Barranco Oscuro of the Alpujarras area of the mountaineous part of the Granada province is a producer with a completely natural approach to wine making. Manuel Valenzuela and his son Lorenzo have also spearheaded a Spanish movement in the natural wine field, with no additives, not even SO2, as key elements. They make a variety of styles, from red to white wines, and sparklers too, from international grapes like merlot and viognier, national grapes like tempranillo and garnacha, and local obscurities like the white vijiriega.
This is their wine from what used to be Europe’s highest vineyard at 1368 meters above sea level, hence the name. The grape composition is garnacha, carignan, cabernet sauvignon and -franc, and merlot. From the vineyard you can look up on the Mulhacén peak of the Sierra Nevada mountain range. Here it’s easy to obtain both ripening from the sun and acidity because of the elevation. As a young wine it often shows an evident oakiness. Now it is perfectly integrated, and at the same time by no means fruitless.
1368 Pago Cerro las Monjas 2002(Barranco Oscuro)
Cherry red with developed tones. Aroma of cherries, plums, hint of prunes, aromatic spices, mushroom and undergrowth. It’s full and fleshy in the mouth, integrated oak, some warmth and alcohol from the sun, nicely knitted together by a cool acidity.
Primitivo is one of Puglia’s most prominent grapes. We haven’t focused much on primitivos on this blog. I don’t know, it’s maybe easy to ignore the often slightly warm wines from this corner of Europe and Italy. This remarkable wine I enjoyed at the excellent restaurant and natural wine bar Brawn of London East. (Read about it here.)
Primitivo is an early ripener, hence the name. The Gioia del Colle plateau, with its sea winds and cool nights, is one of the most favoured terroirs. We are 400 meters above the plains where all the boring stuff originates. It’s up here that we find Cristiano Guttarolo, who works his 1.5 hectare vineyard (biodynamically. The vines here are planted on a base of limestone and clay. Fermentation is done with natural yeasts in stainless steel fermentation tanks. Maceration is carried out for 16 days and aged in steel. Bottling is without clarification, filtration or the addition of sulphur dioxide.
Lamie delle Vigne 2014 (Cristiano Guttarolo)
Very dark, young colour. Aroma of berries from the woods (blueberry), and also berries bathed in the sun, and a salty minerality. Round and tasty in the mouth, with a good acidity for a Puglian wine. A hint of volatile acidity maybe, but in tiny quantities it’s ok, as it adds to the freshness in a southern wine like this.
Price: Medium
Food: At Brawn’s it came with their magnificent crispy and tasty black pudding. But it goes to a variety of light meat, salads, vegetarian, vegan and light desserts.
Dão can age, that we knew from producers like Quinta da Falorca, Buçaco (a Dão and Bairrada mix), blended wines from negociants like Caves S. João a.o.
The other day I came across a well-aged wine from Álvaro Castro, from his vineyards bordering the Serra da Estrela national park.
It’s a 50/50 touriga and tinta roriz. I am not quite sure why he calls it Pelada, as one of the vineyards from which he sources the grapes is called Pellada, with a double l. Anyway a drawing of a “peeled” (pelada) lady aptly adorns the front label.
Pelada 2003(Á. Castro)
Deep cherry colour, brownish rim. Dark fruits on the sweet side (towards compote), blackberries and plums, a touch of dried fruits. Cool, integrated acidity, rounded tannins. Aged with grace; for me it will not improve, although I know people that will disagree.
This cava I last tasted at London’s Real Wine fair. (See my first report from the fair here.) It’s one of the newly proposed single estates (Parajes Singulares) that can be appointed according to the DO’s new regulations.
Although he applied for approval of two of his sites Ton Mata of Recaredo are among those (Gramona is another) who think that deeper structural changes has to be made, such as establishing subzones. [Remember, Cava was no geographical place before the DO status. This required a map, so one had to “invent” a DO area. Take a look at that crazy cava map if you like.] So, they are currently working on a project called Corpinnat, to contribute to a differentiation within Cava.
Contrary to the other site, Turó d’en Mota, a small 1,5 ha. vineyard, the Serral is a larger area with various vineyards of almost 20 ha. surrounding the Turó. It’s planted with macabeu and xarel.lo.
