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A meeting with Silvia Bastos at the Café Tati

I regret the closing of the Os Goliardos wine bar in Lisboa, after ten years of existence. There has not been anything like it, before or after, as far as I know. But through my friend Pedro Marques, whose Vale da Capucha wines I import to Norway, I was last year introduced to Silvia Bastos and her partner “in life and crime” Nadir, and one of their other activities, the Vinho ao Vivo fair.

We managed to meet at the Café Tati on a Sunday a couple of weeks ago. The Tati, as the name implies, is a cultural spot, almost impossible to find if you don’t know about it, and filled with activities that I love, such as jazz and good wine.

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Silvia Bastos at the Café Tati

But what happened with the Os Goliardos wine bar, and what are Silvia and Nadir up to now? Silvia explains:

-Our main purpose is to promote wine as culture. We like an open exchange between producers from different countries that share the same values of humanity and respect for the land, having a more natural viticulture, being demanding in the wines. 

And to be more specific:

-We do import, export, distribution, training and two events a year, the Vinho ao Vivo in July in Lisboa (link to the blogpost above), and Vini Corsari in November in Barolo. We started as a wine bar and cellar, we have been doing wine tasting courses ever since, and that created an alternative approach, closer to the production, and a net of people fan of authentic wines. It became difficult to maintain the wine bar among out many activities. But it had its time, and we have a lot of good memories. Now our wine courses are held here at Tati.

I knew that Os Goliardos still existed, though not as a wine bar. And while I was doing some research it seemed to me that Silvia and the Nadir were doing a great and unselfish job spreading the word about the authentic, or artisan producers, and promoting other establishments too.

-We promote the places that decided to have a selection of character wines. I cannot say it’s unselfish because they buy wine from us and we are happy to drink those wines in nice places. But it’s quite hard in Lisboa to promote a non-mainstream style, so we believe we really have to help those places that took that decision.

The future of natural, small-scale, artisan wine in Portugal…

-We still believe we are a very small group in Portugal. If you go to one of the so-called wine bars of Lisboa that only have industrial wines, you will understand what I mean. But it’s a very gratifying work because we always meet producers and people that share the pleasure of the terroir, connected to culture, in a large sense. All that with good wines.

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The door to the Café Tati

Who could imagine that behind this door is one of the natural wine havens of Lisboa? Well, the area is quite popular, close to the Alcântara district, with the Cais do Sodré as one of its nearest neighbours, the railway station that serves the routes to the west. But there are no indication, and the street could need some renovation.

It’s full of cultural activities. I was there on a Sunday, and there was no jazz, but according to the week program there had been some interesting gigs during the past few days. And Silvia explained there had been a wonderful jam-session earlier that day. By the way the Goliardos wine courses are held here too.

On Silvia’s advice I started with a Vinho Verde, the Aphros Loureiro 2009. I have followed the wines of producer Vasco Croft some years, and I know they are good. But I didn’t expect a seven year old wine to be that vivid. Some developed character, ok, but still very much alive, quite fruity and with a good lees-character and lenght. I remember I visited the Lagar de Darei of the Dão region, when they started out some years ago, I even had accomodation there for a night, a freezingly cold night in March, I can remember. So I was very eager to try their Darei Colheita 2014 white. This was heavier, more full than the previous wine, but with ample acidity, maybe a bit more streamlined, but still good. A couple of reds too, one on Silvias suggestion: Óssio 2014 (Adega Monte Branco). The name alludes to the mountain range to the south of Estremoz (in the northern, fresher part of Alentejo). The man behind this one is Luís, son of Miguel Louro of the prestigious Quinta de Mouro. The wine is a single vineyard wine from schistous soil, made with grapes aragonês, alicante bouschet and syrah, fermented together. It’s made in collaboration with Os Goliardos and sold only through them. I admit I have no notes, but after these weeks I remember it as clean, fruity and with a nice structure especially from the acidity. Last was Gilda 2012 (Tiago Teles), a curious blend (castelão, merlot, tinto cão) from the Bairrada area, an interesting wine with notes of red fruits like cherries, plums, some spice, smooth tannins, and good acidity – made in the most natural way possible.

Other than this they had some wines from Álvaro Castro (Dão), Quinta de Serradinha (Lisboa), Marcial Dorado, Spanish producer in Minho, that sadly has closed down his business lately according to Silvia, a section of dessert wines like Port, Setúbal and Madeira, dubbed “Meditation wines”. There were many more, and the selection changes once in a while.

