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Tag: biodynamic

Wine of the Week

About flowers and bees

Ribeiro is one of Galicia’s inland DO’s. Coto de Gomariz overlooks the river Avia, and counts nearly 30 hectars on schist, granite and sand. The land is mainly steep, and the yields are naturally low. Gomariz has surely come a long way since Ricardo Carreiro’s father founded the estate a few decades ago, and has been one of the leading estates in Galicias Ribeiro for several years now, one of the major awards so far is «best white wine of the year» by Spanish wine website ElMundoVino. Many good wines mainly from treixadura and sousón have emerged, terroir based wines full of expressive fruit and a great deal of minerality.

IMG_2771 Ricardo Carreiro in the Gomariz cellar

Ricardo has introduced biodynamic techniques. Recently, together with his winemaker Xosé Lois Sebio, he has also added some new wines. I think the main reasons for this were to secure some quicker income, and at the same time improving the grape material for the top wines. A basic white was released. Then there are the two varietal wines called The Flower and the Bee. There is a treixadura white, while this week’s special wine is red, and the one grape being sousón. This variety is thought by some to be an original Galician grape, but it is in fact the same grape known as sousão or vinhão over the Portuguese border.

 

2015-06-15 19.57.34 Unpretentious, lovely wine for a simple, tasty tapa

The Flower and the Bee (La Flor y la Abeja) Sousón 2013 (Coto de Gomariz)

Dark with a blue rim. Vivid aromas of blueberry and raspberry, some balsamic notes (mint), and a touch of sweet spice. In the mouth juicy, slightly carbonic, and very easy to drink. The 2013 has settled and is maybe at its peak right now.

Price: Low

Food: Salads, a variety of tapas, light meat and -why not?- bacalao

 

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Articles

Natural wine fair in Madrid

Madrid was the place to be for natural wine enthusiasts last Sunday, as the Salón de Vinos Naturales was arranged after an initiative from the Productores de Vinos Naturales. Among the exhibitors were some of their own members, like Barranco Oscuro, and Marenas, whose proprietor José Miguel Márquez is the actual leader of the organization. There were other Spanish producers too, and a few from abroad. The wines were all made by small, artesan producers, almost without exception with natural yeasts, without sulphur added, without much else added either, all in all with minimal intervention.

I tasted something like three fourths of the wines, spoke to most of the producers, and I also met some visitors whom I knew or had met before. For me this is a real fun fair, as you meet a lot of nice people, and everyone is open-minded and willing to share opinions without having to defend anything, and there are no points given. There are just so many delicious tastes, healthy products, and conversations about how all this came about.

I warmed up with some white wines at the stand of Fabio Bartolomei and his Ambiz wines. First a couple of airéns, where the 2012 strangely was lighter than the 2014. But this is the way it is, as Fabio said, these wines chose their own path. I also tasted his Doré 2014, an expressive wine from the grape of the same name, and the Sauvignon 2013, nothing like the commercial Sancerres. It’s aromatic though, with some flowers, yellow apple and a tropical hint. The Albillo 2014 is also full of character, quite rich, with some tannin, and with the balsamic note of the variety.

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Fabio Bartolomei, Vinos Ambiz (right)

Samuel Cano was there with most of his portfolio of Patio wines aged beneath the old-fashioned windmills in Mota del Cuervo (Cuenca). Between Aire en el Patio 2014 (literally Air in the Patio, the never-disappointing airén wine) and Al Sol del Patio 2013 (To the Sun of the Patio), there was a wine from syrah grapes harvested as late as end of December in 5 degrees below zero. He had brought his airén-petit verdot Rosé too, and some delicious reds. If I should pick one it could be the Kabronic this time, a 50/50 syrah/graciano, where the latter has been subject to carbonic maceration, showing very fruity, red berries, some balsamic notes, a touch of CO2, and fruit all the way.

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Samuel Cano

From the area not far from Madrid came also Julián Ruíz Villanueva of Escencia Rural. I know he has several good things, in different styles. This time I only tasted the red De Sol a Sol, a dark wine from the variety velasco, quite special, rich, with notes of coffee, aromatic herbs, and a touch of raisins and plums.