Ton Mata pouring at the Real Wine fair
The Serral cava is made from approximately even shares of xarel.lo and macabeu. It shows a surprising freshness after 8 years on the lees. According to Ton this is mainly due to the calcareous soil on top of that hill.
Let’s hope that 2018 can be a year when people stop thinking once and for all that champagne is the only quality fizz around. I don’t have anything against champagne. But there is certainly nothing wrong with this cava either.
Finca Serral del Vell Brut de Brut 2007 (Recaredo)
Light straw-colour. Complex aroma, with fresh pineapples along with some toast, citrus, and some balsamic notes. Rich and creamy, yet surprisingly fresh. The aftertaste shows a stony minerality.
Price: Medium
Food: Please don’t spill it on the streets (not to say at other people) during the New Year’s celebrations. It’s wonderful with a great variety of dishes; fish, shellfish, Iberian ham, tapas, light meat…
Valtravieso was a new find on our journey over the Castilian meseta.
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Located in Piñel de Arriba in the Valladolid province some 920-950 meters above sea level it is one of the highest in the DO Ribera del Duero (except for some parts in the eastern Soria province).
The treatments are natural, the land is worked carefully, the farming is dry, and nothing is done that doesn’t need to be done.
-Here is a long ripening processes, which is good for the aromas and flavours and improves the acidity in the wines, explains winemaker Ricardo Velasco. -The long sun exposure gives good colour to the grapes. There are great differences between day and night, especially in summer, when temperature can drop 18º C. This brings more polyphenols, and with it higher antioxidant content.
The soils are poor. Some parts are more calcareous, others have more clay, which also contributes to more polyphenols. In addition some grapes are bought in from Gumiel (over in the Burgos province) and from Soria. The estate now consists of 54 hectares, that count for half of the wine production, but there will be planted at least 20 more.
The farming is organic, not certified though. -But it’s very easy here, with healthy soils and with the wind sweeping through the vineyards, says Ricardo. They will soon make their own compost too.
Ricardo thinks that ideally a malolactic fermentation should be done in barrel, as it’s easier to integrate it. But Valtravieso is a new and relatively small winery, and he choses to be pragmatic, as it’s much easier to do one tank than -say- 44 barrels. But on the other hand, after the wine has stayed one year in barrel the result is practically the same.
Like many Ribera producers, a rueda wine is also made. Ricardo choses to do this in Miguel Arroyo’s bodega in the southern part of Valladolid. This we will come back to at a later occation.
The bodega building is air-conditioned at 16 and 18°C.
Ricardo told us about one special barrel, where he kept a favourite wine of his, that he calls “Listilla”. It’s a natural wine, nothing added nothing taken away. -I hope the boss will like it, he says. We tasted it, and we can promise a very pure, fruity, grapey wine, a high acidity tempranillo.
At Valtravieso they believe in launching the wines on the market when they are approaching their peak for consumption. This is how it used to be all over the country, but in today’s market it’s rather unusual.
Among the wines we tasted were the Crianza 2015 and a tinta fina, also from 2015.
The Crianza is from 60% own grapes, the rest from Burgos and Soria. It’s a mix between tinta fina (tempranillo), cabernet (franc rather than sauvignon) and merlot, aged in French oak for a little more than a year. Crianza 2015: Cherry red. Very fruity, some coffee, spice, herbs, pine. Rich, but with a fresh acidity, long, and the high alcohol (14,5%) is no problem.
The Tinta Fina is so called because it is from only tinta fina, and 100% from the estate. It’s a single vineyard, which here means from a single parcel of old vines, and with very low yields.
Tinta fina 2015: Dark. Very fruity, with blackberry, pine, truffles, and a flinty mineral character. A lot of structure, rich, somewhat heavy at 15% alcohol, but still the fine acidity shines through.
After a tour in the cellar, with samples, we had a wonderful tasting of some bottled wines in this room. Here is a view of a typical Castilian landscape, a high plain, seemingly not especially welcoming, but of the type that Dutch writer Cees Noteboom said “you have to conquer”. Here we eventually sat down, contemplated to a sip of the Gran Valtravieso.
