get is acidity.
Carles explains to Malena
The wines ferment in clay amphora, and never see any oak. He makes white and red wine. But it’s the sparkling wines from the ancestral method that are the most prominent.
No chemicals are ever used either in the vineyard or in the cellar. The wines ferment with their own yeasts, without added sulfites, or any other additive of any kind.
We tasted his Blanc Petillant (macabeu, xarel.lo, garnatxa blanca, parellada and chardonnay) both 2009 and 2018. It was quite dark at his desk, but the 09 seemed dark yellow towards orange, smelled of pears, plums and mature apples, was rich and with generous alcohol, but balanced and harmonious. -It is its own category in a way, Carles said, and we could well agree to that. The 18 followed the same line, at 13,8% alc., but was obviously younger. Light straw colour; pear, some citrus (lime); full, with some oxidation (a touch of bitter almonds).
-I used to offer fresh wines, he says. -Like make 4.000 bottles of rosé and sell it to tourists. But in 2001, after I discovered how good a mature wine could be. Then I started to lay some years behind, on purpose.
We also tasted two reds, the Carriel dels Vilars Tinto (garnatxa, syrah, cabernet sauvignon, carinyena) 2018 and 2007. The 18 was dark red with lovely fruit, still some carbonic, and obviously still with an ageing potential. The 07 had no oak, -I am totally against it, he stresses. Ok, I see that old oak can work for micro-breathing, but it’s not for me. It was cherry red with mature nuances; smell of plums, cherry and some compote; drying a little in the mouth, but still full of life.
Only ten minutes away, in Sant Climent Sescebes near the Vilartolí village, we find La Gutina, which means Joan Carles Torres and Barbara Magugliani.
It was a wild landscape. -Here was “nothing”! It’s really difficult to find areas like this, in the middle of Europe, says Joan Carles enthusiastically.
Joan Carles Torres
Joan Carles is 4th generation. It was his father who started replanting, a work that Joan Carles and his Italian-born wife Bárbara continued. They also recovered the oldest vines on the estate, and it was only in 2010 that they sold bottled wines for the first time.
Joan Carles and Malena
There are three dolmens within the borders of the estate, and also menhirs (the long stones, like in Stonehenge). These are from the Neolithic period, maybe 7.000 years ago.
We are 250 meters above sea level. The estate is 80 hectares, but they have only 8,5 hectares of vineyard. The varieties are mostly garnatxa and mostly old vines, but also carinyena, ull de llebre (tempranillo), cabernet sauvignon and others.
The soils are granite and sand, with some small plots of quartz. This is mainly towards the ocean, because there has been less erosion there. The climate is of Mediterranean influence, but dry and windy, and with a strong variation between day and night temperatures in summer.
As we have already mentioned, the tramontana wind is often present. It comes from the north, via the Rhône and can reach 180 km/h. It’s probably the same wind that’s called mistral in Provence and cierzo in Tarragona and Baleares.
Estanys de la Gutina, a small lake on the estate. -La Gutina is here, says Joan Carles, -the place, the territory.
Very old vines inserted in 1961
Bárbara meets us at the outdoor tasting table, provisionally set up in the lovely February afternoon
Everything is organic, and there is a functional biodiversity. The harvest is manual, the wines are fermented with natural yeasts and without added sulfites. -The main threats are wild boars and wild cows, says Joan Carles. These ‘vacas salvajes’ were domesticated before, but escaped during 2-3 generations.
They make some 15-20.000 bottles a year, of which 50% is sold at the farm, by good friends and other people that have heard about these wines.
They prefer to work with cold temperatures, 8-10°C for whites and rosé. The picking here is quite early to retain acidity, this year it started as early as 23rd August.
The wines are really promising. We tasted most of the range. Here are a few.
Barba Roig 2018, a garnacha gris with four hours of maceration: Light colour; still quite restrained in aroma, some pear and apricot; more potent in the mouth with matching acidity.
A couple of wines had a slight mousiness, which I hope they can escape from with time. Nothing of that in the next wine. Joan Carles said about his tempranillo vineyard: -My first vineyard, my first mistake. I don’t agree. Murtra 2017 is the tempranillo, with 5 days skin-contact, no cold-maceration. Red cherry colour; bright red fruits, cherry, some blackberry; young and fruity with evident tannins.
Demontre 2017 (meaning “funny little devil”, a nickname his mother used for Joan Carles), is a garnacha made with 20-25% whole bunches. The wine has a light ruby colour; it’s flowery, very fruity with fruits from the forest; rich in the mouth, a slightly bitter finish, and some alcohol present. Somehow easy, but with character.
Idò 2016: Idò is a “waiting word” in the Balearic, if I remember right, and it also denotes the English “I do”. It’s a garnacha too, this one with one year in old oak (6-10 years): Light cherry red; red fruits, dried fruit (like figs), some balsamic (pine); vibrant in the mouth, fresh acidity, and some tannin.
Life goes on. Joan Carles and Bárbara is living a good life. Joan Carles’ great passion is to be a fireman, to protect from catastrophes to occur and to “prevent”, he says, and sometimes he does “gigs” for the local brigade. A musician from Salif Keita’s band, who works on the farm, gives him occasional drum lessons too. But we must leave for Barcelona, so the jam session must wait until next time.