Lorenzo Valenzuela served many of his Barranco Oscuro wines, from the highest vineyards in Europe, more specifically Cádiar in las Alpujarras (Granada). I visited some 3-4 years ago, and I have tasted these wines several times since, but I never miss an opportunity. Among all the excellent wines I will this time mention the ultra-fresh and typical Sauvignon (a completely different interpretation than Fabio’s), and the wonderful Garnata, a very fruity, herb-scented and personal garnacha. Fellow Andalusians, Cauzón and Marenas had several interesting wines, like Mazuelo 2014 from the former, and Vides Bravas 2006 from the latter. Being located in Montilla, Marenas has also wines aged under flor, like the one with the descriptive name Bajo Velo PX (that I didn’t taste here).

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Lorenzo Valenzuela, Barranco Oscuro

Viña Enebro of Bullas had a varied table. A white wine from black grapes, adecuately named Uva Negra Vino Blanco, a fresh, floral, clean wine, the Rosado de Aguja from monastrell, a fruity wine, a little bubbly of course, but quite structured too. Then there were also the Viña Enebro, the one with the pink label, a 100% monastrell, quite light for the variety, some plums and red berries, a lousicious character, but with a nice tannic grip as well. The Quercus came in both 2010 and ’11. See the post about wine bar Solo de Uva for more.

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Juan Pascual López, Viña Enebro

A nice surprise came from Galicia. La Perdida of Larouco in the Valdeorras area served a doña blanca and a godello, but the reds based on garnacha tintorera, one with mencía, were among the highlights for me. Maybe most interesting of all from this producer, also with the name La Perdida 2014, a garnacha tintorera (70%) and sumoll (30%) aged in tinaja (amphora), on granite soil, with splendid clean fruit and a solid tannic grip.

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Nacho González, La Perdida (right)

From Catalunya I tasted some nice wines from Can Torres, Empordà, a vinous garnacha blanca from sandy soil over granite ground, and among the reds the interesting Idó 2013, a garnacha from quite old vines on alternating slate and granite, aged in used barrels, a relatively light-coloured wine with aromas of red berries, plums, a rich wine with an appealing texture. The Ambre was one of the specialities of the day, from garnachas gris and tinta, aged in some kind of solera system. The colour was the same as its name suggests, aromas of figs, nuts, a slight touch of raisin, and the alcohol level was very nicely balanced.

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Bárbara Magugliani, Can Torres (left)

Among the «foreigners» I didn’t taste the wines of Frank Cornelissen this time, as I know them quite well, and the Spanish were my main focus this time. But I visited the table of Château Lamery of the village St. Pierre d’Auirillac, by the Garonne river. Here Jacques Broustet makes wines that are clearly at home in this locale, but distinctly different from what we think of as Bordeaux. His only red wine Autrement 2011 was luscious and juicy, with a slight tannin, and a lovely fruit all the way.

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Jacques Broustet, Ch. Lamery

Domaine Thuronis near Carcassonne in Languedoc had some interesting stuff too. The Esprit Vendangeur 2013 is a sauvignon blanc made naturally, and came with super fruit, yellow apple, melon and some peach, and a trace of CO2 (and the 2012 was in the same line, but a little more developed). There was also a sauvignon made in steel and also a time on the lees of chardonnay in barrel. This was a bit darker, yellow with a brownish tinge, some CO2 again, a creamy texture and a very nice acidity.

There was more than this, and the aforementioned wine bar Solo de Uva was serving home-made bread, tasty tapas, and proprietor Carlos Campillo was filling the room with good vibes. He also hosted a dinner in his restaurant that same evening. I was not there, but it couldn’t be bad.

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Wine of the Week

Vinho Divine

A former furniture designer and student of architecture, pedagogy and sculpture, and with an early inclination for metaphysics and myths, Vasco Croft has been in the avantgarde of Portuguese biodynamic wine since the turn of the century.

The base is the family estate from the 17th century, Casal do Paço near Ponte de Lima, a 20 hectar quinta with four hectars of vine, the rest chestnuts and forests. The wine cellar is as old as the estate itself.  The estate is now, in Vasco’s own words, «committed to the preservation of its ecosystems that not only include the vines but entire forests of acacias, oaks, eucalyptus and century-old trees, the home of wild boars, foxes and eagles».

There are many tales of how Aphrodite, goddess of love, was born. One tells that when Cronus cut of Uranus’ genitals and threw them into the sea, she arose from the sea foam, which is called aphros in the Greek language. From Vasco’s family estate near Ponte de Lima arises a wine that is as fascinating as inspiring, slightly bubbly, and if not truly divine there is a certain uplifting feeling to it.