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Interior, before the hords arrive (photo courtesy of Café Tati)

The Goliards was a group within the church in the middle age that wrote satirical verses in Latin, some sort of a protest movement in several countries of Southern Europe. In Silvia’s words they “wrote poetry and drank wine, it was a free movement, no boarders, no precise time”. I see the source of inspiration, although I don’t believe we should draw the comparisons too far.
What is certain: In the world of wine you meet many beautiful people. And the stories about wine, art and life are often intertwined, or they go parallel for a while, and with an open mind and a will to improvise you can reach interesting places. This “Lisbon Story” is an example of just that.
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Wine of the Week

Painting Beaujolais

Laurent Gauthier is another interesting grower in Beaujolais. Based in Villié-Morgon he consider himself lucky to live in, and live with, his vineyards, to ensure the sustainability of the project.

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He likens himself to a painter whose palette has many colours. There is only one basic ingredient, the gamay noir variety, but it is expressed differently according to the terroirs.

The family vines planted on a light slope and oriented east – south east.

This particular wine underwent a (for the area) traditional vinification, with 16 days of maceration with 80% whole bunches, and 9 months in big wooden vats.

Morgon Côte du Py 2014 (Laurent Gauthier)

Cherry red, on the dark side for a modern Beaujolais. Still smooth and elegant, it’s however also a bit tougher than the rest, not in acidity, but maybe in fullness and concentration due to the treatment (more batonnage) in the vats. The aftertaste is dominated by sweet fruits (I was also thinking about toffee, but I am not sure if I dare to write it – it disappeared with airing anyway).

Price: Low

Food: Try with light meat (chicken, rabbit), game, and salad dishes

 

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Wine of the Week

White Bierzo

It’s been a week with some really good white wines. When I chose a Spanish one it may come as a surprise that it is from Bierzo, otherwise known for full and quite heavy reds. But remember, this is a border region between Castilla and Galicia. This wine is from the western part, where you find a slightly more Atlantic climate than in central Bierzo.

Grégory Pérez and his project Mengoba has been presented in this coloumn before, with an inspiring red. This white is made basically from godello grapes, and with some doña blanca from really old vines. The doña blanca is a thick-skinned grape that are known to bring some bitterness to the wines. That could maybe be the main reason for the grapefruit character.

Light pressing, fermentation at low temperatures aged on fine lee for 5 months with weekly batonnage, and with a very light clarification and filtration.

Brezo blanco 2014

Brezo Godello y Doña Blanca 2014 (Gregory Pérez)

Pale, hay-coloured. Potent aroma predominantly of grapefruit, but also with mature yellow apples. Full on the palate, good acidity, quite concentrated with a lengthy aftertaste.

Price: Low

Food: White and grilled fish, salads, light meat

 

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Articles and Wine bars and restaurants

More surprises at Egget, Stavanger

Egget (The Egg) didn’t come first, only around a year ago. But it managed to bring new concepts to the already varied gastronomic scene in Stavanger, a Norwegian town with more than its fair share of cafés and restaurants. This is mainly because the country’s most important culinary educational institutions have been located here. Add to this the nearness to the oil industry and university students from across the country, and I think you are beginning to get the big picture.

What is special then? The obvious features are the facts that the responsibles at Egget don’t have written menus, nor wine lists – and they don’t take bookings. Other than this they seem to have a rather holistic approach, and I doubt they have fixed prices for every dish or every wine.

But maybe the most important: I can’t think of any other restaurant in the area with extremely high ambitions in wine and food, without being formal and pricy. One of Egget’s nearest neighbours just up the street, the first one outside Oslo to receive a Michelin star, can exemplify this. (No offence, that one is excellent too, but more “formal-normal”.)

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Left to right: Diego Gimeno, Roy Klausen, Benoît Berthail (not present that day: head-chef  Anthony Orjollet, creator of most of the dishes)

This time I visited at late lunch-time with a friend. And when we sat down at a table of our choice the relaxing reggae music was turned down to a perfect level. We shared tapa-sized dishes throughout the meal. Our waiter, Ben, made it clear that it was squid day, as the food is always based on today’s catch, and the squid was especially good that day. So along came squid in its own ink, in a salad – and a dish that looked like a chocolate cake, but it was in fact a risotto that included squid with ink as well. There was a ceviche of cod, and a hot dish made with skate (you know that fish that looks like a kite in the water), fermented carrots, grilled milk-marinated lamb… The ingredients and techniques are taken from anywhere in the world, but quality and creativity are common denominators.

