Our local wine club featured Sekt, sparkling wines from Germany, the other day. The tasting showed an overall good quality-price ratio, I would say better than the tasting of spätburgunders a couple of months ago. There are four categories of German sparklers, from the basic Sekt, where the grapes can be of shopped around Europe, narrowing down to Winzersekt, where a smaller manufacturer owns the grapes himself.
Among the best, and also with a very good price, was this one. Raumland is a specialist located in Rheinhessen, with facilities for making sparkling wines offered to several famous German producers. All their vineyards are worked organically, and their sekts are normally fermented out dry.
Riesling Brut 2018(Sekthaus Raumland)
Light yellow colour, fine bubbles (small mousse). Aromatic, green apples and lime, hint of bakery (after 36 months on the lees). Mellow entry, with apricot, a citrussy acidity grows in the mouth, it’s complex, it’s crisp and energetic, and it finishes off dry.
When the Suez Canal was opened in 1869 wine from Reichtsrat von Buhl was offered for the celebration. This cuvée is named to honour the occasion, 150 years later. Organically grown riesling grapes were harvested manually. The base wine was fermented in stainless steel and in tonneaux, followed by a traditional bottle fermentation on the lees for 40 months.
Suez Riesling Brut Nature 2015(Reichtsrat von Buhl)
Light yellow, small mousse. Yellow fruit, mature apples, brioche notes. Full in the mouth, creamy texture, integrated acidity and a long finish. Mature style, elegant.
Sven Leiner’s domaine is located in Southern Pfalz. It consists of 15 hectares of vineyards, that he runs organically with biodynamic methods (and certification). Only a little sulfur is added to the wines before bottling, and no filtration is done. Some key words: Spätburgunder with chardonnay, age of wines 60-70 years, grapes harvested manually, fermented and matured in big oak vats and cement. I guess it’s assembled from three vintages corresponding with the numbers on the label.
Leiner Brut Nature(Weingut Leiner)
This wine lived up to the natural wines’ reputation of being living things, as it changed “colours” several times, from closed and square to open and well-assembled. In the beginning it showed a slight mousiness, but the day after (you see, this bottle I smuggled home after the tasting) it was clean and cutting.
Let’s try to assemble the many impressions: Light with very little bubbles. Aroma of ripe apples, some nuttiness and a stony minerality. Full in the mouth, a rich texture, and a fine mousse on the palate, integrated acidity, quite concentrated and long.
Carlos Sánchez has a background from Sierra de Gredos (4 Monos). But he had early on fallen in love with the Sonsierra area of Rioja. And here he is. Since 2019 he has used the facilities of the former cooperative in Labastida.
This is a wine from a single plot (0,3 ha.) in San Vicente de la Sonsierra, on 100% garnacha. It’s spontaneously fermented with a high percentage of whole bunches, and kept in large oak barrels. Not clarified nor filtered. A modest production of 1.700 bottles.
Buradón Las Plegarias 2020(Carlos Sánchez)
Cherry red. Good ripe fruit, red plums, cherry, some strawberry, and a layer of dried herbs and lavender. Good volume, soft and fleshy, fine tannins, integrated acidity. It’s rooted in its landscape, yet has a noble air to it. Really good.
I have been a couple of days in Grimstad, Norway, the beautiful seaside town of my childhood. The most inspiring restaurant these days is Smag & Behag. They have also opened another restaurant in neighbouring Kristiansand. But this is the original. The wine list is not very extensive, but they have a magnificent underground cellar, high ambitions – and the selection is well-crafted and consists of organic and natural wines of good quality.
Hans Petter Klemmetsen, founder and chef (Credit: Smag & Behag)
For a four course meal I selected four wines together with the waiters. The three first wines -young and beautiful- were Brocard‘s saline Chablis Sainte Marie 2022, Domaine de Nozay‘s flinty Sancerre 2022 and Olivier Merlin‘s raspberry-scented Bourgogne Pinot Noir 2021. Instead of going for a dessert with a sweet wine I chose a selection of cheeses and this week’s wine, a classic style Chianti
Castell’in Villa is located in the south of Chianti Classico, just outside the village of Castelnuovo Berardenga east of Siena in Tuscany. The farm is run by the Greek-born Princess Coralia Pignatelli della Leonessa, who lives in a medieval tower on the property. Out of a total of 300 hectares, 54 ha are vineyards that are all grown organically.