Aphros Loureiro 2013

Aphros Loureiro 2013

Light straw-colour, and a clean aroma with a touch of citrus and flowers. In the mouth it has a creamy texture, it’s not bone dry, it has some minerality and an acidity that’s well wrapped in fruit, and it comes with notes of lime and melon too. This wine is light, yet it’s concentrated and serious, and it’s very, very appealing.

Price: Medium/low

Food: Shellfish, grilled or fried fish, bacalhau, salads, fruits and -why not- sushi

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Wine of the Week

One of two good Zweigelts

In our private wine club last Monday the theme was Austrian red wine with focus on the three grapes Blaufränkisch, St. Laurent and their crossing Zweigelt. While there were seveal good wines from, at least for me, more well-known producers and especially from Blaufränkisch, the biggest revelation was the two Zweigelts from Weingut Maria & Sepp Muster.

Bilderesultat for muster zweigelt

While most wines were from the Burgenland area the Muster family is found in Südsteiermark. There they have inherited a 10 hectar vineyard that they work according to biodynamic methods. The landscape is very steep and the soil has rocks, clay and silt. Sheltered from a nearby mountain range the nights are cool and mild. The vines grow on single wire trellises, an ancient practise in the region.

They imply spontaneous fermentation with natural yeasts, preferably done in barrels and casks. They also like to keep them for a long time, around two years before bottling, to secure maturity and balance.

Graf Zweigelt 2007 (Maria & Sepp Muster)

Bright red. Cool aromas with hints of cherries and plums. Quite concentrated, but grapey and juicy at the same time, and with a delicate and playful acidity. Really enjoyable and calls for more.

Price: Medium

 

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Wine of the Week

The Architect keeps the balance

José Perdigão is known in wine circles as O Arquitecto. With architect education from Paris he has a bohemian-like appearance, but also a down-to-earth attitude. His adega is found near Silgueiros, a stone’s throw from where Henry the Navigator (Duque the Viseu) had a house, and where the inland part of the famous Buçaco wine is made. Not very surprisingly, José Perdigão has designed his own cellar. The dusty road leading down to the main building is leaning towards one side. Obviously the adega building had to lean towards the other, said the architect, so that the visitor will not lose the perception of balance. Once inside, you will see spittoons and other equipment designed by the man himself. Everything fine-tuned here.

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Nearby Viseu is some kind of a capital for the agricultural area that lies around it. The town is never as fascinating as when The Arquitect guides you between its granite walls. He has also been involved re-constructing of some building, not least the historic Solar do Vinho do Dão, in the outskirts of town, where the authorities conduct many tastings.

His winemaking is carried out according to biodynamic principles. He never uses anything in excess, and he values the balance given by the traditional Dão blend, with touriga nacional, tinta roriz, jaen… He can also launch a varietal when he feels it has the right balance, such as his wonderful 100% alfrocheiro.

Once I was invited by José to meet almost all rosé producers in an exposition he had organized, to make my article for magazine Vinforum as credible and comprehensive as possible. So he is also a good collegue, and an excellent ambassador for Dão wines in general. And yes, the wine of this week is his wonderful rosé, one of the best and most expressive of all Dão rosés. Made from 40% touriga nacional, and the rest jaen, alfrocheiro and tinta roriz, the grapes were first macerated separately, then underwent a natural cool fermentation together in stainless steel, then a one month long fermentation in used French oak barrel. No yeast added.

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Quinta do Perdigão Rosé 2014 is a quite dark example of the species, with aromas predominantly of raspberry, with some strawberry, pineapple, menthol, and some very floral scents. It’s quite full and very mouth-filling and persistent. Really delicious, and perfectly balanced. A fresh and fruity wine, yes. But I know from experience that it also can age. It changes, but 3-4 years is not a problem for this rosé.

Price: Low

Food: Goes well with many dishes of white fish and shellfish. Try with sushi and sashimi, risotto, pasta, light meat and desserts with berries.

Quinta do Perdigão Rosé 2014.R The partridge (perdigão) is the emblem of the estate

 

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Articles

A Portuguese palette

Yesterday I was invited to talk about Portuguese wines in Trondheim’s biggest wine club. Ganymedes is the name, referring to the mythologic figure that was carried by an eagle sent by Zeus to be cupbearer for the ancient gods. I was honored to be invited, and a little surprised, I must admit, that close to a hundred people came to listen to a speech about the wines of the longer than wide Iberian country.