The wines are what I like to call natural wines; you know, artisan, low-intervention, organic wines, even without added sulphur, and they are without exception served by the glass. For me Egget is a place I go to get surprised. Sometimes I want to discuss a few options with the waiter, but most often he will suggest a wine, and I will say “ok”. And what to serve with the wines? Well, the kitchen is absolutely free to chose. The food is always superb, often with a creative twist, and with the wines they serve here it has never struck me that the food and the wine didn’t match.

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When you enter the place, you notice oak barrels from Rioja producer Muga in their yard. But you better look upon them as tables, as the wines served are neither oaky nor old-fashioned (and with all respect, Muga is not in the avant-garde of Spanish wine any more, if they ever were).

The first wine this time was the white Amphibolite Nature 2015 from producer Joseph Landron in Loire’s Muscadet de Sèvre-et-Maine. Landron disposes of 45 hectars with varying soil. Amphibolite is the name of the stones that can be found in this particular vineyard, containing magnesium and iron silicate. When the mélon de Bourgogne vines are rooted deep in this soil it can transmit very mineral character to the wine. The wine was slender, citrusy, mineral and structured.

Next was a light red grenache-based wine, Cuvée Romanissa 2014 from Domaine Matassa, on the French side of Catalunya. The grapes are grown in schistous soils rich in iron, and it’s very luscious and fresh, with aromas of red berries and herbs.

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We were also offered the Flotsam & Jetsam Cinsault 2015, from Hemelrand (Alheit Vineyards) in South Africa’s Darling region. Also light coloured, this one had more roundness, and a sensation of sweetness from the cinsault grapes. Strawberry is maybe the dominant aroma, but it showed some spiciness too.

Éric Texier’s Chat Fou (Crazy Cat) is a long time favourite, now in the 2014 vintage. This time we ended with this lovely unfiltered Côtes du Rhône, with its blend of 50% grenache, the rest a mix of four other Rhône grapes, including the white marsanne and rousanne. It was the darkest wine of the lunch, but still deliciouis, luscious summer drinking – yet concentrated and with a hint of spices. Éric isn’t one who uses many tricks to make his wines darker, fatter, more tannic… On the contrary his minimal intervention philosophy seems to maintain a perfect balance in his wines.

Egget_logoYou never know what is coming out…

This was a few days ago, when everyone was preparing for Norway’s national day. I bet many people were crowding up on that day too. Lucky the ones who managed to get one of the 5 or 6 tables. New surprises. Hooray!

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Wine of the Week

A red Ganevat: brilliant as usual

Anne and Jean-François Ganevat continues to deliver fresh, fruity, and almost completely natural wines from their Jura property. This time I have tasted the new edition of their Cuvée Madelon Nature, the 2014 vintage. Gamay-dominated, it also contains 10% of poulsard and 10% trousseau. Only natural yeasts are used, and the wine is not fined, nor filtered, and has not been added SO2.

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Cuvée Madelon Nature 2014 (A. & J.-F. Ganevat)

Light coloured red with blueish rim. Smells of red fruits, some blueberry. Very juicy, grapey in the mouth, with low tannin, moderately high acidity, maybe a slight touch of brett (but so what?); simply delicious!

Price: Medium

Food: Light meat, pizza, pasta, white fish

 

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Articles

Another useless list

I started this blog mainly to be able to give something back to the many great wine personalities I visit during a year. This is only one amongst all of my activities, and often I have been on the backbeat, or long behind schedule, if you like… But one thing I promised myself: No matter what happens I will present one good wine every Friday, and so far I have kept the promise. Some times I have just posted a picture and a little text, then come back to finish the blogpost later. The nearest to miss was just a couple of weeks ago in Évora, walled town in Alentejo, Portugal. I had forgot that the time was one hour before my local time, so by 11 pm I had to rush out to find an open square or something, as there is almost no coverage in that town due to all the stone buildings, and in the cellar of that stone building… well, forget it. But I did it, once again in the manner of James Bond or Cinderella.