The sangiovese grapes are grown in old river deposits with pebbles and sand, in a vineyard planted in the 1960’s. The grapes were picked by hand and spontaneously fermented, before 3 weeks’ skin maceration. The wine is aged in large oak barrels. Unclarified and unfiltered, and low sulfur (<40 mg/l).
Serving the Chianti
Chianti Classico 2018(Castell’in Villa)
Dark cherry red, with a beginning hint of brown. Aroma of red berries, herbs, leather, mushrooms. Firm and fine-grained tannins, good acidity, notes of tea and plums, with a decent concentration and length.
Last evening in Madrid: I haven’t been to the Asturianos restaurant since many years, when I had a tasting of Gredos wines with Belarmino Fernández. Belarmino’s family runs this restaurant in the Chamberí neighbourhood, and he is also in charge of Bodegas Canopy in Méntrida (Toledo province, at the foot of the Gredos mountains) together with his friend Alfonso Chacón.
I had celebrated and good wines like Esporão Reserva Branco 2021 (Alentejo) and Predicador 2020 (B. Romeo, Rioja), of which the restaurant is a distributor, and also Canopy’s varietal syrah Malpaso 2021. Still, when sommelier José Antonio offered me a tasting of their garnachas, this was unquestionably the highlight of the evening.
Belarfonso is put together from the names of the two owners of the bodega. The wine’s origin is in El Real de San Vicente where old garnacha grows in granite soil. It underwent a pre-fermentative cold fermentation, before a malalactic in oak, and spent a short time in French barrels of 500 and 700 liters.
Castillo de Belarfonso 2019(Bodegas Canopy)
Garnet red. Cherry, herbs, scrubland and a typical ethereal note. Fresh in the mouth, well-integrated tannins, some earth and a hint of coffee and black pepper.
Just back from Bobal country I look back on the best wines during the week. In Manchuela I was welcomed by Juan Antonio Ponce in Villanueva de la Jara (province of Cuenca) a real master of the art.
Bodegas Ponce makes super-elegant and drinkable wines with a very light extraction. Juan Antonio uses only big old wooden containers, whole cluster, and the presence of oak in the wines is zero. He also has a good hand with other varieties such as monastrell that he also makes in a surprisingly elegant style.
The self-titled wine is one of the latest additions to the portfolio of the house, first made as a tribute to the first 15 years of Ponce’s project. It has in short time become something of a prestige wine, and as such maybe surprisingly only 85% bobal, while the rest is moravia agria.
The two varieties ferment separately with native yeasts in wooden vats and with a short maceration. The wine ages for 17 months in large in 600-litre French oak barrels. It’s bottled without filtering or clarifying.
Ponce 2020(Bodegas Ponce)
Cherry red. Red and black fruits, herbs, a touch of smoke. Medium-bodied, concentrated flavours, mineral and long. Elegant.
I am in Fermoselle, a lovely village in Zamora province, Castilla y León. This is the heartland of Arribes del Duero, an exciting wine district bordering Portugal. One of the leading small, terroir-focused wineries is El Hato y el Garabato, José Manuel Beneitez López and his wife Liliana Fernández Pérez. The restaurant of my hotel, Posada Doña Urraca, has plenty of good local wines, and my choice is their Sin Blanca.
José and Liliana work with very old vineyards, between 80 and 120 years old, planted in bush style. These are all managed organically, out of conviction and because the structure of the vines, their age and the weather will protect them. In total they work 8 hectares divided into more than 20 plots.
Arribes is a small territory with only 272 hectares. Still the soils are diverse. El Hato y el Garabato take advantage of this as they have vineyards in clayey soils near the river, granite on the plains and schist and slate in the canyon – with altitudes ranging from 300 to almost 800 meters.
Sin Blanca (meaning: broke) is made from the oldest vines in which all the varieties in the vineyard are included. Juan garcía usually counts for 80% accompanied by bruñal (alfrocheiro in Portuguese), bastardillo (also known as bastardo, merenzao and trousseau) and rufete. It spent 9 months in French oak. Like all their wines it’s not filtered nor clarified, and the sulfuring is very low.
Sin Blanca 2017(El Hato y el Garabato)
Dark cherry red. Red and dark fruits (cherry, blackberry), plum, herbs, stony minerals. Good volume, with an earthy touch and fruit all the way.
What started in the old synagogue of Ponferrada in the 1940’s is now carried on by 3rd generation. Manuel Benito Otero runs the family business with his wife Merche and their daughters Encina and Marina, whose initial syllables gave the winery its name. It was in 2013 that the need to have production facilities near the vineyards made them move to the beautiful village of Molinaseca outside Ponferrada.