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They allowed me to put together a full palette of Portuguese colours. The selection of the country’s wines can’t be said to be very good in Norway these days, so the task could be said to be an exercise in compromise. Given the circumstances I am quite happy about the program.

Quinta do Perdigão Rosé 2014 is made according to biodynamic principles in Silgueiros, central Dão. It’s a typical blend with evident touriga nacional, and is a very fruity and full-bodied rosé with some tannin, and with aromas dominated by raspberry. Quinta do Ameal Loureiro 2013 represented the country’s largest wine region Vinho Verde, a nice wine with flowery aromas with citric nuances, and a slight carbonic palate. It’s not the only organic wine from this wet and somehow difficult northern landscape, but it’s one of the best of its kind. This lighter end of the scale was completed with Nossa Calcário 2013, a bical 100% made by Filipa Pato near the Beiras coast, Bairrada, to be precise. The bical is a versatile grape that, when in good hands, can turn to a delicious, mineral wine like this one. Quite aromatic, a little buttery, but it’s also a little closed, and will benefit from 2 or 3 years further ageing.

The first red wine was what has become known as Portugal’s first natural wine, family Roboredo Madeira’s CARM SO2 free 2010 red. Yes, I admit, my import company brought this one to the country, but it’s included here to contribute to a greater variation. Also from touriga, it has a touch of carbonic mouthfeel, dark berry flavour, and slightly sweet nuances from the oak treatment that half of the wine has been subject to. One of the most widely known wines from this 6-pack must be Esporão Reserva 2012, a wine from the vast Alentejo area, otherwise known for cork oaks, Alentejana cattle a.o. This one is from the Reguengos area towards the big lake in the south, and it has a full, fleshy flavour, but also a good acidity to keep it in balance. The grape composition can vary with the years. This one has alicante bouschet, a traditional grape in the area, together with the usual suspects trincadeira and aragonês, and a little cabernet too. The first red wine ought to be decanted because of some sediments, and both will benefit from some airing. To round it all off we tasted one of one the country’s specialities, a moscatel from the peninsula of Setúbal, just to the south of Lisboa. This one is a fortified wine from the collection of Jose María da Fonseca’s oenologist, and it bears his name. Domingos Soares Franco Colecçâo Privada Moscatel de Setúbal 1999, nothing less. It’s clearly in the moscatel family. Nice and grapey, flowery in the aroma, and with an apricot sweetness. For further ageing it could have needed some more acidity. But so what, according to Sr. Domingos himself, it’s not meant to be stored. And it’s delicious now.

2015-04-15 21.13.23 Lars and Geir Egil, key people in Ganymedes, with chef Geir 

Geir Barstad at the Britannia Hotel had created a delicous two-course menu based on turbot and local veal that allowed the party to taste a variety of the wines with food after the wine tasting.

 

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Wine bars and restaurants

Bar in music break

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We went to Dublin’s fair city, music place. At lunch time we took a break from the whistles, accordeons and fiddles, and found ourselves at a table just off St. Stephen’s Green. And that is also the colour of Ely Winebar. They serve delicious food from their own organic family farm, and the wine list counts some 500 wines, many of them organic and biodynamic, and an impressive 100 wines by the glass. Among the wines we tried were Innocent Bystander 2012 Chardonnay, a fairly full wine with citrus and melon tones with a slight touch of vanilla from Yarra, Australia, Louro de Bolo 2012 (R. Palacios), a godello-based, citrus and herb-scented wine from Valdeorras, Spain, Domaine Chaume-Arnaud Vinsobres 2011, full with hints of red fruits and plums from a typical Southern Rhône blend, PF (Ponce), an old vine pie franco bobal, full of herbs, dark fruits and flowers from Manchuela, Spain, and Paço dos Cunhas de Santar 2010 (Casa de Santar), which we could call a natural wine from Dão, Portugal, earthy and full-bodied, quite polished, with a touch of oak. The ones we tasted were all interesting, some really good, and all this from Ely’s by-the-glass selection.

Keep the beat! And don’t miss this bar!