The best grapes from more than 80 years old vines go into this wine. The fermentation is carried out at a controlled temperature, followed by 35 days of maceration. For this wine the malolactic fermentation takes place in French oak barrels. It used to be aged for three years in wood from three different French forests, but nowadays it stays 12-15 months in concrete.
Gran Valtravieso 2014:
Dark cherry red. Very fruity, cool aroma, with red berries, a balsamic note, hints of vanilla and toffee. It’s rich, yet luscious, with high acidity that contributes to the long aftertaste. I would call it elegant, but due to the alcohol content it’s advisable to cool it down a bit.
When the halls are decked, and the ding dong goes merrily on high, a vin santo can be a perfect wine to the seasons sweets, not least Italian delights such as panettone and biscotti.
As many of our readers would know, vin santo (meaning “holy wine”) is a type of straw wine, as the grapes are typically dried on straw mats, as the story goes, untill Easter. The sweetness can vary a lot, but it’s almost always quite sweet or very sweet.
Badia a Coltibuono (meaning “abbey of the good harvest”) has been a leading Chianti producer for long, with origins back to the 11th century, when the Vallombrosan monks planted the first vineyards in the area. It was finally acquired by the present family in 1846, and now it’s run by Piero Stucchi-Prinetti and his children.
They also make a riserva “occhio di pernice” (‘partridge’s eye’), the rosé version, from typical red chianti grapes. This vin santo is made by the traditional white varieties trebbiano and malvasia, all -both red and white- organically farmed.
The grapes are hand-picked, then dried in well-ventilated rooms, before fermentation is carried out with the help of native yeasts. Ageing is then done for 6 years in big casks and barriques.
Vin Santo 2009(Badia a Coltibuono)
Golden amber colour. Aroma with figs, roasted nuts, figs and a touch of honey. In the mouth it’s opulent, but not as sweet as many others. It’s balanced by a very good acidity, and the finish is long.
A very special day is approaching for the Catalans, the day for the new elections following last month’s incidents. There are many good economic sparklers though, everyday wines that go well with food. Here is one, made by Loxarel, a company that make a lot of good value organic wines, both still and sparkling. It’s not designated as a cava, but a Penedès wine, made from xarel·lo 55%, the rest macabeu and chardonnay.
Loxarel was created by young and talented wine maker Josep Mitjans, in Vilobí del Penedès, just outside Vilafranca. More about him and his wines at a later occasion.
Brut Nature Reserva Vintage 2013(Loxarel)
Light yellow. Appley, with citrus, biscuits, a bit earthy too. Not much trace of autolysis for a reserva, and the acidity contributes to the freshness.
Gregory Perez is a Bordeaux educated oenologist, and his worked with both Grand-Puy-Lacoste and Cos d’Estournel. With roots in Spanish Bierzo, in northwestern Castilla bordering Galicia, he moved there in the early 2000’s.
After his first steps in France, his roots and a friend´s encouragement brought him to Spain, the Bierzo region, to be exact. There he embarked on a project called Mengoba, where he shares a philosphy with many of his generation, which highlights the personality of the various plots, leading to the production of original natural wines.
Pérez has acquired a deep knowledge of the soil and the ecosystem, and the work is carried out with the utmost respect of the land. Use of herbicides is prohibited, and the vineyards are ploughed. He also regards low yields as essential, to ensure ripeness and concentration.
The mencía vineyards are located in Espanillo by the River Cúa, more than 80 year old vines between 700 and 850 meters, and 30 years old garnacha tintorera vines lower down at 550 meters in Valtuille, closer to Cacabelos. The grapes were de-stemmed and crushed, followed by tradicional vinification with pumping over during the alcoholic fermentation in big vats, and aged in the same big vats of 5000 liters for 6 months.
Flor de Brezo obviously takes its name from the area designation Bierzo.
Flor de Brezo 2013 (Gregory Pérez)
Dark red. Aroma of flowers and red berries with herbs. Luscious and juicy in the mouth with soft tannins and a lovely coolness.
Carmenère, of Bordeaux origin, has been found in Chile for more than 100 years – and has in recent times become something of a “national grape”, or at least a point of reference for the country. De Martino (see also here) is said to be the first to bottle it, after its identification as late as in 1991. Their grapes come from the Alto de Piedras vineyard, the same place as the first carmenère was identified.