The Otero family’s vines are planted between an altitude of 600 and 650 m in soils with a mix of slate and clay. The 10 hectares of vineyards, with up to 120 years old vines, are all worked completely organic.
Un Botón is a village wine in the Bierzo classification hierarchy, from Ponferrada. It’s made from 100% godello, dry-farmed in aluvial soils. The grapes are destemmed and cold-macerated cold for a few hours (by dry ice). Then goes into a pneumatic press. Once the fermentation with yeasts has started, the must is racked into oak barrels and foudres and a small stainless steel tank where it ferments at controlled temperatures. The wine remains in contact with its lees, with batônnage, for a minimum of 6 months.
Para Muestra Un Botón Godello 2019(Encima Wines)
Yellow colour. Aroma of yellow tomatoes, hints of lemon, stony minerality. Full in the mouth, glyceric, creamy, with integrated acidity. It’s not oaky; the wood in a way enhances the fruitiness.
Price: Medium
Food: Light meat, cheese, rice dishes, fish and shellfish. Best served at room temperature.
Raw Wine is ever expanding and has finally come to Scandinavia. Last Sunday some 180 artisans from all over the world was gathered in the conference center The Plant in Amager Øst, Copenhagen. There were three seminars, of which I participated in one (about wines from Castilla y León, read a note here). In the days leading up to the festival there were also tastings and other events collected under #rawwineweek, of which I also participated in the biggest of the additional tastings (see a report from Café Josephine here).
With 180 producers it’s obvious that I couldn’t taste everything. This time I rambled around with no special plan, except I wanted to talk to some that I didn’t know before, some that I knew a little, and of course say hello to some good friends.
My readers might not know that I have a history in Peru. But I have, and my daughter is half Peruvian. Some years ago I visited the region of Ica. It was exciting to know that there is now a natural wine producer right in the desert. The people of Peru knows that it’s their country, not neighbouring Chile, that is the cradle of pisco. The old harbour of Pisco is located right there, only 75 kilometers from Ica, and both are located south of Lima.
Pepe Moquillaza is also a pisco maker and has done a great job recuperating quebranta grapes for pisco production. Now he is rescuing Peruvian clay vessels (also called piscos, or botijas) for natural wine making. In Copenhagen I tasted two of his maritime desert wines. The first one was Mimo Italia Quebranta 2020 (italia, local name for moscatel de alejandría, and quebranta in equal proportions), organically and biodynamically farmed, with two years of skin-contact, not sulphured, aged in old oak, unfined and unfiltered. It’s a light amber coloured wine with good volume, a grapey character and also good acidity. Albita de Ihuanco 2019 is a blend of albilla (local name for palomino) and italia. It combines the minerality of albilla with the flowery scent of moscatel. It’s yellow in colour, and has good volume in the mouth, with some tannin and a lot of fruit. Like the previous wine it has almost zero sugar and a moderate 12% alcohol. The length of the skin-contact is here two months.
Lanfranco Fossà was there on behalf of Davide Spillare, who lends his name to the labels. I met them both when I visited the important village of Gambellara in Veneto five years ago, and it was nice to catch up. (Here you can read about that visit, with more background.) The wines are fresh and lively, and quite light in body. As if some extra freshness is needed, the L1 Frizzante 2021 sparkler has a small percentage of durella to give an extra boost. Bianco Rugoli 2016 comes from an 85 year old vineyard with volcanic soil, with bushes trained in pergola. The nose is complex with mature apples, wax and aromatic herbs, good acidity and a salty mineral finish.
Bianka Schmitt and her VooDoo Doll
A relatively new discovery is Bianka und Daniel Schmitt of Rheinhessen. During the last couple of years I have tasted several impressive wines, from the entry-level 1 litre bottles of Frei. Körper. Kultur. and upwards. It was then lovely to be able to meet Bianka in Copenhagen. These wines are fresh, tasty and truly inspiring. Here we tasted rieslings, like the flowery, red appley, quince and honey scented Riesling M 2018 and the flor-aged Voodoo Doll 2020. There’s no evil behind the appropriate black label; it is floral on the nose, with almonds, herbs and a touch of tropical fruit. Of the reds I will mention two; first the elegant Spätburgunder2018, with its generous raspberry, complemented with flowers, green peppers and an interesting hint of coffee. Kékfrankos is the Hungarian name for blaufränkisch, that the Schmitt family brought over from there. Now in its 2021 vintage it’s medium-bodied and in a way light, but it’s also wonderfully complex, smells of blueberry, morello, herbs and a touch of coffee, it’s luscious in the mouth with soft tannins, an agreeable acidity and a pleasant bitterness in the finish.