3_ely_winebar_entrance_22_Ely_Place_Dublin_2 Ely Winebar, Dublin

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Wine of the Week

On the right road

On the north eastern side of Vittoria Arianna Occhipinti’s family has 10 hectars of vinyards and 15 of olive groves, all of it grown organically. The road SP68 is, in Arianna’s words, a connection between the paths that the growers and producers use every day to come to their vineyards and towns. Here the wines travel too, in amphorae and bottles. The people here regard the SP68 as the oldest wine road in Sicilia still in existence.

The vineyards are 280 meters above sea level on red sand and some chalk, and the vines used for this wine are approximately 10 years old. The leaves are kept on the vine to maintain freshness. Only natural yeast is used, the ageing is carried out in cement for 6 months before the wine is bottled, unfiltered. Frappato and nero d’avola are used as monovarietals in other wines, but this one is a blend of 70% frappato, and the rest is nero d’avola.

(You can read about the white version here.)

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And yes, we opened another bottle of this delicious wine in this year’s holy week.

SP68 Nero d’Avola e Frappato 2013 (A. Occhipinti)

It was quite light red with a blue tinge. Nice red berry fruits (raspberry, strawberry), flowers and some spicy notes. Moderate weight, fine tannins, with slight carbonic sensation, and a refreshing acidity dancing on the tongue.

Price: Low

Food: Pizza, pasta, light meat, risotto, antipasti

Serve a little chilled

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Articles

Three true wines from Savennièrs

What could be more appropriate than to start this blog with the man behind the slogan in our header? First a very brief introduction to a man that shouldn’t need any introduction, and to one of the world’s great vineyards.

Nicolas Joly has for several decades been a leading personality in biodynamic wine, and as such a guiding star with bunches of followers, including the Return to Terroir group. Destined to be a banker, he went on to take over his family estate Château de la Roche aux Moines in Savennières by the Loire river. He was sceptical about the effects on modern agriculture on nature. Once he started to experiment with biodynamic farming there was no way back, and all his lectures, his books, all growers who followed where he led, all this has eventually gained him more than a glimpse of glory.

To say that his wines have been subject to controversy would be an understatement. While some praises the complexity, the concentration – and perhaps the legend – some say that the wines are heavy and oxidized, and the vineyard’s potential is far from fulfilled. Myself, I have tasted a few of the older vintages from the 90’s and early 2000’s, but I am far from an insider. But the wines are surely fascinating, and the owner’s perspective is indeed a very interesting one.

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Recently we tasted the current wines. They were undoubtedly of the same family, with a golden to amber colour, smell of apricots, orange peel, nuts, oxidized tones and an alcoholic richness as common features. (Mr. Joly would have replaced the expression oxidized with ripe, but I don’t mean this in a negative way.) And the star amongst them was clearly the one that you might have expected.

Les Vieux Clos 2011 (formerly called Becherelle) of the appellation Savennières, from grounds are primarily schist but also some quartz. The wine has a bright golden to orange colour, notes of yellow apple, herbs and sherry flor, and some oak. It has a spicy, nutty and mineral flavour.

The Clos de la Bergerie 2010 is of another appellation, Savennières Roche aux Moines. This one is from vines around 25 years, also with schist and east facing. It has a slightly darker amber hue, a slightly oxidative smell, hints of mature apple, apricot, quite oaky. Here is some bitterness, honey and hints of caramel.

And finally the Clos de la Coulée de Serrant 2011: The first vineyard was planted here by Cistercian monks around 1130, and the Coulée has been under vine ever since. Today this is an AOC of its own, and Joly owns all of its 7 hectares of steep slate hillsides. The vines used today are between 35 and 80+ years old, and to renew them cuttings from the oldest plantings are used to maintain their Chenins. They are cultivated with horse and hand, and the average yield is 20-25 hectolitres per hectare. The ground is on a red schist bottom with good drainage. It’s a bit of an amphitheater with southern, or southern east orientation, and the grapes are harvested five times during a period of almost a month, to obtain maximum maturity and botrytis. The barrels used to raise all three wines are never more than 5% new.

It has a deep golden with an orange hue, with rich, ripe, complex aromas of apricot, nuts, orange peel, spice, saline, and honey. There is a flinty minerality, and one could maybe say, a slight touch of a young palo cortado sherry. It’s fresh in the attack, has a stony texture, very concentrated and tasty today, and with great lenght. Joly good! Still there is clearly more to come during the next five to ten years.

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