After one year of managing this wine blog I just wanted to count how many times has each country been featured in the Wine of the Week column. What does this list say, and what can you learn from it? I will not dwell to much by those questions. But it says, maybe, that I haven’t had any master plan, and that I have travelled more in certain countries compared to others. To the second question, next to nothing.

Enough talking, here is the list:

Spain: 19

France: 10

Italy: 8

Portugal: 6

Germany and Austria: 2

Slovenia, Croatia, Lebanon, USA and Australia: 1

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Number 1 Spain: Ronda vineyards in the background

As for wine regions it depends a little on how we count: Sicilia has 4 (three from Etna and one from Menfi), while Granada alone has 3 (if we extend it to the autonomous region of Andalucía, which might be logical compared to Sicilia, it would be 6, while Castilla y León has 5, two of them in DO Bierzo). Other wine regions with two entries are Alicante, Bourgueil, Beaujolais, Jura, Vinho Verde and Dão.

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And why is Spain number 1? Probably because I travel there a lot, I have many friends (some argue that a wine critic or blogger shouldn’t have friends, it often seems). Here a jamsession in Valladolid after a day with visits in Ribera del Duero, Toro and Rueda, and several of the musicians are connected to nearby wineries.. Yours truly second from left

Which ones I miss? Maybe more from Gredos (a border area in three wine regions, and three political regions – many outstanding garnachas), more Galician wines maybe (lots of lovely, luscious reds and whites), and from Portugal undoubtedly the Lisboa region (great variation). As this post is belated too (the “anniversary” was 1st April) I know there will be wines from Alentejo on next year’s list, and a couple of articles are also in the making. But among the countries totally missing: I have tasted more Georgian wines during the last two years than ever before, maybe its neighbor Hungary ought to be present too, and New Zealand should definitely have been on the list.

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Wine of the Week

A cool reserva from Alentejo

Outeiros Altos is an interesting project outside Estremoz. The Alentejo region may normally evoke pictures of vast plains of cork oaks, warm sun and sharp shadows. But located near the Serra d’Ossa range in the north of the Borba sub-region Outeiros Altos finds itself in a cool microclimate that gives a freshness to all their wines.

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Fernanda Rodrigues and Jorge Cardoso is convinced that the organic approach is right. I was there last week in search of the wines made in clay, which they also make. And walking through the vineyards with them showed clearly that there is a thought behind everything.

This reserva is made from trincadeira (70%), alfrocheiro (20%) and aragonêz (10%), grown in schistous soils, picked by hand, and aged for a year in very lightly toasted French oak barrels. The wines are already certified organic, but in the future they will be labelled vegetarian and vegan friendly too.

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Jorge and Fernanda, with “the next generation”

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The label is almost extending round the whole bottle

Reserva Biológico 2013 (Outeiros Altos)

Deep red. Aroma of red fruites, blackberry, spices and a balsamic note of eucalyptus. On the palate it’s quite full, with mature tannins, concentrated fruit, a nice coolness, and a slight touch of vanilla.

Price: Medium

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Wine of the Week

And I’ll take the (Spanish) high road…

Camino Alto means high road (or street) in Spanish. On the Toledo part of the Meseta, the high plains of central Spain, we find a winery by that name, a winery that is dedicated to organic cultivation. Though I’ve been in touch with them for a while I have not visited them yet, and I have tasted only one wine. But that wine was so much to my liking that I decided to feature it as this week’s wine.

(Yes, it’s been a lot to do lately, so I must come back with a little more text here too.)

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Camino Alto Tempranillo 2015 (Camino Alto)

Dark red with youngish blue hue. Aromas of violets, blueberries and … Quite concentrated, with a nice dryness from the young tannins, and an appropriate acidity.

Price: Low

Food: Goes well with Spanish tapas, from cured hams to cheeses and vegetables, anchovies and more

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Wine of the Week

From southern Alentejo

I’m on a mission. And I’m in Alentejo, the apparently flat and harsh (I didn’t say dull) Portuguese region that is the world’s biggest resource of cork oak. This is a modern red wine from the southern subregion of Vidigueira, maybe surprisingly a white stronghold in this area full of surprises.

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Rocim 2012 (Herdade do Rocim)

Dark, deep red. Aroma of red fruits and deep forests, and a touch of eucalyptus, and with a sweet component too. Full on the palate, with young, round tannins and good length.

Price: Medium

Food: I had it with both roast mushrooms with garlic and olive oil and black pig with mashed apples. But any red meat or game would be near an ideal accompaniment

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