Philippe Lancelot is a natural wine classic within Champagne. The estate was created by his parents who both inherited some vineyards, then bought new ones together. Philippe had introduced biodynamic practise for all vineyards by 2012. He wants to express the individuality of each cru and village, almost always completely dry and in most cases without any added sulphur. He showed five magnificent wines, among them Le Fond du Bâteau 2018, from the lieu-dit (named vineyard) of the same name in the surroundings of Choully, a grand cru village in Côte des Blancs. 100% chardonnay, no dosageand zero added sulphites. Light golden, aroma of green apples, citrus, chalk and brioche, concentrated, mineral, long, pure. The oldest wine he presented was Les Bas des Saran 2014, also pure chardonnay, with no additions. This one comes from four lieux-dits in the grand cru villages, among them Cramant (his home village). It’s vinified in oak barrels and vats, and spent 5 years in the cellars before launch. It has a discreet floral nose, more expressive citrus, brioche, in the mouth it has a dry and tense attack but develops both creamy and fruity.
Château Meylet is another natural wine venture from a classic place. They are also biodynamic since 1987. David Favard runs the family estate, that due to its location in St. Emilion has a high percentage of merlot plants, but also cabernet franc, cabernet sauvignon, malbec and petit verdot. Cuvée Baiser d’Ange 2021 is an interesting orange wine from semillon, made with 15 days skin-contact in amphora. Yellow colour, rich with a sweetish sensation. Château Meylet 2019 showed that the reds have some oakiness at an early stage. Luckily there are aged wines then. The 2003, made by David’s father, has stood the test of time. Red with brick rim; red and dark fruits, some tobacco and spice; fine tannins and well-balanced, a raisiny touch also.
Mas de la Lune is located in the Agly valley, Côtes du Roussillon. In schist and granite soils grow varieties also known from the Spanish side, all of them 70-90 years old. Vanessa Courtay showed me a handful of wines in several colours. I am not sure which vintage I tasted of Le Second Souffle; I think it might be 2022, although it then would barely have the time to stay the 9 months with skin-contact that Vanessa told me it had. Anyway it had also little colour for that amount of time. It’s made of macabeu and tastes of wax, flowers and yellow apples, with a structure that more than the colour tells about the prolonged time on skins.
I will soon go on a trip to Bobal country in mid-south-east Spain. A perfect introduction was then to visit the table of Altolandon, from the Cuenca part of DO Manchuela. The property lies up to 1.100 meters, that makes a slow maturation and a fresh acidity possible. Carmen Sebastián and winemaker Rosalía Molina showed me several wines as proof of this. Milhistorias Bobal 2020 has a bright red-blueish colour; red and black fruits on the nose with flowers and herbs; it’s fresh and fruity, very much alive and with a super acidity.
When I was about to call it a day and leave I stumbled upon Nacho León of Demencia Wine. He is located in Villafranca del Bierzo, and the name points to mencía, the most important grape in the area. The wines come in an expressive style, with good fruit and firm tannins. Fuente de San Lázaro 2019 comes from 115 year old vines in a variety of soils and is made in old wood. It shows red and black fruits, herbs and am earthy touch; in the mouth it has the firm tannins, and also a lot of freshness. Villegas 2019 comes from sandy and clayey soils and is also made in old wood. Ripe red and black fruits, herbs, a toasted note; the tannins are firm and there is some coffee and a touch bitterness in the end.
A highlight was indeed the veggie pita served by Jakobsen’s Pita. Not least because I met Ismael Gozalo, that gave me a sip of his magnificent Frágil 2021, a glass-raised verdejo, just in time to enjoy it with the pita. And of course, interviewing Isabelle Légeron MW for Vinforum magazine, in a story about the Raw Fair itself. When it’s published I may port a short version of it here.
El Holgazán is a charming wine from the highlands of Ribera del Duero. With 7 months of oak it would have qualified for the “roble” category. But traditional oakiness is not Marta Castrillo and Cesar Maté’s objective, and the oak is used for a controlled microoxidation, thus adding complexity to the finished wine.