In this part of Maipo we find a climate similar to the Mediterranean, mild with dry summer. The difference between night and day varies in summer from 14 to 29°C. The soils are alluvial, from the Maipo river.
The family has always wanted to create wines that reflect their origin. The wine is completely organic, like all the wines they make, and they claim it’s suitable for vegetarians and vegans.
Nuevo Mundo Carmenère 2014(De Martino)
Developed red. Aroma of strawberries, as well as fruits from the forest and some spices. Juicy mouthfeel, fresh, but well-integrated acidity.
Ramón Saavedra is waiting in the main square when I arrive in Graena, a small village east of Granada. Otherwise it might have been difficult to find his home among all the other houses that apparently look the same.
Apparently. Because, as we shall see, when we enter the bodega area behind the house this is all but ordinary.
The municipality is called Cortes y Graena and is comprised of four villages. The word Graena is of Arabic origin, and the caves are a legacy of the Arab Andalusian period. A most special feature here are the thermal waters. In fact the name of the bodega is also inspired by the Moors; al-cauzon meaning something like the land of the sand.
Ramón Saavedra returned to his village to take over inherited land that he later planted with vines. He had then been working with Manuel Valenzuela of Barranco Oscuro, to help with pruning etc. In 1998 his first harvest was finally bottled.
The soil is sandy-clayey and calcareous with big, round stones. There is continental climate, with extreme summers with more than 25ºC difference between day and night in the maturation period.
It’s a perfect place to make organic and natural wines, but since his own wines express such a crystal clear idea, I’m maybe a bit surprised by Ramón’s pragmatic attitude about the trade in general.
-Well, for me it’s not only about health, it’s about the balance in nature. I wish that my wine should expressing the earth. But I respect everybody. However I wish that the communication is clear, what you say is what you do.
The grape variety next to the caves is garnacha. -I love the green, living colour, says Ramón
We are 1.080 meters above sea level, and some of the vineyards are at 1.200 meters.
Ecological cultivation, manual harvest, natural production. Wines without added sulfites and fermented with their own yeasts. Without additives of any kind. Its maximum annual production is 20,000 bot.
There are 7 parcels and a total of 6 hectars, all in the Graena village. Here are a lot of field blends from the old days. The cactus both delimits the vineyards and have a function in the biodiversity. Sheep compost is used as fertilizer.
-The panjil tree (also called Bohemian olive, or olive of Paradise) has a strong and inviting aroma, so the insects come here instead of attacking the vineyards, says Ramón. The Moorish people had a lot of knowledge about this.
Work has begun to make a new bodega
-In the old times people were living here. Now I also see a possibility for tourism. We wish to offer a form of rural accommodation here.
Thumbs up for a new bodega within two years!
We had the time for a tasting too. I will not bore my reader with the tank and barrel samples along the way. But here is a brief tale about the bottled wines. The white Cauzón 2015 from torrontés and some chardonnay, viognier and sauvignon blanc was dark orange, very juicy, grapey, elegant and smooth, but very sapid too. Duende 2015, a dark syrah from 1.200 meters of altitude, had violet, eucalyptus and other balsamic notes, wild berries and leather, nice fruit in the mouth, with bright acidity and pleasant tannins. The 6,5 grams of acidity comes from the high altitude.
Cauzón 2015 red from tempranillo was difficult because of the lack of rain. Therefore we don’t find the same fruitiness, says Ramón, who is quick to fetch the same wine in version 2014, just to compare. This one clearly has more fruity berry notes, spice, and it tastes younger, overall. The Ira Dei 2014, tempranillo (or tinta fina), garnacha, cabernet sauvignon and merlot, partly from ungrafted stocks, has ripe fruit, some licorice, but also a lot of freshness. The mouthfeel is quite dry due to more maceration of the three last grapes, but the fruit is there all the time. Lastly we tasted the Pi Noir 2014, and this was a concentrated pinot, also with some volatile, but with a fruity aroma with red berries in the forefront. Cauzor 2009 showed some sign of ageing towards the rim, but was in a good shape. It has some plum confit in the aroma, but there are fresh fruits too, and is delicious now.
Ramón Saavedra, always energetic and enthusiastic, and a distinctive voice on the Spanish wine-scene