The wine originates from a vineyard in Tubilla del Lago (Burgos province) at 920. It’s a varietal tnto fino (tempranillo), hand-harvested from a special plot of 25 year old vines called “El Holgazán” (the lazybones), that sits on clay/limestone soils.
The grapes are carefully selected by hand before the pumping process. The best quality grapes are crushed naturally by gravity and fermented in conical tanks to concentrate the natural flavours. The malolactic fermentation takes place in barrels of various ages and sizes. The juice is kept on the skins for about 8 days, then after fermentation is complete the wine is aged in oak and concrete.
El Holgazán 2019 (Bod. Marta Maté)
Deep cherry with purple tinges. Intense aromas and flavours of dark and red fruits (blackberry, cherry, raspberry), with licorice and a mineral touch. Medium-bodied, with velvety tannins, a nicely fresh yet integrated acidity and a quite long fruity finish. Nothing in excess, everything in harmony.
I am preparing for a trip to Spain and Bobal country. Bobal is native to Utiel-Requena (where it accounts for 80% of the red grapes) and surroundings in the comunidad of València. It is also very much at home in La Mancha, such as the Cuenca and Albacete provinces. But it can be found far beyond these boundaries. It is the third most grown red grape in Spain, having lost second place recently to garnacha.
The must is normally high in colorants and tannins and is suitable both for aging and for blending with other varieties. The wines tend to be fruity, low in alcohol content and high in acidity.
Bobal grapes affected by hail (Credit: iStock)
I ordered four wines present in my home market. I intend to visit all of the producers, so here I will only give a short presentation of each.
Aurelio García and his wife Micaela Rubio run the first project. They have both worked and consulted in various companies locally and nationally. Here they focus on their roots, their personal taste and local grape varieties and sites.
El Reflejo de Mikaela is in a way an entry-level wine. It is fermented with 30% whole bunches in stainless steel tanks, then aged in moderately porous French vessels made from clay and silica and barrels.
Casa lo Alto is a hamlet outside Venta del Moro, València, where the winery is located. Víctor Marqués is winemaker. The wine Manzán comes from three plots planted with bobal in bush-style between 1940 and 1965. The soil is calcareous clay, poor in organic matter. Use of chemical products is avoided and biodynamic preparations are used. In the winery the grapes are destemmed but not pressed. They undergo a spontaneous fermentation with native yeasts. After pressing, it is decanted into barrels with its lees for approximately 10 months.
Bruno Murciano is a trained sommelier. In 2005 he started his project to make his own wine. He bought 8 ha of old vineyards with bobal in his hometown of Caudete de las Fuentes. In 2010 the first wine was made together with friends, and most of all his brother José Luís, who brought with him experience on how to work biodynamically, among other things.
L’Alegría is made with grapes from the Las Brunas vineyard located at 900 m above sea level. The vines are 85 years old, grown in clay soil. The wine is made in steel tanks.
Bodegas Mustiguillo of Utiel is one of the farms that have their own DO Vino de Pago. Owner Antonio Sarrión is also currently resigning after his period as president for the group Grandes Pago de España. The pago is El Terrerazo, a 160 ha property in Utiel. When Sarrión took over, and after having purchased nearby plots from local farmers, he planned to launch equal parts of bobal, tempranillo and cabernet sauvignon. But soon he realized the potential for the local grape, and bobal is now by far the leading grape in Mustiguillo’s reds.
Finca Terrerazo is a monovarietal bobal from wine from vineyards 800 meters above sea level, on very poor soils with limestone with a sandy-loam texture, from old vines planted between 1945 and 1970. Each plot was vinified separately. Fermentation in oak vats with native yeasts for 8-10 days, with gentle pump-overs and pigéage. Aged for 14 months in French oak. Bottled without stabilizing or filtering.
El Reflejo de Mikaela 2018(Micaela Rubio & Aurelio García)
Dark, blueish hint. Mature fruit, blueberry, cherry, herbs. Good acidity, dryness of strong earl grey tea, or maybe crushed stone.
L’Alegría 2019(Bruno & J.L. Murciano)
Dark, quite dense. Mature black and red fruits (blackberry, cherry), eucalyptus, coffee. Good volume, abundant tannins, spice, quite big but also with some elegance. A couple of years of cellaring is recommended.
Finca Terrerazo 2019(Bodega Mustiguillo)
Dark cherry. Dark and red fruits (blackberry, raspberry), spice, some toast. Good volume, firm tannins, good fruit and acidity, and a mineral touch. Bears 14,5° alcohol well. A couple of years further ageing recommended here too.
